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141,622 views • 10 months ago •via X (Twitter)

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One of the allegations surrounding the "Students Protests" against our government was that bullets were fired from RAB helicopters, which resulted in the death of children in their home. It is true that few children were indeed killed in their home. Subsequently our government was blamed for ordering RAB to shoot from a helicopter, which resulted in the tragic death. The people of the country naturally became angry at our government for the death of the children. Although we had been saying from the outset that the government issued no such order to RAB. Many did not believe us back then. Now, the real story is coming to light gradually. Following investigations carried out under the #Yunus Administration, RAB has confirmed that no bullets were fired from their helicopter. Only sound grenades and tear shells were used. (Video 1). Another investigative report from DBC News Channel clearly showed that at the time the child was shot, no helicopters were flying in proximity. The family of the deceased child also confirmed that they heard no sounds of flying helicopters during the incident (Videos 2 and 3). But it is undeniable that innocent children were shot and killed. So, who fired the bullet? Who shot a child in his/her home to rile up the people against our government? It is, therefore, essential to have a credible, impartial, and independent investigation into this incident. The families of the innocent child shot down deserve proper justice.

Mohammad Ali Arafat

44,291 views • 1 year ago

🚨 BREAKING: Ballistics Test SHATTERS FBI's Charlie Kirk Narrative – Shot Came from BEHIND. Justice Demands Answers. Watch as RangeDayBro breaks it down frame-by-frame using a ballistic gelatin dummy rigged with a wig, chain necklace, and shirt—mirroring Charlie's setup. This isn't speculation; it's science exposing the cover-up. Key Revelations from the Test: ▶️Temporary Wound Cavity Explains It All: The moment of impact creates explosive cavitation, pulling gel (flesh) outward—just like the plume puffing up Charlie's shirt from the back first. Front-shot? Impossible. This matches the raw footage from 9/10. ▶️Chain Snap & Head Snap: The chain (simulating Charlie's necklace) snaps violently at the weakest point in the back, then swings forward. Head jerks down and left—exact replica of the assassination video. A front entry couldn't produce this physics. ▶️Hairline Entry Wound: Tiny, mesh-hidden hole in the wig's back right—barely visible even after close inspection. Explains why autopsy photos show no clear frontal trauma. ▶️Bullet Pass-Through Caught on Camera: GoPro at 240fps captures the round exiting forward, slamming into the ground. Why the rush to pave over the site? That slug could rewrite history. ▶️Side-Angle Smoking Gun: Cavitation blooms rearward, ripping hair without dislodging it (real scalps hold firm). Shirt billows back-to-front—undeniable proof of rear trajectory. This test isn't perfect (trajectory slightly off; next round uses exact calibers for full exit wound sim), but the results are damning: Back-right shot is not just possible—it's probable. The FBI's "lone gunman from the front" story crumbles under basic forensics. Go FOLLOW RangeDayBro and watch his FULL VIDEO Breakdown. I'll drop the link in the comments below. Also Checkout my other video below where we show you exactly how they killed Charlie and even found a person of interest we found that works for TPUSA and was holding a infrared laser trained at Charlie the exact moment he was shot. We need to identify him; we believe he acted as a spotter for the shooter that day. Share this. Tag FBI Director Kash Patel, Candace Owens —demand the full autopsy, unredacted footage, and independent review. Who's really pulling the strings? Watch, share, and stand for justice for Charlie.💪

Project Constitution

46,529 views • 9 months ago

Martin Scorsese explains why the "The Copacabana" Scene in 'Goodfellas' (1990) had to be filmed as one continuous shot: "There was a practical problem [while filming the scene]: we simply couldn’t get permission to go in the short way, so we had to go round the back. But I like doing that kind of thing. I’m torn between admiring things done in one shot, like Max Ophüls and Renoir or Mizoguchi on the one hand, and the cutting of Eisenstein or Hitchcock on the other, which I probably love even more. But here there was a reason to do it all in one shot. Henry’s whole life is ahead of him. He’s the young American ready to take over the world and he’s met a girl he likes. Because he works with these guys and he’s smart and something of an outsider so he can make a lot of money for them, he gets his reward. His reward is not having to wait in line at the bakery or worry about getting a parking ticket- and getting into the Copa that way, having the table fly over the heads of the other patrons and being seated right in front of the singer, who would have been Frank Sinatra or Bobby Darren at that time. So it had to be done in one sweeping shot, because it’s his seduction of her and it’s also the lifestyle seducing him. We get an insider’s look into the actual workings of a family involved in organized crime, even a small family like Henry’s family. It’s a rare and interesting opportunity to show how a woman, who’s not from that group — she’s Jewish and from another area- is attracted and stays. She gets sucked into Henry’s world because it’s so insular and hermetically sealed that they only deal with each other. I was fascinated by the moment when Karen says, ‘Hide that cross’, before he meets her parents; and the next thing you know is they’re getting married in a Jewish ceremony and he’s wearing a Star of David and a cross. The point is, it doesn’t make any difference to him. I guess it’s ‘materialism versus a spiritual life’ once again, which interests me." ('Scorsese on Scorsese', Edited by David Thompson & Ian Christie, 1989)

DepressedBergman

99,377 views • 4 months ago

Victor Davis Hanson: The Optimistic, the Realistic, and the Pessimistic Scenarios for Iran With the Israel-Iran war stretching into its second week, commentators from all sides of the political arena have been delivering their optimistic, pessimistic, and realistic opinions on the conflict. Here are the facts: The war is going in Israel's favor. There’s a 50-50 chance of regime change, but only a 25% chance the new leaders will be better than Supreme Leader Ayatollah Ali Khamenei. The Trump administration might have to intervene but is holding back because it thinks Israel will find a creative way to destroy Iran's underground nuclear facilities on its own, surmises Victor Davis Hanson on today’s edition of “Victor Davis Hanson: In His Own Words:” 👉Don’t miss out on Victor’s latest videos by subscribing to The Daily Signal today. You’ll be notified every time a new piece of content drops: 👉If you can’t get enough of Victor Davis Hanson from The Daily Signal, subscribe to his official YouTube channel: 👉He’s also the host of “The Victor Davis Hanson Show,” available wherever you prefer to watch or listen. Links to the show and exclusive content are available on his website: The Daily Signal cannot continue to tell stories, like this one, without the support of our viewers: 00:00 Introduction to the Iranian-Israeli Conflict 00:19 Optimistic Scenario 01:32 Pessimistic Scenario 04:57 Realistic Scenario 07:59 Conclusion and Final Thoughts

The Daily Signal

77,682 views • 1 year ago

Regarding love scene in Fukuoka 🌸 At that time, I remember we only had one hour left. We had to leave the location already. We did everything and told the actor to stay really focused. I’m sorry about that it was kind of against our usual style. We did the blocking very quickly, knowing the actor was tired, but we had to move really fast. Change costumes, then come back blocking 1234. We divided everything into three parts. The actor had to keep the emotions smooth across all three parts. During filming, the cameraman had to set up the camera and also shoot handheld. We were racing against time. From what we could see, there weren’t any cuts at all. It was done by moving the camera while the actor performed in reverse. After finishing, the cameraman almost collapsed because it was extremely exhausting and physically demanding. There was no dedicated blocking crew. The people adjusting the lights were me and P’Aof, watching the monitor. All the assistants had to help block the background, working around the camera, moving this way, going down there, “Jo, go again,” “Down there,” “Jo,” “TeePor, one more take,” “Back two steps,” “Blocking,” “Come back,” something like that, until we finally finished. When we finished filming, there were only about 10 minutes left until the very last shot had to be completed. Even though we didn’t get all the direction we originally planned, everything had to be rethought on the spot because of time constraints. With just the last 5 minutes remaining, we finished it. Then everyone on the team, me, P’Aof, and the actor hugged each other. I lay down on the floor, and the cameraman put the camera down and lay down too. It was completely exhausting. It felt like we had used up all our breath in that moment. And then I officially announced that filming was wrapped, really wrapped. Everyone started crying, and it felt like it ended right there. Then the actor hugged each other and we went around apologizing and thanking the Japanese staff one by one. After that, we sat together in the room, thanking and hugging each other. We hugged because it was a success, it was done. After that, only the editing team was left, who had to rush the edit to meet deadlines like the Songkran release. In the end, everything went well. It was an exhausting memory, everyone, but it’s a very good memory. // Didn’t expect that it might only be a few short minutes, but all the effort and sweat were worth it. The behind-the-scenes staff, as well as TeePor, everyone did an amazing job 🥹🥹🥹 Respect 🫡

ѕ тα я я у ✨

125,237 views • 3 months ago