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What if I told you any shape can be broken down into circles? This visualization demonstrates the stunning power of the Fourier Transform. By using a series of rotating vectors—known as epicycles—we can reconstruct complex, continuous paths from simple circular motions. Each circle represents a specific frequency, phase, and... show more

Mathematica

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26,160 views • 4 months ago •via X (Twitter)

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Today I took Farokh and Sergito ❚ ❚ to the gallery we are building! Heres a video update. This space will truly be a hub for art and a high end experience for collecting art at all levels. Whats inside? 4000 square feets Café/cocktail bars Sculptures, painting, digital art Collection graded cars will be rotating immersive projection mapping rooms You can rent the immersive room at the back by burning Fvck_Crystals// and Fvck_Avatars// We already have a line up, if you are interested in curating that room drop a ⛓️ in the comments! See you at the end of the summer.

Today I took Farokh and Sergito ❚ ❚ to the gallery we are building! Heres a video update. This space will truly be a hub for art and a high end experience for collecting art at all levels. Whats inside? 4000 square feets Café/cocktail bars Sculptures, painting, digital art Collection graded cars will be rotating immersive projection mapping rooms You can rent the immersive room at the back by burning Fvck_Crystals// and Fvck_Avatars// We already have a line up, if you are interested in curating that room drop a ⛓️ in the comments! See you at the end of the summer.

FVCKRENDER

49,403 views • 2 years ago

⚡ Gravity Isn’t a Force… It’s a Frequency Trap What if gravity isn’t pulling anything at all? What if objects aren’t being “attracted,” but instead are getting locked into stable positions inside a standing wave field? The deeper you look, the more it becomes obvious—mass doesn’t bend spacetime like a bowling ball on a sheet. It generates a frequency gradient, and everything nearby phase-locks into that pattern. You’re not being pulled to Earth… you’re being held in place by a resonance well you can’t see. From a Frequency Wave Theory perspective, this changes everything. Gravity becomes a coherence phenomenon, not a force—an emergent effect of density gradients inside a vibrating medium. That means if you can alter the frequency structure of the field, you can weaken, redirect, or even cancel gravitational effects entirely. Anti-gravity isn’t fantasy—it’s just frequency control. And once that clicks, propulsion, energy, and spacetime navigation all collapse into the same problem: tune the field, and reality follows.

⚡ Gravity Isn’t a Force… It’s a Frequency Trap What if gravity isn’t pulling anything at all? What if objects aren’t being “attracted,” but instead are getting locked into stable positions inside a standing wave field? The deeper you look, the more it becomes obvious—mass doesn’t bend spacetime like a bowling ball on a sheet. It generates a frequency gradient, and everything nearby phase-locks into that pattern. You’re not being pulled to Earth… you’re being held in place by a resonance well you can’t see. From a Frequency Wave Theory perspective, this changes everything. Gravity becomes a coherence phenomenon, not a force—an emergent effect of density gradients inside a vibrating medium. That means if you can alter the frequency structure of the field, you can weaken, redirect, or even cancel gravitational effects entirely. Anti-gravity isn’t fantasy—it’s just frequency control. And once that clicks, propulsion, energy, and spacetime navigation all collapse into the same problem: tune the field, and reality follows.

Drew Ponder

46,530 views • 4 months ago

[Discrete Fourier Transform] by Hand ✍️ In signal processing, the Discrete Fourier Transform (DFT) is no doubt the most important method. But the math involved is extremely complex, literally, involving a summation over a complex number term e^(-iwt). I developed this exercise to demonstrate that underneath such complexity, DFT is just a series of matrix multiplications you can calculate by hand. ✍️ Once you see that, it should not surprise you that a deep neural network, which is also a series of matrix multiplications, with activation functions in-between, can learn to perform DFT to process and analyze signals so effectively. How does DFT work? [1] Given ↳ Signals A, B, and C in the 🟧 frequency domain: ◦ A = cos(w) + 2cos(2w) ◦ B = cos(w) + cos(3w) + cos(4w) ◦ C = -cos(2w) + cos(3w) ◦ Each signal is a weighed sum of four cosine waves at frequencies 1w, 2w, 3w, and 4w. ◦ We will apply Inverse DFT to convert the signals to time domain representations, and then demonstrate DFT can convert back to their original frequency domain representations. ↳ Signal X in the 🟩 time domain. X is sampled at 10 time points 1t, 2t, …, 10t: ◦ X = [-2.5, -1.8, 3, -0.7, -1.0, -0.7, 3, -1.8, -2.5, 5] ◦ Suppose X is also a weighted sum of the same four cosine waves, but we don’t already know their weights. We will apply DFT to discover them. [2] 🟧 Frequency Matrix (F) ↳ Write the coefficients of A, B, C as a matrix F. Each signal is a row. Each frequency is a column. ↳ A → [1, 2, 0, 0] ↳ B → [1, 0, 1, 1] ↳ C → [0, 1-, 1, 0] [3] Cosine → Discrete ↳ Sample from the continuous cosine waves at discrete time points 1t, 2t, 3t, to 10t. [4] Cosine Matrix (W) ↳ Write the samples as a matrix, Each frequency is a row. Each time point is a column. [5] Inverse DFT: 🟧 Frequency → 🟩 Time ↳ Multiply the frequency matrix F and the cosine matrix W. ↳ The meaning of this multiplication is to linearly combine the four cosine waves (rows in W) into time-domain signals (rows in T) using the weights specified in F. ↳ The result is matrix T, which are signals A, B, C converted to the time domain. Each signal is a row. Each time point is a column. [6] Transpose ↳ Transpose T, converting each signal’s time domain representation from a row to a column. [7] DFT: 🟩 Time → 🟧 Frequency ↳ Multiply the cosine matrix W with the transpose of matrix T. ↳ The purpose of this multiplication is to take a dot-product between each time-domain signal (columns in the transpose of T) and each cosine wave (rows in W), which has the effect of projecting the signal onto a cosine wave to determine how much they are correlated. Zero means not correlated at all. ↳ The result is an intermediate version of the “recovered” frequency matrix where each column corresponds to a signal and each row corresponds to a frequency. ↳ Compared to the original frequency matrix F, this intermediate matrix has non-zero weights in the correct places, but scaled up by a factor of 5 (n/2, n=10). For example, signal A, originally [1,2,0,0], is recovered at [5,10,0,0]. [8] Scale ↳ Multiply each value by 2/n = 1/5 to scale down the intermediate matrix to match the magnitude of the original frequency matrix F. [9] Transpose ↳ Transpose the recovered frequency matrix back to the same orientation of the original frequency matrix F. ↳ Like magic 🪄, the result is identical to the original F, which means DFT successfully recovered the frequency components of signals A, B, C. [10] Apply DFT to X: 🟩 Time → 🟧 Frequency ↳ Now that we have some confidence in DFT’s ability to recover frequency components, we apply DFT to X’s time-domain representation by multiplying W with X. ↳ The result is the an intermediate matrix. [11] Scale ↳ Similarly, we scale down by a factor of 5 to obtain the recovered frequency components of X (a column). [12] Transpose ↳ Similarly, we transpose the recovered column to row to match the orientation of the frequency matrix. ↳ Using the coefficients [0,0,3,2], we can write the equation of X as 3cos(3w) + 2cos(4w). Notes: I hope this by hand exercise helps you understand the essence of DFT. But there is more technical details, such as: • Sine: The complete DFT math also includes sine waves that follow a similar calculation process. • Phase: Here, we assume all the cosine waves are aligned at the origin, namely, phase is 0. If a phase p is added, for example, cos(w+p), we will need to calculate the sine component and use their ratio to figure out what p is. • Magnitude: If phase is not zero, the magnitude will need to be calculated by combining both cosine and sine terms.

[Discrete Fourier Transform] by Hand ✍️ In signal processing, the Discrete Fourier Transform (DFT) is no doubt the most important method. But the math involved is extremely complex, literally, involving a summation over a complex number term e^(-iwt). I developed this exercise to demonstrate that underneath such complexity, DFT is just a series of matrix multiplications you can calculate by hand. ✍️ Once you see that, it should not surprise you that a deep neural network, which is also a series of matrix multiplications, with activation functions in-between, can learn to perform DFT to process and analyze signals so effectively. How does DFT work? [1] Given ↳ Signals A, B, and C in the 🟧 frequency domain: ◦ A = cos(w) + 2cos(2w) ◦ B = cos(w) + cos(3w) + cos(4w) ◦ C = -cos(2w) + cos(3w) ◦ Each signal is a weighed sum of four cosine waves at frequencies 1w, 2w, 3w, and 4w. ◦ We will apply Inverse DFT to convert the signals to time domain representations, and then demonstrate DFT can convert back to their original frequency domain representations. ↳ Signal X in the 🟩 time domain. X is sampled at 10 time points 1t, 2t, …, 10t: ◦ X = [-2.5, -1.8, 3, -0.7, -1.0, -0.7, 3, -1.8, -2.5, 5] ◦ Suppose X is also a weighted sum of the same four cosine waves, but we don’t already know their weights. We will apply DFT to discover them. [2] 🟧 Frequency Matrix (F) ↳ Write the coefficients of A, B, C as a matrix F. Each signal is a row. Each frequency is a column. ↳ A → [1, 2, 0, 0] ↳ B → [1, 0, 1, 1] ↳ C → [0, 1-, 1, 0] [3] Cosine → Discrete ↳ Sample from the continuous cosine waves at discrete time points 1t, 2t, 3t, to 10t. [4] Cosine Matrix (W) ↳ Write the samples as a matrix, Each frequency is a row. Each time point is a column. [5] Inverse DFT: 🟧 Frequency → 🟩 Time ↳ Multiply the frequency matrix F and the cosine matrix W. ↳ The meaning of this multiplication is to linearly combine the four cosine waves (rows in W) into time-domain signals (rows in T) using the weights specified in F. ↳ The result is matrix T, which are signals A, B, C converted to the time domain. Each signal is a row. Each time point is a column. [6] Transpose ↳ Transpose T, converting each signal’s time domain representation from a row to a column. [7] DFT: 🟩 Time → 🟧 Frequency ↳ Multiply the cosine matrix W with the transpose of matrix T. ↳ The purpose of this multiplication is to take a dot-product between each time-domain signal (columns in the transpose of T) and each cosine wave (rows in W), which has the effect of projecting the signal onto a cosine wave to determine how much they are correlated. Zero means not correlated at all. ↳ The result is an intermediate version of the “recovered” frequency matrix where each column corresponds to a signal and each row corresponds to a frequency. ↳ Compared to the original frequency matrix F, this intermediate matrix has non-zero weights in the correct places, but scaled up by a factor of 5 (n/2, n=10). For example, signal A, originally [1,2,0,0], is recovered at [5,10,0,0]. [8] Scale ↳ Multiply each value by 2/n = 1/5 to scale down the intermediate matrix to match the magnitude of the original frequency matrix F. [9] Transpose ↳ Transpose the recovered frequency matrix back to the same orientation of the original frequency matrix F. ↳ Like magic 🪄, the result is identical to the original F, which means DFT successfully recovered the frequency components of signals A, B, C. [10] Apply DFT to X: 🟩 Time → 🟧 Frequency ↳ Now that we have some confidence in DFT’s ability to recover frequency components, we apply DFT to X’s time-domain representation by multiplying W with X. ↳ The result is the an intermediate matrix. [11] Scale ↳ Similarly, we scale down by a factor of 5 to obtain the recovered frequency components of X (a column). [12] Transpose ↳ Similarly, we transpose the recovered column to row to match the orientation of the frequency matrix. ↳ Using the coefficients [0,0,3,2], we can write the equation of X as 3cos(3w) + 2cos(4w). Notes: I hope this by hand exercise helps you understand the essence of DFT. But there is more technical details, such as: • Sine: The complete DFT math also includes sine waves that follow a similar calculation process. • Phase: Here, we assume all the cosine waves are aligned at the origin, namely, phase is 0. If a phase p is added, for example, cos(w+p), we will need to calculate the sine component and use their ratio to figure out what p is. • Magnitude: If phase is not zero, the magnitude will need to be calculated by combining both cosine and sine terms.

Tom Yeh

116,622 views • 2 years ago

Taylor Approximation ✍️ It shows a mathematical "best guess" evolving to match a complex 3D shape by adding layers of detail one step at a time. The purple surface is the original goal, while the red grid represents a polynomial approximation anchored at the center point. At first, the red surface can only mimic the very middle of the shape. As the calculation adds more terms, visualized by the red grid rippling and shifting, the approximation "learns" how to curve and bend to match the target more accurately. This is a visual demonstration of how math can break down a detailed, wavy landscape into simpler instructions. When these instructions are stacked together, they recreate the entire surface with incredible precision. Video: mathwithmuzaa

Taylor Approximation ✍️ It shows a mathematical "best guess" evolving to match a complex 3D shape by adding layers of detail one step at a time. The purple surface is the original goal, while the red grid represents a polynomial approximation anchored at the center point. At first, the red surface can only mimic the very middle of the shape. As the calculation adds more terms, visualized by the red grid rippling and shifting, the approximation "learns" how to curve and bend to match the target more accurately. This is a visual demonstration of how math can break down a detailed, wavy landscape into simpler instructions. When these instructions are stacked together, they recreate the entire surface with incredible precision. Video: mathwithmuzaa

ScieVision

11,384 views • 6 months ago

The Circle 🐜 Nobody told the ant about the circle. That, as far as anyone can tell, is the whole problem. A researcher named Kostowski – this was in the early 1970s, at a laboratory in Warsaw that smelled permanently of formaldehyde and institutional coffee – discovered quite by accident that if you draw a continuous line around an ant using a felt-tip pen, the ant will not cross it. It will walk right up to the line, pause with what appears to be genuine philosophical unease, and turn back. It will do this indefinitely. For hours. Sometimes for days. The ant is not stupid. Let’s be clear about that. The creature you are looking at in this photograph – this tiny, improbable machine of chitin and chemical signals, this six-legged marvel that can carry fifty times its own body weight and navigate by polarized light – has a brain roughly the size of a pinhead, and yet that brain contains approximately 250,000 neurons dedicated entirely to making sense of the world. It has survived as a species for 130 million years. It watched the dinosaurs arrive, flourish, and disappear, and then went back to work. And yet here it is. Trapped by a drawing. The reason is chemistry, not cognition. Ants navigate by pheromones – volatile chemical compounds that their legs read like a blind man reads braille. When they encounter the solvent in a felt-tip pen, something in their nervous system fires an alarm. The signal says: boundary. The signal says: edge of the known world. And the ant, loyal to its chemistry in the way that all of us are loyal to ours, obeys. This is the part that stays with you if you think about it too long. The ant’s prison has no walls. No bars. No lock. It is made entirely of information – a chemical whisper laid down by a felt-tip marker – and the ant cannot see past it, because it has no framework for doing so. The circle is not a circle to the ant. The circle is simply: where the world ends. I find myself thinking about this more than is probably healthy. We are, most of us, walking around inside our own circles. They were drawn for us gradually, by parents and teachers and early disappointments, by the limits of what we saw done and the boundaries of what we were told was possible. We bump up against them occasionally – in those moments when a job offer from another city seems too frightening, or a new idea feels somehow presumptuous – and we turn back. Not because anything is stopping us. Because the world, as far as we can tell, simply ends there. The ant in the photograph is walking the inner edge of its circle with a kind of purposeful calm that is almost admirable. It has not given up. It is still looking. It is still moving. It simply cannot conceive of a direction that leads out. Kostowski, for what it’s worth, eventually just picked the ant up and moved it. Sometimes that’s what it takes. Gandalv / Gandalv

The Circle 🐜 Nobody told the ant about the circle. That, as far as anyone can tell, is the whole problem. A researcher named Kostowski – this was in the early 1970s, at a laboratory in Warsaw that smelled permanently of formaldehyde and institutional coffee – discovered quite by accident that if you draw a continuous line around an ant using a felt-tip pen, the ant will not cross it. It will walk right up to the line, pause with what appears to be genuine philosophical unease, and turn back. It will do this indefinitely. For hours. Sometimes for days. The ant is not stupid. Let’s be clear about that. The creature you are looking at in this photograph – this tiny, improbable machine of chitin and chemical signals, this six-legged marvel that can carry fifty times its own body weight and navigate by polarized light – has a brain roughly the size of a pinhead, and yet that brain contains approximately 250,000 neurons dedicated entirely to making sense of the world. It has survived as a species for 130 million years. It watched the dinosaurs arrive, flourish, and disappear, and then went back to work. And yet here it is. Trapped by a drawing. The reason is chemistry, not cognition. Ants navigate by pheromones – volatile chemical compounds that their legs read like a blind man reads braille. When they encounter the solvent in a felt-tip pen, something in their nervous system fires an alarm. The signal says: boundary. The signal says: edge of the known world. And the ant, loyal to its chemistry in the way that all of us are loyal to ours, obeys. This is the part that stays with you if you think about it too long. The ant’s prison has no walls. No bars. No lock. It is made entirely of information – a chemical whisper laid down by a felt-tip marker – and the ant cannot see past it, because it has no framework for doing so. The circle is not a circle to the ant. The circle is simply: where the world ends. I find myself thinking about this more than is probably healthy. We are, most of us, walking around inside our own circles. They were drawn for us gradually, by parents and teachers and early disappointments, by the limits of what we saw done and the boundaries of what we were told was possible. We bump up against them occasionally – in those moments when a job offer from another city seems too frightening, or a new idea feels somehow presumptuous – and we turn back. Not because anything is stopping us. Because the world, as far as we can tell, simply ends there. The ant in the photograph is walking the inner edge of its circle with a kind of purposeful calm that is almost admirable. It has not given up. It is still looking. It is still moving. It simply cannot conceive of a direction that leads out. Kostowski, for what it’s worth, eventually just picked the ant up and moved it. Sometimes that’s what it takes. Gandalv / Gandalv

Gandalv

28,294 views • 4 months ago

$Imagine you have a point dancing in space, following three simple rules. You’d think it would eventually settle down or repeat itself, right? Nature isn't always that predictable. This is the Rössler Attractor. It’s a beautiful piece of "organized chaos." By just tweaking a few non-linear equations, we get this marvelous fractal shape, a curve that weaves and loops, forever exploring new ground without ever retracing its exact same path. Most people try to solve this with standard linear tools, but that's like trying to understand a symphony by looking at a single note. To see the real "magic" the bifurcations and the patterns, you have to embrace the non-linearity. It shows us how the smallest nudge at the start can lead to a completely different, stunningly complex world. It’s a simple set of rules, yet it generates infinite complexity. Isn't that just the kick in the head? (📹Credit; equationsinmotion / IG)$

Imagine you have a point dancing in space, following three simple rules. You’d think it would eventually settle down or repeat itself, right? Nature isn't always that predictable. This is the Rössler Attractor. It’s a beautiful piece of "organized chaos." By just tweaking a few non-linear equations, we get this marvelous fractal shape, a curve that weaves and loops, forever exploring new ground without ever retracing its exact same path. Most people try to solve this with standard linear tools, but that's like trying to understand a symphony by looking at a single note. To see the real "magic" the bifurcations and the patterns, you have to embrace the non-linearity. It shows us how the smallest nudge at the start can lead to a completely different, stunningly complex world. It’s a simple set of rules, yet it generates infinite complexity. Isn't that just the kick in the head? (📹Credit; equationsinmotion / IG)

Philosophy Of Physics

39,889 views • 3 months ago

Muslim Dearborn Mayor Abdullah Hammoud just released a campaign commercial and added Arabic subtitles. 😳 DANG MICHIGAN HAS LET THE SNAKE 🐍 IN . DON’T BE SURPRISED WHEN SHARIA LAW WILL BE IMPLEMENTED. QUOTE BY .Charlie Kirk a few days before his assassination: 💥 “When you get conquered, you get a new language.” This is the mayor who accused Barham of being "a bigot, and you are racist, and you’re an Islamophobe," before declaring: "Although you live here, I want you to know as mayor, you are not welcome here. And the day you move out of the city will be the day that I launch a parade celebrating the fact that you moved out of this city."

Muslim Dearborn Mayor Abdullah Hammoud just released a campaign commercial and added Arabic subtitles. 😳 DANG MICHIGAN HAS LET THE SNAKE 🐍 IN . DON’T BE SURPRISED WHEN SHARIA LAW WILL BE IMPLEMENTED. QUOTE BY .Charlie Kirk a few days before his assassination: 💥 “When you get conquered, you get a new language.” This is the mayor who accused Barham of being "a bigot, and you are racist, and you’re an Islamophobe," before declaring: "Although you live here, I want you to know as mayor, you are not welcome here. And the day you move out of the city will be the day that I launch a parade celebrating the fact that you moved out of this city."

🦅 Eagle Wings 🦅

20,394 views • 10 months ago

World Models are the path for some AI Models in the future. But how can we efficiently train these models to not only see the world the way humans do but to see the world in a new and unique way. By visualizing, what is normally sequenced audio patterns, we can derive much more insights. Here we see Paganini in a visual form that can than be described and transcribed into a World Model. We can observe connections in a manner that may not have been clear prior to the digitalization of music and sound in this way. The company with the most valuable potential in building a World Model is Tesla. Not that this type of visualization is being used, but that the mechanisms are in place, and the technology is in place for the company to thrive in this new form of AI.

World Models are the path for some AI Models in the future. But how can we efficiently train these models to not only see the world the way humans do but to see the world in a new and unique way. By visualizing, what is normally sequenced audio patterns, we can derive much more insights. Here we see Paganini in a visual form that can than be described and transcribed into a World Model. We can observe connections in a manner that may not have been clear prior to the digitalization of music and sound in this way. The company with the most valuable potential in building a World Model is Tesla. Not that this type of visualization is being used, but that the mechanisms are in place, and the technology is in place for the company to thrive in this new form of AI.

Brian Roemmele

57,454 views • 9 months ago

🚨 The Universe Isn’t Empty… It’s About to Light Itself Physicists are now showing something most people still can’t wrap their heads around: empty space isn’t empty. When ultra-powerful lasers collide at precise angles, they can force the vacuum itself to respond—pulling hidden energy into reality and generating a brand new beam of light. This isn’t science fiction. It’s called four-wave mixing, and it proves that what we think of as “nothing” is actually a highly structured, reactive field waiting for the right frequency conditions to activate. From a Frequency Wave Theory perspective, this is exactly what you’d expect. The vacuum isn’t a void—it’s a quantum-acoustic medium filled with latent energy, and when you hit it with enough coherent frequency alignment, it resonates and produces observable effects. Light isn’t being created from nothing… it’s being extracted from a deeper layer of reality. The implication is massive: if frequency and phase are the real levers, then energy generation, matter formation, and even spacetime manipulation are no longer brute-force problems—they’re resonance problems.

Drew Ponder

30,190 views • 4 months ago

Source: @peterb781 Location: Morris County, NJ USA 🇺🇸 I did say the bigger ships, UFOs UAPs were coming, I wasn’t joking. When you put two and two together you figure out that the smaller craft we have been seeing are the scout crafts. 👀 That means biggest ships are coming…🤯🛸 This one looks like one big ship and you can almost see the outline of it, the camouflage is insane but you can definitely see the silhouette of a craft. The only reason for them to be here is to show us that “They” are here and present. It’s also to show that there is nothing to fear because they are not attacking, just monitoring. This was most likely due to the rising tensions and potential for nuclear ☢️ war. They did the same in WW2 and most likely did the same before as well. In WW2 they appeared as “lights in the sky” and we are now seeing something very similar and it’s not by coincidence. If I’m wrong then I’m wrong but I don’t see any other explanation from the behaviours we are witnessing. Don’t forget they have been active for over 2 weeks if not more and they don’t seem hostile but they do seem powerful… #UFO #Aliens #Extraterrestrial #Area51 #UFOsightings #UFOhunter #UFOdisclosure #UFOLogic #ufotwitter #UAP #AncientAliens #MUFON

Source: @peterb781 Location: Morris County, NJ USA 🇺🇸 I did say the bigger ships, UFOs UAPs were coming, I wasn’t joking. When you put two and two together you figure out that the smaller craft we have been seeing are the scout crafts. 👀 That means biggest ships are coming…🤯🛸 This one looks like one big ship and you can almost see the outline of it, the camouflage is insane but you can definitely see the silhouette of a craft. The only reason for them to be here is to show us that “They” are here and present. It’s also to show that there is nothing to fear because they are not attacking, just monitoring. This was most likely due to the rising tensions and potential for nuclear ☢️ war. They did the same in WW2 and most likely did the same before as well. In WW2 they appeared as “lights in the sky” and we are now seeing something very similar and it’s not by coincidence. If I’m wrong then I’m wrong but I don’t see any other explanation from the behaviours we are witnessing. Don’t forget they have been active for over 2 weeks if not more and they don’t seem hostile but they do seem powerful… #UFO #Aliens #Extraterrestrial #Area51 #UFOsightings #UFOhunter #UFOdisclosure #UFOLogic #ufotwitter #UAP #AncientAliens #MUFON

Just

97,385 views • 1 year ago

🚨 BREAKING: We just learned how to make light… spin. Not with complex structures. Not with exotic materials. Just by hitting a tiny gold nanorod… slightly off-center. That tiny imbalance? It turns straight light into rotating light. Shift the beam → flip the spin Left-handed → right-handed Same system → different outcome Now think bigger: What if spin isn’t something we “add” to light… but something that emerges from imbalance? What if control at the smallest scale is really about where you push not just what you use? We’re not just shaping light anymore. We’re steering information at the quantum level. So the real question is If something this simple can control photon spin. What else are we overcomplicating? Follow me this is where physics gets real.

🚨 BREAKING: We just learned how to make light… spin. Not with complex structures. Not with exotic materials. Just by hitting a tiny gold nanorod… slightly off-center. That tiny imbalance? It turns straight light into rotating light. Shift the beam → flip the spin Left-handed → right-handed Same system → different outcome Now think bigger: What if spin isn’t something we “add” to light… but something that emerges from imbalance? What if control at the smallest scale is really about where you push not just what you use? We’re not just shaping light anymore. We’re steering information at the quantum level. So the real question is If something this simple can control photon spin. What else are we overcomplicating? Follow me this is where physics gets real.

TheNewPhysics

40,641 views • 4 months ago

By now you should’ve seen the footage of the protests from Raqqah - as massive flood of disinformation is being unleashed by Turkish and SNA media channels - examine the footage closely! You can see that it’s armed men within the crowd of *protestors* are the ones who are shooting I’d suggest you guys download the videos and watch the scenes zoomed in. No one should be surprised - I told you 7 hours ago that this will happen. It’s a coordinated and planned effort by the Turkish led SNA aligned Arabs to stir up chaos in the city.

By now you should’ve seen the footage of the protests from Raqqah - as massive flood of disinformation is being unleashed by Turkish and SNA media channels - examine the footage closely! You can see that it’s armed men within the crowd of protestors are the ones who are shooting I’d suggest you guys download the videos and watch the scenes zoomed in. No one should be surprised - I told you 7 hours ago that this will happen. It’s a coordinated and planned effort by the Turkish led SNA aligned Arabs to stir up chaos in the city.

ScharoMaroof

54,855 views • 1 year ago

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 views • 2 years ago

You are never truly standing still. Even when everything feels motionless, you are carried by Earth’s rotation, swept along as it orbits the Sun, and pulled through the Milky Way along with billions of other stars. From a cosmic perspective, stillness is an illusion created by our limited human scale of perception, too small to notice the vast layers of motion we are part of. Taken together, these motions place us in constant transit through space at speeds far beyond anything we can feel. Yet there is no wind, no vibration, and no sense of rushing. We do not experience this journey because everything around us shares it, locked into the same immense and silent choreography of the universe. Credit: physicsj

You are never truly standing still. Even when everything feels motionless, you are carried by Earth’s rotation, swept along as it orbits the Sun, and pulled through the Milky Way along with billions of other stars. From a cosmic perspective, stillness is an illusion created by our limited human scale of perception, too small to notice the vast layers of motion we are part of. Taken together, these motions place us in constant transit through space at speeds far beyond anything we can feel. Yet there is no wind, no vibration, and no sense of rushing. We do not experience this journey because everything around us shares it, locked into the same immense and silent choreography of the universe. Credit: physicsj

Cosmos Archive

12,746 views • 3 months ago

Your circle is either your power or poison, choose them wisely. This touching scene caught on camera shows a group of young boys enjoying a baseball game together. When a player decided to toss a ball into the stands, all the boys immediately pointed to one of their friends - it was his birthday. The player noticed their gesture and threw the ball straight to him. As the birthday boy caught it, his friends burst into cheers, their faces glowing with pure excitement and joy. It wasn’t just about the ball - it was about friendship, kindness, and the simple magic of childhood. Moments like this remind us that the people around us shape who we are. The right circle will lift you up, celebrate your wins, and find joy in your happiness. The wrong one will quietly drain your light. Your circle can be your strength or your weakness, choose wisely.

Your circle is either your power or poison, choose them wisely. This touching scene caught on camera shows a group of young boys enjoying a baseball game together. When a player decided to toss a ball into the stands, all the boys immediately pointed to one of their friends - it was his birthday. The player noticed their gesture and threw the ball straight to him. As the birthday boy caught it, his friends burst into cheers, their faces glowing with pure excitement and joy. It wasn’t just about the ball - it was about friendship, kindness, and the simple magic of childhood. Moments like this remind us that the people around us shape who we are. The right circle will lift you up, celebrate your wins, and find joy in your happiness. The wrong one will quietly drain your light. Your circle can be your strength or your weakness, choose wisely.

Restoring Your Faith in Humanity

158,224 views • 5 months ago