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Tom challenges Frank Caliendo to sing Piano Man by Billy Joel, using impressions from John C. Reilly, Morgan Freeman, Tracy Morgan, and others. Pat Godwin Frank Caliendo

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The BOB & TOM Show

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1,201,450 Aufrufe • vor 2 Jahren •via X (Twitter)

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Profilbild von Hill Country MD
Hill Country MDvor 2 Jahren

@PatGodwin @FrankCaliendo I could listen to his Goldblum all day.

Profilbild von Len Elmore
Len Elmorevor 2 Jahren

@PatGodwin @FrankCaliendo @FrankCaliendo: the GOAT impressionist. (I’ve seen a few…)

Profilbild von DraftBoardGuru.com
DraftBoardGuru.comvor 2 Jahren

@PatGodwin @FrankCaliendo This might have just made my 2024 "elite." Amazing. Amazing.

Profilbild von D. VanHeirseele (Aunt Bball)
D. VanHeirseele (Aunt Bball)vor 2 Jahren

@fan_cornell @PatGodwin @FrankCaliendo Nothing short of brilliant

Profilbild von Travis
Travisvor 2 Jahren

@PatGodwin @FrankCaliendo This was fantastic!!!!🤣🤣🤣

Profilbild von Scott Jones
Scott Jonesvor 2 Jahren

@PatGodwin @FrankCaliendo @BMac_Oz The cut in this from John C. Reilly to Morgan Freeman in incredible!

Profilbild von Pete
Petevor 2 Jahren

@PatGodwin @FrankCaliendo

Profilbild von azwwor
azwworvor 2 Jahren

@PatGodwin @FrankCaliendo Absolute genius!!

Profilbild von Hit The Horn
Hit The Hornvor 2 Jahren

@PatGodwin @FrankCaliendo @joncbarber hilarious!

Profilbild von Joe Liester
Joe Liestervor 2 Jahren

@PatGodwin @FrankCaliendo @TheBoss_Nelson

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Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.

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TalkSPORT on Morgan Rogers to Chelsea and Chelsea's transfer plans Speaker 1: "We're going straight back to Liverpool. William is a Chelsea fan. I've got a feeling you want to back Rodgers." William: "Mate, it's a brilliant signing. I think a lot of people will be surprised. Forget all the talk because he had a bad season. There were injuries, he had a tight injury, managers were under pressure and things kept changing. "I think working under Xabi Alonso every week will allow him to grow. I'm not saying it's guaranteed he'll start every game, but there's more competition elsewhere. At Chelsea, I think he'll still play from the left, but he'll have a much freer role under Xabi Alonso and become more of the main man. "I think he'll flourish in a less defensive, rigid system. Alonso likes free-flowing football. Only time will tell, but I think playing for Chelsea will benefit Morgan Rogers more." He added: > "Chelsea have a really good chance of finishing in the top four minimum next season. They started this season well but lacked experience. They're going to be a problem next season." The panel also discussed Chelsea's transfer plans, saying: Morgan Rogers is through the door. An approach has been made for Maxence Lacroix, following his impressive performances for Crystal Palace. Chelsea are also considering a move for John Stones on a free transfer, although Arsenal and Bayern Munich are also interested. On John Stones, the panel said Chelsea's young squad needs experience and leadership: "Even if he only plays 20-25 games, he'd be worth it. He brings professionalism, a winning mentality and the experience Chelsea need." The discussion ended by comparing Chelsea's spending with Arsenal's, claiming Arsenal were only willing to pay around £100 million for Morgan Rogers well below Chelsea's fee and Aston Villa's valuation and suggesting Arsenal may have missed out by not matching the asking price.

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2:21

🚨MAJOR INTERVIEW: U.S. ENVOY BREAKS SILENCE AFTER MIDDLE EAST PEACE TALKS I just finished an incredible conversation with arguably the most important man in the thick of the current peace deliberations between Hezbollah, Lebanon, Israel, and Syria. Special Envoy and Ambassador Tom Barrack, a close Trump ally, just wrapped meetings with the Prime Minister of Israel, the President of Syria, the President of Lebanon, and Hezbollah’s longtime ally-representative Nabih Berri. The discussion was frank, deep, and extremely sensitive, giving me a glimpse into what the future might hold for the region. I was surprised to see the Ambassador open up, sharing the challenges he faces as he threads seemingly impossible needles, trying to resolve scars left by decades of endless wars. I ASKED HIM: •Will Hezbollah disarm? •Is Lebanon inching towards civil war? •Does Israel truly seek peace and stability for Lebanon and Syria? •Is Israel seeking to annex Lebanese/Syrian territory? •How much leverage does Iran still have over Hezbollah? •Were the press-conference comments yesterday intentional or a mishap from frustration and stress? Most importantly, I pressed for details on the behind-the-scenes discussions between the Ambassador and leaders of all sides: PM Netanyahu, President Aoun, President Ahmed al-Sharaa (al-Julani), and Nabih Berri. Interview will be released tomorrow.

Mario Nawfal

1,387,964 Aufrufe • vor 1 Jahr

🚨 THE TITANIC WASN'T A TRAGEDY. IT WAS A MASS EXECUTION TO BIRTH THE FEDERAL RESERVE SLAVE SYSTEM 🚨 In 1912 the Rothschild banking cartel and their puppet J.P. Morgan needed to eliminate the final roadblocks to total control over America's money. Three of the richest and most influential men on Earth stood in their way. These men saw the scam clearly and fiercely opposed the creation of a private central bank that would enslave generations: John Jacob Astor IV: wealthiest man aboard, strong Tesla supporter, outspoken critic of centralized banking tyranny. Benjamin Guggenheim: mining billionaire with massive influence. Isidor Straus: Macy's empire founder, another titan who refused to kneel. These three billionaires rejected the Federal Reserve Act: a sinister private cartel owned by elites, designed to print infinite fiat debt, finance endless wars, and profit from human misery and death. So the cabal set the trap. The "unsinkable" Titanic's maiden voyage became the perfect hit. J.P. Morgan, who owned the White Star Line and financed the ship's construction, suddenly canceled his personal trip at the last moment. His friend Milton Hershey also backed out and went on to build his chocolate empire instead. Coincidence? The ship was pushed at full speed into a known iceberg field with only half the required lifeboats. Even worse: Titanic featured experimental electromagnetic deck-sealing technology. Watertight doors that could lock passengers below decks like prisoners while the elite escaped. Outcome? Astor, Guggenheim, and Straus perish in the icy Atlantic. Opposition erased. Less than two years later (1913-1914) the Federal Reserve Act is forced through under suspicious Christmas Eve conditions. A private banking cartel now controls the U.S. money supply, charges interest on debt conjured from nothing, and funds world wars, depressions, and endless inflation theft. The Rothschilds and Morgan didn't just get away with murder. They built the greatest financial enslavement machine in history. Wake up. The "accident" was a deliberate strike. The iceberg was the murder weapon. The Fed was the reward. Who else has to vanish before the next major power grab? 👀 FOLLOW ME, THE NEXT DROP WILL BE SHOCKING
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🚨 THE TITANIC WASN'T A TRAGEDY. IT WAS A MASS EXECUTION TO BIRTH THE FEDERAL RESERVE SLAVE SYSTEM 🚨 In 1912 the Rothschild banking cartel and their puppet J.P. Morgan needed to eliminate the final roadblocks to total control over America's money. Three of the richest and most influential men on Earth stood in their way. These men saw the scam clearly and fiercely opposed the creation of a private central bank that would enslave generations: John Jacob Astor IV: wealthiest man aboard, strong Tesla supporter, outspoken critic of centralized banking tyranny. Benjamin Guggenheim: mining billionaire with massive influence. Isidor Straus: Macy's empire founder, another titan who refused to kneel. These three billionaires rejected the Federal Reserve Act: a sinister private cartel owned by elites, designed to print infinite fiat debt, finance endless wars, and profit from human misery and death. So the cabal set the trap. The "unsinkable" Titanic's maiden voyage became the perfect hit. J.P. Morgan, who owned the White Star Line and financed the ship's construction, suddenly canceled his personal trip at the last moment. His friend Milton Hershey also backed out and went on to build his chocolate empire instead. Coincidence? The ship was pushed at full speed into a known iceberg field with only half the required lifeboats. Even worse: Titanic featured experimental electromagnetic deck-sealing technology. Watertight doors that could lock passengers below decks like prisoners while the elite escaped. Outcome? Astor, Guggenheim, and Straus perish in the icy Atlantic. Opposition erased. Less than two years later (1913-1914) the Federal Reserve Act is forced through under suspicious Christmas Eve conditions. A private banking cartel now controls the U.S. money supply, charges interest on debt conjured from nothing, and funds world wars, depressions, and endless inflation theft. The Rothschilds and Morgan didn't just get away with murder. They built the greatest financial enslavement machine in history. Wake up. The "accident" was a deliberate strike. The iceberg was the murder weapon. The Fed was the reward. Who else has to vanish before the next major power grab? 👀 FOLLOW ME, THE NEXT DROP WILL BE SHOCKING

Whiplash437

24,549 Aufrufe • vor 4 Monaten