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Two systems working beautifully together: DRKR PXLS Camera Composition Overlays and Black Eye cameras from Black Eye Technologies. DRKR PXLS Camera Overlays gives you inspiring on-screen composition guides. Black Eye cameras look through the lens and follow those guides in real time inside Unreal Engine. Pick a guide, set...

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Black Eye Cameras

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14,591 views • 8 months ago •via X (Twitter)

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Black Eye 2.0 is live. We’re helping make Unreal Engine an incredible place to work with cameras: gameplay, cinematics, mocap, previs, live events, trailer capture, and anywhere else cameras need to be great. Black Eye 2.0 includes our new gameplay camera system, built to transform how teams create, tune, blend, prioritize, and manage gameplay cameras in UE. It's available on Fab It also includes the new Black Eye Panel, which makes camera creation and iteration absurdly fast and much more accurate. You work through the lens, like a DP. We’ll be at Unreal Fest Chicago, with a live demo in Room E258 on Wednesday the 17th from 1–2pm. Come see Black Eye 2.0 in action, ask questions, hang out, and talk cameras. Link to the full v2 breakdown video below.
1:47

Black Eye 2.0 is live. We’re helping make Unreal Engine an incredible place to work with cameras: gameplay, cinematics, mocap, previs, live events, trailer capture, and anywhere else cameras need to be great. Black Eye 2.0 includes our new gameplay camera system, built to transform how teams create, tune, blend, prioritize, and manage gameplay cameras in UE. It's available on Fab It also includes the new Black Eye Panel, which makes camera creation and iteration absurdly fast and much more accurate. You work through the lens, like a DP. We’ll be at Unreal Fest Chicago, with a live demo in Room E258 on Wednesday the 17th from 1–2pm. Come see Black Eye 2.0 in action, ask questions, hang out, and talk cameras. Link to the full v2 breakdown video below.

Adam Myhill

19,106 views • 1 month ago

Black Eye Cameras 2.0 is live on Fab. Gameplay cameras, revolutionized. A major new camera upgrade for Unreal Engine: 3rd person orbit, camera manager, high-level blending, priorities, custom blends, trigger volumes, collisions - it’s an incredibly fast way to create sophisticated gameplay cameras.. Instant iteration. Tune and save in Play mode. Less fragile code. Fewer broken keyframes. Better cameras, faster. This is a major release built to help Unreal Engine teams create amazing cameras faster: for gameplay, cinematics, trailers, cutscenes, previs - anyone using a camera in Unreal Engine. Good cameras make great projects.
0:47

Black Eye Cameras 2.0 is live on Fab. Gameplay cameras, revolutionized. A major new camera upgrade for Unreal Engine: 3rd person orbit, camera manager, high-level blending, priorities, custom blends, trigger volumes, collisions - it’s an incredibly fast way to create sophisticated gameplay cameras.. Instant iteration. Tune and save in Play mode. Less fragile code. Fewer broken keyframes. Better cameras, faster. This is a major release built to help Unreal Engine teams create amazing cameras faster: for gameplay, cinematics, trailers, cutscenes, previs - anyone using a camera in Unreal Engine. Good cameras make great projects.

Adam Myhill

10,829 views • 2 months ago

🚨 FLOCK JUST GOT CAUGHT BY A REPORTER — THEIR CAMERAS ARE SECRETLY TRACKING PEOPLE IN REAL TIME "You're saying Flock does not track people, correct?" A Flock representative tried to deny it. But then they showed the Condor camera — the one designed to literally follow your movements in real time. No matter which way you move, the camera moves with you. And that's not all. These cameras can zoom in on your phone screen to see what you're looking at, recognize faces, and pull up personal details in minutes using commercial facial recognition. One example: They tracked a couple arguing at a street market and within two minutes knew one just finished medical school and the other has chronic IBS. Cops are openly bragging that "you can't get a breath of fresh air in or out without us knowing." They said it was just for license plates. This is full-blown surveillance, and it's already everywhere. Should Flock's Condor cameras be allowed to track people in real time?
1:33

🚨 FLOCK JUST GOT CAUGHT BY A REPORTER — THEIR CAMERAS ARE SECRETLY TRACKING PEOPLE IN REAL TIME "You're saying Flock does not track people, correct?" A Flock representative tried to deny it. But then they showed the Condor camera — the one designed to literally follow your movements in real time. No matter which way you move, the camera moves with you. And that's not all. These cameras can zoom in on your phone screen to see what you're looking at, recognize faces, and pull up personal details in minutes using commercial facial recognition. One example: They tracked a couple arguing at a street market and within two minutes knew one just finished medical school and the other has chronic IBS. Cops are openly bragging that "you can't get a breath of fresh air in or out without us knowing." They said it was just for license plates. This is full-blown surveillance, and it's already everywhere. Should Flock's Condor cameras be allowed to track people in real time?

HustleBitch

670,192 views • 24 days ago

🐹: I made eye contact with someone and laughed. 🐨: I saw him laughing. I think Jin hyung is in a good mood. 🐹: No that was a separate thing. 🐨: Why is it so funny when we make eye contact on stage? 🐹: We always make eye contact when we're in charge. Just before Taehyung's ending part... 🐨: Mic Drop, then Dynamite [mimicking the moves from “Dynamite”] 🐹: I think I often make eye contact with Namjoon and Jimin, and with Taehyung... 🐻: In the beginning after Jungkook's part, we turned around in a line... Every time Jin hyung didn't turn around, he did a different gesture every day. 🐹: When you make eye contact, you have no choice but to make it so I have to turn around [look in the eyes and point 👉 or blow kiss] 🐹: I think it was really fun during the tour. It was fun. It was fun. Today was so good.
1:20

🐹: I made eye contact with someone and laughed. 🐨: I saw him laughing. I think Jin hyung is in a good mood. 🐹: No that was a separate thing. 🐨: Why is it so funny when we make eye contact on stage? 🐹: We always make eye contact when we're in charge. Just before Taehyung's ending part... 🐨: Mic Drop, then Dynamite [mimicking the moves from “Dynamite”] 🐹: I think I often make eye contact with Namjoon and Jimin, and with Taehyung... 🐻: In the beginning after Jungkook's part, we turned around in a line... Every time Jin hyung didn't turn around, he did a different gesture every day. 🐹: When you make eye contact, you have no choice but to make it so I have to turn around [look in the eyes and point 👉 or blow kiss] 🐹: I think it was really fun during the tour. It was fun. It was fun. Today was so good.

bts memeories⁷

129,243 views • 3 months ago

This woman received a summons to appear in court for theft based on flock camera evidence that she was stealing packages. The problem for law enforcement is that she had her own cameras set up, which absolutely proved that it wasn’t her. The officer refused to show her the evidence at her door because he said that she was arguing with him and not being forthright. When you look at the camera footage, it is two totally different people. He absolutely was refusing to cooperate with her. He was convinced that the camera footage showed her, even though she had camera footage to prove that it wasn’t. This is the danger of these cameras. Law enforcement in some cases is using and abusing them . Ultimately, she was able to prove her innocence using her own camera footage, but what if she didn’t have her own cameras set up?
1:05

This woman received a summons to appear in court for theft based on flock camera evidence that she was stealing packages. The problem for law enforcement is that she had her own cameras set up, which absolutely proved that it wasn’t her. The officer refused to show her the evidence at her door because he said that she was arguing with him and not being forthright. When you look at the camera footage, it is two totally different people. He absolutely was refusing to cooperate with her. He was convinced that the camera footage showed her, even though she had camera footage to prove that it wasn’t. This is the danger of these cameras. Law enforcement in some cases is using and abusing them . Ultimately, she was able to prove her innocence using her own camera footage, but what if she didn’t have her own cameras set up?

Leah Rain ✝️🇺🇸🎸🏝️

400,964 views • 6 hours ago

“He’s got nothing left of his two front tires.” AIR1, Edmonton’s eye in the sky, was on the scene when a black SUV fled from police. The vehicle drove left of centre to avoid Downtown Division officers. The SUV continued to drive recklessly through residential neighborhoods – all of it caught on camera by AIR1. When the vehicle was finally stopped, the occupants fled on foot. What they hadn’t counted on was AIR1 tracking their movements and relaying the information to ground units. Canine and Patrol took all three suspects into custody as they attempted to hide. Nice work, everyone!
1:01

“He’s got nothing left of his two front tires.” AIR1, Edmonton’s eye in the sky, was on the scene when a black SUV fled from police. The vehicle drove left of centre to avoid Downtown Division officers. The SUV continued to drive recklessly through residential neighborhoods – all of it caught on camera by AIR1. When the vehicle was finally stopped, the occupants fled on foot. What they hadn’t counted on was AIR1 tracking their movements and relaying the information to ground units. Canine and Patrol took all three suspects into custody as they attempted to hide. Nice work, everyone!

Edmonton Police

26,185 views • 28 days ago

“The Wizard of Oz” lands at Sphere in Las Vegas, and it’s nothing short of cinematic time travel. CEO Jim Dolan says the goal wasn’t to change the classic—but to immerse you in it. “It’s like going back to 1939 with super-resolution cameras.” The result? A breathtaking 16K experience that makes you feel like you’re on set with Dorothy and friends and we’ve got your first-look.
0:54

“The Wizard of Oz” lands at Sphere in Las Vegas, and it’s nothing short of cinematic time travel. CEO Jim Dolan says the goal wasn’t to change the classic—but to immerse you in it. “It’s like going back to 1939 with super-resolution cameras.” The result? A breathtaking 16K experience that makes you feel like you’re on set with Dorothy and friends and we’ve got your first-look.

CBS Sunday Morning 🌞

27,966 views • 1 year ago

Neiro is Now Verified on Spectre AI’s On-Chain Search Engine! We’re excited to announce that Neiro has been officially added as a Verified Partner on the SPECTRE AI On-Chain Search Engine. This is a great step forward for our community, making it easier than ever to track and explore everything happening with $Neiro. Through the $SPECT platform, you can view real-time price performance, market data, and sentiment trends all in one place. It’s a seamless way to stay up-to-date and keep an eye on how the community and the project are progressing. Browse the app:
2:28

Neiro is Now Verified on Spectre AI’s On-Chain Search Engine! We’re excited to announce that Neiro has been officially added as a Verified Partner on the SPECTRE AI On-Chain Search Engine. This is a great step forward for our community, making it easier than ever to track and explore everything happening with $Neiro. Through the $SPECT platform, you can view real-time price performance, market data, and sentiment trends all in one place. It’s a seamless way to stay up-to-date and keep an eye on how the community and the project are progressing. Browse the app:

Neiro

15,707 views • 1 year ago

Grown man clocks a little girl in the face, gives her a nasty black eye. Dad shows up and turns the guy into modern art on the pavement. Society: "Omg that's illegal We must let the courts handle it fairly!" Courts: Probably a stern talking-to and community service. Real talk—when the system's too busy protecting the puncher, what's a father supposed to do? Stand there and clap? What do you think? Right move or "two wrongs don't make a right"? Drop your take below 👇
3:01

Grown man clocks a little girl in the face, gives her a nasty black eye. Dad shows up and turns the guy into modern art on the pavement. Society: "Omg that's illegal We must let the courts handle it fairly!" Courts: Probably a stern talking-to and community service. Real talk—when the system's too busy protecting the puncher, what's a father supposed to do? Stand there and clap? What do you think? Right move or "two wrongs don't make a right"? Drop your take below 👇

Frankie™️🦅

9,611,012 views • 4 months ago

Shortly before midnight, we had multiple reports sent in of an extremely bright green flash in the sky to the north. We went back in our database of Aurora cameras to find the culprit… and here it is!! The Manistee camera had the best angle as the object streaked across the northern sky. You can even pick up on a faint auroral glow at the same time! Not only that, but you can see the streak left behind from the flash after it occurred. Time was 11:13 PM EDT and approximately 35 seconds, October 29th, 2025, for those who’d also like to check any home security cameras.
0:21

Shortly before midnight, we had multiple reports sent in of an extremely bright green flash in the sky to the north. We went back in our database of Aurora cameras to find the culprit… and here it is!! The Manistee camera had the best angle as the object streaked across the northern sky. You can even pick up on a faint auroral glow at the same time! Not only that, but you can see the streak left behind from the flash after it occurred. Time was 11:13 PM EDT and approximately 35 seconds, October 29th, 2025, for those who’d also like to check any home security cameras.

Michigan Storm Chasers

19,421 views • 9 months ago

New 8K immersive 3D 180 camera is here, designed with usability and affordability in mind. But how does it really compare to cameras like the Canon R5C, CALF Gen 2, and Canon R7: In this review, we take a closer look at SLAM XCAM 3D VR180 camera real-time HDR playback, wide 190° field of view, and other features that could make it an accessible choice for immersive video. Comment “VR180,” and I’ll DM you a FREE side-by-side comparison video to test on your Meta Quest 3 or Apple Vision Pro. #VR180 #immersivetech #3d180
1:00

New 8K immersive 3D 180 camera is here, designed with usability and affordability in mind. But how does it really compare to cameras like the Canon R5C, CALF Gen 2, and Canon R7: In this review, we take a closer look at SLAM XCAM 3D VR180 camera real-time HDR playback, wide 190° field of view, and other features that could make it an accessible choice for immersive video. Comment “VR180,” and I’ll DM you a FREE side-by-side comparison video to test on your Meta Quest 3 or Apple Vision Pro. #VR180 #immersivetech #3d180

Hugh Hou

16,704 views • 1 year ago

Mathieu Kassovitz on why 'La Haine' (1995) would have been horrible had it been in colour instead of Black & White: "Interviewer: Was it essential that it was three kids? Kassovitz: I needed a trio because when you’re with a friend, you have a discussion, and it ends fast because either you agree, or you don’t, but you cannot argue all the time. Three people can disagree all the time because it bounces from one to the other. I wanted one guy that’s the funny one in the middle; the political one that wants to get even with the society; and then the other one who’s trying to hold it in because he knows what real violence is. It was a trick, like the black and white is a trick too – to make it universal, a story that happens everywhere, so you don’t know if it’s Paris or Mexico or Brooklyn: it could be anywhere. Interviewer: How does black and white make it more universal? Kassovitz: When you look at black-and-white footage from the war, it changes when you see that footage put in colour. I did the voiceover for 'Apocalypse', a fantastic documentary series covering wars, for which they colourised all these black-and-white images and rendered them in HD. In colour, all of a sudden the footage becomes very personal – you see your grandfathers there, it’s not just ghosts or an artistic image, it could be today. What black and white does is bring poetry into reality. That’s why when you do a movie about poverty where you don’t have control over the environment and things are supposed to be ugly, it’s very difficult. It costs a lot of money to make it look good. But it doesn’t cost anything to make it look good in black and white. If I showed you 'La Haine' in colour, it’s horrible." (Mathieu Kassovitz's interview with Kaleem Aftab, BFI, 2020)
1:26

Mathieu Kassovitz on why 'La Haine' (1995) would have been horrible had it been in colour instead of Black & White: "Interviewer: Was it essential that it was three kids? Kassovitz: I needed a trio because when you’re with a friend, you have a discussion, and it ends fast because either you agree, or you don’t, but you cannot argue all the time. Three people can disagree all the time because it bounces from one to the other. I wanted one guy that’s the funny one in the middle; the political one that wants to get even with the society; and then the other one who’s trying to hold it in because he knows what real violence is. It was a trick, like the black and white is a trick too – to make it universal, a story that happens everywhere, so you don’t know if it’s Paris or Mexico or Brooklyn: it could be anywhere. Interviewer: How does black and white make it more universal? Kassovitz: When you look at black-and-white footage from the war, it changes when you see that footage put in colour. I did the voiceover for 'Apocalypse', a fantastic documentary series covering wars, for which they colourised all these black-and-white images and rendered them in HD. In colour, all of a sudden the footage becomes very personal – you see your grandfathers there, it’s not just ghosts or an artistic image, it could be today. What black and white does is bring poetry into reality. That’s why when you do a movie about poverty where you don’t have control over the environment and things are supposed to be ugly, it’s very difficult. It costs a lot of money to make it look good. But it doesn’t cost anything to make it look good in black and white. If I showed you 'La Haine' in colour, it’s horrible." (Mathieu Kassovitz's interview with Kaleem Aftab, BFI, 2020)

DepressedBergman

79,263 views • 5 months ago

Brian Harpole appears quite confident that no flash will be captured on camera, thereby refuting the exploding mic theory. I learned something important. 💥 The immediate flash from a small amount of PETN lasts between 1 to 5 microseconds. - Flash Duration: Lasts 1-5 microseconds (millionths of a second). - Standard Camera Shutter: Stays open for at least 250 microseconds (at 1/4000s speed), making it 250 times too slow to capture the flash without washing out or blurring. - Human Eye Processing: Takes 100,000 microseconds (0.1 seconds) to reset. The Human Illusion: Persistence of Vision Your eye doesn’t actually see the flash in real-time. Instead, the blinding light overloads your retina. Your brain stretches that tiny microsecond burst into a 0.1-second afterimage. Essentially, you’re seeing the “ghost” of the flash left behind in your own eye. In other words, the only reason the human eye “sees” the flash from an explosion like that is because our brains create an optical illusion. We do not and would not ever see the flash from a small amount of PETN on camera, even if you can see it with the naked human eye, without the use of highly specialized equipment. Brian's argument here is very deceptive.
0:34

Brian Harpole appears quite confident that no flash will be captured on camera, thereby refuting the exploding mic theory. I learned something important. 💥 The immediate flash from a small amount of PETN lasts between 1 to 5 microseconds. - Flash Duration: Lasts 1-5 microseconds (millionths of a second). - Standard Camera Shutter: Stays open for at least 250 microseconds (at 1/4000s speed), making it 250 times too slow to capture the flash without washing out or blurring. - Human Eye Processing: Takes 100,000 microseconds (0.1 seconds) to reset. The Human Illusion: Persistence of Vision Your eye doesn’t actually see the flash in real-time. Instead, the blinding light overloads your retina. Your brain stretches that tiny microsecond burst into a 0.1-second afterimage. Essentially, you’re seeing the “ghost” of the flash left behind in your own eye. In other words, the only reason the human eye “sees” the flash from an explosion like that is because our brains create an optical illusion. We do not and would not ever see the flash from a small amount of PETN on camera, even if you can see it with the naked human eye, without the use of highly specialized equipment. Brian's argument here is very deceptive.

Travis

72,221 views • 1 month ago

Bringing characters to life is more than just lip sync We're enabling LLMs to direct characters in real-time @ Avataros We call the process TEA - Think, Emote, Act Custom ML Trained lip sync is just the baseline. The character needs to know what its thinking and saying and translate that into how it emotes and acts. Blink. Look at camera. Eye roll. Gesture. Sigh. Happy. Annoyed. Worried. Unreal Engine version lets you talk to any metahuman live Anyone interested in a plugin version to use with their hashtag #Metahumans?
1:05

Bringing characters to life is more than just lip sync We're enabling LLMs to direct characters in real-time @ Avataros We call the process TEA - Think, Emote, Act Custom ML Trained lip sync is just the baseline. The character needs to know what its thinking and saying and translate that into how it emotes and acts. Blink. Look at camera. Eye roll. Gesture. Sigh. Happy. Annoyed. Worried. Unreal Engine version lets you talk to any metahuman live Anyone interested in a plugin version to use with their hashtag #Metahumans?

Isaac Bratzel

13,829 views • 3 months ago

Woochan joined Show Me The Money at the age of 12 and made it to the semi-finals as the program's youngest contestant. Among the songs in the program, he participated in ‘1/N’ where it made Perfect All Kill (PAK) and Real Time All Kil (RAK). He participated in the OG School Project and attracted attention with OGZ track (4,8M views). He wrote and participated in the composition of all the songs (7 tracks) on his solo album ‘Black’ released in 2024.
1:03

Woochan joined Show Me The Money at the age of 12 and made it to the semi-finals as the program's youngest contestant. Among the songs in the program, he participated in ‘1/N’ where it made Perfect All Kill (PAK) and Real Time All Kil (RAK). He participated in the OG School Project and attracted attention with OGZ track (4,8M views). He wrote and participated in the composition of all the songs (7 tracks) on his solo album ‘Black’ released in 2024.

adp pics

41,550 views • 1 year ago

someone built a tool that puts ANY FACE on your webcam in REAL TIME called DOT - deepfake offensive toolkit, open source, works right now dot injects a real-time deepfake into your virtual camera zoom, google meet, teams, any video call app sees the fake face as your real webcam it ships with multiple deepfake engines (FOMM, SimSwap, SimSwapHQ), you pick the model based on your GPU and how real you need it to look built by sensity ai for red teams to test if your identity verification actually holds up against deepfakes
0:31

someone built a tool that puts ANY FACE on your webcam in REAL TIME called DOT - deepfake offensive toolkit, open source, works right now dot injects a real-time deepfake into your virtual camera zoom, google meet, teams, any video call app sees the fake face as your real webcam it ships with multiple deepfake engines (FOMM, SimSwap, SimSwapHQ), you pick the model based on your GPU and how real you need it to look built by sensity ai for red teams to test if your identity verification actually holds up against deepfakes

chiefofautism

37,088 views • 5 months ago

This country no longer takes the "woes" of the Black Community seriously. Technology has given the entire country an up close and personal look into the happenings in Black Lives and Black Communities, and it has been eye-opening. And don't make attempts to twist it by saying, that's those Black people over there. For years and while complaining the association has been one. While grifting, Trump is after Black People, Trump is taking Black jobs, Black people are living in poverty because of White Supremacy, they don't want to educate Black Children, they don't want Black children to eat or have medical care, Black Children are suffering from the traumatic conditions created by racism and oppression, the Criminal Justise System targeted Black People, stop locking up Black people, stop disciplining Black kids, stop suspending Black kids, stop sterotyping Black people...you people don't understand our culture. Now the cry is for funding and programs to address the outcomes of the previous grifts listed above. Grifting never stops grifting. If anyone truly cares enough to want to see positive changes, not for a few Black people, but care to see Black people thriving as a race; stop grifting and promoting and enabling Black chaos and dysfunction. The things above was a recipe for disaster without being paired with accountability, personal responsibility, rules and boundaries. Results don't lie. 🤷‍♀️
1:15

This country no longer takes the "woes" of the Black Community seriously. Technology has given the entire country an up close and personal look into the happenings in Black Lives and Black Communities, and it has been eye-opening. And don't make attempts to twist it by saying, that's those Black people over there. For years and while complaining the association has been one. While grifting, Trump is after Black People, Trump is taking Black jobs, Black people are living in poverty because of White Supremacy, they don't want to educate Black Children, they don't want Black children to eat or have medical care, Black Children are suffering from the traumatic conditions created by racism and oppression, the Criminal Justise System targeted Black People, stop locking up Black people, stop disciplining Black kids, stop suspending Black kids, stop sterotyping Black people...you people don't understand our culture. Now the cry is for funding and programs to address the outcomes of the previous grifts listed above. Grifting never stops grifting. If anyone truly cares enough to want to see positive changes, not for a few Black people, but care to see Black people thriving as a race; stop grifting and promoting and enabling Black chaos and dysfunction. The things above was a recipe for disaster without being paired with accountability, personal responsibility, rules and boundaries. Results don't lie. 🤷‍♀️

Annette Albright

43,759 views • 7 months ago

Alignment trouble looks like a setup problem. Often it's a perception problem. A right-handed, right-eye dominant player often has more difficulty aligning to the target than a cross-dominant player. If alignment is an issue, here are two of our favorite strategies that Dr. Rose introduces in our advanced Golf curriculum. 1) Move the reference spot behind the ball: Instead of picking a reference spot in front of the ball, pick a spot behind the ball on the target line and walk in looking at that. For same-side dominant players, this moves the spot closer to their dominant eye. 2) Keep it binocular: Pick a spot in front and keep your eye on it as you walk in. Draw the line from the ball through the spot, square yourself to it, then walk into the shot. This keeps both eyes working together the whole time. Poor alignment can quietly hinder progress, and a player's visual system can make it even harder to correct. Our next Golf Level 3 seminar is October 9th - 11th at TPI HQ. Golf Level 2 is available via online course.
1:23

Alignment trouble looks like a setup problem. Often it's a perception problem. A right-handed, right-eye dominant player often has more difficulty aligning to the target than a cross-dominant player. If alignment is an issue, here are two of our favorite strategies that Dr. Rose introduces in our advanced Golf curriculum. 1) Move the reference spot behind the ball: Instead of picking a reference spot in front of the ball, pick a spot behind the ball on the target line and walk in looking at that. For same-side dominant players, this moves the spot closer to their dominant eye. 2) Keep it binocular: Pick a spot in front and keep your eye on it as you walk in. Draw the line from the ball through the spot, square yourself to it, then walk into the shot. This keeps both eyes working together the whole time. Poor alignment can quietly hinder progress, and a player's visual system can make it even harder to correct. Our next Golf Level 3 seminar is October 9th - 11th at TPI HQ. Golf Level 2 is available via online course.

TPI

50,417 views • 1 month ago

New coolers are being installed in stores Instead of looking through the glass to make a selection, you’ll be shown a screen It doesn’t make sense until you realize what’s really going on here These screens are set for dynamic pricing. Screens update in real-time for pricing, inventory, seasonal promos or weather-based suggestions without reprinting signs So if it’s hot outside, they can recommend a a product and increase the price Sensors and cameras detect approach even sometimes estimating age and gender which trigger specific ads They also collect data and analytics from what’s being sold
0:59

New coolers are being installed in stores Instead of looking through the glass to make a selection, you’ll be shown a screen It doesn’t make sense until you realize what’s really going on here These screens are set for dynamic pricing. Screens update in real-time for pricing, inventory, seasonal promos or weather-based suggestions without reprinting signs So if it’s hot outside, they can recommend a a product and increase the price Sensors and cameras detect approach even sometimes estimating age and gender which trigger specific ads They also collect data and analytics from what’s being sold

Wall Street Apes

230,529 views • 2 months ago