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Who Framed Roger Rabbit (1988) still feels like sorcery. It was so technically ambitious that animators worked frame by frame to align eyelines and lighting. Spielberg called it “a miracle that should not have worked but somehow did.”

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WHO FRAMED ROGER RABBIT (1988) still feels like a magic trick. The technology behind it was groundbreaking, but what really lasts is how it commits to its world. After 10 minutes, a detective sharing scenes with cartoon characters just feels normal.
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WHO FRAMED ROGER RABBIT (1988) still feels like a magic trick. The technology behind it was groundbreaking, but what really lasts is how it commits to its world. After 10 minutes, a detective sharing scenes with cartoon characters just feels normal.

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"Who Framed Roger Rabbit" (1988) wasn’t just a movie… it was movie magic. Mixing live action with animation on this level had never been done before — and somehow it still looks incredible today. A groundbreaking cinematic achievement that became a massive box office success, won 4 Academy Awards, and forever changed the way animation and live-action were brought together on screen.
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"Who Framed Roger Rabbit" (1988) wasn’t just a movie… it was movie magic. Mixing live action with animation on this level had never been done before — and somehow it still looks incredible today. A groundbreaking cinematic achievement that became a massive box office success, won 4 Academy Awards, and forever changed the way animation and live-action were brought together on screen.

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Who Framed Roger Rabbit (1988) included a brief but unforgettable cameo by Betty Boop, as if she were a ghost—who was censored/erased by the Hays Code—thereby situating Jessica Rabbit's striptease as a critique of that code. In 2021, Disney censored Jessica Rabbit.
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Who Framed Roger Rabbit (1988) included a brief but unforgettable cameo by Betty Boop, as if she were a ghost—who was censored/erased by the Hays Code—thereby situating Jessica Rabbit's striptease as a critique of that code. In 2021, Disney censored Jessica Rabbit.

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Who Framed Roger Rabbit (1988) is nothing like the book it came from. And that’s a good thing. Even the author preferred the film so much that he wrote his sequel as a follow-up to the movie and dismissed the original novel as Jessica Rabbit’s bad dream.
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Who Framed Roger Rabbit (1988) is nothing like the book it came from. And that’s a good thing. Even the author preferred the film so much that he wrote his sequel as a follow-up to the movie and dismissed the original novel as Jessica Rabbit’s bad dream.

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Did you know that 'Who Framed Roger Rabbit' was really an exposé? It tells the story of the conspiracy to destroy public transportation in order to promote the automobile & car culture Completely mind blowing
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dokyeom gave jeonghan a photo that he took and had it framed 😇 do you see this. this blue picture frame peeking out right here? dokyeomie took this photo, printed it out, and framed it for me 🦌 it looks like a painting 😇 he said that he edited it to look like that 😇 but at first i asked dokyeom “dokyeom-ah could this have turned out wrong by mistake? i was thinking “dokyeom’s camera is super nice, he has a great camera so why is the resolution a bit pixelated” i was wondering maybe he sent the wrong image size when making the frame printed so i carefully asked him “is this perhaps meant to look like this?” 🦌 did he send you a kakao message? 😇 no, i asked him and he told me that he specifically edit it that way

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Judge Doom finally getting melted in Who Framed Roger Rabbit (1988), the same stuff he planned to wipe out Roger, Jessica & all of Toontown with. Eddie turning it back on him and avenging every toon he destroyed, including that poor little shoe. https://
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Judge Doom finally getting melted in Who Framed Roger Rabbit (1988), the same stuff he planned to wipe out Roger, Jessica & all of Toontown with. Eddie turning it back on him and avenging every toon he destroyed, including that poor little shoe. https://

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It was such a vulnerable and generous video. She did not have to share that but I’m so so glad she did.
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It was such a vulnerable and generous video. She did not have to share that but I’m so so glad she did.

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I’m just gonna leave this here… Oh, and before you say “Hey! That’s CGI!” I’d like to point out that we weren’t sure if we were gonna have a CGI budget or not, so I animated this frame by frame myself. On paper. With pencils. By hand. Because that’s what animators do. 😊
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I’m just gonna leave this here… Oh, and before you say “Hey! That’s CGI!” I’d like to point out that we weren’t sure if we were gonna have a CGI budget or not, so I animated this frame by frame myself. On paper. With pencils. By hand. Because that’s what animators do. 😊

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Bob Hoskins' younger son didn't talk to him for two weeks after watching "Who Framed Roger Rabbit" (1988). Only later did Hoskins realise that it was because that his son might have been angry that his father, who had cartoon friends like Bugs Bunny, Yosemite Sam, Daffy Duck, etc. wouldn't bring them home to meet him. Bob Hoskins talking about it: "After I did ‘Roger Rabbit,’ my younger son wouldn’t talk to me. It took me about two weeks to figure out that he reckoned that any father who had friends like Bugs Bunny, Yosemite Sam, Daffy Duck, and who didn’t bring them home to meet him, well, his father was a total (jerk). The basic premise of all this business is that everybody’s totally insane. They are. They are completely insane. And that’s wonderful." (Bob Hoskins's interview with Richard Stayton, LA Times, 1992)
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Bob Hoskins' younger son didn't talk to him for two weeks after watching "Who Framed Roger Rabbit" (1988). Only later did Hoskins realise that it was because that his son might have been angry that his father, who had cartoon friends like Bugs Bunny, Yosemite Sam, Daffy Duck, etc. wouldn't bring them home to meet him. Bob Hoskins talking about it: "After I did ‘Roger Rabbit,’ my younger son wouldn’t talk to me. It took me about two weeks to figure out that he reckoned that any father who had friends like Bugs Bunny, Yosemite Sam, Daffy Duck, and who didn’t bring them home to meet him, well, his father was a total (jerk). The basic premise of all this business is that everybody’s totally insane. They are. They are completely insane. And that’s wonderful." (Bob Hoskins's interview with Richard Stayton, LA Times, 1992)

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And just like that, I am done with active treatment. It is both a relief and extremely nerve wracking to have to just trust that it all worked.
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