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🏙️💥 UPDATE EPISODE! 💥🏙️ Divanyaa & Chiibihime are stomping their way through a kaiju-sized update! We're covering the NEW Android 18 animation & MORE! Giantess Chiibihime says she doesn't like eating tinies... but if you skip the episode, she might make an exception. 😈

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ChaoticHelleaven

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720,108 просмотров • 1 месяц назад •via X (Twitter)

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AN 18-YEAR-OLD GIRL IS SITTING IN HER NEW BMW EXPLAINING HOW SHE MADE $8,000 IN ONE WEEK. SHE DOESN'T KNOW HOW TO CODE. She calls herself an "AI Web Developer." She makes $15,000 a month. Her entire strategy relies on a cold-calling trick that 99% of web agencies haven't figured out yet. She doesn't pitch. She builds the demo first. She goes on Google Maps. She finds a local business with 5-star reviews but a terrible website. She copies all their business info and drops it into Claude 3.5. Claude writes the website copy. She pastes the copy into an AI site builder. In 4 minutes, the AI generates a fully functional, modern website. Then she picks up the phone and calls the owner. She doesn't ask if they want a new website. She says: "I already built you a new website. Want to see it?" She sends the link. The owner opens it. It has their business hours, their photos, their 5-star reviews, and a working booking button. The owner says it looks incredible. She quotes $1,200 to transfer the domain. Done. Real web agencies walk into meetings with pitch decks and portfolios. They quote $5,000 and ask for a 6-week timeline. This 18-year-old skips the meeting entirely. She shows up with the finished product already built in 4 minutes. She made $8,000 last week closing these deals from her car. There are millions of local businesses on Google Maps with broken websites. The demo does the selling. The AI does the building. The teenager just collects the $1,200.
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Question: My sister doesn't wear a hijab, but she is very good. Is it far-fetched to say that? Shaykh Shadee Elmasry: "Someone can be excellent in many aspects but weak in one. No, it's not far off. Allah will reward her for the good that she does, but she will have to explain why she didn't obey Allah in another command. You can be very pious in an area that comes easily to you, but in another, you might struggle because it's difficult, and you haven't found the strength to overcome it. Isn't that true for all of us? The difference is that with a woman who doesn't wear a hijab, it's more obvious because it's something outward. If you ask any man, he might find many things easy but struggle with a few private matters that we can't see. This isn't a permissive attitude; it's simply a description of reality. So, are you saying they're sinful? Yes, they are sinful. But we all commit sins and should make Tawbah (repentance). This message is for all of us, not just one of us. The reason it stands out is because it's an external deed." Dr. Shadee Elmasry
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Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way
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Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way

Tony Chau

11,734 просмотров • 3 месяцев назад

Rob Gronkowski says Tom Brady refused to leave a fourth-quarter blowout against the coach's wishes so he could throw Gronk the 55th catch that triggered a $500,000 bonus "It was the third quarter, we were up like 35–0, so they pulled the starters. But Tampa's cool. They want you to make all the possible money that you can make." "Our offensive coordinator Byron Leftwich always said in the meeting, there's two things that you take away from football in the end: it's your relationships and it's the money that you make." "Those are the two things that stick with you forever. And he says, 'If we're up, obviously the most important thing is to win the game, but if we're up and you need an extra catch, we're going to get you that extra catch. We're going to get you that money.'" "Tom was like, 'Hey, we got to get one more catch.' We drew a play right on the sideline. 'Hey Rob, motion across, you're just going to run a diagonal, I'm going to hit you.' And boom… I actually did an illegal motion, but they didn't call it because the game was way out of reach. That was my 55th catch to hit my last incentive in my contract."
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Rob Gronkowski says Tom Brady refused to leave a fourth-quarter blowout against the coach's wishes so he could throw Gronk the 55th catch that triggered a $500,000 bonus "It was the third quarter, we were up like 35–0, so they pulled the starters. But Tampa's cool. They want you to make all the possible money that you can make." "Our offensive coordinator Byron Leftwich always said in the meeting, there's two things that you take away from football in the end: it's your relationships and it's the money that you make." "Those are the two things that stick with you forever. And he says, 'If we're up, obviously the most important thing is to win the game, but if we're up and you need an extra catch, we're going to get you that extra catch. We're going to get you that money.'" "Tom was like, 'Hey, we got to get one more catch.' We drew a play right on the sideline. 'Hey Rob, motion across, you're just going to run a diagonal, I'm going to hit you.' And boom… I actually did an illegal motion, but they didn't call it because the game was way out of reach. That was my 55th catch to hit my last incentive in my contract."

katsu

1,276,803 просмотров • 7 дней назад

How did that #Corrie episode today turn into Lisa hate? I'm so confused by what she's done this time. The reactions in both scenes are that of any other loving mother, It hurts them more than us when we fly the nest, I think more so if it's an only child. Lisa is a copper, she sees all the bad in the world, which will always be at the forefront of her mind. Shes well aware of what can happen in a big city like London. Her worries are valid, it doesn't make her any less happy for Betsy and her achievement but there was always going to be reservations. For Lisa she is a mother first and foremost who loves her kid more than life itself.
0:19

How did that #Corrie episode today turn into Lisa hate? I'm so confused by what she's done this time. The reactions in both scenes are that of any other loving mother, It hurts them more than us when we fly the nest, I think more so if it's an only child. Lisa is a copper, she sees all the bad in the world, which will always be at the forefront of her mind. Shes well aware of what can happen in a big city like London. Her worries are valid, it doesn't make her any less happy for Betsy and her achievement but there was always going to be reservations. For Lisa she is a mother first and foremost who loves her kid more than life itself.

L ♊️

15,272 просмотров • 1 месяц назад

LOVE ISLAND USA SEASON 8 EPISODE 8 🍿 Kenzie think she Andy from Toy Story 🙄 you don’t get ownership of Buzz Lightyear & Woody lmao. She is SELFISH & her new name need to be “Alexa” cause she turned on by anybody that talk to her . & didn’t you kiss Caleb ? So how are you mad at Corbin ? 🙄 I like Sol & Sincere but I can’t rock with the way he LYING dead in Melanie face . You literally told her “no I don’t wanna explore Sol” but you keep exploring her mouth like you a dentist . Up in Soul Ties , TIED up with Sol 🤦🏾‍♂️ Corbin need an iOS update cause these automated computer “can I get a kiss” responses are CORN on the cob , ELOTES 🌽 I told yall Bryce was a loser and nobody wanted to listen . Why are you tryna talk to Kayda , after she literally Calvin DECLINED you in the bed with Zach . That should be the last person you tryna explore . Trinity should’ve been left Justin Turtle Tongue Bieber alone🤦🏾‍♂️ now you letting a soccer mom play in your face . Beatriz finally realizing that she was never special to the DUOLINGO DING A LING 😭 he done kissed BOTH of the bombshells lmaooo & now she tryna run to Corbin and he fasho don’t want her . #loveislandusa #loveisland #peacock #isaiahjaay
2:59

LOVE ISLAND USA SEASON 8 EPISODE 8 🍿 Kenzie think she Andy from Toy Story 🙄 you don’t get ownership of Buzz Lightyear & Woody lmao. She is SELFISH & her new name need to be “Alexa” cause she turned on by anybody that talk to her . & didn’t you kiss Caleb ? So how are you mad at Corbin ? 🙄 I like Sol & Sincere but I can’t rock with the way he LYING dead in Melanie face . You literally told her “no I don’t wanna explore Sol” but you keep exploring her mouth like you a dentist . Up in Soul Ties , TIED up with Sol 🤦🏾‍♂️ Corbin need an iOS update cause these automated computer “can I get a kiss” responses are CORN on the cob , ELOTES 🌽 I told yall Bryce was a loser and nobody wanted to listen . Why are you tryna talk to Kayda , after she literally Calvin DECLINED you in the bed with Zach . That should be the last person you tryna explore . Trinity should’ve been left Justin Turtle Tongue Bieber alone🤦🏾‍♂️ now you letting a soccer mom play in your face . Beatriz finally realizing that she was never special to the DUOLINGO DING A LING 😭 he done kissed BOTH of the bombshells lmaooo & now she tryna run to Corbin and he fasho don’t want her . #loveislandusa #loveisland #peacock #isaiahjaay

3/12 🎈

94,135 просмотров • 2 месяцев назад

She had just given birth... And instead of hiding her baby, she walked straight to the person she trusted most. That tiny moment says more than words ever could. For most mothers in the animal world, protecting a newborn means finding privacy and keeping others away. But this Highland cow made a different choice. She gently introduced her calf to the farmer, almost as if she was saying, "This is my baby... and I know you'll help keep them safe." Trust like that isn't built overnight. It's earned through patience, kindness, and the way someone shows up every single day. Maybe that's why this moment feels so powerful. Love doesn't always need words. Sometimes it arrives on four legs, with tired eyes, a tiny wobbling calf, and the quiet confidence that says, "You're family." If anyone ever tells you animals don't feel deep emotions, show them this. Some of the purest expressions of love are the ones that never speak at all.
1:35

She had just given birth... And instead of hiding her baby, she walked straight to the person she trusted most. That tiny moment says more than words ever could. For most mothers in the animal world, protecting a newborn means finding privacy and keeping others away. But this Highland cow made a different choice. She gently introduced her calf to the farmer, almost as if she was saying, "This is my baby... and I know you'll help keep them safe." Trust like that isn't built overnight. It's earned through patience, kindness, and the way someone shows up every single day. Maybe that's why this moment feels so powerful. Love doesn't always need words. Sometimes it arrives on four legs, with tired eyes, a tiny wobbling calf, and the quiet confidence that says, "You're family." If anyone ever tells you animals don't feel deep emotions, show them this. Some of the purest expressions of love are the ones that never speak at all.

PeachProof

20,271 просмотров • 1 месяц назад

DSA Co-Chair Megan Romer is asked if the believes there should be millionaires in the country. Not billionaires — but millionaires. Watch her immediate reaction to the question. She is struggling for a way to respond. The slightest ask for explanation of their bumper-sticker slogans bewilders these people. She comes up with "I'm more concerned about billionaires." So she doesn't directly answer the question. Remnick follows up: "I guess what I'm asking is how much is too much?" She can't answer that either. So she says "it's more about what are you doing to keep and maintain and get that wealth in the first place." That sounds a lot like 'We will decide if your wealth is virtuous or not.' She ends with: No matter how you became a millionaire, the DSA wants to "tax the hell" out of you. Sure to be a very popular statement in campaign year for Democrats. She's never received even mild scrutiny of her nonsensical talking points — and it shows.
0:43

DSA Co-Chair Megan Romer is asked if the believes there should be millionaires in the country. Not billionaires — but millionaires. Watch her immediate reaction to the question. She is struggling for a way to respond. The slightest ask for explanation of their bumper-sticker slogans bewilders these people. She comes up with "I'm more concerned about billionaires." So she doesn't directly answer the question. Remnick follows up: "I guess what I'm asking is how much is too much?" She can't answer that either. So she says "it's more about what are you doing to keep and maintain and get that wealth in the first place." That sounds a lot like 'We will decide if your wealth is virtuous or not.' She ends with: No matter how you became a millionaire, the DSA wants to "tax the hell" out of you. Sure to be a very popular statement in campaign year for Democrats. She's never received even mild scrutiny of her nonsensical talking points — and it shows.

Western Lensman

75,233 просмотров • 7 дней назад

‼️Candace Owens FINALLY Addresses the Exploding Mic Theory — And Says It’s More VIABLE Than the Official “Tyler Robinson on the Rooftop” Story 👀 After spending yesterday’s episode connecting the dots between PETN explosives, the Butler assassination attempt, and other suspicious events, Candace Owens is now diving headfirst into the exploding mic theory regarding Charlie Kirk’s assassination. She says after looking into the PETN angle and how it was used in other operations, the idea that Charlie’s microphone was rigged with an explosive is starting to look very viable — especially when compared to the official narrative of Tyler Robinson acting alone with grainy rooftop footage. She also mentioned she has a positive update regarding the military contact who’s been in Russia, and she took a shot at the FBI for having a meltdown on X yesterday over how she promoted her episode. This is the kind of deep dive we’ve been waiting for. FOLLOW Candace Owens, RT this, and watch her full episode linked below. ⚠️My channel is under coordinated attack to bankrupt and silence this investigation into the Charlie Kirk assassination. If you believe in independent journalism and want the truth to keep coming, your support right now is everything. DONATE Here:
0:51

‼️Candace Owens FINALLY Addresses the Exploding Mic Theory — And Says It’s More VIABLE Than the Official “Tyler Robinson on the Rooftop” Story 👀 After spending yesterday’s episode connecting the dots between PETN explosives, the Butler assassination attempt, and other suspicious events, Candace Owens is now diving headfirst into the exploding mic theory regarding Charlie Kirk’s assassination. She says after looking into the PETN angle and how it was used in other operations, the idea that Charlie’s microphone was rigged with an explosive is starting to look very viable — especially when compared to the official narrative of Tyler Robinson acting alone with grainy rooftop footage. She also mentioned she has a positive update regarding the military contact who’s been in Russia, and she took a shot at the FBI for having a meltdown on X yesterday over how she promoted her episode. This is the kind of deep dive we’ve been waiting for. FOLLOW Candace Owens, RT this, and watch her full episode linked below. ⚠️My channel is under coordinated attack to bankrupt and silence this investigation into the Charlie Kirk assassination. If you believe in independent journalism and want the truth to keep coming, your support right now is everything. DONATE Here:

Project Constitution

16,159 просмотров • 1 месяц назад

Some artists are like sunshine — just their presence alone can bring warmth to the people around them. For me, Orm feels exactly like that. She carries such a gentle and comforting energy that naturally makes people feel at ease. Sometimes, even through a screen, Orm can feel so radiant and distant — like someone you can only admire from afar. But it’s the little moments, the way she talks to fans, interacts with them sincerely, or continues using the gifts they gave her, that make the distance between an artist and fans feel a little closer. Those small actions may seem simple, but they make everything feel more genuine and personal. It stops feeling like just a relationship between a celebrity and supporters, and becomes something much warmer instead — a connection built on sincerity and mutual appreciation. And maybe that’s why so many people feel comforted while supporting Orm. She doesn’t just shine brightly; she also has this quiet way of making the people who love and support her feel seen, appreciated, and close to her too.
0:51

Some artists are like sunshine — just their presence alone can bring warmth to the people around them. For me, Orm feels exactly like that. She carries such a gentle and comforting energy that naturally makes people feel at ease. Sometimes, even through a screen, Orm can feel so radiant and distant — like someone you can only admire from afar. But it’s the little moments, the way she talks to fans, interacts with them sincerely, or continues using the gifts they gave her, that make the distance between an artist and fans feel a little closer. Those small actions may seem simple, but they make everything feel more genuine and personal. It stops feeling like just a relationship between a celebrity and supporters, and becomes something much warmer instead — a connection built on sincerity and mutual appreciation. And maybe that’s why so many people feel comforted while supporting Orm. She doesn’t just shine brightly; she also has this quiet way of making the people who love and support her feel seen, appreciated, and close to her too.

𝓚

16,220 просмотров • 3 месяцев назад

🚨BREAKING: Tom Homan responds to Boston Mayor Michelle Wu on her trying to stop his deportation efforts: “Well, she's not very smart, I'll give her that because I just… President Trump's going to prioritize public safety threats.” “What mayor or governor doesn't want public safety threats out of their communities? That's our number one responsibility; to protect their communities and that's exactly what we're going to do.” “So she helps us, [or] she gets the hell out of the way because we're going to do it.” “Look, there's a clear line here. They can't cross a clear line. I would suggest she read Title 8, United States Code 1324 III that says you can't harbor conceal an illegal alien.” “So I hope she don't cross that line. They can not cooperate, but there are certain laws in place that they can't cross and I hope she doesn't cross it.”
0:44

🚨BREAKING: Tom Homan responds to Boston Mayor Michelle Wu on her trying to stop his deportation efforts: “Well, she's not very smart, I'll give her that because I just… President Trump's going to prioritize public safety threats.” “What mayor or governor doesn't want public safety threats out of their communities? That's our number one responsibility; to protect their communities and that's exactly what we're going to do.” “So she helps us, [or] she gets the hell out of the way because we're going to do it.” “Look, there's a clear line here. They can't cross a clear line. I would suggest she read Title 8, United States Code 1324 III that says you can't harbor conceal an illegal alien.” “So I hope she don't cross that line. They can not cooperate, but there are certain laws in place that they can't cross and I hope she doesn't cross it.”

Gunther Eagleman™

3,136,993 просмотров • 1 год назад