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[VIDEO] 🔴 BTS ARIRANG Live🌟 How-To Record // Audio & iPhone Settings Guide Settings matter. Simply changing your iPhone from Spatial Audio to Stereo Audio isn’t enough. 💡Before recording: Lock your camera settings. Lower the exposure (☀️🌓) between -0.3 and -2.0, depending on the stage lighting. 🍭 My sweet...

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Beyond ARMY ⊙⊝⊜⁷ saw PIED PIPER and 뱁새

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26,829 görüntüleme • 2 ay önce •via X (Twitter)

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🔴 iPhone ARMY 🌟 — AUDIO For your BTS concert memories / recording UPDATE: Stereo was 100% better. For context, while I had floor on D3, I was in section 115, so I wasn’t far away. You can hear a distinctive difference in sound. In the video, i included all my settings. Be mindful to: - reset to default settings after the concert, otherwise you will be recording in raw footage = massive files With the concert settings: 4k at 60 fps = 0:45 is 526MB on my device = 0:05 is 33MB on my device - So, make sure your phone is empty for BTS I’m on a 1TB iPhone 17 Pro Max D3, I didn’t need to use the xZoom Cam app. *ALL* my D3 (I haven’t finished uploading even half of them) is using the iPhone camera on 2x or 4x or 8x. I never went above 8x.
0:38

🔴 iPhone ARMY 🌟 — AUDIO For your BTS concert memories / recording UPDATE: Stereo was 100% better. For context, while I had floor on D3, I was in section 115, so I wasn’t far away. You can hear a distinctive difference in sound. In the video, i included all my settings. Be mindful to: - reset to default settings after the concert, otherwise you will be recording in raw footage = massive files With the concert settings: 4k at 60 fps = 0:45 is 526MB on my device = 0:05 is 33MB on my device - So, make sure your phone is empty for BTS I’m on a 1TB iPhone 17 Pro Max D3, I didn’t need to use the xZoom Cam app. *ALL* my D3 (I haven’t finished uploading even half of them) is using the iPhone camera on 2x or 4x or 8x. I never went above 8x.

Beyond ARMY ⊙⊝⊜⁷ saw PIED PIPER, Autumn Leaves

582,178 görüntüleme • 5 ay önce

🧵 NEW EVIDENCE — and this one's simple to understand. A professional broadcast camera (Canon XA55) was recording at UVU on September 10. Unlike every phone in the crowd, this camera records UNCOMPRESSED audio on 4 separate microphone channels at 48,000 samples per second. The Canon was roughly 46m away from the tent which provided a acoustic buffer between the onset of the events. This distance has provided clarity to the event that was missing with the other camera angles. Think of it this way: phone recordings are like looking through a foggy window. This camera is like a clean window with the lights on. Here's what that clean window shows: THE SOUND ARRIVED IN ORDER — HIGH TO LOW When a supersonic bullet passes, the crack arrives before the boom. High-pitched sounds hit first, low-pitched sounds hit last. A bomb going off? Everything originates from the blast and arrives at the camera at the same time. The Canon proves the high frequencies arrived FIRST — spread out over 100+ milliseconds. Followed by muzzle blast then a detonation which originates from the stage. THREE SEPARATE BOOMS — NOT ONE This is the big one. Phone recordings near the stage smear everything together into one big noise. The Canon's professional audio separates THREE distinct low-frequency events: • +114ms — Early energy (Mach cone) • +202ms — Muzzle blast from ~120 meters away • +321ms — DETONATION AT THE STAGE That third event — the stage detonation — is the LOUDEST of the three. It's not an echo. It's not a reflection. It is the strongest low-frequency peak in the entire recording, and it originates approximately 46 meters from the camera. Right at the tent. Right were Charlie was seated. Something EXPLODED there. The Canon captured it separately from the rifle blast for the first time. WHY THIS MATTERS If a rifle was fired from 120 meters away, and a separate detonation occurred at the stage approximately ~185ms later — those are two different events at two different locations. A single shooter doesn't produce a detonation under a tent 120 meters from the rifle. A device detonation doesn't produce a muzzle blast from 120 meters away. The Canon separated what the phones couldn't: proof of events at MULTIPLE locations. 733 SUPERSONIC SIGNATURES A supersonic bullet creates tiny pressure waves called N-waves. The Canon's shotgun microphone captured 733 of them in under 200 microseconds each. The best phone recording? 123. That's 6x more. The phones weren't broken — their compressed audio just can't preserve these. Uncompressed audio can. And it did. THE SHOTGUN MIC WAS POINTED AT IT The external microphone clipped 122,844 audio samples — it was overwhelmed because the sound source was directly in its line of fire. Meanwhile the built-in mics captured clean audio with almost zero clipping. Zero correlation between the two signal paths. Same conclusion. MUZZLE BLAST CONFIRMS THE DISTANCE The +202ms blast puts the rifle at ~120 meters from the camera. The 10-camera analysis estimated 127 meters. That's within 6%. Two completely independent methods. Same answer. But the stage detonation at +321ms? That's only ~46 meters from the camera. That's the tent. A rifle 120 meters away. A detonation at the tent. Two locations. Captured separately for the first time on professional uncompressed audio. This is the 11th recording to independently confirm the same findings. Professional grade. No codec excuses. And now, for the first time, the stage detonation is isolated from the rifle blast. Full analysis + raw audio downloads at
2:34

🧵 NEW EVIDENCE — and this one's simple to understand. A professional broadcast camera (Canon XA55) was recording at UVU on September 10. Unlike every phone in the crowd, this camera records UNCOMPRESSED audio on 4 separate microphone channels at 48,000 samples per second. The Canon was roughly 46m away from the tent which provided a acoustic buffer between the onset of the events. This distance has provided clarity to the event that was missing with the other camera angles. Think of it this way: phone recordings are like looking through a foggy window. This camera is like a clean window with the lights on. Here's what that clean window shows: THE SOUND ARRIVED IN ORDER — HIGH TO LOW When a supersonic bullet passes, the crack arrives before the boom. High-pitched sounds hit first, low-pitched sounds hit last. A bomb going off? Everything originates from the blast and arrives at the camera at the same time. The Canon proves the high frequencies arrived FIRST — spread out over 100+ milliseconds. Followed by muzzle blast then a detonation which originates from the stage. THREE SEPARATE BOOMS — NOT ONE This is the big one. Phone recordings near the stage smear everything together into one big noise. The Canon's professional audio separates THREE distinct low-frequency events: • +114ms — Early energy (Mach cone) • +202ms — Muzzle blast from ~120 meters away • +321ms — DETONATION AT THE STAGE That third event — the stage detonation — is the LOUDEST of the three. It's not an echo. It's not a reflection. It is the strongest low-frequency peak in the entire recording, and it originates approximately 46 meters from the camera. Right at the tent. Right were Charlie was seated. Something EXPLODED there. The Canon captured it separately from the rifle blast for the first time. WHY THIS MATTERS If a rifle was fired from 120 meters away, and a separate detonation occurred at the stage approximately ~185ms later — those are two different events at two different locations. A single shooter doesn't produce a detonation under a tent 120 meters from the rifle. A device detonation doesn't produce a muzzle blast from 120 meters away. The Canon separated what the phones couldn't: proof of events at MULTIPLE locations. 733 SUPERSONIC SIGNATURES A supersonic bullet creates tiny pressure waves called N-waves. The Canon's shotgun microphone captured 733 of them in under 200 microseconds each. The best phone recording? 123. That's 6x more. The phones weren't broken — their compressed audio just can't preserve these. Uncompressed audio can. And it did. THE SHOTGUN MIC WAS POINTED AT IT The external microphone clipped 122,844 audio samples — it was overwhelmed because the sound source was directly in its line of fire. Meanwhile the built-in mics captured clean audio with almost zero clipping. Zero correlation between the two signal paths. Same conclusion. MUZZLE BLAST CONFIRMS THE DISTANCE The +202ms blast puts the rifle at ~120 meters from the camera. The 10-camera analysis estimated 127 meters. That's within 6%. Two completely independent methods. Same answer. But the stage detonation at +321ms? That's only ~46 meters from the camera. That's the tent. A rifle 120 meters away. A detonation at the tent. Two locations. Captured separately for the first time on professional uncompressed audio. This is the 11th recording to independently confirm the same findings. Professional grade. No codec excuses. And now, for the first time, the stage detonation is isolated from the rifle blast. Full analysis + raw audio downloads at

Jon Bray

114,006 görüntüleme • 5 ay önce

Let me make one thing clear: even if we get a free review unit from Apple, we will always show both the PROS and CONS of the device. The Pixel 11 Pro was a review unit. We showed the Genshin Impact crash issue, and it was fixed later. The more we talk about real issues, the more attention they get from brands, and that can help them fix the problem. Just last week, we showed that Samsung had the worst sustained brightness in our test. At the same time, we showed that the iPhone 18 Pro Max had the best sustained brightness. It did not overheat or heavily dim the display. So if iOS has a bug, we will show it too. I’m a consumer just like you. Moving a Widget to another Home Screen page is a normal thing. Millions of iPhone users can do this. This is my LAST attempt to show this issue: iPhone 16 Pro Max: iOS 27.2 Beta iPhone 17 Pro Max: iOS 27.0.1 iPhone 18 Pro Max: iOS 27.0.1 The proof is right in front of you. We are not faking anything. We are simply showing what is happening on the phones. We will always show the good AND the bad, no matter which brand it is.
0:36

Let me make one thing clear: even if we get a free review unit from Apple, we will always show both the PROS and CONS of the device. The Pixel 11 Pro was a review unit. We showed the Genshin Impact crash issue, and it was fixed later. The more we talk about real issues, the more attention they get from brands, and that can help them fix the problem. Just last week, we showed that Samsung had the worst sustained brightness in our test. At the same time, we showed that the iPhone 18 Pro Max had the best sustained brightness. It did not overheat or heavily dim the display. So if iOS has a bug, we will show it too. I’m a consumer just like you. Moving a Widget to another Home Screen page is a normal thing. Millions of iPhone users can do this. This is my LAST attempt to show this issue: iPhone 16 Pro Max: iOS 27.2 Beta iPhone 17 Pro Max: iOS 27.0.1 iPhone 18 Pro Max: iOS 27.0.1 The proof is right in front of you. We are not faking anything. We are simply showing what is happening on the phones. We will always show the good AND the bad, no matter which brand it is.

TechDroider

145,747 görüntüleme • 9 gün önce

Live hacking vlogs are dead. Or are they? It’s been years since I did a vlog and I have to admit that perfectionism was the reason why I stopped making them. But a couple of months back I had the chance to go to a google lhe in Seoul and brought my xe5 on for the ride. I was exited to capture frames and friends, but I messed some settings up so the video content was to shaky and audio was shit.. this stopped me from editing it and releasing it, since I though it had to be perfect to be up to my own standards, which are quite high tbh. So this time in testing out something new, I’m going to simply accept audio issues, shaky camera moves and inconsistency in the color grades, since that’s also what brings authenticity in today’s perfectly polished world. Creators gonna create. So Enjoy the first 1 minute, we got 15 more on YouTube in a few days. Ft insights from Vitor Falcão "busfactor" Justin Gardner Ciarán Cotter Joseph Thacker and more
1:07

Live hacking vlogs are dead. Or are they? It’s been years since I did a vlog and I have to admit that perfectionism was the reason why I stopped making them. But a couple of months back I had the chance to go to a google lhe in Seoul and brought my xe5 on for the ride. I was exited to capture frames and friends, but I messed some settings up so the video content was to shaky and audio was shit.. this stopped me from editing it and releasing it, since I though it had to be perfect to be up to my own standards, which are quite high tbh. So this time in testing out something new, I’m going to simply accept audio issues, shaky camera moves and inconsistency in the color grades, since that’s also what brings authenticity in today’s perfectly polished world. Creators gonna create. So Enjoy the first 1 minute, we got 15 more on YouTube in a few days. Ft insights from Vitor Falcão "busfactor" Justin Gardner Ciarán Cotter Joseph Thacker and more

STÖK ✌️

23,429 görüntüleme • 2 ay önce

Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.
0:40

Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.

AshutoshShrivastava

77,018 görüntüleme • 3 ay önce

This is one of my favorite iPhone hacks and works surprisingly well! Let me share all the steps here so you exactly know how to do this too: 1. Open Settings → Accessibility. 2. Scroll to the bottom and tap Accessibility Shortcut. 3. Select VoiceOver (make sure it has a ✓ next to it). → This lets you triple-click the side button to quickly toggle VoiceOver on or off. 4. Open the Camera app and swipe to Video mode. 5. Triple-click the side button to turn on VoiceOver. (You'll hear VoiceOver speak when it's active.) 6. When ready, double-tap the Record button to start recording. (VoiceOver will say "Recording.") 7. Triple tap the display with three fingers. → The screen goes black, but your iPhone keeps recording in the background. 8. When you're done, triple tap the screen with three fingers again to wake the screen. 9. Double-tap the Record button to stop recording. 10. Triple-click the side button again to turn off VoiceOver.. sc ig/appledsign
0:34

This is one of my favorite iPhone hacks and works surprisingly well! Let me share all the steps here so you exactly know how to do this too: 1. Open Settings → Accessibility. 2. Scroll to the bottom and tap Accessibility Shortcut. 3. Select VoiceOver (make sure it has a ✓ next to it). → This lets you triple-click the side button to quickly toggle VoiceOver on or off. 4. Open the Camera app and swipe to Video mode. 5. Triple-click the side button to turn on VoiceOver. (You'll hear VoiceOver speak when it's active.) 6. When ready, double-tap the Record button to start recording. (VoiceOver will say "Recording.") 7. Triple tap the display with three fingers. → The screen goes black, but your iPhone keeps recording in the background. 8. When you're done, triple tap the screen with three fingers again to wake the screen. 9. Double-tap the Record button to stop recording. 10. Triple-click the side button again to turn off VoiceOver.. sc ig/appledsign

Laurent Correia Bill

255,086 görüntüleme • 11 ay önce

A guy named Philip turned every old iPhone and iPad into a working second monitor for free. It is called OpenDisplay. It gives your Mac a real extended display using an Apple device you already own. You can use it for: > Messages > Spotify > Documentation > Video previews > Terminal windows > Reference material Download the sender on your Mac and the receiver on your iPhone or iPad. Connect them using WiFi or the charging cable. Your Mac creates another display, and you can drag any window onto it exactly like a normal monitor. The screen runs at native Retina resolution and can reach 60 FPS over USB. You can tap to click, drag windows with your finger, scroll using two fingers, and rotate the device into portrait mode. It even supports several devices at the same time. What I really like about this is that it doesn't need an account or subscription or some special dongle. Your screen travels directly between your own devices. Philip built the whole project alone and released the source code on GitHub. Your old iPhone was never useless. It was just waiting for someone to ignore Apple’s rules.
0:47

A guy named Philip turned every old iPhone and iPad into a working second monitor for free. It is called OpenDisplay. It gives your Mac a real extended display using an Apple device you already own. You can use it for: > Messages > Spotify > Documentation > Video previews > Terminal windows > Reference material Download the sender on your Mac and the receiver on your iPhone or iPad. Connect them using WiFi or the charging cable. Your Mac creates another display, and you can drag any window onto it exactly like a normal monitor. The screen runs at native Retina resolution and can reach 60 FPS over USB. You can tap to click, drag windows with your finger, scroll using two fingers, and rotate the device into portrait mode. It even supports several devices at the same time. What I really like about this is that it doesn't need an account or subscription or some special dongle. Your screen travels directly between your own devices. Philip built the whole project alone and released the source code on GitHub. Your old iPhone was never useless. It was just waiting for someone to ignore Apple’s rules.

Ihtesham Ali

73,795 görüntüleme • 1 ay önce

Have a special treat for you! Here's an alternate view of me at Woodstock '99, which was 26 years ago today. The whole set at this festival is ubiquitously available online and has been bootlegged to death, but THIS is alternate B-roll footage that we shot that day from stage left, that NOBODY has seen before and features Alan Bershaw’s multitrack mix of the audio. I went on between Elvis Costello and Red Hot Chili Peppers on the final day, shortly before it literally went down in flames. Watch the full video now on my YouTube channel:
0:35

Have a special treat for you! Here's an alternate view of me at Woodstock '99, which was 26 years ago today. The whole set at this festival is ubiquitously available online and has been bootlegged to death, but THIS is alternate B-roll footage that we shot that day from stage left, that NOBODY has seen before and features Alan Bershaw’s multitrack mix of the audio. I went on between Elvis Costello and Red Hot Chili Peppers on the final day, shortly before it literally went down in flames. Watch the full video now on my YouTube channel:

Jewel

20,398 görüntüleme • 1 yıl önce

Was this Meta's iPhone moment? On January 9, 2007, Steve Jobs walked on stage and unveiled a glass rectangle. Most of the room didn't get it. Within a decade it became the most profitable product in history and made Apple the most valuable company on earth. This week Zuckerberg walked on stage at Meta Connect and made a bet just as big. Not a better phone. The thing that replaces the phone. Muse Charm, a pendant that carries an AI agent with no screen at all. VR glasses at 100 grams that make the Vision Pro look like a brick. Camera-free audio glasses. And the pitch behind all of it: "delivering personal superintelligence is now within reach." AI on your face instead of in your pocket. Here's why the comparison is tempting. The iPhone didn't win because it was a great phone. It won because it became the platform everything else ran on. Zuckerberg is reaching for exactly that, to own the next computing platform outright, so Meta never again has to pay Apple's tax to reach its own users. So will this make Meta the world's most valuable company, the first to $10 trillion? Maybe. That's the prize he's playing for. But remember what history actually teaches. For every iPhone, there's a Google Glass, a Newton, an Amazon Fire Phone. The graveyard of "the next iPhone" is enormous, and the winners are only obvious in hindsight. The vision is real. The bet is genuine. The moment might be historic. Or it might be the moment everyone points to later and asks what they were thinking. We'll know in ten years. Not ten days. What‘s your take?
1:26

Was this Meta's iPhone moment? On January 9, 2007, Steve Jobs walked on stage and unveiled a glass rectangle. Most of the room didn't get it. Within a decade it became the most profitable product in history and made Apple the most valuable company on earth. This week Zuckerberg walked on stage at Meta Connect and made a bet just as big. Not a better phone. The thing that replaces the phone. Muse Charm, a pendant that carries an AI agent with no screen at all. VR glasses at 100 grams that make the Vision Pro look like a brick. Camera-free audio glasses. And the pitch behind all of it: "delivering personal superintelligence is now within reach." AI on your face instead of in your pocket. Here's why the comparison is tempting. The iPhone didn't win because it was a great phone. It won because it became the platform everything else ran on. Zuckerberg is reaching for exactly that, to own the next computing platform outright, so Meta never again has to pay Apple's tax to reach its own users. So will this make Meta the world's most valuable company, the first to $10 trillion? Maybe. That's the prize he's playing for. But remember what history actually teaches. For every iPhone, there's a Google Glass, a Newton, an Amazon Fire Phone. The graveyard of "the next iPhone" is enormous, and the winners are only obvious in hindsight. The vision is real. The bet is genuine. The moment might be historic. Or it might be the moment everyone points to later and asks what they were thinking. We'll know in ten years. Not ten days. What‘s your take?

Thierry from arvy 🇨🇭

41,738 görüntüleme • 13 gün önce

The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.
0:13

The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.

Ice Universe

27,250 görüntüleme • 4 ay önce

Coach vlad 🇹🇷 of FUT on the tech issues at Champions: "I'll have an addition to this. xeus' 🇹🇷 PC was already diagnosed with some issues before. We go up to the stage to do a tech check, right? And he had been having issues before he left the stage. And he was the last guy to leave the stage. During Round 2, it happened in front of us. We had a compliance meeting regarding this exact kind of situation one week ago. The guys told us even if there was some kind of damage in the round of some kind to a player, we've could've done a rollback and this happened in a a 2v1 situation. What else do we need for a possible rollback? What more possible feature do we need. Everyone saw, his gun didn't shoot and then it was too late, he was dead. I am really amazed by the decision from the admins and the referees. This guy [sociablEE?] had so much audio issues. We had lighting issues. Admins had been telling us this has been the setting for the lighting for the stage for 1 week. And my team is saying it isn't the case for the JDG game. We had been struggling with the lighting issues for like 6 rounds, full of split with him [sociablEE?] having audio issues. The only feedback we were getting from the referees is to plug your earphone off and on again. It is unbearable to be honest. I have nothing else to say." via VALO2ASIA
2:11

Coach vlad 🇹🇷 of FUT on the tech issues at Champions: "I'll have an addition to this. xeus' 🇹🇷 PC was already diagnosed with some issues before. We go up to the stage to do a tech check, right? And he had been having issues before he left the stage. And he was the last guy to leave the stage. During Round 2, it happened in front of us. We had a compliance meeting regarding this exact kind of situation one week ago. The guys told us even if there was some kind of damage in the round of some kind to a player, we've could've done a rollback and this happened in a a 2v1 situation. What else do we need for a possible rollback? What more possible feature do we need. Everyone saw, his gun didn't shoot and then it was too late, he was dead. I am really amazed by the decision from the admins and the referees. This guy [sociablEE?] had so much audio issues. We had lighting issues. Admins had been telling us this has been the setting for the lighting for the stage for 1 week. And my team is saying it isn't the case for the JDG game. We had been struggling with the lighting issues for like 6 rounds, full of split with him [sociablEE?] having audio issues. The only feedback we were getting from the referees is to plug your earphone off and on again. It is unbearable to be honest. I have nothing else to say." via VALO2ASIA

ROCKET

57,738 görüntüleme • 7 gün önce

Hi Mark -TheWhale- W. (Visionary, Developer) Since you decided to tag me about your "world record" to flex on me (?), and I got that same monitor today, here's me breaking your "world record" on one gen older hardware that I did NOT need to steal from Emil Christensen. Please stop tagging me on your LLM slop and stop believing everything sycophantic LLM's tell you. Also, while you're at it, please stop scamming people, that would be nice. Also, since you claimed I was faking my numbers and I "stole them from a reddit post", here's a 4k video with no cuts of my camera pointing at the screen of the full thing, hitting 1116.9 avg, 362.5 P1, on a 7800x3d and 4090 (unlike your stolen 9950x3d and 5090), at the same resolution, on the same monitor as your "world record", while using normal settings (Dynamic Shadows on All, HDR on Quality, FidelityFX Disabled). I wonder if you were also using realistic settings like this in your run. Thanks, take care! P.S. I do not sell tweaks nor optimizations, I never have, I never will. If you reach out for tweaks/optimizations, I will either ignore you or redirect you to my Discord so I can help you in a public channel if I have time. Everything I did is fully public on my YouTube video or on my Discord. Remember your hard-earned money is valuable, it's a token of your time. Don't waste either money or time on scammers peddling snake oil. It's never worth it.
3:44

Hi Mark -TheWhale- W. (Visionary, Developer) Since you decided to tag me about your "world record" to flex on me (?), and I got that same monitor today, here's me breaking your "world record" on one gen older hardware that I did NOT need to steal from Emil Christensen. Please stop tagging me on your LLM slop and stop believing everything sycophantic LLM's tell you. Also, while you're at it, please stop scamming people, that would be nice. Also, since you claimed I was faking my numbers and I "stole them from a reddit post", here's a 4k video with no cuts of my camera pointing at the screen of the full thing, hitting 1116.9 avg, 362.5 P1, on a 7800x3d and 4090 (unlike your stolen 9950x3d and 5090), at the same resolution, on the same monitor as your "world record", while using normal settings (Dynamic Shadows on All, HDR on Quality, FidelityFX Disabled). I wonder if you were also using realistic settings like this in your run. Thanks, take care! P.S. I do not sell tweaks nor optimizations, I never have, I never will. If you reach out for tweaks/optimizations, I will either ignore you or redirect you to my Discord so I can help you in a public channel if I have time. Everything I did is fully public on my YouTube video or on my Discord. Remember your hard-earned money is valuable, it's a token of your time. Don't waste either money or time on scammers peddling snake oil. It's never worth it.

bardOZ (Giovanni Laerte Frongia)

61,150 görüntüleme • 9 ay önce

Seedance 2.0 is allowing us to enter a new era of music video creation. Here is how I created HONEY. It was a quick test to see how well this workflow holds up. 🐝 1 - Write your song and generate the music with Suno 5.5. 2 - Use an image generator of your choice. For HONEY I combined both Grok Imagine for aesthetics and Nano Banana Pro for refined editing. 3 - In Capcut I import my audio and just save out a blank video video containing the audio. This step is important because this video file containing audio will now be used with Seedance 2.0 as a video reference with Omni. This allows the AI to apply automatic and realistic lipsync and movement to the music, it's extremely powerful! 4 - Once I have a both my image and video with audio as reference, I use Seedance 2.0 Omni and upload my starting image and then the video reference with the audio. 5 - From here I'm simply prompting like normal, specifying what's happening in my scene with detailed instructions, mentioning multi shots and camera angle changes and then specifying that the person is singing along to the song. I type out the lyrics that are present to have better lipsync accuracy. 6 - Once I have generated a video and like the result, I do video to video, so i upload that video that just got generated and type "The scene continues" and prompt new actions to take place. This allows you to expand on a narrative. These new shots can be used as B-ROLL and since I uploaded my video as reference I have full consistency of everything it saw in the video. This is also extremely powerful. 7 - This is actually the most difficult part. Edit in Capcut. This is where you need to understand pacing and shot selection from all the scenes you generated to bring it all together. You must be strategic with the editing. Goodluck! I'll probably record a video tutorial at some point as it's easier to see what is being done.
0:46

Seedance 2.0 is allowing us to enter a new era of music video creation. Here is how I created HONEY. It was a quick test to see how well this workflow holds up. 🐝 1 - Write your song and generate the music with Suno 5.5. 2 - Use an image generator of your choice. For HONEY I combined both Grok Imagine for aesthetics and Nano Banana Pro for refined editing. 3 - In Capcut I import my audio and just save out a blank video video containing the audio. This step is important because this video file containing audio will now be used with Seedance 2.0 as a video reference with Omni. This allows the AI to apply automatic and realistic lipsync and movement to the music, it's extremely powerful! 4 - Once I have a both my image and video with audio as reference, I use Seedance 2.0 Omni and upload my starting image and then the video reference with the audio. 5 - From here I'm simply prompting like normal, specifying what's happening in my scene with detailed instructions, mentioning multi shots and camera angle changes and then specifying that the person is singing along to the song. I type out the lyrics that are present to have better lipsync accuracy. 6 - Once I have generated a video and like the result, I do video to video, so i upload that video that just got generated and type "The scene continues" and prompt new actions to take place. This allows you to expand on a narrative. These new shots can be used as B-ROLL and since I uploaded my video as reference I have full consistency of everything it saw in the video. This is also extremely powerful. 7 - This is actually the most difficult part. Edit in Capcut. This is where you need to understand pacing and shot selection from all the scenes you generated to bring it all together. You must be strategic with the editing. Goodluck! I'll probably record a video tutorial at some point as it's easier to see what is being done.

Travis Davids

19,236 görüntüleme • 5 ay önce

I FINALLY tried out the ultra-wide display, and I’m sorry, but I refuse to accept that this isn’t already the KILLER feature for the Apple Vision Pro. I edited this entire video on it, and here are my thoughts: 1. Productivity Boosted to the Max: I was so much faster than usual, never needing to switch between any windows. It is so cool. 2. Sharper Display: It’s hard to describe, but the clarity is so much closer to Retina now. Everything feels significantly sharper and more refined. 3. Immersive Experience: You truly feel godlike. This isn’t something my video can capture—you have to experience this massive screen curving around you to really understand what I mean. I used to tell everyone that while I loved the virtual Mac setup for when I’m on the go, I still preferred my 5K Studio Display at home. Well, that’s over, guys. Nothing beats this level of screen size and aspect ratio. #VisionPro #ultrawide
0:57

I FINALLY tried out the ultra-wide display, and I’m sorry, but I refuse to accept that this isn’t already the KILLER feature for the Apple Vision Pro. I edited this entire video on it, and here are my thoughts: 1. Productivity Boosted to the Max: I was so much faster than usual, never needing to switch between any windows. It is so cool. 2. Sharper Display: It’s hard to describe, but the clarity is so much closer to Retina now. Everything feels significantly sharper and more refined. 3. Immersive Experience: You truly feel godlike. This isn’t something my video can capture—you have to experience this massive screen curving around you to really understand what I mean. I used to tell everyone that while I loved the virtual Mac setup for when I’m on the go, I still preferred my 5K Studio Display at home. Well, that’s over, guys. Nothing beats this level of screen size and aspect ratio. #VisionPro #ultrawide

Phil Traut ᯅ

71,136 görüntüleme • 1 yıl önce

THE LONELY WALK TO THE STAGE!🥹Perhaps the loneliest journey for a theatre actor is the short walk from backstage onto the stage.🎭 In those few steps, you are completely alone!! With your thoughts, your doubts, your nervousness and the sound of your own heartbeat. There is fear: What if I forget? What if I fail to connect? What if tonight is not the night? You try to focus, take a deep breath and quietly remind yourself to surrender to the moment. I have been in movies for 41 years. I have recently started work on my 555th film. I have faced the camera thousands of times and performed before audiences across the world. And yet, before every entry onto a theatre stage, that palpitation is still there. That little fear still walks beside me.🥹 Perhaps that is a blessing. The day an actor stops feeling nervous may be the day he begins taking his audience and his art for granted. Fear keeps you humble. It reminds you that no matter how many years you have performed, every new audience is a new beginning. And then you step onto the stage. The lights find you, the audience breathes with you, and slowly the fear turns into focus, the nervousness into energy and the loneliness into an extraordinary shared joy.❤️ This was my walk from backstage to the stage for our play #JaanePehchaaneAnjane in Dallas. A few lonely steps… followed by the magical togetherness of theatre. 🎭 #Stage #Actor #JPAGoesInternational
0:56

THE LONELY WALK TO THE STAGE!🥹Perhaps the loneliest journey for a theatre actor is the short walk from backstage onto the stage.🎭 In those few steps, you are completely alone!! With your thoughts, your doubts, your nervousness and the sound of your own heartbeat. There is fear: What if I forget? What if I fail to connect? What if tonight is not the night? You try to focus, take a deep breath and quietly remind yourself to surrender to the moment. I have been in movies for 41 years. I have recently started work on my 555th film. I have faced the camera thousands of times and performed before audiences across the world. And yet, before every entry onto a theatre stage, that palpitation is still there. That little fear still walks beside me.🥹 Perhaps that is a blessing. The day an actor stops feeling nervous may be the day he begins taking his audience and his art for granted. Fear keeps you humble. It reminds you that no matter how many years you have performed, every new audience is a new beginning. And then you step onto the stage. The lights find you, the audience breathes with you, and slowly the fear turns into focus, the nervousness into energy and the loneliness into an extraordinary shared joy.❤️ This was my walk from backstage to the stage for our play #JaanePehchaaneAnjane in Dallas. A few lonely steps… followed by the magical togetherness of theatre. 🎭 #Stage #Actor #JPAGoesInternational

Anupam Kher

75,408 görüntüleme • 1 ay önce

🎬 Want to create cinematic AI videos in seconds? Here’s exactly how I do it using Seedance 2.0 on Yapper: Most people get this wrong… your results depend on how well you *direct* the AI. Here’s the workflow 👇 ✅ Step 1: Open Yapper Go to Create → Video ✅ Step 2: Choose your model Select Seedance 2.0 This model delivers smooth motion, dynamic camera angles, realistic lighting, and strong scene consistency. ✅ Step 3: Write a strong prompt Your prompt is your director. Be specific: Camera movement (pan, zoom, tracking shot) Lighting (golden hour, neon, soft shadows) Environment (city, desert, luxury interior) ✅ Step 4: Add a reference image (optional) Use this to guide style, composition, or subject for more control and consistency. ✅ Step 5: Hit Generate In seconds, your idea turns into a cinematic sequence. 🚀 Pro tip: If it’s not perfect, tweak your prompt — small changes = big difference. From idea → cinematic video in seconds.
1:00

🎬 Want to create cinematic AI videos in seconds? Here’s exactly how I do it using Seedance 2.0 on Yapper: Most people get this wrong… your results depend on how well you *direct* the AI. Here’s the workflow 👇 ✅ Step 1: Open Yapper Go to Create → Video ✅ Step 2: Choose your model Select Seedance 2.0 This model delivers smooth motion, dynamic camera angles, realistic lighting, and strong scene consistency. ✅ Step 3: Write a strong prompt Your prompt is your director. Be specific: Camera movement (pan, zoom, tracking shot) Lighting (golden hour, neon, soft shadows) Environment (city, desert, luxury interior) ✅ Step 4: Add a reference image (optional) Use this to guide style, composition, or subject for more control and consistency. ✅ Step 5: Hit Generate In seconds, your idea turns into a cinematic sequence. 🚀 Pro tip: If it’s not perfect, tweak your prompt — small changes = big difference. From idea → cinematic video in seconds.

Kuria | AI

43,685 görüntüleme • 5 ay önce

I tried Seedance Enterprise 2.5 on BytePlus Lumina for a new scene recently, and it was honestly a breath of fresh air. I used to waste so many credits on endless rerolls, but this time I got a usable shot on my second try. It just made the whole process feel way less stressful and way more fun. I was also really surprised by how natural the cinematography looked. The lighting and camera movements didn't feel like typical AI output at all, they had this intentional, deliberate feel, like a real photographer was behind the lens. It made me want to focus on telling the story instead of constantly fixing weird AI glitches. Native 30‑second generation handles complete story arcs in one go, no need to piece together short clips. It supports up to 50 multimodal references and localized editing, keeping characters, scenes, and details consistent across the whole video. That makes the workflow genuinely practical. Another thing I really liked was the workflow. I didn't have to jump between different tabs. I just dropped my references into Lumina and added the score with Seed Audio right there. It feels less like a tech demo and more like an actual toolkit for creators. Seedance 2.5 Official API is now live on BytePlus, and you can try it directly on Lumina.
0:30

I tried Seedance Enterprise 2.5 on BytePlus Lumina for a new scene recently, and it was honestly a breath of fresh air. I used to waste so many credits on endless rerolls, but this time I got a usable shot on my second try. It just made the whole process feel way less stressful and way more fun. I was also really surprised by how natural the cinematography looked. The lighting and camera movements didn't feel like typical AI output at all, they had this intentional, deliberate feel, like a real photographer was behind the lens. It made me want to focus on telling the story instead of constantly fixing weird AI glitches. Native 30‑second generation handles complete story arcs in one go, no need to piece together short clips. It supports up to 50 multimodal references and localized editing, keeping characters, scenes, and details consistent across the whole video. That makes the workflow genuinely practical. Another thing I really liked was the workflow. I didn't have to jump between different tabs. I just dropped my references into Lumina and added the score with Seed Audio right there. It feels less like a tech demo and more like an actual toolkit for creators. Seedance 2.5 Official API is now live on BytePlus, and you can try it directly on Lumina.

Gina Acosta

81,794 görüntüleme • 1 ay önce

UGC featuring new Iphone and Apple watch Seedance 2.5 Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded foldable iPhone, retail box, and Apple Watch as locked product references. Maintain perfect product consistency, including the foldable phone's frame, hinge, displays, cameras, buttons, colors, materials, and proportions, as well as the Apple Watch's case, display, crown, buttons, strap, colors, and proportions. Create an ultra-realistic UGC luxury tech creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the foldable iPhone retail box and Apple Watch. Smiling at the camera, she says, "I genuinely wasn't expecting to love this foldable iPhone this much." She picks up the box, opens it naturally, reveals the phone, and slowly unfolds it while continuing, "The design already feels incredibly premium." She rotates the foldable iPhone slowly in front of the camera, showing the thin frame, hinge, displays, and camera module as natural golden-hour reflections move across the surface. She smiles and says, "The design is so sleek, and I really love how the foldable screen opens up." She unfolds the phone completely and interacts naturally with the large inner display, scrolling through apps and opening the camera. She points the camera toward the bedroom and takes a few photos. She looks at the camera and says, "And the camera quality is seriously impressive. Everything looks so sharp and detailed." She then closes and opens the phone once more before continuing, "Plus, the battery is supposed to be better too, which is honestly a huge win for me." She places the foldable iPhone on the bed and picks up the new Apple Watch. She holds it close to the camera, showing the display, case, crown, and strap with realistic reflections. She smiles and says, "And the new Apple Watch is actually really nice too." She puts the Apple Watch onto her wrist naturally, raises her arm toward the camera, checks the display, scrolls through it, and says, "I love how clean it looks, and having all these features right on my wrist is so convenient." She turns her wrist from side to side so the watch catches the warm sunlight from different angles. She then picks up the foldable iPhone again and holds it beside her Apple Watch. Looking directly into the camera, she smiles warmly and says, "Honestly... this might be one of my favorite Apple upgrades yet." She laughs softly, looks down at both devices, then holds the foldable iPhone beside her face with the Apple Watch clearly visible on her wrist. The camera slowly pushes in toward the phone and watch before fading out. Ultra-realistic UGC technology content, authentic creator review, cinematic handheld smartphone movement, modern luxury bedroom, warm golden-hour lighting, macro product cinematography, realistic reflections, detailed phone and watch textures, accurate foldable mechanics, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, natural creator-style delivery, 4K HDR, 16 9, no subtitles, no logos, no watermarks, no on-screen text. Negative: No BGM, no dialogue other than the specified speech, no distorted hands, no extra fingers, no warped phone, no changing product design, no inconsistent colors, no duplicated devices, no floating objects, no exaggerated CGI, no unrealistic reflections, no beauty filter, no plastic-looking skin, no unnatural facial expressions, no cinematic
0:30

UGC featuring new Iphone and Apple watch Seedance 2.5 Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded foldable iPhone, retail box, and Apple Watch as locked product references. Maintain perfect product consistency, including the foldable phone's frame, hinge, displays, cameras, buttons, colors, materials, and proportions, as well as the Apple Watch's case, display, crown, buttons, strap, colors, and proportions. Create an ultra-realistic UGC luxury tech creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the foldable iPhone retail box and Apple Watch. Smiling at the camera, she says, "I genuinely wasn't expecting to love this foldable iPhone this much." She picks up the box, opens it naturally, reveals the phone, and slowly unfolds it while continuing, "The design already feels incredibly premium." She rotates the foldable iPhone slowly in front of the camera, showing the thin frame, hinge, displays, and camera module as natural golden-hour reflections move across the surface. She smiles and says, "The design is so sleek, and I really love how the foldable screen opens up." She unfolds the phone completely and interacts naturally with the large inner display, scrolling through apps and opening the camera. She points the camera toward the bedroom and takes a few photos. She looks at the camera and says, "And the camera quality is seriously impressive. Everything looks so sharp and detailed." She then closes and opens the phone once more before continuing, "Plus, the battery is supposed to be better too, which is honestly a huge win for me." She places the foldable iPhone on the bed and picks up the new Apple Watch. She holds it close to the camera, showing the display, case, crown, and strap with realistic reflections. She smiles and says, "And the new Apple Watch is actually really nice too." She puts the Apple Watch onto her wrist naturally, raises her arm toward the camera, checks the display, scrolls through it, and says, "I love how clean it looks, and having all these features right on my wrist is so convenient." She turns her wrist from side to side so the watch catches the warm sunlight from different angles. She then picks up the foldable iPhone again and holds it beside her Apple Watch. Looking directly into the camera, she smiles warmly and says, "Honestly... this might be one of my favorite Apple upgrades yet." She laughs softly, looks down at both devices, then holds the foldable iPhone beside her face with the Apple Watch clearly visible on her wrist. The camera slowly pushes in toward the phone and watch before fading out. Ultra-realistic UGC technology content, authentic creator review, cinematic handheld smartphone movement, modern luxury bedroom, warm golden-hour lighting, macro product cinematography, realistic reflections, detailed phone and watch textures, accurate foldable mechanics, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, natural creator-style delivery, 4K HDR, 16 9, no subtitles, no logos, no watermarks, no on-screen text. Negative: No BGM, no dialogue other than the specified speech, no distorted hands, no extra fingers, no warped phone, no changing product design, no inconsistent colors, no duplicated devices, no floating objects, no exaggerated CGI, no unrealistic reflections, no beauty filter, no plastic-looking skin, no unnatural facial expressions, no cinematic

Synthia

12,672 görüntüleme • 27 gün önce

Now that I am home and have access to my files I decided to do a quick test with one of my Vtubing avatars. It works way better with my larger iPad Pro (less crashing/more memory and more screen space) compared to the mini so I did want to bring that up. Importing the file over as GLB was more stable than just OBJ plus it kept the color info from the previous texture. I texture all my avatars on substance painter but have been looking at an alternative when I am out and about that is not on the computer and this actually hits all the right "wants". Adding a quick video of the way the app works for me. I like that it has layers, I can alter my brushes and even add stabilization when I am drawing (which I use that extensively on procreate so that was a huge plus). The stamp tools will come in handy as well but did not show it on this video. The file itself is imported as "one mesh" but each part is treated as their own separate piece which I show in the video. I do the same thing on substance painter making it really easy for me to texture. The app then exports the texture out for each object which is the same way I do so on substance. Overall I am extremely impressed with the work Sparseal has done on this application and see how useful this will be for my current work flow of texturing. I for one love the ability to be "portable" which is a big reason I sculpt so much with Nomad Sculpt on the iPad. Having the freedom to do your work away from a desk and if you feel like doing it outside is probable why I yearn for iPad apps so much like so. Give this app a look, it is free to try on the App Store (It is $19 to be able to export, but a one time buy). It is called "Wafer" for the iPad. I already use CozyBlanket from the same creator to do re topology so I expected this level of fantastic with this current app.
2:44

Now that I am home and have access to my files I decided to do a quick test with one of my Vtubing avatars. It works way better with my larger iPad Pro (less crashing/more memory and more screen space) compared to the mini so I did want to bring that up. Importing the file over as GLB was more stable than just OBJ plus it kept the color info from the previous texture. I texture all my avatars on substance painter but have been looking at an alternative when I am out and about that is not on the computer and this actually hits all the right "wants". Adding a quick video of the way the app works for me. I like that it has layers, I can alter my brushes and even add stabilization when I am drawing (which I use that extensively on procreate so that was a huge plus). The stamp tools will come in handy as well but did not show it on this video. The file itself is imported as "one mesh" but each part is treated as their own separate piece which I show in the video. I do the same thing on substance painter making it really easy for me to texture. The app then exports the texture out for each object which is the same way I do so on substance. Overall I am extremely impressed with the work Sparseal has done on this application and see how useful this will be for my current work flow of texturing. I for one love the ability to be "portable" which is a big reason I sculpt so much with Nomad Sculpt on the iPad. Having the freedom to do your work away from a desk and if you feel like doing it outside is probable why I yearn for iPad apps so much like so. Give this app a look, it is free to try on the App Store (It is $19 to be able to export, but a one time buy). It is called "Wafer" for the iPad. I already use CozyBlanket from the same creator to do re topology so I expected this level of fantastic with this current app.

Val / LatinVixen ➡️ Megaplex

17,469 görüntüleme • 7 ay önce