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Wardrobe design

ROP NAHASHON

3,508 subscribers

20,549 views • 2 years ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

5 Comments

Eng. Okero2 years ago

Have a look at this

LedgerLines (Ø,G) (🦇,💙)2 years ago

I'll use the side compartment for shoes

Philip Okongene2 years ago

Bookmarked 👍👍

WeThePeople2 years ago

Perfect

Films32 years ago

Nice

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Sensitive content

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𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

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In 1953, Paramount Pictures sent Audrey Hepburn to Paris to personally select some costumes for the film Sabrina, in which she played the lead role. In fact, the film's official costume designer was Edith Head, a Hollywood fashion icon who had received dozens of Oscar nominations and numerous awards. But the studio's decision was logical: according to the plot, the main character was a poor, awkward American girl who went to the fashion capital to study and returned home radiant. Therefore, her wardrobe had to be designed by a high-fashion French designer. Audrey Hepburn and Hubert de Givenchy first met in Paris. The actress later recalled: "Everything I saw in his work fascinated me—he created dresses that perfectly suited me." Their acquaintance began almost by chance. Givenchy was expecting to meet another actress—Katharine Hepburn—and was surprised when a petite woman in simple trousers and a T-shirt walked into his workshop. At the time, he didn't have time to design new costumes: he was preparing for his first collection. So, Hubert suggested Audrey choose an outfit from his existing collection. Among them was that very dress—white, with a wide, flowing skirt embroidered in black silk and featuring a detachable train. In the film, the dress appears in a crucial scene where Sabrina transforms from an awkward girl into the embodiment of elegance. The Givenchy dress played a vital role in this effect, which continues to amaze audiences to this day. Interestingly, in 1955, the film "Sabrina" won an Oscar for Best Costume Design, but the award went to Edith Head – even though she only designed one dress for the lead actress, the one Sabrina wears at the beginning of the film. Givenchy's name was not mentioned at the awards ceremony or in the credits. Furthermore, due to the high cost of the costumes, the studio required Audrey to pay a portion of the cost herself – they effectively became part of her personal wardrobe.

In 1953, Paramount Pictures sent Audrey Hepburn to Paris to personally select some costumes for the film Sabrina, in which she played the lead role. In fact, the film's official costume designer was Edith Head, a Hollywood fashion icon who had received dozens of Oscar nominations and numerous awards. But the studio's decision was logical: according to the plot, the main character was a poor, awkward American girl who went to the fashion capital to study and returned home radiant. Therefore, her wardrobe had to be designed by a high-fashion French designer. Audrey Hepburn and Hubert de Givenchy first met in Paris. The actress later recalled: "Everything I saw in his work fascinated me—he created dresses that perfectly suited me." Their acquaintance began almost by chance. Givenchy was expecting to meet another actress—Katharine Hepburn—and was surprised when a petite woman in simple trousers and a T-shirt walked into his workshop. At the time, he didn't have time to design new costumes: he was preparing for his first collection. So, Hubert suggested Audrey choose an outfit from his existing collection. Among them was that very dress—white, with a wide, flowing skirt embroidered in black silk and featuring a detachable train. In the film, the dress appears in a crucial scene where Sabrina transforms from an awkward girl into the embodiment of elegance. The Givenchy dress played a vital role in this effect, which continues to amaze audiences to this day. Interestingly, in 1955, the film "Sabrina" won an Oscar for Best Costume Design, but the award went to Edith Head – even though she only designed one dress for the lead actress, the one Sabrina wears at the beginning of the film. Givenchy's name was not mentioned at the awards ceremony or in the credits. Furthermore, due to the high cost of the costumes, the studio required Audrey to pay a portion of the cost herself – they effectively became part of her personal wardrobe.

🎵💖Loves classical music🎻🎹

33,899 views • 1 month ago

The eagle is landing and well soon it will land and then we can all say that famous line, “The eagle has landed.” But before touchdown, can we take a moment to admire this magnificent bird’s wardrobe? Are those trousers, pantaloons or would they be knickers? Asking the Brits out there. Whatever you want to call them, you simply can’t miss them. What about the feather covered coat? Could this be?? Perhaps an Iris van Herpen design or is it a Sarah Burton? Whoever the designer is, this bird has no problems showing off each and every feather. It almost seems to control each beautiful feather individually, letting them all dance to their own song as the air moves past them, but make no mistake. This entire aerial ballet is choreographed with the utmost perfection. The grand finale! That amazing , epic wing tuck. Magnificent birds who always seem dressed for the occasion and the landing.

The eagle is landing and well soon it will land and then we can all say that famous line, “The eagle has landed.” But before touchdown, can we take a moment to admire this magnificent bird’s wardrobe? Are those trousers, pantaloons or would they be knickers? Asking the Brits out there. Whatever you want to call them, you simply can’t miss them. What about the feather covered coat? Could this be?? Perhaps an Iris van Herpen design or is it a Sarah Burton? Whoever the designer is, this bird has no problems showing off each and every feather. It almost seems to control each beautiful feather individually, letting them all dance to their own song as the air moves past them, but make no mistake. This entire aerial ballet is choreographed with the utmost perfection. The grand finale! That amazing , epic wing tuck. Magnificent birds who always seem dressed for the occasion and the landing.

Mark Smith Photography

20,107 views • 1 year ago

stickman ads might be the highest ROI format rn - dirt cheap, made in minutes, and almost nobody's running them they're this effective becasue there's no character design to nail. no faces, no consistency, no wardrobe - it's pure movement and action, and the model only has to get the motion right... and it feels educational, it's hard to spot that this is an ad your brain can't help but root for a stick figure. give it a clear villain to fight and simple, expressive motion, and people watch to see the ending - they're invested before they even clock it's an ad we were testing it in many niches: - health - ecom - legal - finance and way more... works well every single time i wrote down my whole playbook on how I create them in SECONDS rt + comment "STICK" and i'll send you the full breakdown so you can use it for your business (must follow so i can DM)

stickman ads might be the highest ROI format rn - dirt cheap, made in minutes, and almost nobody's running them they're this effective becasue there's no character design to nail. no faces, no consistency, no wardrobe - it's pure movement and action, and the model only has to get the motion right... and it feels educational, it's hard to spot that this is an ad your brain can't help but root for a stick figure. give it a clear villain to fight and simple, expressive motion, and people watch to see the ending - they're invested before they even clock it's an ad we were testing it in many niches: - health - ecom - legal - finance and way more... works well every single time i wrote down my whole playbook on how I create them in SECONDS rt + comment "STICK" and i'll send you the full breakdown so you can use it for your business (must follow so i can DM)

dynh

95,128 views • 1 month ago

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Sulfur

48,621 views • 18 days ago