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Was something like an ancient micro-drill used to precision shape this large broken off granodiorite (7 on Mohs scale of hardness) head in Luxor that was crafted from a single piece of stone (the body is located nearby)? Notice the much softer sandstone statues behind it that were made... show more

Megalithic Marvels

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67,194 просмотров • 9 месяцев назад •via X (Twitter)

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Notice the precision curvature on this broken piece of rose-granite (rated a 7+ on the Mohs scale of hardness) located outside Giza’s “Valley Temple.” Do you really believe the dynastic Egyptians did this with their softer manual hand tools?

Notice the precision curvature on this broken piece of rose-granite (rated a 7+ on the Mohs scale of hardness) located outside Giza’s “Valley Temple.” Do you really believe the dynastic Egyptians did this with their softer manual hand tools?

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2 completely different columns - one made in sections of softer sandstone & one precision crafted from a solid piece of granite. What are the implications?

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🚨 How Was This Possible?! These are pre-dynastic Egyptian vases made out of Diorite Stone which is 7/10 on the Measurement of Hardness (MoH) scale. These vases have been PRECISION crafted to a level that is simply impossible with the toolkit we assign to these time periods.

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Look at these 3D deep-precision embedded symbols in this huge piece of broken rose-granite at Karnak temple. Are we looking at glyphs from the prediluvian megalithic engineers?

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The mainstream will say this is just a “Huaca” (sacred place) made with chisels by the Inca. While I do believe the Inca found these places & repurposed them as alters - IMHO, this was made by a far older lost civilization who possessed lost tech that had the ability to precision shape this very hard andesite (a 6 on the Mohs scale). How could the copper tools (3 on Mohs scale) of the Inca do this?

The mainstream will say this is just a “Huaca” (sacred place) made with chisels by the Inca. While I do believe the Inca found these places & repurposed them as alters - IMHO, this was made by a far older lost civilization who possessed lost tech that had the ability to precision shape this very hard andesite (a 6 on the Mohs scale). How could the copper tools (3 on Mohs scale) of the Inca do this?

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Machined statues of ancient Egypt: the green granodiorite head at the “Ramesseum”

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“I woke to a crushing sensation, like if you were on the bottom of a dog pile of people on top of you, and I just wanted to scream, get off me so I can breathe. At that moment I heard, and ‘heard’ is not the right word for it, it was like a sensational sound that shot through my head behind my ear and went inside, not an audible sound, but a different sound that increased in pitch and intensity and ended in a soft pop that felt like it was in the center of my head. That overpressure wave shot through my body from head to toes and I felt every single muscle in my body lock up, like being electrocuted. It was like nothing I’ve ever felt in my life before or after, and I thought, is this one of those sleep paralysis demons, because every single muscle then relaxed and I felt like I was falling through the bed and floor.”

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What kind of primitive hand tools could have fashioned these ancient Egyptian vessels on display at the Louvre (many of them are granite or diorite) that were fashioned with machine-like-precision? The best part of the argument is that the mainstream narrative states these were made by the pre-dynastic era!

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Taken individually, any single ancient monument can be explained away as a feat of organized labor and brute force. Randall’s argument is that when you take the full picture in totality - the scale, the precision, the sacred geometry, and the global distribution of structures built from stones weighing ten tons or more - a different conclusion forces itself. There is a common system at work. These cultures shared a body of knowledge that we have forgotten, and that knowledge included something that made the manipulation of very large stones considerably easier than simple muscular effort would allow. The question Randall poses is direct - is the sacred geometry embedded in these structures merely an homage to a king's ego, a decorative impulse scaled up in stone? He dismisses that explanation not with contempt but with logic. The consistency of the system across cultures with no documented contact, the precision of the geometry, and the physical improbability of the construction methods conventionally proposed all point in the same direction. What was being built was not a monument to human vanity. It was an application of a knowledge system sophisticated enough to make the seemingly impossible routine - and whatever that system was, its loss is one of the most significant gaps in our understanding of what our predecessors were actually capable of.

Taken individually, any single ancient monument can be explained away as a feat of organized labor and brute force. Randall’s argument is that when you take the full picture in totality - the scale, the precision, the sacred geometry, and the global distribution of structures built from stones weighing ten tons or more - a different conclusion forces itself. There is a common system at work. These cultures shared a body of knowledge that we have forgotten, and that knowledge included something that made the manipulation of very large stones considerably easier than simple muscular effort would allow. The question Randall poses is direct - is the sacred geometry embedded in these structures merely an homage to a king's ego, a decorative impulse scaled up in stone? He dismisses that explanation not with contempt but with logic. The consistency of the system across cultures with no documented contact, the precision of the geometry, and the physical improbability of the construction methods conventionally proposed all point in the same direction. What was being built was not a monument to human vanity. It was an application of a knowledge system sophisticated enough to make the seemingly impossible routine - and whatever that system was, its loss is one of the most significant gaps in our understanding of what our predecessors were actually capable of.

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