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Two systems working beautifully together: DRKR PXLS Camera Composition Overlays and Black Eye cameras from Black Eye Technologies. DRKR PXLS Camera Overlays gives you inspiring on-screen composition guides. Black Eye cameras look through the lens and follow those guides in real time inside Unreal Engine. Pick a guide, set...

14,591 просмотров • 7 месяцев назад •via X (Twitter)

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Mathieu Kassovitz on why 'La Haine' (1995) would have been horrible had it been in colour instead of Black & White: "Interviewer: Was it essential that it was three kids? Kassovitz: I needed a trio because when you’re with a friend, you have a discussion, and it ends fast because either you agree, or you don’t, but you cannot argue all the time. Three people can disagree all the time because it bounces from one to the other. I wanted one guy that’s the funny one in the middle; the political one that wants to get even with the society; and then the other one who’s trying to hold it in because he knows what real violence is. It was a trick, like the black and white is a trick too – to make it universal, a story that happens everywhere, so you don’t know if it’s Paris or Mexico or Brooklyn: it could be anywhere. Interviewer: How does black and white make it more universal? Kassovitz: When you look at black-and-white footage from the war, it changes when you see that footage put in colour. I did the voiceover for 'Apocalypse', a fantastic documentary series covering wars, for which they colourised all these black-and-white images and rendered them in HD. In colour, all of a sudden the footage becomes very personal – you see your grandfathers there, it’s not just ghosts or an artistic image, it could be today. What black and white does is bring poetry into reality. That’s why when you do a movie about poverty where you don’t have control over the environment and things are supposed to be ugly, it’s very difficult. It costs a lot of money to make it look good. But it doesn’t cost anything to make it look good in black and white. If I showed you 'La Haine' in colour, it’s horrible." (Mathieu Kassovitz's interview with Kaleem Aftab, BFI, 2020)

DepressedBergman

79,263 просмотров • 4 месяцев назад

This country no longer takes the "woes" of the Black Community seriously. Technology has given the entire country an up close and personal look into the happenings in Black Lives and Black Communities, and it has been eye-opening. And don't make attempts to twist it by saying, that's those Black people over there. For years and while complaining the association has been one. While grifting, Trump is after Black People, Trump is taking Black jobs, Black people are living in poverty because of White Supremacy, they don't want to educate Black Children, they don't want Black children to eat or have medical care, Black Children are suffering from the traumatic conditions created by racism and oppression, the Criminal Justise System targeted Black People, stop locking up Black people, stop disciplining Black kids, stop suspending Black kids, stop sterotyping Black people...you people don't understand our culture. Now the cry is for funding and programs to address the outcomes of the previous grifts listed above. Grifting never stops grifting. If anyone truly cares enough to want to see positive changes, not for a few Black people, but care to see Black people thriving as a race; stop grifting and promoting and enabling Black chaos and dysfunction. The things above was a recipe for disaster without being paired with accountability, personal responsibility, rules and boundaries. Results don't lie. 🤷‍♀️

Annette Albright

43,759 просмотров • 6 месяцев назад