Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

When creating a path from nulls in After Effects, by simply using two intermediate null positions in between can generate a naturally smooth Bezier path.

lachamade's profile picture

François Lefebvre

6,416 subscribers

37,825 Aufrufe • vor 1 Jahr •via X (Twitter)

KunstWissenschaft & TechnologieBildung
LIVE

Anya Rossi• Live Now

Private livecam show

5 Kommentare

Profilbild von Chris
Chrisvor 1 Jahr

Are you planning on releasing a course on all this expression magic? It would be such a banger!

Profilbild von Jacques Broquard
Jacques Broquardvor 1 Jahr

Honestly, this is so fun to watch WITH the handles turned on in the viewport., wondering if they can be made renderavle for final. ;)

Profilbild von Enjoyx | Video Editor
Enjoyx | Video Editorvor 1 Jahr

Why is the video like 3 hours long?

Profilbild von TOMPOP
TOMPOPvor 1 Jahr

Ooh great tip!

Profilbild von Cold and Wet
Cold and Wetvor 1 Jahr

A NURBS curve with control vertices in AE, that's a cool thing to see!!

Ähnliche Videos

By simply offsetting the rotation along a path in After Effects, it gives this faux-3D look to the path. 👀👀👀
0:49

By simply offsetting the rotation along a path in After Effects, it gives this faux-3D look to the path. 👀👀👀

François Lefebvre

108,741 Aufrufe • vor 11 Monaten

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡
0:50

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡

François Lefebvre

14,404 Aufrufe • vor 1 Jahr

You can easily orient a layer between two points in After Effects just by using their positions. Check out the expression I used below 👇🤓 #AfterEffects #CreativeCoding #MotionGraphics
0:56

You can easily orient a layer between two points in After Effects just by using their positions. Check out the expression I used below 👇🤓 #AfterEffects #CreativeCoding #MotionGraphics

François Lefebvre

40,285 Aufrufe • vor 2 Jahren

intermediate shape path tutorial delaying path point animation, eliminates the need for points to nulls script for line graph animations
1:51

intermediate shape path tutorial delaying path point animation, eliminates the need for points to nulls script for line graph animations

Mamoun

21,927 Aufrufe • vor 2 Jahren

It's always fun using the path to rig in After Effects 😍
1:14

It's always fun using the path to rig in After Effects 😍

François Lefebvre

21,215 Aufrufe • vor 1 Jahr

Waveform on a path in After Effects—this time with two mask controllers! Combining them is really just about adding their amplitude values.
0:34

Waveform on a path in After Effects—this time with two mask controllers! Combining them is really just about adding their amplitude values.

François Lefebvre

21,101 Aufrufe • vor 1 Jahr

By constraining a path between two other animated paths, you can easily achieve intricate animations in #AfterEffects. Take a look at how I implemented this in my latest rig. #MotionGraphics
0:32

By constraining a path between two other animated paths, you can easily achieve intricate animations in #AfterEffects. Take a look at how I implemented this in my latest rig. #MotionGraphics

François Lefebvre

197,557 Aufrufe • vor 2 Jahren

Just a waveform aligned to a path in After Effects... and it unleashes the organic vibes! 🤣😵‍💫😵‍💫
0:29

Just a waveform aligned to a path in After Effects... and it unleashes the organic vibes! 🤣😵‍💫😵‍💫

François Lefebvre

13,515 Aufrufe • vor 1 Jahr

Here's a little behind-the-scenes look at how the waveform rig works in After Effects: It simply subdivides a path, and the mask controls the amplitude of the points based on the distance.
1:07

Here's a little behind-the-scenes look at how the waveform rig works in After Effects: It simply subdivides a path, and the mask controls the amplitude of the points based on the distance.

François Lefebvre

49,508 Aufrufe • vor 1 Jahr

Something I wish I learned earlier. On Windows, when trying to copy the path from the explorer, I used to click on the address bar then copy the selected text. It breaks in two scenarios: - In the Quick Access folders (like Downloads), when trying to copy the path from the address bar, it copies "Downloads" instead of the full path - When the path is too big, Windows randomly clears the path it I click where the "X" is going to appear (and I *have* to click there because it's the only blank area, clicking elsewhere triggers the navigation) It turns out that both can be avoided by simply using right click -> Copy Address.
0:27

Something I wish I learned earlier. On Windows, when trying to copy the path from the explorer, I used to click on the address bar then copy the selected text. It breaks in two scenarios: - In the Quick Access folders (like Downloads), when trying to copy the path from the address bar, it copies "Downloads" instead of the full path - When the path is too big, Windows randomly clears the path it I click where the "X" is going to appear (and I *have* to click there because it's the only blank area, clicking elsewhere triggers the navigation) It turns out that both can be avoided by simply using right click -> Copy Address.

Kevin Gosse

12,479 Aufrufe • vor 1 Monat

This one’s about distance to a path in After Effects. Just visualizing how close it is at every point. 👀
0:39

This one’s about distance to a path in After Effects. Just visualizing how close it is at every point. 👀

François Lefebvre

26,094 Aufrufe • vor 1 Jahr

I thought it would be interesting to repost this one to show how a layer can be oriented to a path in After Effects (plus a little scale constraint within a mask).
0:50

I thought it would be interesting to repost this one to show how a layer can be oriented to a path in After Effects (plus a little scale constraint within a mask).

François Lefebvre

127,441 Aufrufe • vor 1 Jahr

This is how the robot sees the world — straight from its camera + LiDAR. A small use case of StrikeRobot Agentic, showing how agentic systems operate in real scenarios: • Detects the target person via edge-optimized face detection • Detects obstacles in real time • Estimates distance using camera physics (beyond depth sensor limits of Unitree G1) • Plans the shortest path with A* + smooth trajectories using Bezier • Continuously replans as the environment changes ✅ Result: the robot avoids obstacles, optimizes its path, and autonomously moves toward the designated person.
1:32

This is how the robot sees the world — straight from its camera + LiDAR. A small use case of StrikeRobot Agentic, showing how agentic systems operate in real scenarios: • Detects the target person via edge-optimized face detection • Detects obstacles in real time • Estimates distance using camera physics (beyond depth sensor limits of Unitree G1) • Plans the shortest path with A* + smooth trajectories using Bezier • Continuously replans as the environment changes ✅ Result: the robot avoids obstacles, optimizes its path, and autonomously moves toward the designated person.

Strike Robot

12,333 Aufrufe • vor 2 Monaten

Tried to create an animated wave path in After Effects without resorting to animating points on path, expressions or plugins. My work-around that poor pixel management from Wave Warp and other distortion effects. Music: Metro Boomin, James Blake - Hummingbird
0:34

Tried to create an animated wave path in After Effects without resorting to animating points on path, expressions or plugins. My work-around that poor pixel management from Wave Warp and other distortion effects. Music: Metro Boomin, James Blake - Hummingbird

Hieu Vu Duc

41,699 Aufrufe • vor 2 Jahren

A Fresnel lens is manufactured with grooves in it so the light path is changing from a single point which exposes to all sides, to a straight light path. Using this principle, a kind of "invisibily shield" can be created [video:
0:38

A Fresnel lens is manufactured with grooves in it so the light path is changing from a single point which exposes to all sides, to a straight light path. Using this principle, a kind of "invisibily shield" can be created [video:

Massimo

65,370 Aufrufe • vor 2 Jahren

Just stumbled on this fun little setup: linking three nulls to the position and size of an Ellipse shape layer in After Effects, and it can stretch a circle in multiple directions.
0:20

Just stumbled on this fun little setup: linking three nulls to the position and size of an Ellipse shape layer in After Effects, and it can stretch a circle in multiple directions.

François Lefebvre

50,627 Aufrufe • vor 1 Jahr

Can you rig a character in After Effects using a single stroke? YES! Here’s how
0:58

Can you rig a character in After Effects using a single stroke? YES! Here’s how

Premiere Pro Tricks!

22,469 Aufrufe • vor 9 Monaten

Another test of path diffraction in After Effects. This time the amplitude is constrained within the mask limits for a fun little effect.
0:59

Another test of path diffraction in After Effects. This time the amplitude is constrained within the mask limits for a fun little effect.

François Lefebvre

24,440 Aufrufe • vor 11 Monaten

Using layout, scrolling and trim path features in Rive to build a custom scrollbar imagined by Dru. Since the scroll bar is just a vector, you can create any path shape you want and run it on any of our runtimes.
0:42

Using layout, scrolling and trim path features in Rive to build a custom scrollbar imagined by Dru. Since the scroll bar is just a vector, you can create any path shape you want and run it on any of our runtimes.

Philip Chung

14,610 Aufrufe • vor 1 Jahr

Curl the path in After Effects. The first thing is to be able to set where the curl starts on the path. 0 = fully curled, 100 = no curl.
0:37

Curl the path in After Effects. The first thing is to be able to set where the curl starts on the path. 0 = fully curled, 100 = no curl.

François Lefebvre

58,728 Aufrufe • vor 1 Jahr