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Vincent Berry talking about Beyoncé writing the Third and most important verse on "Sandcastles" And How she gave him a Producer credit even though he didn't ask for it "That's not what I wrote, that's what She wrote, She put that there"

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friendly reminder that HE CREATED A MAGICAL WHIMSICAL DRINK AND NAMED IT AFTER THE SONG SHE WROTE ABOUT HIM🤧

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She asked him to spot her once. Once. He couldn't lift the bar off her. She had four plates on each side. 'And?' 'That's a warm-up.' He went to put his arm around her and his arm didn't reach anymore. She opens every jar in the house now. He doesn't even try. Last week she watched him struggle for two minutes before she took it. 'The lid was moving.' 'It wasn't moving.' Things changed. She got bigger. And stronger. And scarier. He's still there though. Intimidating or inspiring — you have to pick one.

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Look at the Puss on that PUS FACE😡 He could not stand that she was talking about how our country used to welcome people from other lands. And how they became successful. Just look at that face on him. He can’t stand it, what a miserable puke he is.! He couldn’t stand it because he wasn’t the focus in the room. What a lovely speech she gave!!

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She wrote Allah in the sand, the waves wiped it out instantly! Then she wrote Jesus and the waves respected it, never touching it. Not coincidence. That's the name above every name. JESUS REIGNS FOREVER! 🙏🏻🕊

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> She went on a trip > She met a guy there > He asked for her number > She gave it to him > Even though she already had a boyfriend She gave her number because he gifted her a fridge magnet worth 120 rupees. Why didn't she say no?

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Carrie Fisher said something in an interview that perfectly captures how creative instinct works. She was asked whether reinventing herself as a writer was a conscious decision. Her answer: "I don't think I've made many conscious decisions. I make most of my decisions in my sleep." She didn't sit down one day and declare herself a writer. It was a slow evolution, pulled forward by what she actually loved consuming. "I wrote fiction, which is what I read. And now I write screenplays, which is what I watch." That's a principle worth sitting with. She was simply doing the thing she already did for pleasure. The writing path itself began almost accidentally. After an interview in Esquire, she was approached to write a non-fiction book. That fell apart. She couldn't even remember the format she was supposed to write in. "Essays or something," she said. "See, you can't even think of the name for it. That's why I couldn't do it." So she did what made sense to her and wrote fiction instead. The screenwriting came the same way. But what most people don't know is that Fisher was doing script work decades before it became widely known. She learned punchup by necessity, not by design. On the set of Star Wars, she and Harrison Ford were handed dialogue that simply could not be spoken aloud. She described telling George Lucas: "You can type this, but you cannot say it. It'll take a couple of minutes for the nava computer to calculate the coordinates." She said it took 20 takes. Out of self-defence, she started reworking lines. Ford did the same. That habit eventually turned into a career doing punchup for major Hollywood films, helping writers fix dialogue that looked good on the page but died in the room. And then there was the work she wrote for her mother, Debbie Reynolds. Two television pilots, neither of which ever aired. Her reason for wanting to work with her mother is one of the more honest things ever said about family dynamics in Hollywood. "The main thing I want to do is work with my mom so that we don't have to have those Christmas dinners anymore. Just have a job with her and you can order her around." It didn't go the way she planned. Her grandmother showed up and bossed both of them around and, as Fisher put it, "got all the money."

Carrie Fisher said something in an interview that perfectly captures how creative instinct works. She was asked whether reinventing herself as a writer was a conscious decision. Her answer: "I don't think I've made many conscious decisions. I make most of my decisions in my sleep." She didn't sit down one day and declare herself a writer. It was a slow evolution, pulled forward by what she actually loved consuming. "I wrote fiction, which is what I read. And now I write screenplays, which is what I watch." That's a principle worth sitting with. She was simply doing the thing she already did for pleasure. The writing path itself began almost accidentally. After an interview in Esquire, she was approached to write a non-fiction book. That fell apart. She couldn't even remember the format she was supposed to write in. "Essays or something," she said. "See, you can't even think of the name for it. That's why I couldn't do it." So she did what made sense to her and wrote fiction instead. The screenwriting came the same way. But what most people don't know is that Fisher was doing script work decades before it became widely known. She learned punchup by necessity, not by design. On the set of Star Wars, she and Harrison Ford were handed dialogue that simply could not be spoken aloud. She described telling George Lucas: "You can type this, but you cannot say it. It'll take a couple of minutes for the nava computer to calculate the coordinates." She said it took 20 takes. Out of self-defence, she started reworking lines. Ford did the same. That habit eventually turned into a career doing punchup for major Hollywood films, helping writers fix dialogue that looked good on the page but died in the room. And then there was the work she wrote for her mother, Debbie Reynolds. Two television pilots, neither of which ever aired. Her reason for wanting to work with her mother is one of the more honest things ever said about family dynamics in Hollywood. "The main thing I want to do is work with my mom so that we don't have to have those Christmas dinners anymore. Just have a job with her and you can order her around." It didn't go the way she planned. Her grandmother showed up and bossed both of them around and, as Fisher put it, "got all the money."

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The fact that he’s reading her own words and she disagrees 🤪 “It’s not what I said, but it’s what I wrote.” Ok.

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Stephanie White trolling the refs for this call and her tech: "She intentionally seeked out the official. That's what I was told. My tech was for saying that's bullshit. Even though I heard the F-bomb the whole fucking game. That's a bad call. Officials have to have some awareness in those moments and it didn't happen."

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EFM FANDOM WITH EMIBONNIE #EmiBonniexFANDOMFANFIC 🎤: One of the top comments on the "Fall For You" MV says that the origin of the song is from when P'Mi shared how she feels abt Bonnie into a chat group– 🦊: I just knew that there's a top comment! 🎤: In the Riser Music group chat. What did you write back then? 🦊: This was going to be our very first song. Our debut as a duo. So they wanted us to have a part in writing the song. They asked us what we wanted our first song to be like, what kind of lyrics and concept we had in mind. 🐰: They asked if there was anything that we wanted to include in the song. 🦊: Yeah, any particular kind of content or words. Like, what phrases we wanted the song to have. 🐰: Keywords. 🦊: Yeah, keywords. So I said, "I don't know abt keywords or anything like that. I'll just write how I feel and you can use that to write the song." 🐰: It was like a diary entry. 🎤: So it came from who you are. 🦊: Yeah, from how we feel abt each other. 🎤: Then let me ask you, is there a verse that you like the most in the song? 🦊: A favourite verse? I like the part that goes, "I like it when you turn and call my name. The world disappears leaving only us." That's my favourite verse. 🎤: Which verse? Can you say it again? 🦊: (sings the verse) 🎤: The world disappears leaving only us. 🦊: That's right. I really like this verse. Every time it comes up, I smile. 🎤: Was that verse in what you wrote? 🦊: Hui, I wrote a lot, I can't remember 😆 🐰: We wrote it like a story. 🦊: I wrote sooo much. 🐰: P'Mi wrote it from her perspective first and of course I couldn't lose to her. 🦊: 😆 🦊: So she wrote more. 🐰: I wrote back in return. But when she wrote all that for me, I felt– the phis in the chat said, "Bonnie is sooo beautiful!" 🎤: She really wrote something so lovely for you. 🐰: The way she wrote it, I was like, "Hey, is this what's in your heart?" 😆 🦊: It was what's in my heart! 🐰: It was what was in her heart. 🎤: It was what's in your heart that you wrote that into the chat group. 🦊: Yeah. I don't know why I didn't feel shy when I wrote it– 🐰: It made me shy! 🦊: But when I got teased abt it, I started to get shy. 🐰: Yeah, she got teased so much. 🎤: You got teased? 🐰: The group had so many ppl! I was like, "Ui, you're sending it right here?" 🦊: Yeah, I got teased and was like, oh dear, it's too late now. 🐰: She's actually a romantic person. 🦊: I wrote what I like abt her, what I like abt us.

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