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Why settle for tiny white peepees when a modern white girl can easily get the full attention of three or more black guys. #RealMenAreBlack #BlondeIntoBlack #SizeMatters #SnowBunny #JungleFever #NaturalSelection #BreedBlackOnly #SayNoToWhiteBoys #Blonde4Black #BlackSupremacy #BNWO

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I found this video to be hilariously sad and oddly interesting. This is a Black man trying to get their Mixed biracial daughter to choose the black girl bottle option, but the but the mixed girl kept choosing the white girl one. This oddly seems to upset him for some reason, even suggesting that she made "the wrong choice." Keep in mind the black man himself chose a white woman as a partner, procreated and gave birth to a mixed child, and is now acting surprised or upset that his mixed child is choosing the white girl bottle over the black one. This is what always happens. Mixed people oftentimes consciously or unconsciously lean towards their white side. The only reason why a lot of mixed people today often claim to be black is because the white community rejects them wholeheartedly. I promise you if white people weren't so bigoted of mixed people or hung up on the one drop rule nonsense, a lot of mixed people would likely choose to be white representing as opposed to black representing. When you have mixed children you have to come to terms that they may not want to identify with their black side. It's hard to sell them on that notion when they can just look at you and see that you chose someone who wasn't part of your race. Also why is it that people expect mixed people to choose their black side? They are mixed. It's a 50/50. They can choose either side and you have to be content with that. That's the choice you made when you brought them into this world.

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Mathieu Kassovitz on why 'La Haine' (1995) would have been horrible had it been in colour instead of Black & White: "Interviewer: Was it essential that it was three kids? Kassovitz: I needed a trio because when you’re with a friend, you have a discussion, and it ends fast because either you agree, or you don’t, but you cannot argue all the time. Three people can disagree all the time because it bounces from one to the other. I wanted one guy that’s the funny one in the middle; the political one that wants to get even with the society; and then the other one who’s trying to hold it in because he knows what real violence is. It was a trick, like the black and white is a trick too – to make it universal, a story that happens everywhere, so you don’t know if it’s Paris or Mexico or Brooklyn: it could be anywhere. Interviewer: How does black and white make it more universal? Kassovitz: When you look at black-and-white footage from the war, it changes when you see that footage put in colour. I did the voiceover for 'Apocalypse', a fantastic documentary series covering wars, for which they colourised all these black-and-white images and rendered them in HD. In colour, all of a sudden the footage becomes very personal – you see your grandfathers there, it’s not just ghosts or an artistic image, it could be today. What black and white does is bring poetry into reality. That’s why when you do a movie about poverty where you don’t have control over the environment and things are supposed to be ugly, it’s very difficult. It costs a lot of money to make it look good. But it doesn’t cost anything to make it look good in black and white. If I showed you 'La Haine' in colour, it’s horrible." (Mathieu Kassovitz's interview with Kaleem Aftab, BFI, 2020)

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