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When Michael Mann asked William Friedkin to play Hannibal Lecter in "Manhunter" (1986), Friedkin thought that Mann was joking. “I thought he was putting me on. I said, ‘You see me as Hannibal Lecter?’ Mann said, ‘I see you exactly as Hannibal Lecter. You don’t appear to be psychotic,...

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Trump appears to be unraveling live on stage “When I say insane asylums, and then I say, Doctor Hannibal Lecter, does anybody know? They go crazy. They say, oh, he brings up these names out of— Well, that's genius. Right. Doctor Hannibal Lecter. There's nobody worse than him. Silence of the Lambs. Who the hell else would even remember that? I have a great memory, but they always hit me. I don't bring it up too much because they have to take such a— he brought up Hannibal Lecter. What does that have to do with this? What is it? It has everything to do with it, right? He was… So I've done something for you for you that I haven't done in 20 speeches. I brought up Doctor Hannibal Lecter and we're allowing him, you watch, you watch these fake people will say again, he brought up Hannibal Lecter has absolutely nothing to do. You know I do the weave, right? The weave. It's genius. You bring up Hannibal Lecter, you mention insane asylum. Hannibal Lecter. You go out, no. There'll be a time in life where the weave won't finish properly at the bottom and then we can talk. But right now it's pure genius. Hey, I have an uncle, my uncle, Uncle John, my father's brother, 41 years at MIT, longest serving professor has so many degrees, he didn't know what the hell to do with them all in the most complicated. I understand a lot of this stuff, you know, I believe in that. Like, I mean, Jack Nicklaus is not gonna produce a bad golfer. Right. You know, that's the way it works. It's just one of those things and it's in the family and it's whatever”

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Al Pacino says Francis Ford Coppola sat him down a few weeks into filming The Godfather and showed him footages of his performance saying he wasn’t impressed and he was sure he was about to be fired Al Pacino: “Because when I walked in there, again, that was a big thing for me to walk into Gingerman. Because I didn’t go there because I didn’t have money to buy the drinks.” “So I went in there, and Francis was eating with his family, and I was standing there, and he says, ‘We had a talk.’” “So I thought, well, here we go, you know? We’re not going to go anywhere.” “He tells me, ‘You know, I had faith in you. I believed in you.’” “I said, ‘Yeah, I know,’ but it’s—well, you’re not— I don’t know what to do now. What do I say now?” “He says, ‘Well, I only show you the rushes, the footage that we had shot already, and that was going to see something.’” “So I went and saw the rushes, and I’m looking at the screen, and I’m seeing mistakes.” “I was hoping that I could blend in with the scenery and not be seen specifically, or, you know, spotted.” “I just wanted to just blend and just be natural.” “And I thought, well, I know this, the way it looks now, but that’s part of what is going to turn into Michael Corleone.” “So, of course, like I said, two friends, naturally, the actor’s instinct, I just said, ‘Yeah, I see what you mean. That always quiets everybody down. I see, I see what you’re saying.’” “Yes. Sure, yeah, yeah, I’ll work on that.” “I thought, well. Then I thought I was out. And I sort of wanted to be out.”

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Howard Hawks on his meeting with Al Capone & what Capone and another famous Chicago gangster thought about 'Scarface' (1932) when they saw the film: "Interviewer: Did you have any contact with Al Capone while making the picture? Hawks: While we were making 'Scarface' (1932), five or six of them came out and said, “The boss wants us to see the picture.” And I said, “You go and tell him when it comes out, he can pay a dollar and buy a ticket. You don’t scare me. Why the hell don’t you come out and just ask to see it?” They reported to Capone that it was just great, and they invited me to Chicago to see him. They met me at the train, and they were late. One of the fellows said, “There was a killing last night and we had to go to the funeral.” I said, “Do I have to ride with you if there was a killing last night?” They said I could ride in a different car. But when we went into a café, they would sit with their backs to the wall, and I had my back to the door. We had some damn good-looking girls with us, a bit brassy but very pretty. When I saw Capone, we had tea, and he was dressed in a morning coat, striped trousers, a carnation, being a very nice man, saying how much he liked the picture. I was with him two, three hours. Then he asked me to come again, and I stopped by there. But there was a shooting in Chicago, so they said that he couldn’t come because he was hiding out in Atlantic City or something. Then he came to see me when I was working in Hollywood, and the cops came and arrested him right on the set. Interviewer: So he did see 'Scarface'? Hawks: Five or six times. He had his own print of it. He thought it was great. He’d say, “Jesus Christ, you guys got a lot of stuff in that picture! How’d you know about that?” I said, “Look—you know how somebody can’t testify if he’s a lawyer? Well, I’m a lawyer.” And he laughed. He didn’t give a damn. Another famous gangster brought two very lovely daughters out to watch the movie and introduced himself to me. He said, “Where’d you get that stuff in that killing?” I asked him, “Why? Are you mad?” He said, “No, I’m just curious.” I told him, and he laughed, and he said, “That’s the way we did the shooting. Why hasn’t the picture played in Chicago?” I said, “They won’t let me.” He said, “Do you want it to play?” I said yeah. And he said, “Can I use your phone a minute?” When he finished he said, “You can play it any time you want.” ('Hawks on Hawks', Joseph McBride, 1982) P.S: On this day, 94 years ago, 'Scarface' (1932) premiered in New Orleans, Luisiana.

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