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We are developing a new design paradigm that enables seamless integration of 2D and 3D on the same canvas in real time. No need for plugins or cumbersome workflows. It's all connected in a single place. All systems (frames, layouts, booleans, vectors, effects, etc.) work in sync across 2D... show more

Spline

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55,835 views • 5 months ago •via X (Twitter)

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3D for Hana is here. The first canvas that combines 3D and 2D in real-time. Convert any shape to a 3D model in a non-destructive process. All systems (vectors, booleans, layouts, events, etc.) work together.

3D for Hana is here. The first canvas that combines 3D and 2D in real-time. Convert any shape to a 3D model in a non-destructive process. All systems (vectors, booleans, layouts, events, etc.) work together.

Spline

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We achieved a fundamental milestone in combining 2d and 3d, all in the same canvas, all in real-time. Here is a sneak peek. We aim to ship this within Hana in a week or two. If anyone is interested in testing before that, let us know in the comments.

We achieved a fundamental milestone in combining 2d and 3d, all in the same canvas, all in real-time. Here is a sneak peek. We aim to ship this within Hana in a week or two. If anyone is interested in testing before that, let us know in the comments.

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Liquid Glass is not just another 2D UI.. It’s a 3D UI which processes all the effects in real time Accept it or not but Liquid Glass is the PEAK OF SOFTWARE DESIGN

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#obiwankenobi #conceptart a chance to revisit lovely Alderaan, this is the final design for Organa's Yacht, swoopy but still #starwars part of a fun design process where we tried many ideas and got to spend a lot of time in the process, Design Direction from @doug_chiang

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Volumetric, animated 3D noise shader block in Unity. Where each frame is 2D space, and the 3rd dimension is time. So that, measurement of change within a slice is 'space', and measurement of change across slices is 'time'. As a 3D block, you see the noise animate into the 3rd dimension, but when looking at only a single slice, it appears to evolve in place. Likewise, for 4D... If: this were 3D noise, then: the 4th dimension would be whatever processing/frames/states of 3D data.

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Open Design now works inside Codex. The hardest part of AI design isn’t generating one screen — it’s keeping design intent alive as you iterate, build, and ship. Now your agent can work with the canvas directly. Design → code → motion, in one workflow. Here’s a quick demo:

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Syntilay is announcing an unprecedented mission to design shoes in space! We will be deploying an AI agent on a computer in a satellite that will generate the first shoe design outside of earth in human history! This mission, taking place on a SpaceX rocket in early 2026, will push the boundaries of automation in footwear design to heights never seen before. The first shoes made in space are planned to release in late Q2 2026 for $200! Which will be 3D printed with our preferred production partner Zellerfeld. Thank you to all of our partners from Copernic Space which has the goal to democratize space access, OrbitsEdge which creates the space computer, to Joe and Julie Foster for their support. This is a piece of history and only possible with Syntilay’s AI-Design approach. The future is now! Cornelius Schmitt 👨‍🚀Copernic Space🚀

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ELON CLIPS

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