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Tom McCarthy insisted on a "zero-style" cinematography for SPOTLIGHT (2015) He banned dramatic camera swoops or flashy lighting, wanting the film to feel like an "unvarnished, blue-collar" procedural. This superb Movie premiered 11yrs ago today.

Michael Warburton

36,236 subscribers

834,579 次观看 • 10 天前 •via X (Twitter)

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spotcheck billy 的头像

spotcheck billy9 天前

Love it. Definitely in my top 10 rewatched movies from this century. Performances are incredible across the board.

Michael Warburton 的头像

Michael Warburton9 天前

Well said 🎬👍🏻

Eric Sutherland 的头像

Eric Sutherland10 天前

What a fantastic film with a great cast. Both gripping and compelling. Mark Ruffalo, Michael Keaton and Stanley Tucci were all brilliant.

Rich Homie Brocktoon 的头像

Rich Homie Brocktoon8 天前

I love this. It’s moments like this that make it clear: there is no such thing as “no cinematography” in a movie. There are always choices being made about how to frame a shot, where to put a camera, how to light a scene…even if you’re trying to obscure those decisions.

Edward Dawson Church 的头像

Edward Dawson Church9 天前

It’s a shame the topic is so boring because it’s maybe one of the best made movies I’ve ever seen. A real movie’s movie.

Jack Chop 的头像

Jack Chop9 天前

Best part of this scene is them dragging that trash rag Herald

RRReformed O’Tárdo𝕏 Rabbi BlueFo𝕏94 ✝️🍊 的头像

RRReformed O’Tárdo𝕏 Rabbi BlueFo𝕏94 ✝️🍊9 天前

…which is why, as great and as re-watchable as Tom McCarthy’s Spotlight is, it’ll never surpass Alan J. Pakula’s All the President’s Men or even arguably Steven Spielberg’s The Post.

Fluoxetine Hunger Force 的头像

Fluoxetine Hunger Force9 天前

We can tell 😊

agosto mlei 的头像

agosto mlei9 天前

Great movie, but did the Church finally stop protecting pedophiles or did they just get better at it

TheLoserMonster 的头像

TheLoserMonster9 天前

That's a really cool descriptor. No real style about it just clean shots of very good actors in important serious situations

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The filming of Gaspar Noé's "Love" (2015) began in October 2014 and was completed in February 2015, 3 months prior to its premiere at the Cannes Film Festival. According to Noé, the movie wasn't ready when the official selection was announced. One week later, the first edit of the movie was ready and Noé showed it to Thierry Frémaux, director of the Cannes Film Festival. He thought it would be good to have the movie in the festival. Noé had to work 20 hours a day to complete the movie on time. The movie was complete mere hours before the official premiere. Since he was tired, Noé slept while watching the premiere of the movie. He only woke up when the end credits came up. Noé said that he had never worked so hard to finish something on time. The film only got out of competition slot instead of the coveted slot in the competition. Noé said that it was important for him to premiere the film at Cannes, the section did not matter to him. (Gaspar Noé's interview with Nigel M. Smith, Indiewire, 2015, Gaspar Noé's interview with Pam Jahn, Electric Sheep, 2015 & IMDb) P.S: On this day, 11 years ago, "Love" (2015) premiered at the Cannes Film Festival, France.

The filming of Gaspar Noé's "Love" (2015) began in October 2014 and was completed in February 2015, 3 months prior to its premiere at the Cannes Film Festival. According to Noé, the movie wasn't ready when the official selection was announced. One week later, the first edit of the movie was ready and Noé showed it to Thierry Frémaux, director of the Cannes Film Festival. He thought it would be good to have the movie in the festival. Noé had to work 20 hours a day to complete the movie on time. The movie was complete mere hours before the official premiere. Since he was tired, Noé slept while watching the premiere of the movie. He only woke up when the end credits came up. Noé said that he had never worked so hard to finish something on time. The film only got out of competition slot instead of the coveted slot in the competition. Noé said that it was important for him to premiere the film at Cannes, the section did not matter to him. (Gaspar Noé's interview with Nigel M. Smith, Indiewire, 2015, Gaspar Noé's interview with Pam Jahn, Electric Sheep, 2015 & IMDb) P.S: On this day, 11 years ago, "Love" (2015) premiered at the Cannes Film Festival, France.

DepressedBergman

30,467 次观看 • 3 个月前

In order to find the location for "Corn Island" (2014), the director, George Ovashvili and the crew searched for a real island for two years. Eventually, they realised it would be too complicated and too dangerous to film the movie on such a place. Instead, they built the island on an artificial lake, where they could control the water level to some extent. (Source: IMDb) P.S: On this day, 12 years ago, "Corn Island" (2014) premiered at the Karlovy Vary International Film Festival, Czech Republic.

In order to find the location for "Corn Island" (2014), the director, George Ovashvili and the crew searched for a real island for two years. Eventually, they realised it would be too complicated and too dangerous to film the movie on such a place. Instead, they built the island on an artificial lake, where they could control the water level to some extent. (Source: IMDb) P.S: On this day, 12 years ago, "Corn Island" (2014) premiered at the Karlovy Vary International Film Festival, Czech Republic.

DepressedBergman

12,315 次观看 • 2 个月前

Chris “the Traitor” d’Entremont 2 Days Ago: Votes against Bill C-3 Today: Votes in favour of Bill C-3 A few months ago: “people who voted for me, voted for change, voted for Pierre Poilievre” Today: ‘Pierre’s leadership style was a big reason I left’ Last weekend: "If an election is held now, I will lose my seat. I might as well not run." Today: he becomes a Liberal This has nothing to do with change. Or what’s best for Canadians. It’s an old, weak and desperate man, wanting to keep his paycheque. I didn’t realize the cost of a soul is so cheap these days.

Chris “the Traitor” d’Entremont 2 Days Ago: Votes against Bill C-3 Today: Votes in favour of Bill C-3 A few months ago: “people who voted for me, voted for change, voted for Pierre Poilievre” Today: ‘Pierre’s leadership style was a big reason I left’ Last weekend: "If an election is held now, I will lose my seat. I might as well not run." Today: he becomes a Liberal This has nothing to do with change. Or what’s best for Canadians. It’s an old, weak and desperate man, wanting to keep his paycheque. I didn’t realize the cost of a soul is so cheap these days.

Mario Zelaya

100,636 次观看 • 10 个月前

When "L'Avventura" (1960) premiered at the Cannes Film Festival 66 years ago today, laughs erupted in the theater packed with critics and photographers. The laughs were then joined by boos by the audience. Antonioni & Monica Vitti (who was sobbing) fled the theater. On the next day, a number of established writers and filmmakers published an open letter of support for the movie with signatures claiming it was the best film screened at Cannes. The film was cheered on the second screening by the audience and it went on to win the Jury Prize.

When "L'Avventura" (1960) premiered at the Cannes Film Festival 66 years ago today, laughs erupted in the theater packed with critics and photographers. The laughs were then joined by boos by the audience. Antonioni & Monica Vitti (who was sobbing) fled the theater. On the next day, a number of established writers and filmmakers published an open letter of support for the movie with signatures claiming it was the best film screened at Cannes. The film was cheered on the second screening by the audience and it went on to win the Jury Prize.

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To prepare for his role in "The Road" (2009), Viggo Mortensen lived on red meat & dark chocolate to lose weight and slept in his movie costume [filthy rags]. According to director John Hillcot, Mortensen didn't even bathe. When Mortensen went into a local shop one day wearing his movie outfit, security was called to remove him from the premises, thinking he was a homeless bum. P.S: On this day, 17 years ago, "The Road" (2009) premiered at the Venice Film Festival, Italy.

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61,108 次观看 • 11 天前

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On this day, 65 years ago, Allen Baron's "Blast of Silence" (1961) premiered in New York City, USA. "Blast of Silence" (1961) was Allen Baron's first movie as a director. He didn't have any prior filming experience. The movie was shot in less than shoestring budget. Baron started the movie with $2800, just enough to test and process the test footage. Because of the footage, he secured a budget of $18,000 for the movie. He shot almost all of the movie on real locations without permits, using borrowed equipment. The cast included Baron's friends and family who worked for free. He even used screen tests in the final cut of the film to cut costs. (Source: Eddie Muller - 'Noir Alley')

DepressedBergman

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Catherine Deneuve on 'Umbrellas of Cherbourg' (1964)- The movie that launched her career: "It took a long time to get made because Jacques Demy wrote the music, and it was a tough film to finance. Jacques Demy had a pivotal role in my career. He was a true filmmaker, who was telling me about my character, who had an eye for mise-en-scène. He did amazing shots, incredible traveling shots. And the way he looked at me…. He was both very kind and nurturing." (Catherine Deneuve in her interview with Elsa Keslassy, Variety, 2016) [P.S: On this day, 62 years ago, Jacques Demy's "The Umbrellas of Cherbourg" (1964) premiered at the French Film Festival in Stockholm, Sweden]

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22,746 次观看 • 7 个月前

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John Woo on how he feels while making an action movie: "When I’m making an action movie, I don’t see it as an action movie. It’s like a painting or a poem, sometimes even like a musical. I’m aiming for that kind of feel, because I’m a dreamer. I think that’s my style because I always have some kind of beautiful dream in my mind. I was a pretty good dancer when I was young. When it comes to the action in a movie, it’s all about the beauty of the body movement and the fighting skill." (John Woo's interview with Peter Debruge, Variety, 2025) Clip from: Hard Boiled (1992) Director: John Woo

DepressedBergman

48,557 次观看 • 7 个月前

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20,570 次观看 • 16 天前

This could be the trailer for the next Mad Max movie, but it’s actually an AI-generated video. If George Miller discovered that a single person (me) made this from home, he probably wouldn’t believe it. Two years ago, something like this would have required an entire film studio. Today, I made it from my computer using mitte.ai Two minutes of gasoline, fire, dust, and chaos. My ultimate tribute to Mad Max. Turn up the volume and enjoy the ride 🔥

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Fritz Lang on how he prepared for "The Testament of Dr. Mabuse" (1933) & explains how audience react to seeing insane people on screen: "While I was preparing the film, I went & lived for two or three days in an insane asylum. In the original version, I had a man who thought he was a grandfather clock; he stood there and made a movement with his arms like a pendulum—and I dissolved to a grandfather clock; one day this man has a feeling that some of his springs have fallen out—so he crawls on the floor and tries to find them. It’s very funny— when you show insane people to an audience, they laugh—they don’t see the horror." ("Fritz Lang in America", Peter Bogdanovich, 1967) P.S: On this day, 93 years ago, "The Testament of Dr. Mabuse" (1933) premiered in Paris, France.

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DepressedBergman

21,212 次观看 • 4 个月前

Alice Rohrwacher on what she wanted to convey through "Corpo Celeste" (2011): "Interviewer: The film raises potent questions about the role of the Church in modern day Italy. Was this an initial aim, or a by-product of the story? Rohrwacher: My desire is to tell how it has changed a society, a way of being together, through the lens of the church. The purpose is not to criticise the church, but starting from the limitations of that experience, open and talk about the crisis of a human being of a community. Interviewer: The film is very naturalistic in tone, both in performances and cinematography, which suits it very well. Was this choice made specifically for this material or will we find it to be more of a personal style choice? Rohrwacher: The film starts from the truth, but at the same time is very symbolic and precise in the pictures. This was a choice, of course, to take a position in front of the unfolding of the story and work in pictures. The hand-held camera allowed us greater precision and greater freedom to the actors, many of whom are professionals, while the Super 16mm film donated a grain particular history, sacred aura despite the realism." (Alice Rohrwacher's interview with Ben Nicholson, Cinevue, 2012) P.S: On this day, 14 years ago, "Corpo Celeste" (2011) premiered at the Cannes Film Festival, France.

Alice Rohrwacher on what she wanted to convey through "Corpo Celeste" (2011): "Interviewer: The film raises potent questions about the role of the Church in modern day Italy. Was this an initial aim, or a by-product of the story? Rohrwacher: My desire is to tell how it has changed a society, a way of being together, through the lens of the church. The purpose is not to criticise the church, but starting from the limitations of that experience, open and talk about the crisis of a human being of a community. Interviewer: The film is very naturalistic in tone, both in performances and cinematography, which suits it very well. Was this choice made specifically for this material or will we find it to be more of a personal style choice? Rohrwacher: The film starts from the truth, but at the same time is very symbolic and precise in the pictures. This was a choice, of course, to take a position in front of the unfolding of the story and work in pictures. The hand-held camera allowed us greater precision and greater freedom to the actors, many of whom are professionals, while the Super 16mm film donated a grain particular history, sacred aura despite the realism." (Alice Rohrwacher's interview with Ben Nicholson, Cinevue, 2012) P.S: On this day, 14 years ago, "Corpo Celeste" (2011) premiered at the Cannes Film Festival, France.

DepressedBergman

14,131 次观看 • 3 个月前

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drumchannel

41,007 次观看 • 3 年前

The idea of a bank employee stealing a vast haul of gold bullion first came to screenwriter T.E.B. Clarke when he was researching for 'Pool of London' (1951), and Michael Balcon, the head of Ealing Studios was so taken with the idea that he took Clarke off that film to work on what was to become 'The Lavender Hill Mob' (1951). Apparently, in response to the film, the Bank of England formed an ad hoc committee to advise on the best way to rob the place, to protect itself from such robberies in the future. ("The Overlook Film Encyclopedia - The Gangster Film", Edited by Phil Hardy, 1998) P.S: On this day, 75 years ago, "The Lavender Hill Mob" (1951) premiered in London, UK.

The idea of a bank employee stealing a vast haul of gold bullion first came to screenwriter T.E.B. Clarke when he was researching for 'Pool of London' (1951), and Michael Balcon, the head of Ealing Studios was so taken with the idea that he took Clarke off that film to work on what was to become 'The Lavender Hill Mob' (1951). Apparently, in response to the film, the Bank of England formed an ad hoc committee to advise on the best way to rob the place, to protect itself from such robberies in the future. ("The Overlook Film Encyclopedia - The Gangster Film", Edited by Phil Hardy, 1998) P.S: On this day, 75 years ago, "The Lavender Hill Mob" (1951) premiered in London, UK.

DepressedBergman

35,026 次观看 • 2 个月前

There was a 5 year gap between Akira Kurosawa's "Kagemusha" (1980) & "Ran" (1985). It was mainly due to Kurosawa not being able to find financial backing. After completing 'Kagemusha' (1980), Kurosawa returned to work on the script for 'Ran' (1985), which he had been working on for a decade. He could not find any financial backing for the movie. Finally, Kurosawa was able to find two people who were prepared to finance the movie, Masatoshi Hara of Herald Ace Productions & Serge Silberman of Greenwich Film Productions. It was an expensive movie. It cost around $12 million & took nearly an year to make. At the age of 73, Kurosawa almost lost hope of making the movie, announced that he was particular pleased about being able to make "Ran" (1985) because it's production "would round out my life's work in film. I will put all of my remaining energy into it." When asked what his best film was, instead of answering "the next," as he usually did, Kurosawa simply said, "Ran." ("The Films of Akira Kurosawa", Donald Richie, 1996) P.S: On this day, 41 years ago, "Ran" (1985) premiered in Tokyo, Japan.

There was a 5 year gap between Akira Kurosawa's "Kagemusha" (1980) & "Ran" (1985). It was mainly due to Kurosawa not being able to find financial backing. After completing 'Kagemusha' (1980), Kurosawa returned to work on the script for 'Ran' (1985), which he had been working on for a decade. He could not find any financial backing for the movie. Finally, Kurosawa was able to find two people who were prepared to finance the movie, Masatoshi Hara of Herald Ace Productions & Serge Silberman of Greenwich Film Productions. It was an expensive movie. It cost around $12 million & took nearly an year to make. At the age of 73, Kurosawa almost lost hope of making the movie, announced that he was particular pleased about being able to make "Ran" (1985) because it's production "would round out my life's work in film. I will put all of my remaining energy into it." When asked what his best film was, instead of answering "the next," as he usually did, Kurosawa simply said, "Ran." ("The Films of Akira Kurosawa", Donald Richie, 1996) P.S: On this day, 41 years ago, "Ran" (1985) premiered in Tokyo, Japan.

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64,596 次观看 • 3 个月前

Lamar Jackson on why he didn't want Marlon Humphrey to film an IG Live after the win Sunday: "You know, Marlo is going to be Marlo. I just didn't want the camera on me at the time because, and he knows this, I'm all about winning. "I like to - I don't want to say win in style - but when we're up, I just want to punish people. I want to get out there with a W, clear-minded. ... "It's like, I didn't want the camera on me. That's my brother. He's going to do what he's going to do, but it's like, 'Man, now right now. I'm a little ticked of with how the game went."

Lamar Jackson on why he didn't want Marlon Humphrey to film an IG Live after the win Sunday: "You know, Marlo is going to be Marlo. I just didn't want the camera on me at the time because, and he knows this, I'm all about winning. "I like to - I don't want to say win in style - but when we're up, I just want to punish people. I want to get out there with a W, clear-minded. ... "It's like, I didn't want the camera on me. That's my brother. He's going to do what he's going to do, but it's like, 'Man, now right now. I'm a little ticked of with how the game went."

Sarah Ellison

2,505,949 次观看 • 1 年前

A single sentence from Tom Cruise at a tiny screening room in America saved Guy Ritchie's "Lock, Stock and Two Smoking Barrels" (1998) from failure & also Matthew Vaughn's career. This is how it went down. Matthew Vaughn struggled to find distributors for "Lock, Stock and Two Smoking Barrels" (1998). Every distributor who saw the movie, rejected it. The only offers he got were to release it on VHS. Somehow, Vaughn managed to find a distributor to show the movie in two screens in England. He asked Trudie Styler, who had already put money into the movie to convince Tom Cruise to attend the buyers screening in the USA. The screening was conducted in a tiny room. When Cruise turned up, all the mid level executives who were sort of disinterested, started to pay attention; They rang up the senior executives & they too joined the screening. When the film was over, Cruise got up in front of everyone and said, "This is the best movie I've seen in years, you guys would be fools not to buy it." After Cruise's appreciation for the movie, there was a bidding war. Vaughn recalled, "We made all our money back and my film career came from nearly ending to starting." P.S: On this day, 28 years ago, "Lock, Stock and Two Smoking Barrels" (1998) premiered at the Edinburgh International Film Festival, Scotland.

A single sentence from Tom Cruise at a tiny screening room in America saved Guy Ritchie's "Lock, Stock and Two Smoking Barrels" (1998) from failure & also Matthew Vaughn's career. This is how it went down. Matthew Vaughn struggled to find distributors for "Lock, Stock and Two Smoking Barrels" (1998). Every distributor who saw the movie, rejected it. The only offers he got were to release it on VHS. Somehow, Vaughn managed to find a distributor to show the movie in two screens in England. He asked Trudie Styler, who had already put money into the movie to convince Tom Cruise to attend the buyers screening in the USA. The screening was conducted in a tiny room. When Cruise turned up, all the mid level executives who were sort of disinterested, started to pay attention; They rang up the senior executives & they too joined the screening. When the film was over, Cruise got up in front of everyone and said, "This is the best movie I've seen in years, you guys would be fools not to buy it." After Cruise's appreciation for the movie, there was a bidding war. Vaughn recalled, "We made all our money back and my film career came from nearly ending to starting." P.S: On this day, 28 years ago, "Lock, Stock and Two Smoking Barrels" (1998) premiered at the Edinburgh International Film Festival, Scotland.

DepressedBergman

241,786 次观看 • 21 天前