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Up, Up, Down, Down, Left, Right, Left Right, B, A…❤️ As a kid I called the Konami Code the “Contra Code.” I played with friends and instinctively recall “Select, Start” at the end, which gives 30 lives for 2 players. Yet “Select” scrolls to the 2 player option and... “Start” is necessary to start the game. Thus, it’s technically not part of the code. Pressing only “Start” after goes to 1 player mode with 30 lives. Notably, the 1st Nintendo Power issue’s “Classified Information” section explicitly included “Start” when disclosing the sequence. The Konami Code was initially created by Kazuhisa Hashimoto while testing the arcade to console port of Gradius, which he found too difficult. (It also “includes” Start to start the game.) There, it gave access to all power ups ups. Why it stayed in Gradius is unclear, and it appears in future Konami games, most famously Contra. It confers 30 lives in Contra, Life Force, and others, and is sometimes called “the 30 Lives Code.” The effect can vary in different games. As kids, knowing the code was like magic. We imparted it to our friends like a fabled wisdom. Like riding a bike, I’ll never forget it, and I smile inputting it now just as much as I did as a child. No shame in it—Nintendo codes were and still are rad. Homages to the Konami Code outside of gaming are ubiquitous, including in Wreck it Ralph, unlocking Amazon’s “Super Alexa,” and even unlocking a chiptune version of the National Anthem on a Bank of Canada website! Also, Contra’s soundtrack is so good…I hope I’m not the only dork who takes a moment to jam out to it 🤭show more

Christina Rose

22,230 subscribers

14,993 Aufrufe • vor 1 Jahr •via X (Twitter)

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There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

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