Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Uma Thurman as Mia Wallace. Jack Rabbit Slim’s. One dance that never got old. Pulp Fiction (1994)

MP10

68,388 subscribers

15,279 views • 3 days ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

The dance in Pulp Fiction The dance in Pulp Fiction is one of the most famous scenes in film history. In this segment from the 1994 film, actors John Travolta (as Vincent Vega) and Uma Thurman (as Mia Wallace) dance the twist in a restaurant called Jack Rabbit Slim's.

The dance in Pulp Fiction The dance in Pulp Fiction is one of the most famous scenes in film history. In this segment from the 1994 film, actors John Travolta (as Vincent Vega) and Uma Thurman (as Mia Wallace) dance the twist in a restaurant called Jack Rabbit Slim's.

🎵💖Loves classical music🎻🎹

49,038 views • 1 month ago

The Jack Rabbit Slim’s dance scene in Pulp Fiction (1994) is one of those moments that never gets old. John Travolta even suggested several of Vincent Vega’s dance moves himself.

The Jack Rabbit Slim’s dance scene in Pulp Fiction (1994) is one of those moments that never gets old. John Travolta even suggested several of Vincent Vega’s dance moves himself.

cinesthetic.

12,839 views • 2 months ago

In Pulp Fiction (1994), Mia Wallace (Uma Thurman) foreshadows Kill Bill (2003&2004)

In Pulp Fiction (1994), Mia Wallace (Uma Thurman) foreshadows Kill Bill (2003&2004)

Quentin Tarantino Universe

62,070 views • 1 year ago

The legendary dance of cinema: Pulp Fiction (1994) - John Travolta & Uma Thurman

The legendary dance of cinema: Pulp Fiction (1994) - John Travolta & Uma Thurman

Music over time🎻

19,761 views • 1 month ago

Uma Thurman originally turned down the role of Mia Wallace in Pulp Fiction (1994). Quentin Tarantino wanted her so badly, he read her the entire script over the phone to convince her. That call made movie history.

Uma Thurman originally turned down the role of Mia Wallace in Pulp Fiction (1994). Quentin Tarantino wanted her so badly, he read her the entire script over the phone to convince her. That call made movie history.

Movie Moments Analyst

80,830 views • 9 months ago

Quentin Tarantino dances along with Uma Thurman and John Travolta during the filming of Pulp Fiction, 1994.

Quentin Tarantino dances along with Uma Thurman and John Travolta during the filming of Pulp Fiction, 1994.

Fascinating

3,239,998 views • 2 years ago

One of the most iconic moments in cinema.✨🎬 💥💫Pulp Fiction Legendary Dance Scene (John Travolta + Uma Thurman)

One of the most iconic moments in cinema.✨🎬 💥💫Pulp Fiction Legendary Dance Scene (John Travolta + Uma Thurman)

𝗧𝗶𝗺𝗲𝗹𝗲𝘀𝘀 𝗠𝘂𝘀𝗶𝗰 ✨🎵

23,381 views • 10 months ago

El famoso baile de "Pulp Fiction" (1994) entre Uma Thurman y John Travolta está inspirado en un baile de la película "8 1/2" (1963) de Fellini.

El famoso baile de "Pulp Fiction" (1994) entre Uma Thurman y John Travolta está inspirado en un baile de la película "8 1/2" (1963) de Fellini.

El Club del Arte 🎨📷📚🖼🕍🎼

398,082 views • 2 years ago

Rodando uno de los momentos más famosos de la historia del cine: Quentin Tarantino dando instrucciones a Uma Thurman y John Travolta a ritmo de Chuck Berry en "PULP FICTION" (1994)

Rodando uno de los momentos más famosos de la historia del cine: Quentin Tarantino dando instrucciones a Uma Thurman y John Travolta a ritmo de Chuck Berry en "PULP FICTION" (1994)

CHEMA PONZE

204,677 views • 3 years ago

In Pulp Fiction (1994), Mia Wallace eats an entire cheeseburger right after snorting a bunch of lines in the ladies’ room. This is a reference to Quentin Tarantino apparently not knowing how cocaine works.

In Pulp Fiction (1994), Mia Wallace eats an entire cheeseburger right after snorting a bunch of lines in the ladies’ room. This is a reference to Quentin Tarantino apparently not knowing how cocaine works.

Quentin Tarantino Universe

7,926,496 views • 3 months ago

Uma Thurman co-created the character of The Bride with Quentin Tarantino during the filming of Pulp Fiction. Tarantino promised her they would one day make a film centered on this character. Years later, Kill Bill became that vision realized, with Thurman as both the muse and the star.

Uma Thurman co-created the character of The Bride with Quentin Tarantino during the filming of Pulp Fiction. Tarantino promised her they would one day make a film centered on this character. Years later, Kill Bill became that vision realized, with Thurman as both the muse and the star.

Quentin Tarantino Universe

527,562 views • 9 months ago

El baile de John Travolta en “Pulp Fiction” es una de las escenas más icónicas del cine. La película, dirigida por Quentin Tarantino y estrenada en 1994, presenta una escena en la que los personajes Vincent Vega (interpretado por Travolta) y Mia Wallace (interpretada por Uma Thurman) participan en un concurso de baile en el restaurante temático de los años 50, Jack Rabbit Slim’s. La coreografía es memorable por su sencillez y estilo retro, reflejando una mezcla de movimientos clásicos de rock and roll y pasos inspirados en la música de los años 60. Algunos movimientos destacados incluyen el “twist”, el “mashed potato” y el “batman”. La música de fondo es la canción “You Never Can Tell” de Chuck Berry, que agrega un ambiente energético y nostálgico a la escena. Travolta y Thurman realizan el baile con una actitud desenfadada y cool, capturando perfectamente el tono irreverente y estilizado de la película. Esta escena ha sido parodiada y homenajeada en numerosas ocasiones, convirtiéndose en un momento icónico de la cultura pop.

El baile de John Travolta en “Pulp Fiction” es una de las escenas más icónicas del cine. La película, dirigida por Quentin Tarantino y estrenada en 1994, presenta una escena en la que los personajes Vincent Vega (interpretado por Travolta) y Mia Wallace (interpretada por Uma Thurman) participan en un concurso de baile en el restaurante temático de los años 50, Jack Rabbit Slim’s. La coreografía es memorable por su sencillez y estilo retro, reflejando una mezcla de movimientos clásicos de rock and roll y pasos inspirados en la música de los años 60. Algunos movimientos destacados incluyen el “twist”, el “mashed potato” y el “batman”. La música de fondo es la canción “You Never Can Tell” de Chuck Berry, que agrega un ambiente energético y nostálgico a la escena. Travolta y Thurman realizan el baile con una actitud desenfadada y cool, capturando perfectamente el tono irreverente y estilizado de la película. Esta escena ha sido parodiada y homenajeada en numerosas ocasiones, convirtiéndose en un momento icónico de la cultura pop.

Papina

315,045 views • 2 years ago

Harvey Keitel as Winston Wolf in Pulp Fiction. One of the great performances in movies that has less than five minutes of screen time.

Harvey Keitel as Winston Wolf in Pulp Fiction. One of the great performances in movies that has less than five minutes of screen time.

Stephen Gibbons

412,618 views • 1 year ago

That gold watch monologue in Pulp Fiction (1994) feels like it was made for Christopher Walken. Tarantino gives him one long, bizarre speech, and Walken’s strange, deadpan rhythm turns it into one of the most unforgettable scenes in the whole film.

That gold watch monologue in Pulp Fiction (1994) feels like it was made for Christopher Walken. Tarantino gives him one long, bizarre speech, and Walken’s strange, deadpan rhythm turns it into one of the most unforgettable scenes in the whole film.

Quentin Tarantino Universe

97,050 views • 4 months ago

La escena de baile de Pulp Fiction (1994) es uno de los momentos más icónicos y replicados en la historia del cine. Protagonizada por John Travolta (Vincent Vega) y Uma Thurman (Mia Wallace), la secuencia tiene lugar en el restaurante temático retro de los años 50 Jack Rabbit Slim's, durante un concurso de twist improvisado. Los personajes se mueven al ritmo de "You Never Can Tell" de Chuck Berry (1964), una canción clásica de rock and roll que narra de forma irónica y alegre la vida de una joven pareja. Quentin Tarantino ideó la escena antes de tener el reparto definitivo. Su intención era romper el ritmo violento y tenso de la trama con una secuencia puramente estética donde los cuerpos hablaran por sí mismos. El propio Travolta, con experiencia previa en cine musical, aportó y refinó los pasos para hacerlos memorables. Tarantino se inspiró fuertemente en el cine de Federico Fellini —específicamente en la danza caricaturesca y sensual de la película 8½ (1963)— así como en el filme francés Bande à part de Jean-Luc Godard.

La escena de baile de Pulp Fiction (1994) es uno de los momentos más icónicos y replicados en la historia del cine. Protagonizada por John Travolta (Vincent Vega) y Uma Thurman (Mia Wallace), la secuencia tiene lugar en el restaurante temático retro de los años 50 Jack Rabbit Slim's, durante un concurso de twist improvisado. Los personajes se mueven al ritmo de "You Never Can Tell" de Chuck Berry (1964), una canción clásica de rock and roll que narra de forma irónica y alegre la vida de una joven pareja. Quentin Tarantino ideó la escena antes de tener el reparto definitivo. Su intención era romper el ritmo violento y tenso de la trama con una secuencia puramente estética donde los cuerpos hablaran por sí mismos. El propio Travolta, con experiencia previa en cine musical, aportó y refinó los pasos para hacerlos memorables. Tarantino se inspiró fuertemente en el cine de Federico Fellini —específicamente en la danza caricaturesca y sensual de la película 8½ (1963)— así como en el filme francés Bande à part de Jean-Luc Godard.

El Club del Arte 🎨📷📚🖼🕍🎼

107,939 views • 2 days ago

You know that gift you never got from Santa as a kid? Well, we finally got them when we released our first Christmas album in 2022! 🎁 What was that one thing you never got?

You know that gift you never got from Santa as a kid? Well, we finally got them when we released our first Christmas album in 2022! 🎁 What was that one thing you never got?

Backstreet Boys

46,071 views • 2 years ago

Matt Wallace There’s no way a s*x abuser look good unless you’re one of them to justify that Oprah Never forget Oprah is a sex and slave trader….. She’s is as evil as they come….

Sensitive content

Matt Wallace There’s no way a s*x abuser look good unless you’re one of them to justify that Oprah Never forget Oprah is a sex and slave trader….. She’s is as evil as they come….

Winnie Schola

331,746 views • 2 years ago

Games that deserved a sequel and never got one: Colonization (MicroProse, 1994) This one will always boggle my mind. Colonization was one of the best games of the 90s, yet no sequel was ever made, which saddens me to this day.

Games that deserved a sequel and never got one: Colonization (MicroProse, 1994) This one will always boggle my mind. Colonization was one of the best games of the 90s, yet no sequel was ever made, which saddens me to this day.

exQUIZitely 🕹️

25,157 views • 3 months ago

Quentin Tarantino on how he got the idea to make "Pulp Fiction" (1994): "The idea for 'Pulp Fiction' (1994) was born even before I began writing 'Reservoir Dogs' (1992). I was trying to imagine how to make a film without money, so I thought of a short I’d be able to show at festivals that could be a kind of calling card. I’d be able to demonstrate what I was capable of, which would allow me to shoot a feature-length film. So I thought of the story of Vincent Vega and Marsellus’s wife. Then I realized, why not write a second short crime story, and then a third, and then shoot them one after another when I got enough money together, and then put them together? That’s pretty much what Jim Jarmusch did with 'Stranger Than Paradise' (1984), showing one part at one festival, then getting the financial backing to do the second, etc. So I phoned my friend Roger Avary to ask him to write the second story, but with the condition that it had to be the most classic story possible; and from there he could take us to the moon! And that’s what he wrote: the one about the boxer who gets knocked out in the ring. The third story was going to be the one of Reservoir Dogs. But then our enthusiasm kind of died down, that project never got done, and I used the story of Dogs for my feature-length film. Later we came back to the project, but abandoned the idea of an anthology. What I really wanted was to make a novel on the screen, with characters who enter and exit, who have their own story but who can appear anywhere. I could get to do what a contemporary writer does: introduce into his book a secondary character who appeared in an earlier book, something like the Glass family that Salinger imagined, and whose members you find move from one novel to the next. This is a register filmmakers simply don’t work in: in Hollywood, when you make a film for, let’s say, Paramount, you sell them the rights to the story. If you make the next one for Warners, you can’t use the same characters because they were created for another company. With 'Pulp Fiction', I wanted in some sense to make three films for the price of one! I liked that each character of 'Pulp Fiction' could carry a film as the main hero. If I’d made a film, for example, about Butch and Fabienne and only about them, the character played by John Travolta probably wouldn’t have had a name. He’d have been called “Bad Guy No. i.” But as Pulp Fiction is conceived, he is Vincent Vega. We know his personality, we have an idea of his way of life, he’s not simply a minor character. So then when they shoot him, the spectator feels something." (Quentin Tarantino's interview with Michel Ciment and Hubert Niogret, Postif, 1994) P.S: On this day, 32 years ago, "Pulp Fiction" (1994) premiered at the Cannes Film Festival, France.

Quentin Tarantino on how he got the idea to make "Pulp Fiction" (1994): "The idea for 'Pulp Fiction' (1994) was born even before I began writing 'Reservoir Dogs' (1992). I was trying to imagine how to make a film without money, so I thought of a short I’d be able to show at festivals that could be a kind of calling card. I’d be able to demonstrate what I was capable of, which would allow me to shoot a feature-length film. So I thought of the story of Vincent Vega and Marsellus’s wife. Then I realized, why not write a second short crime story, and then a third, and then shoot them one after another when I got enough money together, and then put them together? That’s pretty much what Jim Jarmusch did with 'Stranger Than Paradise' (1984), showing one part at one festival, then getting the financial backing to do the second, etc. So I phoned my friend Roger Avary to ask him to write the second story, but with the condition that it had to be the most classic story possible; and from there he could take us to the moon! And that’s what he wrote: the one about the boxer who gets knocked out in the ring. The third story was going to be the one of Reservoir Dogs. But then our enthusiasm kind of died down, that project never got done, and I used the story of Dogs for my feature-length film. Later we came back to the project, but abandoned the idea of an anthology. What I really wanted was to make a novel on the screen, with characters who enter and exit, who have their own story but who can appear anywhere. I could get to do what a contemporary writer does: introduce into his book a secondary character who appeared in an earlier book, something like the Glass family that Salinger imagined, and whose members you find move from one novel to the next. This is a register filmmakers simply don’t work in: in Hollywood, when you make a film for, let’s say, Paramount, you sell them the rights to the story. If you make the next one for Warners, you can’t use the same characters because they were created for another company. With 'Pulp Fiction', I wanted in some sense to make three films for the price of one! I liked that each character of 'Pulp Fiction' could carry a film as the main hero. If I’d made a film, for example, about Butch and Fabienne and only about them, the character played by John Travolta probably wouldn’t have had a name. He’d have been called “Bad Guy No. i.” But as Pulp Fiction is conceived, he is Vincent Vega. We know his personality, we have an idea of his way of life, he’s not simply a minor character. So then when they shoot him, the spectator feels something." (Quentin Tarantino's interview with Michel Ciment and Hubert Niogret, Postif, 1994) P.S: On this day, 32 years ago, "Pulp Fiction" (1994) premiered at the Cannes Film Festival, France.

DepressedBergman

148,832 views • 3 months ago