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We've mentioned Rokka's touching friendship with Serenget before. Even when browsing (by the way, check out all that lush grass!), these two are sharing affection while munching on their veggies. Given how daunting it must have been for Serenget – healing from her bullet wound, then joining the Voi...

10,812 次观看 • 5 个月前 •via X (Twitter)

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I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 次观看 • 5 个月前

After talking about how SMN got their first win during the UFO promotions, they kept emphasizing that this is only the beginning for them. But then Sung Sikyung reminded us that this is already Hiichan’s third debut, and that she’s been in the industry for 12 years… It really made me think about Hiichan’s journey. She debuted in AKB at just 12 years old, but back then, she never really got close to senbatsu. So she challenged herself with PD48, successfully debuted with IZ*ONE, and finally got her name out there. After IZ*ONE ended, she returned to AKB, this time as a senbatsu member and eventually even a center. Then, as she approached her 10th year in the industry, instead of simply staying where she was already comfortable and established, she decided to challenge herself all over again, leaving her home in Japan, returning to Korea, and redebuting from scratch with SAY MY NAME. And she didn’t stop there. She continued working hard on her Korean, took the TOPIK exam and achieved Level 5, and even got a Korean driver’s license (though she got this right before IZ*ONE ended). It really feels like she didn’t just come back to Korea to redebut. She genuinely committed herself to building a new chapter of her life there. It’s been such a long and unusual journey for Hiichan. Every time she reached a new stage in her career, she somehow found the courage to challenge herself again rather than settle for what she had already achieved. I have so much respect for her hard work, courage, and growth over all these years. Truly admirable. And to think I’ve been supporting her for almost 8 years now… 🥹 It’s been quite a journey for me too...

Tina 🍉

20,965 次观看 • 2 天前