Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

While filming The Flash (2023), Michael Keaton was so enthusiastic about returning as Batman that he even jumped onto a table during rehearsals. “We were discussing a scene, mapping out the fight choreography, and suddenly, he just jumps on the table. He's 71, but he has this incredible physical... show more

Movies Scenes 🎫

108,340 subscribers

42,667 views • 1 month ago •via X (Twitter)

Arts Science & Technology

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

In The Flash (2023), Michael Keaton’s new Batman suit was designed to be more flexible. However, Keaton insisted on making the suit stiffer to mimic the restricted movement of his iconic 1989 suit, which he believed was a crucial component of his character's performance.

In The Flash (2023), Michael Keaton’s new Batman suit was designed to be more flexible. However, Keaton insisted on making the suit stiffer to mimic the restricted movement of his iconic 1989 suit, which he believed was a crucial component of his character's performance.

Movie Moments Analyst

354,898 views • 3 months ago

This Day in Buster... January 24, 1925 The Daily News reports that Buster Keaton was hurt during the filming of "Seven Chances" "when a "property" rock fell from a wall on a motion picture set he was using. Keaton's thigh was pinned to the ground by the make-believe boulder."

This Day in Buster... January 24, 1925 The Daily News reports that Buster Keaton was hurt during the filming of "Seven Chances" "when a "property" rock fell from a wall on a motion picture set he was using. Keaton's thigh was pinned to the ground by the make-believe boulder."

Buster Keaton

26,044 views • 6 months ago

This fight between Batman and owlman is a perfect example of Batman’s physicals being “above normal humans” but still leaving room for his humanity to play a role in the story. For context owlman has a relative skill set to Batman, but his suit enhances his physicals to Wonder Woman level. This is why he says “you should’ve sent your flying man” he also overpowered Diana in the movie. Despite this Batman is still able to not only withstand a beating from him but also use his skill ,agility(which we never see in live action) and tech to outmaneuver , outsmart him, and save the day. If you people who want Batman to just be a regular dude had it your way he would’ve died first hit 😭😭 Batman is a SUPERHERO, despite being human his training, skills, and intelligence allow him to be qualified for a team like the justice league. If you water those elements of Batman down he genuinely has no place on a team like the justice league. This is what we want from the DCU Batman and it isn’t unreasonable or far fetched for Batman’s character at all.

This fight between Batman and owlman is a perfect example of Batman’s physicals being “above normal humans” but still leaving room for his humanity to play a role in the story. For context owlman has a relative skill set to Batman, but his suit enhances his physicals to Wonder Woman level. This is why he says “you should’ve sent your flying man” he also overpowered Diana in the movie. Despite this Batman is still able to not only withstand a beating from him but also use his skill ,agility(which we never see in live action) and tech to outmaneuver , outsmart him, and save the day. If you people who want Batman to just be a regular dude had it your way he would’ve died first hit 😭😭 Batman is a SUPERHERO, despite being human his training, skills, and intelligence allow him to be qualified for a team like the justice league. If you water those elements of Batman down he genuinely has no place on a team like the justice league. This is what we want from the DCU Batman and it isn’t unreasonable or far fetched for Batman’s character at all.

Kay

129,680 views • 3 months ago

The scene in The Batman where he first emerges from the shadows and beats up the thugs in the train station was inspired by Goodfellas - specifically the moment where Henry Hill pistol-whips his neighbor. Matt Reeves explains: "I wanted that moment where he says “I'm Vengeance” and Rob comes out and you see him as this Batman for the first time, I wanted it to be like that moment, a shocking moment, in Goodfellas when Henry Hill…the neighbour has assaulted Karen who he's dating, and he gets so angry you see him drive up across the street from the neighbour. He gets out of the car, they look at him coming, and he takes out his revolver, and he beats this guy senselessly. It's shocking, and at that moment you realize the depth of his rage, and just how dangerous he can be. So I wanted Batman at this stage of the movie to kind of shock the audience, and for people to say like “Okay well what kind of Batman is this?” and to see that he was a Batman who acted from this very visceral personal point of view - that this was all about vengeance." Quote comes from the director’s commentary track off The Batman Blu-ray. (play with sound on to hear Giacchino’s epic score)

The scene in The Batman where he first emerges from the shadows and beats up the thugs in the train station was inspired by Goodfellas - specifically the moment where Henry Hill pistol-whips his neighbor. Matt Reeves explains: "I wanted that moment where he says “I'm Vengeance” and Rob comes out and you see him as this Batman for the first time, I wanted it to be like that moment, a shocking moment, in Goodfellas when Henry Hill…the neighbour has assaulted Karen who he's dating, and he gets so angry you see him drive up across the street from the neighbour. He gets out of the car, they look at him coming, and he takes out his revolver, and he beats this guy senselessly. It's shocking, and at that moment you realize the depth of his rage, and just how dangerous he can be. So I wanted Batman at this stage of the movie to kind of shock the audience, and for people to say like “Okay well what kind of Batman is this?” and to see that he was a Batman who acted from this very visceral personal point of view - that this was all about vengeance." Quote comes from the director’s commentary track off The Batman Blu-ray. (play with sound on to hear Giacchino’s epic score)

Gangster Cinema Central

30,505 views • 2 months ago

Say what you want about Andy Muschietti and Christina hodson on brave and the bold, but this is how Andy Muschietti showcased a 70 year old Batman’s capabilities, so imagine prime Batman. Also with Gunn helping, as well as notes from the likes of Drew Goddard who’s in the DCU writing room, I have complete faith the script will turn out good, and minus the one lasso scene the Batman moments in the flash objectively weren’t poorly written.

Say what you want about Andy Muschietti and Christina hodson on brave and the bold, but this is how Andy Muschietti showcased a 70 year old Batman’s capabilities, so imagine prime Batman. Also with Gunn helping, as well as notes from the likes of Drew Goddard who’s in the DCU writing room, I have complete faith the script will turn out good, and minus the one lasso scene the Batman moments in the flash objectively weren’t poorly written.

Kay

99,907 views • 3 months ago

Buster Keaton showcasing his real stunts. Born in 1895, Keaton became one of the most influential actors and directors during the silent film era, known for his stone-faced expression and remarkable physical comedy. His historic stunts have left an indelible mark on the world of entertainment. One of Keaton's most iconic stunts can be seen in the film "Steamboat Bill, Jr." (1928), where he stands in front of a two-story house's façade that collapses, leaving an open window that miraculously fits perfectly around Keaton as he remains unharmed. This stunt exemplifies Keaton's precise timing, meticulous planning, and incredible physical agility. In the movie "The General" (1926), Keaton orchestrated a breathtaking locomotive chase sequence, which is considered one of the most elaborate and costly stunts of the silent film era. The scene involved a real steam locomotive crashing into a burning bridge. The daring stunt showcased Keaton's innovative approach to filmmaking and cemented his status as a true pioneer of cinema. Buster Keaton's ability to perform incredible stunts and physical comedy without the use of special effects or stunt doubles set him apart in an era when safety measures were far less advanced than today. His contributions to cinema continue to be celebrated for their creativity, ingenuity, and sheer audacity, making him an enduring and inspirational figure in the world of film and entertainment.

Buster Keaton showcasing his real stunts. Born in 1895, Keaton became one of the most influential actors and directors during the silent film era, known for his stone-faced expression and remarkable physical comedy. His historic stunts have left an indelible mark on the world of entertainment. One of Keaton's most iconic stunts can be seen in the film "Steamboat Bill, Jr." (1928), where he stands in front of a two-story house's façade that collapses, leaving an open window that miraculously fits perfectly around Keaton as he remains unharmed. This stunt exemplifies Keaton's precise timing, meticulous planning, and incredible physical agility. In the movie "The General" (1926), Keaton orchestrated a breathtaking locomotive chase sequence, which is considered one of the most elaborate and costly stunts of the silent film era. The scene involved a real steam locomotive crashing into a burning bridge. The daring stunt showcased Keaton's innovative approach to filmmaking and cemented his status as a true pioneer of cinema. Buster Keaton's ability to perform incredible stunts and physical comedy without the use of special effects or stunt doubles set him apart in an era when safety measures were far less advanced than today. His contributions to cinema continue to be celebrated for their creativity, ingenuity, and sheer audacity, making him an enduring and inspirational figure in the world of film and entertainment.

Historic Vids

5,837,194 views • 2 years ago

Andrej Stojakovic says he doesn't believe Keaton Wagler struggled in East Lansing -- but rather the freshman has set a really high standard for himself and draws a ton of attention due to what he has accomplished. "This shouldn't be a surprise. He's a freshman. People have to give him slack."

Andrej Stojakovic says he doesn't believe Keaton Wagler struggled in East Lansing -- but rather the freshman has set a really high standard for himself and draws a ton of attention due to what he has accomplished. "This shouldn't be a surprise. He's a freshman. People have to give him slack."

Glenn Kinley

68,636 views • 5 months ago

George was battling strep throat and a 102°F fever during this performance—and yet he still absolutely crushed it. While John Lennon famously pushed his voice to the limit while sick during the studio recording of this song, it was George Harrison who was truly battling for his life during The Beatles’ 1964 U.S. debut on The Ed Sullivan Show. George was running a 102°F fever and suffering from severe strep throat. He was so ill that he missed Saturday’s rehearsals entirely, forcing the band’s road manager, Neil Aspinall, to step in on stage while the cameras were set up. A doctor warned George he shouldn’t even be out of bed, let alone perform for 73 million viewers—but he reportedly replied, “I’m not missing this for anything.”

George was battling strep throat and a 102°F fever during this performance—and yet he still absolutely crushed it. While John Lennon famously pushed his voice to the limit while sick during the studio recording of this song, it was George Harrison who was truly battling for his life during The Beatles’ 1964 U.S. debut on The Ed Sullivan Show. George was running a 102°F fever and suffering from severe strep throat. He was so ill that he missed Saturday’s rehearsals entirely, forcing the band’s road manager, Neil Aspinall, to step in on stage while the cameras were set up. A doctor warned George he shouldn’t even be out of bed, let alone perform for 73 million viewers—but he reportedly replied, “I’m not missing this for anything.”

Historic Vids

253,910 views • 5 months ago

Tony said that when he first joined the set, the wolf gang were actually filming this scene and they went to apologise to him 🥹 🐺 on my first day on set, they were filming this exact scene, playing with my (prop) head like a ball in the desert 🐺 as soon as I arrived, they immediately got off their horses and said “we’re so sorry, we were just kicking your head around like a ball… it’s for the plot” 🐺 then I told them “we’re filming, don’t overthink it. You’re in the middle of a scene, just focus on what you need to do. As for the apology, you can treat me to a meal later”

Tony said that when he first joined the set, the wolf gang were actually filming this scene and they went to apologise to him 🥹 🐺 on my first day on set, they were filming this exact scene, playing with my (prop) head like a ball in the desert 🐺 as soon as I arrived, they immediately got off their horses and said “we’re so sorry, we were just kicking your head around like a ball… it’s for the plot” 🐺 then I told them “we’re filming, don’t overthink it. You’re in the middle of a scene, just focus on what you need to do. As for the apology, you can treat me to a meal later”

^≖◡≖^ ੭

41,764 views • 5 months ago

🚨 Michael Jackson was first offered to do an alien cameo in Men in Black, but he turned it down. Director Barry Sonnenfeld recalled that when Jackson first saw the original Men in Black in a theater in Paris, he actually cried. He told the director he thought it was a "weepy" movie, rather than a comedy. Sonnenfeld first offered him a cameo as one of the celebrity aliens, a common running gag in the franchise. Michael insisted on being a Man in Black agent instead, because his primary goal was to wear the iconic black suit and sunglasses. Sonnenfeld agreed, famously stating, "All that mattered to him was that he wore that black suit" On the day of shooting, Jackson reportedly arrived on set late wearing red pajamas. During the scene, where he checks in via a monitor from a location filled with penguins, he famously kept calling Chief Zed "Zeke". He even asked the director if they could change the character's name to Zeke just for him. After the 22-second scene was finished, Jackson sent Sonnenfeld a handwritten thank-you note on red paper, calling the cameo a fulfillment of a lifelong dream.

🚨 Michael Jackson was first offered to do an alien cameo in Men in Black, but he turned it down. Director Barry Sonnenfeld recalled that when Jackson first saw the original Men in Black in a theater in Paris, he actually cried. He told the director he thought it was a "weepy" movie, rather than a comedy. Sonnenfeld first offered him a cameo as one of the celebrity aliens, a common running gag in the franchise. Michael insisted on being a Man in Black agent instead, because his primary goal was to wear the iconic black suit and sunglasses. Sonnenfeld agreed, famously stating, "All that mattered to him was that he wore that black suit" On the day of shooting, Jackson reportedly arrived on set late wearing red pajamas. During the scene, where he checks in via a monitor from a location filled with penguins, he famously kept calling Chief Zed "Zeke". He even asked the director if they could change the character's name to Zeke just for him. After the 22-second scene was finished, Jackson sent Sonnenfeld a handwritten thank-you note on red paper, calling the cameo a fulfillment of a lifelong dream.

Movies Scenes 🎫

1,847,199 views • 4 months ago

Robert Pattinson tried to keep his audition for The Batman a secret from Christopher Nolan while filming 'Tenet' 'I said I had a family emergency. And as soon as I said ‘it’s a family emergency’ he said: ‘You’re doing the Batman audition, aren’t you?'’

Robert Pattinson tried to keep his audition for The Batman a secret from Christopher Nolan while filming 'Tenet' 'I said I had a family emergency. And as soon as I said ‘it’s a family emergency’ he said: ‘You’re doing the Batman audition, aren’t you?'’

Emir Han

4,200,433 views • 7 months ago

Sitting next to the person who did it while filming this is a level of evil I can’t even wrap my head around. 💔 [Video Footage] Imagine being this mother—pouring your heart out to the cameras, desperate to find your daughter, while her "best friend" sits right there nodding along to every word. He didn't just take her; he stayed to watch the grief firsthand. He even made up a wild story about a "green truck" and a "cowboy" just to watch everyone scramble in the wrong direction. As a parent, how do you ever recover from a betrayal that was sitting at your own kitchen table?

Sitting next to the person who did it while filming this is a level of evil I can’t even wrap my head around. 💔 [Video Footage] Imagine being this mother—pouring your heart out to the cameras, desperate to find your daughter, while her "best friend" sits right there nodding along to every word. He didn't just take her; he stayed to watch the grief firsthand. He even made up a wild story about a "green truck" and a "cowboy" just to watch everyone scramble in the wrong direction. As a parent, how do you ever recover from a betrayal that was sitting at your own kitchen table?

✨️Serenitee♡Sam✨️

395,371 views • 3 months ago

Director Lee Han-gyeol said in an interview that, while filming the “2.0” music video, the most impressive member to him was Taehyung. - Even before starting the music video filming, I exchanged many opinions with V-ssi. - Taehyung-ssi said he was confident in being funny. - Taehyung-ssi's proactiveness made me feel excited as well, and he played a big role as a 'mood maker' on set. Q: I can really picture that scene inside the elevator; V-ssi said, "We’ve arrived." Was all of that ad-libbed? Or were those lines already decided? Lee: The direction I actually gave was very simple and brief, and the rest of the scenes were created thanks to the members’ ad-libs. Q: Which member did you find most impressive, or which member made you think, "My intention was only this much, but he brought it to life this well"? Lee: To be honest, I am grateful to all the members because they all brought [their parts] to life so well. However, in the case of member V-ssi, we had a friendly relationship from working on many other projects together, so we actually exchanged a lot of opinions even before the music video filming started. Also, when I first mentioned that I wanted the scene of stepping out of the elevator to be impactful and witty, Taehyung-ssi was the one who told me, "I’m confident in being funny." That kind of proactiveness from Taehyung-ssi made me feel excited as well, and I think he played a big role as a mood maker on set. Regarding the makeup, I didn't think he would go as far as being so proactive about putting on a mustache, but when I first saw V-ssi’s disguise, I laughed so much that I remember the filming being delayed for a bit.

Director Lee Han-gyeol said in an interview that, while filming the “2.0” music video, the most impressive member to him was Taehyung. - Even before starting the music video filming, I exchanged many opinions with V-ssi. - Taehyung-ssi said he was confident in being funny. - Taehyung-ssi's proactiveness made me feel excited as well, and he played a big role as a 'mood maker' on set. Q: I can really picture that scene inside the elevator; V-ssi said, "We’ve arrived." Was all of that ad-libbed? Or were those lines already decided? Lee: The direction I actually gave was very simple and brief, and the rest of the scenes were created thanks to the members’ ad-libs. Q: Which member did you find most impressive, or which member made you think, "My intention was only this much, but he brought it to life this well"? Lee: To be honest, I am grateful to all the members because they all brought [their parts] to life so well. However, in the case of member V-ssi, we had a friendly relationship from working on many other projects together, so we actually exchanged a lot of opinions even before the music video filming started. Also, when I first mentioned that I wanted the scene of stepping out of the elevator to be impactful and witty, Taehyung-ssi was the one who told me, "I’m confident in being funny." That kind of proactiveness from Taehyung-ssi made me feel excited as well, and I think he played a big role as a mood maker on set. Regarding the makeup, I didn't think he would go as far as being so proactive about putting on a mustache, but when I first saw V-ssi’s disguise, I laughed so much that I remember the filming being delayed for a bit.

낭만태형 | ✌🏼❄️ᴡinter ahead Ⓥ🌬️

71,232 views • 3 months ago

A man who works at a store goes on his lunch break and sits in the employee break room. He pulls out a burger, takes a few bites, and then starts recording himself on his phone while taking a couple of whiskey shots. He seems relaxed and even laughs while filming the moment, as if he plans to post it online. The surprising part is that he is still on his break at work and will likely return to his shift afterward. Situations like this raise concerns about workplace responsibility and professionalism. Even during breaks, actions that could affect performance, safety, or the company’s image can become a proble, especially when the employee is recording and potentially sharing it publicly. It’s a reminder that what we do at work, even on break, can have consequences. Do you think it’s acceptable for an employee to drink alcohol during a lunch break if they are still on company property and planning to return to work?

A man who works at a store goes on his lunch break and sits in the employee break room. He pulls out a burger, takes a few bites, and then starts recording himself on his phone while taking a couple of whiskey shots. He seems relaxed and even laughs while filming the moment, as if he plans to post it online. The surprising part is that he is still on his break at work and will likely return to his shift afterward. Situations like this raise concerns about workplace responsibility and professionalism. Even during breaks, actions that could affect performance, safety, or the company’s image can become a proble, especially when the employee is recording and potentially sharing it publicly. It’s a reminder that what we do at work, even on break, can have consequences. Do you think it’s acceptable for an employee to drink alcohol during a lunch break if they are still on company property and planning to return to work?

Dr. CZ

110,728 views • 4 months ago

Keanu Reeves reveals Patrick Swayze got a cease-and-desist order from the studio for skydiving over 30 times during Point Break "He was really like come on Reeves let's go, he had a smile, he's just like yeah. He was jumping out of airplanes, during the course" "Because if you recall, saw the picture, at the end you see him doing flips in the sky, and he really was Bodhi" "He ended up getting all of the guys who were part of the team, the bank robbers, and they were jumping out of airplanes. They were jumping out of airplanes in Hawaii" "So eventually the film company gave them a cease and desist order because Swayze had over 30 jumps while he's making the movie"

Keanu Reeves reveals Patrick Swayze got a cease-and-desist order from the studio for skydiving over 30 times during Point Break "He was really like come on Reeves let's go, he had a smile, he's just like yeah. He was jumping out of airplanes, during the course" "Because if you recall, saw the picture, at the end you see him doing flips in the sky, and he really was Bodhi" "He ended up getting all of the guys who were part of the team, the bank robbers, and they were jumping out of airplanes. They were jumping out of airplanes in Hawaii" "So eventually the film company gave them a cease and desist order because Swayze had over 30 jumps while he's making the movie"

Casper

1,478,487 views • 18 days ago

Stefania Sandrelli on working with Antonio Pietrangeli in "I Knew her Well" (1965): "Every director is different, just as we all are. Luckily, we are all different. That's the great thing. But it's not like other directors made me miss working with my first great director. That was a kind of yardstick for me, because Pietrangeli was an extraordinary man. He had this enormous sensitivity; that was really quite touching, because you could see he had a fragile side. His sensitivity was a sort of fragility, but it also allowed him to understand — He was a director who loved women body and soul, so he was sort of seduced, even overawed... by us women, us actresses, but in a positive way. So [because of] this sensitivity, this complete openness — He'd get deep inside the character, inside the film, practically monitoring the heartbeat of the film, scene after scene, frame after frame, and he communicated this to me. He gave me this great drive; He gave me so much attention that I tried to do everything I thought he might be looking for." ("Stefania Sandrelli on I KNEW HER WELL", Criterion, 2016) P.S: Happy 80th birthday, Stefania Sandrelli!

Stefania Sandrelli on working with Antonio Pietrangeli in "I Knew her Well" (1965): "Every director is different, just as we all are. Luckily, we are all different. That's the great thing. But it's not like other directors made me miss working with my first great director. That was a kind of yardstick for me, because Pietrangeli was an extraordinary man. He had this enormous sensitivity; that was really quite touching, because you could see he had a fragile side. His sensitivity was a sort of fragility, but it also allowed him to understand — He was a director who loved women body and soul, so he was sort of seduced, even overawed... by us women, us actresses, but in a positive way. So [because of] this sensitivity, this complete openness — He'd get deep inside the character, inside the film, practically monitoring the heartbeat of the film, scene after scene, frame after frame, and he communicated this to me. He gave me this great drive; He gave me so much attention that I tried to do everything I thought he might be looking for." ("Stefania Sandrelli on I KNEW HER WELL", Criterion, 2016) P.S: Happy 80th birthday, Stefania Sandrelli!

DepressedBergman

24,924 views • 1 month ago

John Krasinski says he and Steve Carell needed 17 takes just to speak while filming Steve’s final scene on The Office "When Steve left, that was actually the last scene of Steve’s last day, and I didn’t realize that until later" "So I go in to do this scene, and it just hit me. You were in the room with Steve, and he had been really quiet all day, very sweet but very quiet. I think we knew that this was it" "We rolled, and I remember the director telling me it was 17 takes before we got one word out. There were a lot of retouches. I think that scene took like four and a half hours"

John Krasinski says he and Steve Carell needed 17 takes just to speak while filming Steve’s final scene on The Office "When Steve left, that was actually the last scene of Steve’s last day, and I didn’t realize that until later" "So I go in to do this scene, and it just hit me. You were in the room with Steve, and he had been really quiet all day, very sweet but very quiet. I think we knew that this was it" "We rolled, and I remember the director telling me it was 17 takes before we got one word out. There were a lot of retouches. I think that scene took like four and a half hours"

Yonan

1,545,122 views • 22 days ago

Osa Odighizuwa says he has the Cowboys game circled on the 49ers schedule: “Speaking to the rivalry, this is a game that for a long time, it’s the game that you got a picture on a dart board and you’re throwing the knife at the picture and now I just take down the picture and I put up the other picture and I’m on the other side of it, but the energy is exactly the same.” Just look at the way he starts rubbing his hands together when he was asked if he saw the schedule yet. He’s gonna go off in that game 💀 🎥: Richard Sherman

Osa Odighizuwa says he has the Cowboys game circled on the 49ers schedule: “Speaking to the rivalry, this is a game that for a long time, it’s the game that you got a picture on a dart board and you’re throwing the knife at the picture and now I just take down the picture and I put up the other picture and I’m on the other side of it, but the energy is exactly the same.” Just look at the way he starts rubbing his hands together when he was asked if he saw the schedule yet. He’s gonna go off in that game 💀 🎥: Richard Sherman

Coach Yac 🗣

162,897 views • 2 months ago