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Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from... show more

Ninta(ニンタ) Art&Live2D (Vgen comm)

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81,143 次观看 • 8 个月前 •via X (Twitter)

艺术科学技术 #Live2D

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I usually don’t do tutorials so it might be a bit scuffed. But I was asked how I make my vtuber hair Lineart with Auto Actions. It separates the strand with the Lineart and allows you to easier color and cut the hair. 🥹 . #vartist #VTuberUprisings #vtuber #live2D

I usually don’t do tutorials so it might be a bit scuffed. But I was asked how I make my vtuber hair Lineart with Auto Actions. It separates the strand with the Lineart and allows you to easier color and cut the hair. 🥹 . #vartist #VTuberUprisings #vtuber #live2D

MarshmallowPanda

29,403 次观看 • 1 年前

🟠The secret to seamless Face shading is NOT clipping!!! #Live2D Clipping Shade creates weird lines along the face. Want to get rid of them? You can create perfectly smooth transitions with this new method! The secret is the layer order. 1. Arrange your layers like this: Cast Shadow, Face Shade, Face Base, and then Lineart. Keep the shade textures under the Face Base. By sliding the base, you can control the shading angles naturally. 2. In Live2D, duplicate the lineart. Clip one to the neck, and Invert-Clip the other to the neck. 3. Keyframe the inverted line's opacity when the character turns. Now, the shadows merge seamlessly—no more weird clipping lines! #NintaLive2DTutorialsYou More Live2D and Art Tutorials⬇ ⬇

🟠The secret to seamless Face shading is NOT clipping!!! #Live2D Clipping Shade creates weird lines along the face. Want to get rid of them? You can create perfectly smooth transitions with this new method! The secret is the layer order. 1. Arrange your layers like this: Cast Shadow, Face Shade, Face Base, and then Lineart. Keep the shade textures under the Face Base. By sliding the base, you can control the shading angles naturally. 2. In Live2D, duplicate the lineart. Clip one to the neck, and Invert-Clip the other to the neck. 3. Keyframe the inverted line's opacity when the character turns. Now, the shadows merge seamlessly—no more weird clipping lines! #NintaLive2DTutorialsYou More Live2D and Art Tutorials⬇ ⬇

Ninta(ニンタ) Art&Live2D (Vgen comm)

30,003 次观看 • 5 个月前

🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽

🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽

Ninta(ニンタ) Art&Live2D (Vgen comm)

13,461 次观看 • 1 个月前

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

38,950 次观看 • 2 个月前

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,031 次观看 • 2 年前

You can see here the colors change from the bleached blonde hair color to the darker yellow like in the anime when charging KI and Sparking

You can see here the colors change from the bleached blonde hair color to the darker yellow like in the anime when charging KI and Sparking

Millennium

56,350 次观看 • 1 年前

“It was really hard.. I bleached my hair so i couldn't filmed on the same day. When the hair is black just filming of one side and then change the hair and clothes….. The scene that was filmed by giving a period of time according to the hair color…”

“It was really hard.. I bleached my hair so i couldn't filmed on the same day. When the hair is black just filming of one side and then change the hair and clothes….. The scene that was filmed by giving a period of time according to the hair color…”

Bovely.☁️

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Trading is stressful, and your hairline knows it. Here's the combo that saves us all from hair loss and grey hair, watch the video to find out.

Trading is stressful, and your hairline knows it. Here's the combo that saves us all from hair loss and grey hair, watch the video to find out.

Bitget

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✨ You can now batch remix photos with your own model For example, let's you you're a fashion brand and did a big photo shoot (real or AI) with one model (black hair), but you need the same shots with another model (blonde hair) Just select your new model, then select the photos you want to remix, and it'll use those as input to regenerate them but with your selected model Cheaper than re-doing the whole photo shoot, well actually about 1000x cheaper

@levelsio

269,035 次观看 • 5 个月前

For anyone wondering how the Floral Rebirth hair dyes on both short and long versions, here's a showcase! Using the base hair for the showcase, and i am showcasing the unlockable colors up to palette 13 (1st evo) Did you know? You do NOT need to complete the outfit to unlock the alternate version of the hair, meaning if you don't want to unlock the whole thing, you can just pull for hair and call it a day! Having two different hairstyles in one is an absolutely game changer for me, i regret nothing by pulling on this banner InfinityNikki WhereAllSoulsReturn

For anyone wondering how the Floral Rebirth hair dyes on both short and long versions, here's a showcase! Using the base hair for the showcase, and i am showcasing the unlockable colors up to palette 13 (1st evo) Did you know? You do NOT need to complete the outfit to unlock the alternate version of the hair, meaning if you don't want to unlock the whole thing, you can just pull for hair and call it a day! Having two different hairstyles in one is an absolutely game changer for me, i regret nothing by pulling on this banner InfinityNikki WhereAllSoulsReturn

Lexi | Infinity Nikki✨

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Kayxtra Botanical by CEO Kassia is one of the best hair care brands in Nigeria! From hair growth to breakage control and dandruff treatment, we’ve got the perfect products for all hair types relaxed, natural and even kids. Regrow your edges, keep your hair moisturized and promote healthy hair growth. Pre-order at and take your hair game to the next level🥂 #BBNaija

Kayxtra Botanical by CEO Kassia is one of the best hair care brands in Nigeria! From hair growth to breakage control and dandruff treatment, we’ve got the perfect products for all hair types relaxed, natural and even kids. Regrow your edges, keep your hair moisturized and promote healthy hair growth. Pre-order at and take your hair game to the next level🥂 #BBNaija

Big Love

73,255 次观看 • 1 年前

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

❤︎ MIZUKI.

54,110 次观看 • 3 个月前

Every layer from colour hair need details and focus! You can do this with your profesional hairstyle, see the haircolour🤩

Every layer from colour hair need details and focus! You can do this with your profesional hairstyle, see the haircolour🤩

Lunegrace

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⚡️Our Hair Is an ANTENNA⚡️ Since ancient times, people have given hair a sacred meaning. It was thought that people could connect with the Universe through one’s hair. Hair serves as an “antenna” and “guide” between our world and the world of Heaven. And so far, this knowledge has not lost its relevance. Hair connects us with Higher forces, cosmic energy, God, and Higher consciousness. By connecting through the hair to the Cosmos, we can fill ourselves with the energies of abundance and health.

⚡️Our Hair Is an ANTENNA⚡️ Since ancient times, people have given hair a sacred meaning. It was thought that people could connect with the Universe through one’s hair. Hair serves as an “antenna” and “guide” between our world and the world of Heaven. And so far, this knowledge has not lost its relevance. Hair connects us with Higher forces, cosmic energy, God, and Higher consciousness. By connecting through the hair to the Cosmos, we can fill ourselves with the energies of abundance and health.

vegastar

82,648 次观看 • 1 年前

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,816 次观看 • 2 年前

【Ohdake Customizable Model】 (Work in progress!) We're planning to have a seperate outline/shadow color slider for the hair, here's a small look of how much of a difference it makes even without changing the base color👀

【Ohdake Customizable Model】 (Work in progress!) We're planning to have a seperate outline/shadow color slider for the hair, here's a small look of how much of a difference it makes even without changing the base color👀

Ohdake

15,129 次观看 • 8 个月前

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

Cohen Brawley

88,707 次观看 • 2 年前

👤 How has SUGA's style developed over the years? 🐱: The reason I grow out my hair is because my parents like it. That's the only reason. My mom always liked my hair longer. 🐨: She like the prince style. 🐱: And then once they saw me with my hair all shaved from the military, my dad said, "Long hair suits you better".

👤 How has SUGA's style developed over the years? 🐱: The reason I grow out my hair is because my parents like it. That's the only reason. My mom always liked my hair longer. 🐨: She like the prince style. 🐱: And then once they saw me with my hair all shaved from the military, my dad said, "Long hair suits you better".

AGUST D CHARTS

175,840 次观看 • 5 个月前

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 次观看 • 2 年前