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Vikings QB J.J. McCarthy had a hilarious explanation for why he ignored his coaches' advice and hit the Griddy before crossing the goal line on Sunday Night Football. "I did it in practice and I was told not to do it. It was just me being who I am.... show more

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NEW: Bill Maher leaves journalist stunned when he tells her the “End Racism” message in the NFL end zone does nothing to end racism. MAHER: “I noticed that at the Super Bowl, they’re, for the first time in, I think, four years now, the Trump administration is making them take away ‘End Racism,’ which they had written in the end zone.” TARA PALMERI: “But why? It just seems silly.” MAHER: “To do it or not to do it?” TARA PALMERI: “Why get rid of it?” MAHER: “Oh, I could tell you why. Because it was stupid to begin with. But let me ask you, who is it for? And if you’re a racist and you see ‘End Racism’ in the end zone, you’re gonna stop being a racist?” TARA PALMERI: (Stunned) “But the sentiment is basically like, don’t be an asshole.” MAHER: “But I think it’s an asshole to nag us during a football game about something that doesn’t change anything. If I’m not a racist and I see it, it doesn’t matter. And if I am a racist, it’s gonna make me more of a racist.” BYRON DONALDS: “Look, I think if you write ‘Don’t be an asshole’ in the end zone, everybody will agree with that.” (Round of Applause)

NEW: Bill Maher leaves journalist stunned when he tells her the “End Racism” message in the NFL end zone does nothing to end racism. MAHER: “I noticed that at the Super Bowl, they’re, for the first time in, I think, four years now, the Trump administration is making them take away ‘End Racism,’ which they had written in the end zone.” TARA PALMERI: “But why? It just seems silly.” MAHER: “To do it or not to do it?” TARA PALMERI: “Why get rid of it?” MAHER: “Oh, I could tell you why. Because it was stupid to begin with. But let me ask you, who is it for? And if you’re a racist and you see ‘End Racism’ in the end zone, you’re gonna stop being a racist?” TARA PALMERI: (Stunned) “But the sentiment is basically like, don’t be an asshole.” MAHER: “But I think it’s an asshole to nag us during a football game about something that doesn’t change anything. If I’m not a racist and I see it, it doesn’t matter. And if I am a racist, it’s gonna make me more of a racist.” BYRON DONALDS: “Look, I think if you write ‘Don’t be an asshole’ in the end zone, everybody will agree with that.” (Round of Applause)

The Vigilant Fox 🦊

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“Firstly, it was just the fact that it was 1664. I was like, ‘Do I get a lifetime supply?’. And I do! I think… I do now.” Robert Pattinson on what motivated him to get involved with 1664 Blanc.

“Firstly, it was just the fact that it was 1664. I was like, ‘Do I get a lifetime supply?’. And I do! I think… I do now.” Robert Pattinson on what motivated him to get involved with 1664 Blanc.

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

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"I love playing ball. I realize how blessed I am to be in this position, and most importantly, I love the people I do it with" - QB J.J. McCarthy on dealing with adversity and loving the game.

"I love playing ball. I realize how blessed I am to be in this position, and most importantly, I love the people I do it with" - QB J.J. McCarthy on dealing with adversity and loving the game.

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48,565 görüntüleme • 7 ay önce

🐰 "My dream is to act in movies 🎬 I don’t even know if I’ll get the chance, but if I do, I’ll give it everything I’ve got fr. This year I feel like there might be a fan meeting, maybe even a fan con. It kinda feels like a turning point, because I finally get to do what I really want. And after the fan con, I just hope I’ll get more and more opportunities in the entertainment industry, like keep leveling up nonstop 🚀 If I had to talk about myself one year from now… I think I’d want to believe that I actually made it. Like let me say it first just in case it really happens 5555 If I do make it, I’ll be like “I did it!!” And honestly, I wanna keep telling myself every year that I did amazing and I’m proud of me 🫶" BABY SONYA 27 YRS #Sonya27thCelebration #Sonyasaranphat

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26,949 görüntüleme • 3 ay önce

Ed Harris says he felt “misled” about his “inconsequential” role on “Dutton Ranch,” and that halfway through filming Season 1, he was telling his team to “get me the f--- out of here.” “Prior to signing on for it, I was talked to quite a bit about what the season was, and what my character was going to do — and that I was one of the four main characters,” Harris said. “And that wasn’t really the case... I said, ‘I’m feeling underused and inconsequential,’ and they kind of went, ‘Oh.'” Harris explained that when he actually watched “Dutton Ranch,” he thought it was “pretty good,” and he felt his character was “relatively important to the story.” However, during filming, “it didn’t feel that way.” “I’m being told my character will have a little bit more to do [in Season 2],” he says. “I was just a little frustrated, to tell you the truth.”

Ed Harris says he felt “misled” about his “inconsequential” role on “Dutton Ranch,” and that halfway through filming Season 1, he was telling his team to “get me the f--- out of here.” “Prior to signing on for it, I was talked to quite a bit about what the season was, and what my character was going to do — and that I was one of the four main characters,” Harris said. “And that wasn’t really the case... I said, ‘I’m feeling underused and inconsequential,’ and they kind of went, ‘Oh.'” Harris explained that when he actually watched “Dutton Ranch,” he thought it was “pretty good,” and he felt his character was “relatively important to the story.” However, during filming, “it didn’t feel that way.” “I’m being told my character will have a little bit more to do [in Season 2],” he says. “I was just a little frustrated, to tell you the truth.”

Variety

3,312,675 görüntüleme • 7 gün önce

Carlos Alcaraz says he initially wasn’t sure if he was cramping or if it was an issue with his adductor during his match against Zverev, ‘I just told what happened to the physio & he decided to take a medical’ “I didn’t think it was cramps at all at the beginning. I didn’t know exactly what it was. I ran to a forehand and started to feel it in the right adductor. That’s why I called the physio. Because it was just that moment, the rest of the legs.. the left leg was good. Not good but decent. After that with all the stress I didn’t know what was going on. I didn’t know if it was going to be worse or not. In that moment I just talked to the physio and said ‘Ok I just went to run to the forehand side and I started to feel the right adductor.’ He decided to take the medical time out and he did it. I just told what happened to the physio and he decided to take a medical.” (via Australian Open Press)

Carlos Alcaraz says he initially wasn’t sure if he was cramping or if it was an issue with his adductor during his match against Zverev, ‘I just told what happened to the physio & he decided to take a medical’ “I didn’t think it was cramps at all at the beginning. I didn’t know exactly what it was. I ran to a forehand and started to feel it in the right adductor. That’s why I called the physio. Because it was just that moment, the rest of the legs.. the left leg was good. Not good but decent. After that with all the stress I didn’t know what was going on. I didn’t know if it was going to be worse or not. In that moment I just talked to the physio and said ‘Ok I just went to run to the forehand side and I started to feel the right adductor.’ He decided to take the medical time out and he did it. I just told what happened to the physio and he decided to take a medical.” (via Australian Open Press)

The Tennis Letter

516,912 görüntüleme • 5 ay önce

Zendaya reveals how she freaked out when Tom Holland told her about starring in The Odyssey. "He had the script, and I may have taken a little peek. I had to know. He had a Christopher Nolan script in my house, what am I gonna do? So I looked" "Then he went off to his meeting, and when he came home, I was like, 'Okay! Tell me all about it! How was it? What was it like?' You know what I mean? I was so ready, so excited" "And he goes, 'Read this again.' And I was like, 'What? Why? We just read it last night.' He was like, 'Read it again, but with Athena in mind.' And I was like, 'Yo, stop it right there'" "I freaked out. I was so grateful. And the fact that he got to be the one to tell me, it was so special"

Zendaya reveals how she freaked out when Tom Holland told her about starring in The Odyssey. "He had the script, and I may have taken a little peek. I had to know. He had a Christopher Nolan script in my house, what am I gonna do? So I looked" "Then he went off to his meeting, and when he came home, I was like, 'Okay! Tell me all about it! How was it? What was it like?' You know what I mean? I was so ready, so excited" "And he goes, 'Read this again.' And I was like, 'What? Why? We just read it last night.' He was like, 'Read it again, but with Athena in mind.' And I was like, 'Yo, stop it right there'" "I freaked out. I was so grateful. And the fact that he got to be the one to tell me, it was so special"

Buggy

6,515,860 görüntüleme • 11 gün önce

Gary Oldman's "EVERYONE!!" scream in Léon: The Professional is so iconic people yell it at him in the street. Turns out it started as a joke between him and Luc Besson. He explains: “What's strange is that it's become this sort of iconic line, and it was all done as a joke. And that was the thing, I played the scene…. And I had a relationship with Luc. Luc Besson was kind of mad in a way — I mean, we were shooting on film. He would say to me, "OK, do the scene again, but now do it as Robert De Niro." Or do it as... And he would shoot it for kicks, and his archive. So we had a fun kind of relationship… I said to Luke, "I just want to do one more, let me do one more." And I went to the sound guy and I said, "I'm going to be really loud, so be careful." And said “bring me everyone" — you know, EVERYONE like that. I just did it as a joke to make Luc laugh. I was a little shocked when I saw it in the film, yeah. It was just me fooling around — with intensity, with feeling — and yet it's become this line now.”

Gary Oldman's "EVERYONE!!" scream in Léon: The Professional is so iconic people yell it at him in the street. Turns out it started as a joke between him and Luc Besson. He explains: “What's strange is that it's become this sort of iconic line, and it was all done as a joke. And that was the thing, I played the scene…. And I had a relationship with Luc. Luc Besson was kind of mad in a way — I mean, we were shooting on film. He would say to me, "OK, do the scene again, but now do it as Robert De Niro." Or do it as... And he would shoot it for kicks, and his archive. So we had a fun kind of relationship… I said to Luke, "I just want to do one more, let me do one more." And I went to the sound guy and I said, "I'm going to be really loud, so be careful." And said “bring me everyone" — you know, EVERYONE like that. I just did it as a joke to make Luc laugh. I was a little shocked when I saw it in the film, yeah. It was just me fooling around — with intensity, with feeling — and yet it's become this line now.”

Gangster Cinema Central

35,141 görüntüleme • 18 gün önce

“What my coach has always said is ‘Just be Amber, just be you, do what you’re able to do.’ I just need to take it for what it is in that moment and do the best that I can on that day.” ͢ Amber’s approach to the individual event. 🎥: NBC Connecticut

“What my coach has always said is ‘Just be Amber, just be you, do what you’re able to do.’ I just need to take it for what it is in that moment and do the best that I can on that day.” ͢ Amber’s approach to the individual event. 🎥: NBC Connecticut

Amber Glenn Updates

39,308 görüntüleme • 5 ay önce

Kyle Shanahan on him saying “I’m proud of you Brock” in the headset during the game last week: “That was sarcasm. I was trying to piss him off. We had an easy, quick pass play to Juice in the flat. It’s designed to get 3 yards, and he might turn it up and get more. And the last, like, five times I’ve called it, he’s bypassed Juszczyk and tried to go for a deeper one. So we’ve been giving him crap for a long time that he can’t hit a guy in the flat quickly. And then he did it, and I said that just to piss him off, so he could flip me off, kind of subtly. But it was awesome. He was too far away, but I know he’s rolling his eyes. That was cool, though. I’m glad he did it, and sometimes when you piss guys off, they do it more. So that was the ultimate goal.” via: 49ers on NBCS

Kyle Shanahan on him saying “I’m proud of you Brock” in the headset during the game last week: “That was sarcasm. I was trying to piss him off. We had an easy, quick pass play to Juice in the flat. It’s designed to get 3 yards, and he might turn it up and get more. And the last, like, five times I’ve called it, he’s bypassed Juszczyk and tried to go for a deeper one. So we’ve been giving him crap for a long time that he can’t hit a guy in the flat quickly. And then he did it, and I said that just to piss him off, so he could flip me off, kind of subtly. But it was awesome. He was too far away, but I know he’s rolling his eyes. That was cool, though. I’m glad he did it, and sometimes when you piss guys off, they do it more. So that was the ultimate goal.” via: 49ers on NBCS

Coach Yac 🗣

182,022 görüntüleme • 7 ay önce

Paul Sorvino, who played Paulie in Goodfellas, nearly backed out of the film two days before production. The self-described “softie” had spent months agonizing over the role, convinced he didn’t have what it took to play a mafia boss. He explains… “I didn’t think I could do it, because it was not the kind of role that I felt I really had an affinity for. The externals were easy: middle-aged Italian man. The difficulty was in the lethality that I felt I didn’t possess. And so even though I wanted to do it, I was sort of faking when I went to the meeting and giving Martin the impression that I knew exactly what to do with it - when I had no idea what to do with it. But I wanted so much to be in a Scorsese movie. I guess he just figured I was capable of it. It was about two months of preparation to try to get this quality that I knew it called for. I was kind of agonizing over it - I was thinking, “I’m gonna ruin this movie.” I was looking for something to get out of it till two days before we started production. By virtue of constantly searching to find that kind of quality that killers have, I was preparing to go out one night, passed by the mirror to check for spinach in the teeth, and I jumped back. I literally frightened myself. I saw a look in my eyes that frightened me. ‘Who was that?’ I said, ‘That’s Paulie.’ And once I found it, the role became just a duck in water. It just was so easy to do.”

Paul Sorvino, who played Paulie in Goodfellas, nearly backed out of the film two days before production. The self-described “softie” had spent months agonizing over the role, convinced he didn’t have what it took to play a mafia boss. He explains… “I didn’t think I could do it, because it was not the kind of role that I felt I really had an affinity for. The externals were easy: middle-aged Italian man. The difficulty was in the lethality that I felt I didn’t possess. And so even though I wanted to do it, I was sort of faking when I went to the meeting and giving Martin the impression that I knew exactly what to do with it - when I had no idea what to do with it. But I wanted so much to be in a Scorsese movie. I guess he just figured I was capable of it. It was about two months of preparation to try to get this quality that I knew it called for. I was kind of agonizing over it - I was thinking, “I’m gonna ruin this movie.” I was looking for something to get out of it till two days before we started production. By virtue of constantly searching to find that kind of quality that killers have, I was preparing to go out one night, passed by the mirror to check for spinach in the teeth, and I jumped back. I literally frightened myself. I saw a look in my eyes that frightened me. ‘Who was that?’ I said, ‘That’s Paulie.’ And once I found it, the role became just a duck in water. It just was so easy to do.”

Gangster Cinema Central

567,538 görüntüleme • 1 ay önce

Podz on what Steph told him during the game: “He just told me to be decisive. Whatever I choose to do, he was like, ‘Shoot whatever shots you want to shoot. But just be decisive about doing it,’ and I think that helped. He said, ‘Just be decisive in what you do, and whatever you do, we’ll live with it.’”

Podz on what Steph told him during the game: “He just told me to be decisive. Whatever I choose to do, he was like, ‘Shoot whatever shots you want to shoot. But just be decisive about doing it,’ and I think that helped. He said, ‘Just be decisive in what you do, and whatever you do, we’ll live with it.’”

aly ✶

186,387 görüntüleme • 5 ay önce

"There is a level of composure and poise to how he ran the show that was exactly what I was looking for" -Head Coach Kevin O'Connell on J.J. McCarthy today

"There is a level of composure and poise to how he ran the show that was exactly what I was looking for" -Head Coach Kevin O'Connell on J.J. McCarthy today

Minnesota Vikings

36,273 görüntüleme • 11 ay önce

Tom Cruise created Frank Mackey by performing the entire character for the director in his living room before a single camera rolled “He wanted me in like Izod shirts and khaki. I was like, 'I don't think that's this guy. Let me just show you my instincts on this.'” “In my screening room, I had him, I said, 'Just sit down right here.' And I lit it, and I had the whole music and I basically wrote the opening monologue, my version.” “As I was doing it, I could just see his face. He's like, 'What the fuck?'” “I create characters like that. You just go — I can do it. And you just, you work on it. Les Grossman, I knew what to do.”

Tom Cruise created Frank Mackey by performing the entire character for the director in his living room before a single camera rolled “He wanted me in like Izod shirts and khaki. I was like, 'I don't think that's this guy. Let me just show you my instincts on this.'” “In my screening room, I had him, I said, 'Just sit down right here.' And I lit it, and I had the whole music and I basically wrote the opening monologue, my version.” “As I was doing it, I could just see his face. He's like, 'What the fuck?'” “I create characters like that. You just go — I can do it. And you just, you work on it. Les Grossman, I knew what to do.”

ramagazzi

37,247 görüntüleme • 1 ay önce

Dave Portnoy says he paid $10,000 for an AI clone to narrate his audiobook for him — and it was “actually scary” how dead-on it sounded. His parents couldn’t even tell the difference. Then Audible shut it down, and he had to record every word himself. “I could only do 15 minutes [of recording a day] because it was that hard for me to read it. I hated it. I tried to get out of it. I paid $10,000 to do AI. I had this AI program for it.” “My parents couldn’t tell the difference. And it could literally just scan the book and go word-for-word.” “It was actually scary how it was dead-on. And it could have literally just done every single word in that book.” “[Audible] wouldn’t let me use it... I was told, ‘No, they don’t let you do that.’ So I had to [record the whole book myself]. I hated it. Hated it!”

Dave Portnoy says he paid $10,000 for an AI clone to narrate his audiobook for him — and it was “actually scary” how dead-on it sounded. His parents couldn’t even tell the difference. Then Audible shut it down, and he had to record every word himself. “I could only do 15 minutes [of recording a day] because it was that hard for me to read it. I hated it. I tried to get out of it. I paid $10,000 to do AI. I had this AI program for it.” “My parents couldn’t tell the difference. And it could literally just scan the book and go word-for-word.” “It was actually scary how it was dead-on. And it could have literally just done every single word in that book.” “[Audible] wouldn’t let me use it... I was told, ‘No, they don’t let you do that.’ So I had to [record the whole book myself]. I hated it. Hated it!”

The Vigilant Fox 🦊

1,139,288 görüntüleme • 13 gün önce

keeho said that it was hard to do the run on duh! bridge live because he had already been dancing for like 2 minutes before. "i still did it, because i am a singer, and that’s what singers do AYY" 🤣 #P1Harmony #피원하모니 #기호

keeho said that it was hard to do the run on duh! bridge live because he had already been dancing for like 2 minutes before. "i still did it, because i am a singer, and that’s what singers do AYY" 🤣 #P1Harmony #피원하모니 #기호

angela

31,151 görüntüleme • 1 yıl önce

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube

VikingzFanPage

264,026 görüntüleme • 9 ay önce

This was one of the first songs that was written for the album with Jackson Phillips, who produced a lot of it. At the start, candidly, I'd just write and see what intuitively would come out. I wrote the first verse on my birthday. One of my best friends gave me a painting and it said "Sun behind the sun." I thought that was beautiful, so I based the whole verse around that. We had a few versions of that song in particular and it was missing a part for me. One day, I sat outside and the whole chorus came to me. It became like the conversations that you still have after someone or something has passed. It becomes a form of communicating still. As I get older, it goes all the way back to square one simplicity for me. What do I love? Who do I love? What do I cherish? Who do I cherish? It's that simple for me. This is I Wanted To Stay #ORDERchaosORDER

This was one of the first songs that was written for the album with Jackson Phillips, who produced a lot of it. At the start, candidly, I'd just write and see what intuitively would come out. I wrote the first verse on my birthday. One of my best friends gave me a painting and it said "Sun behind the sun." I thought that was beautiful, so I based the whole verse around that. We had a few versions of that song in particular and it was missing a part for me. One day, I sat outside and the whole chorus came to me. It became like the conversations that you still have after someone or something has passed. It becomes a form of communicating still. As I get older, it goes all the way back to square one simplicity for me. What do I love? Who do I love? What do I cherish? Who do I cherish? It's that simple for me. This is I Wanted To Stay #ORDERchaosORDER

Calum Hood

81,361 görüntüleme • 1 yıl önce

Jaylen Brown with an interesting postgame interview before walking off the court: “I’ve had to adjust, it’s a different year. I just do what the team needs me to do. I’ve been able to evolve through different things in my career. This team, I’m more of a playmaker, so I just embrace it and get better in that role and do what I do.” #Celtics

Jaylen Brown with an interesting postgame interview before walking off the court: “I’ve had to adjust, it’s a different year. I just do what the team needs me to do. I’ve been able to evolve through different things in my career. This team, I’m more of a playmaker, so I just embrace it and get better in that role and do what I do.” #Celtics

The Celtics Files

401,944 görüntüleme • 1 yıl önce