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Tom challenges Frank Caliendo to sing Piano Man by Billy Joel, using impressions from John C. Reilly, Morgan Freeman, Tracy Morgan, and others. Pat Godwin Frank Caliendo

The BOB & TOM Show

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@PatGodwin @FrankCaliendo I could listen to his Goldblum all day.

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@PatGodwin @FrankCaliendo @FrankCaliendo: the GOAT impressionist. (I’ve seen a few…)

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@PatGodwin @FrankCaliendo This might have just made my 2024 "elite." Amazing. Amazing.

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@fan_cornell @PatGodwin @FrankCaliendo Nothing short of brilliant

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@PatGodwin @FrankCaliendo This was fantastic!!!!🤣🤣🤣

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@PatGodwin @FrankCaliendo @BMac_Oz The cut in this from John C. Reilly to Morgan Freeman in incredible!

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@PatGodwin @FrankCaliendo

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@PatGodwin @FrankCaliendo Absolute genius!!

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@PatGodwin @FrankCaliendo @joncbarber hilarious!

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@PatGodwin @FrankCaliendo @TheBoss_Nelson

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.Arizona Cardinals highlights called by the many voices of the great Frank Caliendo (using the actual scripts from our radio calls), just a taste of what’s to come when Frank performs live in PHX @ Desert Ridge Improv 1/31 & 2/1. Full pod: YouTube: Apple Podcasts:

.Arizona Cardinals highlights called by the many voices of the great Frank Caliendo (using the actual scripts from our radio calls), just a taste of what’s to come when Frank performs live in PHX @ Desert Ridge Improv 1/31 & 2/1. Full pod: YouTube: Apple Podcasts:

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🎭 Comedian Tracy Morgan shouted at a homeless man in New York — saying he bullied him in childhood The incident happened when a homeless man approached Morgan asking for help. The comedian said he recognized him as a former school bully and reacted angrily. According to witnesses, the man may have deliberately waited for Morgan, knowing his route, to approach him on camera. Morgan responded by saying he owed him nothing and was not obliged to help someone who had once bullied him. The video, which surfaced online, sparked debate: some argue that past trauma justifies refusing help, while others say homelessness does not excuse aggression. Be honest: have you ever dreamed of ending up in a situation where your former bully is begging, and you just walk past — confident and on camera?

🎭 Comedian Tracy Morgan shouted at a homeless man in New York — saying he bullied him in childhood The incident happened when a homeless man approached Morgan asking for help. The comedian said he recognized him as a former school bully and reacted angrily. According to witnesses, the man may have deliberately waited for Morgan, knowing his route, to approach him on camera. Morgan responded by saying he owed him nothing and was not obliged to help someone who had once bullied him. The video, which surfaced online, sparked debate: some argue that past trauma justifies refusing help, while others say homelessness does not excuse aggression. Be honest: have you ever dreamed of ending up in a situation where your former bully is begging, and you just walk past — confident and on camera?

NEXTA

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“If you feel very uncertain about IT services , it probably means it is the best time to enter the sector. The more uncertain you get about something , the greater is your profit opportunity. I learnt this phrase from a book by seminal economist Frank Knight titled Risk , Uncertainty and profit. You must read it” says Ridham Desai of Morgan Stanley. Full conversation with Ridham Desai of Morgan Stanley drops tomorrow ⭐️

“If you feel very uncertain about IT services , it probably means it is the best time to enter the sector. The more uncertain you get about something , the greater is your profit opportunity. I learnt this phrase from a book by seminal economist Frank Knight titled Risk , Uncertainty and profit. You must read it” says Ridham Desai of Morgan Stanley. Full conversation with Ridham Desai of Morgan Stanley drops tomorrow ⭐️

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Morgan Freeman said that "The Shawshank Redemption" (1994), dir. by Frank Darabont, was "an absolutely delightful script", certainly among the top best scripts he had ever read. He contacted his agent and said: "It doesn't matter which part it is - I want to be in it." He was then surprised to learn that they wanted him to play Red, "And I thought, 'Wow, I control the movie!' I was flabbergasted by that." The finished film is his favorite movie of his own

Morgan Freeman said that "The Shawshank Redemption" (1994), dir. by Frank Darabont, was "an absolutely delightful script", certainly among the top best scripts he had ever read. He contacted his agent and said: "It doesn't matter which part it is - I want to be in it." He was then surprised to learn that they wanted him to play Red, "And I thought, 'Wow, I control the movie!' I was flabbergasted by that." The finished film is his favorite movie of his own

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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

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Judy Garland singing “Merry Christmas” in the 1949 MGM musical “In the Good Old Summertime”. Her co-star Van Johnson watches on. “In the Good Old Summertime” is a musical adaptation of the 1940 film “The Shop Around the Corner”, which was directed by Ernst Lubitsch, starring James Stewart, Margaret Sullavan, and Frank Morgan, and written by Miklós László, based on his 1937 play Parfumerie. For “In the Good Old Summertime”, the locale has been changed from 1930s Budapest to turn-of-the-century Chicago, but the plot remains the same. The plot was also revived in the 1998 film “You've Got Mail”, starring Tom Hanks and Meg Ryan.

Judy Garland singing “Merry Christmas” in the 1949 MGM musical “In the Good Old Summertime”. Her co-star Van Johnson watches on. “In the Good Old Summertime” is a musical adaptation of the 1940 film “The Shop Around the Corner”, which was directed by Ernst Lubitsch, starring James Stewart, Margaret Sullavan, and Frank Morgan, and written by Miklós László, based on his 1937 play Parfumerie. For “In the Good Old Summertime”, the locale has been changed from 1930s Budapest to turn-of-the-century Chicago, but the plot remains the same. The plot was also revived in the 1998 film “You've Got Mail”, starring Tom Hanks and Meg Ryan.

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Women in Afghanistan are being sent to prison by the Taliban — claiming it's to protect them from the threat of Sex-based violence. This is a gross manipulation of human rights, using the guise of ‘protection’ to further oppress and control women. Aja ♀️🇬🇧 Allison Pearson Ann Sinnott Bruce Bowman Linda Blade Tracy Edwards Sabrina Agresti-Roubache J.K. Rowling Carilyn Johnson Jean Hatchet Donald J. Trump Sharron Davies MBE Susan Dalgety Sonya Douglas Elizabeth Hornsey 𝙷𝚎𝚕𝚕𝚌𝚊𝚝 (BITCH TROLL FROM HELL) #𝟸𝟹𝟶𝟺𝟶 Jill Foster Kara Dansky Jon Pike Sonia Gallego🪬 Shahrar Ali Patrick🕸 WRN Afghanistan Sam Morgan Heidi

Women in Afghanistan are being sent to prison by the Taliban — claiming it's to protect them from the threat of Sex-based violence. This is a gross manipulation of human rights, using the guise of ‘protection’ to further oppress and control women. Aja ♀️🇬🇧 Allison Pearson Ann Sinnott Bruce Bowman Linda Blade Tracy Edwards Sabrina Agresti-Roubache J.K. Rowling Carilyn Johnson Jean Hatchet Donald J. Trump Sharron Davies MBE Susan Dalgety Sonya Douglas Elizabeth Hornsey 𝙷𝚎𝚕𝚕𝚌𝚊𝚝 (BITCH TROLL FROM HELL) #𝟸𝟹𝟶𝟺𝟶 Jill Foster Kara Dansky Jon Pike Sonia Gallego🪬 Shahrar Ali Patrick🕸 WRN Afghanistan Sam Morgan Heidi

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‼️🇺🇸: UFC OCTAGON GIRLS EPSTEIN MODELING PIPELINE The link between Epstein and Dana White is UFC (Octagon Girls), Ari Emanuel (IMG Modeling), billionaire Fertitta family(20+ docs in Epstein files), and Wilhelmina Models. 👀 Epstein had direct input/output with Wilhelmina Models for years (AFTER his conviction), WHILE UFC was using them for "Octagon Girls" The Fertitta brothers Frank and Lorenzo bought UFC in the early 2000s and kept Dana as President. Frank was negotiating selling Epstein a plane for years (2010s), that fell through via an exclusive broker. Their cousin Tillman Fertitta is in the Epstein files for using the same high-risk JP Morgan bank SARS handler, and working with Epstein’s right-hand Richard Handler(700+ mentions in Epstein files) co-chairing a business together. Ari Emanuel and IMG buy UFC and Octagon Girls in 2016 for BILLIONS and the network that came with it. Ari is mentioned to Epstein directly by an IMG model who was said she was "dating" him at the time. IMG Models, UFC Octagon Girls all used girls from the Wilhelmina pipeline that Epstein moved through. It's a BIG CLUB, and you're not in it.

‼️🇺🇸: UFC OCTAGON GIRLS EPSTEIN MODELING PIPELINE The link between Epstein and Dana White is UFC (Octagon Girls), Ari Emanuel (IMG Modeling), billionaire Fertitta family(20+ docs in Epstein files), and Wilhelmina Models. 👀 Epstein had direct input/output with Wilhelmina Models for years (AFTER his conviction), WHILE UFC was using them for "Octagon Girls" The Fertitta brothers Frank and Lorenzo bought UFC in the early 2000s and kept Dana as President. Frank was negotiating selling Epstein a plane for years (2010s), that fell through via an exclusive broker. Their cousin Tillman Fertitta is in the Epstein files for using the same high-risk JP Morgan bank SARS handler, and working with Epstein’s right-hand Richard Handler(700+ mentions in Epstein files) co-chairing a business together. Ari Emanuel and IMG buy UFC and Octagon Girls in 2016 for BILLIONS and the network that came with it. Ari is mentioned to Epstein directly by an IMG model who was said she was "dating" him at the time. IMG Models, UFC Octagon Girls all used girls from the Wilhelmina pipeline that Epstein moved through. It's a BIG CLUB, and you're not in it.

Diligent Denizen 🇺🇸

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Remembering the great Lee Morgan who was born on this day in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Here, he is performing “I Remember Brit” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merrit on bass and Freddie Waits on drums live on Soul! in 1972.

Remembering the great Lee Morgan who was born on this day in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Here, he is performing “I Remember Brit” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merrit on bass and Freddie Waits on drums live on Soul! in 1972.

The Jazz Estate

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Think about this: a billionaire was asked, “What stops you from using your wealth to change someone’s life?” His answer was simple: “Nothing.” John Morgan, a top lawyer in Florida and a billionaire, didn’t just stop at that. He talked about his homes in New Hampshire, Hawaii, and Florida, but also about how he spent millions to help legalize marijuana in Florida. He pushed for a constitutional amendment to raise the minimum wage from $8 to $15 an hour. And he’s put his money into food banks and foundations. But what really go to me was when he said this: “Income inequality is the number one issue facing America.” That’s the kind of mindset that bridges business success with real impact. Because, at the end of the day, wealth means nothing if it doesn’t open up new possibilities for others.

Think about this: a billionaire was asked, “What stops you from using your wealth to change someone’s life?” His answer was simple: “Nothing.” John Morgan, a top lawyer in Florida and a billionaire, didn’t just stop at that. He talked about his homes in New Hampshire, Hawaii, and Florida, but also about how he spent millions to help legalize marijuana in Florida. He pushed for a constitutional amendment to raise the minimum wage from $8 to $15 an hour. And he’s put his money into food banks and foundations. But what really go to me was when he said this: “Income inequality is the number one issue facing America.” That’s the kind of mindset that bridges business success with real impact. Because, at the end of the day, wealth means nothing if it doesn’t open up new possibilities for others.

Ruzy.hl

503,627 görüntüleme • 4 ay önce

Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.

Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.

The Jazz Estate

20,613 görüntüleme • 1 ay önce

TalkSPORT on Morgan Rogers to Chelsea and Chelsea's transfer plans Speaker 1: "We're going straight back to Liverpool. William is a Chelsea fan. I've got a feeling you want to back Rodgers." William: "Mate, it's a brilliant signing. I think a lot of people will be surprised. Forget all the talk because he had a bad season. There were injuries, he had a tight injury, managers were under pressure and things kept changing. "I think working under Xabi Alonso every week will allow him to grow. I'm not saying it's guaranteed he'll start every game, but there's more competition elsewhere. At Chelsea, I think he'll still play from the left, but he'll have a much freer role under Xabi Alonso and become more of the main man. "I think he'll flourish in a less defensive, rigid system. Alonso likes free-flowing football. Only time will tell, but I think playing for Chelsea will benefit Morgan Rogers more." He added: > "Chelsea have a really good chance of finishing in the top four minimum next season. They started this season well but lacked experience. They're going to be a problem next season." The panel also discussed Chelsea's transfer plans, saying: Morgan Rogers is through the door. An approach has been made for Maxence Lacroix, following his impressive performances for Crystal Palace. Chelsea are also considering a move for John Stones on a free transfer, although Arsenal and Bayern Munich are also interested. On John Stones, the panel said Chelsea's young squad needs experience and leadership: "Even if he only plays 20-25 games, he'd be worth it. He brings professionalism, a winning mentality and the experience Chelsea need." The discussion ended by comparing Chelsea's spending with Arsenal's, claiming Arsenal were only willing to pay around £100 million for Morgan Rogers well below Chelsea's fee and Aston Villa's valuation and suggesting Arsenal may have missed out by not matching the asking price.

TalkSPORT on Morgan Rogers to Chelsea and Chelsea's transfer plans Speaker 1: "We're going straight back to Liverpool. William is a Chelsea fan. I've got a feeling you want to back Rodgers." William: "Mate, it's a brilliant signing. I think a lot of people will be surprised. Forget all the talk because he had a bad season. There were injuries, he had a tight injury, managers were under pressure and things kept changing. "I think working under Xabi Alonso every week will allow him to grow. I'm not saying it's guaranteed he'll start every game, but there's more competition elsewhere. At Chelsea, I think he'll still play from the left, but he'll have a much freer role under Xabi Alonso and become more of the main man. "I think he'll flourish in a less defensive, rigid system. Alonso likes free-flowing football. Only time will tell, but I think playing for Chelsea will benefit Morgan Rogers more." He added: > "Chelsea have a really good chance of finishing in the top four minimum next season. They started this season well but lacked experience. They're going to be a problem next season." The panel also discussed Chelsea's transfer plans, saying: Morgan Rogers is through the door. An approach has been made for Maxence Lacroix, following his impressive performances for Crystal Palace. Chelsea are also considering a move for John Stones on a free transfer, although Arsenal and Bayern Munich are also interested. On John Stones, the panel said Chelsea's young squad needs experience and leadership: "Even if he only plays 20-25 games, he'd be worth it. He brings professionalism, a winning mentality and the experience Chelsea need." The discussion ended by comparing Chelsea's spending with Arsenal's, claiming Arsenal were only willing to pay around £100 million for Morgan Rogers well below Chelsea's fee and Aston Villa's valuation and suggesting Arsenal may have missed out by not matching the asking price.

SHAYEE 𒀭

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The Wings of Eagles (1957), starring John Wayne, Dan Dailey and Maureen O'Hara. Directed by John Ford. According to director John Ford, “Everything in the picture was true. The fight in the club (featured in this video clip) ― throwing the cake ― actually happened. I can verify that as an eyewitness. I ducked it. And the plane landing in the swimming pool right in the middle of the Admiral's tea ― that really happened.” The Wings of Eagles is based on the life of Frank “Spig” Wead and the history of U.S. Naval aviation from its inception through World War II. The film is a tribute to Wead (who died 10 years earlier, in 1947 at age of 52) from his friend, director John Ford, and was based on Wead's “We Plaster the Japs”, published in a 1944 issue of The American Magazine. John Wayne plays naval aviator-turned-screenwriter Wead, who wrote the story or screenplay for such films as Hell Divers (1931) with Wallace Beery and Clark Gable, Ceiling Zero (1936) with James Cagney, and the Oscar-nominated World War II drama They Were Expendable (1945) in which Wayne co-starred with Robert Montgomery. The supporting cast features Ward Bond, Ken Curtis, Edmund Lowe and Kenneth Tobey. This film was the third of five in which Wayne and O'Hara appeared together; others were Rio Grande (1950), The Quiet Man (1952), McLintock! (1963) and Big Jake (1971).

The Wings of Eagles (1957), starring John Wayne, Dan Dailey and Maureen O'Hara. Directed by John Ford. According to director John Ford, “Everything in the picture was true. The fight in the club (featured in this video clip) ― throwing the cake ― actually happened. I can verify that as an eyewitness. I ducked it. And the plane landing in the swimming pool right in the middle of the Admiral's tea ― that really happened.” The Wings of Eagles is based on the life of Frank “Spig” Wead and the history of U.S. Naval aviation from its inception through World War II. The film is a tribute to Wead (who died 10 years earlier, in 1947 at age of 52) from his friend, director John Ford, and was based on Wead's “We Plaster the Japs”, published in a 1944 issue of The American Magazine. John Wayne plays naval aviator-turned-screenwriter Wead, who wrote the story or screenplay for such films as Hell Divers (1931) with Wallace Beery and Clark Gable, Ceiling Zero (1936) with James Cagney, and the Oscar-nominated World War II drama They Were Expendable (1945) in which Wayne co-starred with Robert Montgomery. The supporting cast features Ward Bond, Ken Curtis, Edmund Lowe and Kenneth Tobey. This film was the third of five in which Wayne and O'Hara appeared together; others were Rio Grande (1950), The Quiet Man (1952), McLintock! (1963) and Big Jake (1971).

Hollywood Golden Age of Cinema

20,653 görüntüleme • 1 ay önce

As the search for Shad continues amidst a lack of assistance or corporation from the DCI KENYA and National Police Service-Kenya, another young Kenyan has fallen victim to the government's insatiable appetite for violating human rights. An innocent, unarmed, and harmless young man, John Frank Githiaka alias Franje Franje, was abducted by unidentified plain-clothe officers from his office at Beast Athletic Offices on Baringo Road in Kahawa Sukari. The high calibre weapons brandished by the abductors confirm that the string of abductions is being perpetrated by very high level, clandestine operatives within the police force. Franje is not a terrorist to warrant such heavy-duty weapons being brandished at him, even if he were under arrest. To these rogue cops and their masters, you may flout and contravene the constitution, but you cannot extinguish its resilient spirit; the law will catch up with you. We call on all members of the public to be extra vigilant at this time. Let us continue to share and communicate any information you may have to help establish the whereabouts of our comrades. We continue to do what we can and must, let us be each other's keeper.

As the search for Shad continues amidst a lack of assistance or corporation from the DCI KENYA and National Police Service-Kenya, another young Kenyan has fallen victim to the government's insatiable appetite for violating human rights. An innocent, unarmed, and harmless young man, John Frank Githiaka alias Franje Franje, was abducted by unidentified plain-clothe officers from his office at Beast Athletic Offices on Baringo Road in Kahawa Sukari. The high calibre weapons brandished by the abductors confirm that the string of abductions is being perpetrated by very high level, clandestine operatives within the police force. Franje is not a terrorist to warrant such heavy-duty weapons being brandished at him, even if he were under arrest. To these rogue cops and their masters, you may flout and contravene the constitution, but you cannot extinguish its resilient spirit; the law will catch up with you. We call on all members of the public to be extra vigilant at this time. Let us continue to share and communicate any information you may have to help establish the whereabouts of our comrades. We continue to do what we can and must, let us be each other's keeper.

Faith Odhiambo

356,314 görüntüleme • 2 yıl önce

🚨MAJOR INTERVIEW: U.S. ENVOY BREAKS SILENCE AFTER MIDDLE EAST PEACE TALKS I just finished an incredible conversation with arguably the most important man in the thick of the current peace deliberations between Hezbollah, Lebanon, Israel, and Syria. Special Envoy and Ambassador Tom Barrack, a close Trump ally, just wrapped meetings with the Prime Minister of Israel, the President of Syria, the President of Lebanon, and Hezbollah’s longtime ally-representative Nabih Berri. The discussion was frank, deep, and extremely sensitive, giving me a glimpse into what the future might hold for the region. I was surprised to see the Ambassador open up, sharing the challenges he faces as he threads seemingly impossible needles, trying to resolve scars left by decades of endless wars. I ASKED HIM: •Will Hezbollah disarm? •Is Lebanon inching towards civil war? •Does Israel truly seek peace and stability for Lebanon and Syria? •Is Israel seeking to annex Lebanese/Syrian territory? •How much leverage does Iran still have over Hezbollah? •Were the press-conference comments yesterday intentional or a mishap from frustration and stress? Most importantly, I pressed for details on the behind-the-scenes discussions between the Ambassador and leaders of all sides: PM Netanyahu, President Aoun, President Ahmed al-Sharaa (al-Julani), and Nabih Berri. Interview will be released tomorrow.

🚨MAJOR INTERVIEW: U.S. ENVOY BREAKS SILENCE AFTER MIDDLE EAST PEACE TALKS I just finished an incredible conversation with arguably the most important man in the thick of the current peace deliberations between Hezbollah, Lebanon, Israel, and Syria. Special Envoy and Ambassador Tom Barrack, a close Trump ally, just wrapped meetings with the Prime Minister of Israel, the President of Syria, the President of Lebanon, and Hezbollah’s longtime ally-representative Nabih Berri. The discussion was frank, deep, and extremely sensitive, giving me a glimpse into what the future might hold for the region. I was surprised to see the Ambassador open up, sharing the challenges he faces as he threads seemingly impossible needles, trying to resolve scars left by decades of endless wars. I ASKED HIM: •Will Hezbollah disarm? •Is Lebanon inching towards civil war? •Does Israel truly seek peace and stability for Lebanon and Syria? •Is Israel seeking to annex Lebanese/Syrian territory? •How much leverage does Iran still have over Hezbollah? •Were the press-conference comments yesterday intentional or a mishap from frustration and stress? Most importantly, I pressed for details on the behind-the-scenes discussions between the Ambassador and leaders of all sides: PM Netanyahu, President Aoun, President Ahmed al-Sharaa (al-Julani), and Nabih Berri. Interview will be released tomorrow.

Mario Nawfal

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