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Will Ferrell admits he thought Elf could end his career two weeks into filming “We were developing this one movie about a human who was raised by elves at the North Pole. It was an amazing concept, but it needed a lot of work, and so we kind of...

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Casper

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294,238 görüntüleme • 6 gün önce •via X (Twitter)

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Will Ferrell opens up to Michelle Obama about taking a big risk in his career by leaving Saturday Night Live in 2002 after 7 years to pursue a film career and it instantly paid off with his hit movie ‘Elf’ 🔥👀 Will also says he had a moment of self-doubt while looking in the mirror dressed as Buddy the Elf in his tights 💀😭 “This could be the end right here. This is either a home run or a complete strike-out. People would be like ‘What happened to the guy on SNL?’”
4:20

Will Ferrell opens up to Michelle Obama about taking a big risk in his career by leaving Saturday Night Live in 2002 after 7 years to pursue a film career and it instantly paid off with his hit movie ‘Elf’ 🔥👀 Will also says he had a moment of self-doubt while looking in the mirror dressed as Buddy the Elf in his tights 💀😭 “This could be the end right here. This is either a home run or a complete strike-out. People would be like ‘What happened to the guy on SNL?’”

Killa 🌺

237,715 görüntüleme • 18 gün önce

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."
3:40

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

Sean Ross Sapp of Fightful.com

31,538 görüntüleme • 7 ay önce

My cousins and my brother and I were exploring Coney Island, we saw the sights, hung out at the arcades and before we went back to the apartment we decided to go and get something to eat, we had some money on us but not much so we decided to see what we could get at one of the vendors. This was back in the early 90’s when most of them had dollar slices of pizza wherever we went. So we got 4 pieces of pizza, should have been $4 because that’s the price we were used to. The guy wanted to charge us $24 at $6 a slice. We argues with him because one of my cousins already took a bite being so hungry. But at the least we owed $4. We gave the other slices back and refused them but had to pay for the partially eaten one, it was embarrassing that an adult would try that on a bunch of kids. We told our uncle what happened and he went back and yelled at the vendor. He was familiar with them because he used to get slices all the time from the same guy and he never charged my uncle that price. I couldn’t imagine paying that exurban amount, like this guy who was being charged $54 for a hotdog by one of the vendors. At first he thought it was a typo and it was $5.40 but the vendor. Learned it up when he said no it was $54. Would you have paid that amount? I would have walked away, clearly he was trying to possibly scam a the man for looking like a tourist. Part of the experience when visiting a new area is the street food but it’s becoming more and more a chore avoiding places like this.
0:34

My cousins and my brother and I were exploring Coney Island, we saw the sights, hung out at the arcades and before we went back to the apartment we decided to go and get something to eat, we had some money on us but not much so we decided to see what we could get at one of the vendors. This was back in the early 90’s when most of them had dollar slices of pizza wherever we went. So we got 4 pieces of pizza, should have been $4 because that’s the price we were used to. The guy wanted to charge us $24 at $6 a slice. We argues with him because one of my cousins already took a bite being so hungry. But at the least we owed $4. We gave the other slices back and refused them but had to pay for the partially eaten one, it was embarrassing that an adult would try that on a bunch of kids. We told our uncle what happened and he went back and yelled at the vendor. He was familiar with them because he used to get slices all the time from the same guy and he never charged my uncle that price. I couldn’t imagine paying that exurban amount, like this guy who was being charged $54 for a hotdog by one of the vendors. At first he thought it was a typo and it was $5.40 but the vendor. Learned it up when he said no it was $54. Would you have paid that amount? I would have walked away, clearly he was trying to possibly scam a the man for looking like a tourist. Part of the experience when visiting a new area is the street food but it’s becoming more and more a chore avoiding places like this.

SonnyBoy🇺🇸

362,822 görüntüleme • 14 gün önce

Alan J. Pakula on how he gave confidence to Jane Fonda- who wanted to quit "Klute" (1971) two days before the filming began: "I remember this disastrous moment in the making of this film, which was at the end of the last day of rehearsal. It was Friday and we had been rehearsing for three weeks. I had rehearsed four weeks on my first film and I thought that’s the way to go. We were gonna start shooting on a Monday in New York. At the end of the day on Friday Jane came up to me and she said, “Alan, I want out. I don’t know what I’m doing. I just think I’m wrong for this. I don’t think it’s going work. Get somebody else.” And I said, “I’m not letting you out. I think you’re going be wonderful in this.” Her panic was real and genuine. She had no faith at that point for whatever the reason. I then met with my production manager and the whole production team and I said we have to change the entire schedule for next week. We were set to do a major scene inside a set that we had rehearsed. I thought it would give everybody confidence. But because Jane had no confidence I felt we had to get her into it very gradually. So I said, we have to start with little bitsy scenes, just until she gets over this stage fright. That means doing walks in New York and going into phone booths and other little scenes. Well, that poor crew and the location people went through hell because that meant shooting in actual locations on New York streets and that meant getting all the necessary permissions. It made for a terrible weekend and a terrible week for a lot of the crew because I was demanding it from them. But it was right. By the end of the latter part of that first week, Jane did a scene where she auditions to be an actress, and I could feel her confidence really coming back again. As a director you always have to be ready and do a lot of planning and then you have to be prepared for everything changing at the last second." ('The Directors Take two', Robert J. Emery) P.S: Remembering Alan J. Pakula on his 98th birthday!
1:27

Alan J. Pakula on how he gave confidence to Jane Fonda- who wanted to quit "Klute" (1971) two days before the filming began: "I remember this disastrous moment in the making of this film, which was at the end of the last day of rehearsal. It was Friday and we had been rehearsing for three weeks. I had rehearsed four weeks on my first film and I thought that’s the way to go. We were gonna start shooting on a Monday in New York. At the end of the day on Friday Jane came up to me and she said, “Alan, I want out. I don’t know what I’m doing. I just think I’m wrong for this. I don’t think it’s going work. Get somebody else.” And I said, “I’m not letting you out. I think you’re going be wonderful in this.” Her panic was real and genuine. She had no faith at that point for whatever the reason. I then met with my production manager and the whole production team and I said we have to change the entire schedule for next week. We were set to do a major scene inside a set that we had rehearsed. I thought it would give everybody confidence. But because Jane had no confidence I felt we had to get her into it very gradually. So I said, we have to start with little bitsy scenes, just until she gets over this stage fright. That means doing walks in New York and going into phone booths and other little scenes. Well, that poor crew and the location people went through hell because that meant shooting in actual locations on New York streets and that meant getting all the necessary permissions. It made for a terrible weekend and a terrible week for a lot of the crew because I was demanding it from them. But it was right. By the end of the latter part of that first week, Jane did a scene where she auditions to be an actress, and I could feel her confidence really coming back again. As a director you always have to be ready and do a lot of planning and then you have to be prepared for everything changing at the last second." ('The Directors Take two', Robert J. Emery) P.S: Remembering Alan J. Pakula on his 98th birthday!

DepressedBergman

56,224 görüntüleme • 3 ay önce

Louis talking about the Donny shirt he designed but gave his grandad the credit😭 That’s a good kit! Louis: This is Yeah. Well, I’m glad you said that cuz this is this is the one I designed actually back in the day. It’s very…If this…This is either that one or the remake. It was funny ‘cause we did it we did a…this is not really the kind of thing I should have made, but we did a competition. It was like a competition and I really really wanted to put a kit forward for it. It was just like a fan competition. And I will say I saw some of the designs. I was pretty happy with my design, but in the end, I didn’t want people to realize that I’d done it. It felt like special treatment, so, I just gave the credit to me granddad and he actually went on local news claiming that he’s designed the thing and that was that (He wanted it to be fair😭)That was this kit. I’m near certain of it. Unless we did a remake that was kind of similar. Yeah. I mean, but for like sentimental reasons, let’s just pop it here (Louis saying that he wants to buy that kit even though he might own it purely for sentimental reasons😭My baby🥰🩵) #ClassicFootballShirts
0:56

Louis talking about the Donny shirt he designed but gave his grandad the credit😭 That’s a good kit! Louis: This is Yeah. Well, I’m glad you said that cuz this is this is the one I designed actually back in the day. It’s very…If this…This is either that one or the remake. It was funny ‘cause we did it we did a…this is not really the kind of thing I should have made, but we did a competition. It was like a competition and I really really wanted to put a kit forward for it. It was just like a fan competition. And I will say I saw some of the designs. I was pretty happy with my design, but in the end, I didn’t want people to realize that I’d done it. It felt like special treatment, so, I just gave the credit to me granddad and he actually went on local news claiming that he’s designed the thing and that was that (He wanted it to be fair😭)That was this kit. I’m near certain of it. Unless we did a remake that was kind of similar. Yeah. I mean, but for like sentimental reasons, let’s just pop it here (Louis saying that he wants to buy that kit even though he might own it purely for sentimental reasons😭My baby🥰🩵) #ClassicFootballShirts

Bris ◟̽◞̽²⁸❯❯❯❯²⁵ Liam💔🕊️

15,125 görüntüleme • 25 gün önce

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)
1:09

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

36,100 görüntüleme • 7 ay önce

mingyu talking about their tiny desk concert video 🖤 🐶 i wasn't able to sleep until 5am earlier, i wanted to post the tiny desk video on my ig right away and i feel proud [of what we did] and i was really nervous as well. we were in washington dc for around 5 days and we rehearsed for that to prepare and then filmed, and it wasn't really easy. we really had nothing - there was no audio coming out from the mic and it was just my raw voice. we didn't have any in-ears, we weren't singing over a backing track either but with a live band so i was pretty nervous. so i was contemplating if i should do it or not but i kind of just went for it at the end. it was a good experience and i just went for it thinking, "when will we ever get to do this?" seeing us, seventeen, on npr is so fascinating in itself and i felt very proud of what we achieved that's why i liked it.
0:54

mingyu talking about their tiny desk concert video 🖤 🐶 i wasn't able to sleep until 5am earlier, i wanted to post the tiny desk video on my ig right away and i feel proud [of what we did] and i was really nervous as well. we were in washington dc for around 5 days and we rehearsed for that to prepare and then filmed, and it wasn't really easy. we really had nothing - there was no audio coming out from the mic and it was just my raw voice. we didn't have any in-ears, we weren't singing over a backing track either but with a live band so i was pretty nervous. so i was contemplating if i should do it or not but i kind of just went for it at the end. it was a good experience and i just went for it thinking, "when will we ever get to do this?" seeing us, seventeen, on npr is so fascinating in itself and i felt very proud of what we achieved that's why i liked it.

🐶

143,748 görüntüleme • 7 ay önce

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010
6:40

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

Gangster Cinema Central

84,825 görüntüleme • 21 gün önce

Ngl People hyped this movie up like it was the greatest thing ever, but if we had no expectations I feel like this would be one of the most appreciated movies in the MCU. Such a creative sequence and I won't lie i saw this in theaters and it was a good movie, not like the first one tho
2:30

Ngl People hyped this movie up like it was the greatest thing ever, but if we had no expectations I feel like this would be one of the most appreciated movies in the MCU. Such a creative sequence and I won't lie i saw this in theaters and it was a good movie, not like the first one tho

Unique Movie Moments 🐬

16,062 görüntüleme • 21 gün önce

Arteta: “Throughout this journey, we have made some massive steps, and we have accomplished a lot of things that, in my opinion, have a lot of value, but at the end of the day, we are here to win major trophies. “That was the ultimate goal, and we were very close. And in three occasions, we fell short at the end, and that was very painful. But I think that's what has driven all of us to find new ways to show what we are made of. That's what I said, the manner that we've done it, it makes it even better.”
0:35

Arteta: “Throughout this journey, we have made some massive steps, and we have accomplished a lot of things that, in my opinion, have a lot of value, but at the end of the day, we are here to win major trophies. “That was the ultimate goal, and we were very close. And in three occasions, we fell short at the end, and that was very painful. But I think that's what has driven all of us to find new ways to show what we are made of. That's what I said, the manner that we've done it, it makes it even better.”

Connor Humm

14,155 görüntüleme • 1 ay önce

BACK STORY: A teacher friend told me this story about teaching kids words with different suffix examples and when he asked his students for words ending in “an”, a grade one student said “lesbian”. No big deal but the writers and I thought it would be funny to run with that a bit. So we wrote the cold open as you see in the photos of the script. On the day of filming, two of the writers, Shebli Zarghami and @Jessie_Gabe came to me and suggested we add “words that end in “on”-prostitution”. So I ran with that and the kids and I improvised what you see in the scene. At that point, we were done with the scene and very happy about it. In my opinion, what Jessie and Sheb suggested next is what made the scene go viral BUT, we were too late because they thought of it AFTER, we had already shot (videoed) the kids. I spoke with Keith our director and suggested it was worth grabbing a wild line (no camera) of adding one more word suffix and joke that Jessie and Sheb thought of: “Words that end in “re”- crack whore”. It would be take too much time to turn all the cameras around to shoot Faith saying two works (crack whore) but I thought the line was so funny, that it was worth grabbing it. So we did and the that’s why you don’t see Faith saying the line but for me, it took the scene to another level. On this show, we always added lines on the day from anyone who had them, especially the writers. We wrote great scripts but sometimes we found these little moments on the day of filming that added to the scene. We never stopped looking for the funny and in this case the instincts (and comedy) of Jessie and Sheb took this scene to another level!! #MrD
1:38

BACK STORY: A teacher friend told me this story about teaching kids words with different suffix examples and when he asked his students for words ending in “an”, a grade one student said “lesbian”. No big deal but the writers and I thought it would be funny to run with that a bit. So we wrote the cold open as you see in the photos of the script. On the day of filming, two of the writers, Shebli Zarghami and @Jessie_Gabe came to me and suggested we add “words that end in “on”-prostitution”. So I ran with that and the kids and I improvised what you see in the scene. At that point, we were done with the scene and very happy about it. In my opinion, what Jessie and Sheb suggested next is what made the scene go viral BUT, we were too late because they thought of it AFTER, we had already shot (videoed) the kids. I spoke with Keith our director and suggested it was worth grabbing a wild line (no camera) of adding one more word suffix and joke that Jessie and Sheb thought of: “Words that end in “re”- crack whore”. It would be take too much time to turn all the cameras around to shoot Faith saying two works (crack whore) but I thought the line was so funny, that it was worth grabbing it. So we did and the that’s why you don’t see Faith saying the line but for me, it took the scene to another level. On this show, we always added lines on the day from anyone who had them, especially the writers. We wrote great scripts but sometimes we found these little moments on the day of filming that added to the scene. We never stopped looking for the funny and in this case the instincts (and comedy) of Jessie and Sheb took this scene to another level!! #MrD

Gerry Dee

66,231 görüntüleme • 1 yıl önce

gunwook talking about his new stuffed toy that replaced odoongie but a different stuffed toy arrived 😭 🧸 no remember i told you i bought a shaun the sheep plushie instead of that odoongie one? you know that black sheep right? so i bought that shaun one but the package wasnt coming 🧸 so i was like “whats going on? why isnt it arriving?” and when i checked, i realized i had ordered it to my old house. so i thought i should go get it and brought it over 🧸 then i opened it up, i was actually a bit excited because shaun is just so cute so i unwrapped it but then suddenly this guy showed up. we locked eyes and we were both in a state of like “who are you?” 🧸 but looking at him... he actually looks kind of cute more than i thought. so i was like what should i do? 🧸 and went back onto kream app, did i order the wrong thing? because it could have been listed under shaun but with an option to select this one right 🧸 but kream didnt have anything like that. it was just a single item... but instead of shaun, this guy came. anyway as i kept looking at him, i thought he was kind of cute so i put him on my bed
1:40

gunwook talking about his new stuffed toy that replaced odoongie but a different stuffed toy arrived 😭 🧸 no remember i told you i bought a shaun the sheep plushie instead of that odoongie one? you know that black sheep right? so i bought that shaun one but the package wasnt coming 🧸 so i was like “whats going on? why isnt it arriving?” and when i checked, i realized i had ordered it to my old house. so i thought i should go get it and brought it over 🧸 then i opened it up, i was actually a bit excited because shaun is just so cute so i unwrapped it but then suddenly this guy showed up. we locked eyes and we were both in a state of like “who are you?” 🧸 but looking at him... he actually looks kind of cute more than i thought. so i was like what should i do? 🧸 and went back onto kream app, did i order the wrong thing? because it could have been listed under shaun but with an option to select this one right 🧸 but kream didnt have anything like that. it was just a single item... but instead of shaun, this guy came. anyway as i kept looking at him, i thought he was kind of cute so i put him on my bed

꾸 🍎

24,483 görüntüleme • 20 gün önce

Charlie Sheen says Nicolas Cage almost got them arrested while he was carrying 2 ounces of cocaine on a flight “They still had that curtain separating first class, so we'd pull the curtain back with the mic and say something really goofy and get a couple laughs” “Then the mic winds up in Cage's grip. He saw the tone that we had set, but chose to take it where he did. He impersonated the captain, that he's not feeling well and he's losing control of the airplane” “It was right out of the movies. You hear people start screaming. Like there's always that high pitched female scream in the movies, that happened” “We were in a panic and he didn't know the amount of cocaine I had on me. 2 ounces in a fat ziploc. Taped to the inside of my inner thigh” “The steward walks right up to him and points him right in the face and says, ‘Not cool mister. Not cool.’ And that was about 10 minutes before landing, so we kind of knew we might have company. But I still had a measure of goodwill with the passengers because nobody knew at that point I was a drug mule” “We are detained. Could get a lot worse. But it was that thing again where a couple guys were Cage fans, a couple guys were Sheen fans, and we could feel it start to turn in our favor, and that's when the first wave of relief hit. This is not going to be a life changing evening”
2:10

Charlie Sheen says Nicolas Cage almost got them arrested while he was carrying 2 ounces of cocaine on a flight “They still had that curtain separating first class, so we'd pull the curtain back with the mic and say something really goofy and get a couple laughs” “Then the mic winds up in Cage's grip. He saw the tone that we had set, but chose to take it where he did. He impersonated the captain, that he's not feeling well and he's losing control of the airplane” “It was right out of the movies. You hear people start screaming. Like there's always that high pitched female scream in the movies, that happened” “We were in a panic and he didn't know the amount of cocaine I had on me. 2 ounces in a fat ziploc. Taped to the inside of my inner thigh” “The steward walks right up to him and points him right in the face and says, ‘Not cool mister. Not cool.’ And that was about 10 minutes before landing, so we kind of knew we might have company. But I still had a measure of goodwill with the passengers because nobody knew at that point I was a drug mule” “We are detained. Could get a lot worse. But it was that thing again where a couple guys were Cage fans, a couple guys were Sheen fans, and we could feel it start to turn in our favor, and that's when the first wave of relief hit. This is not going to be a life changing evening”

dank

836,491 görüntüleme • 27 gün önce

Kyle Shanahan recalls how he felt when Brock Purdy entered the game for an injured Jimmy Garoppolo against the Dolphins on December 4th 2022: “I just remember how good he was. The game that he came into, the duress that he was under, the style of defense they were playing at the time. The amount of blitzes that we had seen was probably the most we had seen in the six years I’d been here. At the time, he was our third quarterback to come in that year, so it wasn’t looking very good. But he didn’t hesitate, and right away, he was making plays. It was an awesome game; we were so pumped about it, but everyone was down a little bit after the game because we knew we had a good team and it was so unfortunate to lose Jimmy, which we knew would be for the year at the time. I’ll always remember going to bed that night and I was so upset about losing Jimmy. And I finally relaxed and started thinking, 'Holy cow, this guy played unbelievable, we might be all right'.” via: 49ers on NBCS
1:34

Kyle Shanahan recalls how he felt when Brock Purdy entered the game for an injured Jimmy Garoppolo against the Dolphins on December 4th 2022: “I just remember how good he was. The game that he came into, the duress that he was under, the style of defense they were playing at the time. The amount of blitzes that we had seen was probably the most we had seen in the six years I’d been here. At the time, he was our third quarterback to come in that year, so it wasn’t looking very good. But he didn’t hesitate, and right away, he was making plays. It was an awesome game; we were so pumped about it, but everyone was down a little bit after the game because we knew we had a good team and it was so unfortunate to lose Jimmy, which we knew would be for the year at the time. I’ll always remember going to bed that night and I was so upset about losing Jimmy. And I finally relaxed and started thinking, 'Holy cow, this guy played unbelievable, we might be all right'.” via: 49ers on NBCS

Coach Yac 🗣

141,332 görüntüleme • 1 yıl önce

Fleetwood Mac's Stevie Nicks and Lindsey Buckingham perform "Landslide" live on stage. Here's Stevie Nicks telling the story of this awesome song: ''It was written in 1973 at a point where Lindsey and I had driven to Aspen for him to rehearse for two weeks with Don Everly. Lindsey was going to take Phil’s place. So they rehearsed and left, and I made a choice to stay in Aspen. I figured I’d stay there and one of my girlfriends was there. We stayed there for almost three months while Lindsey was on the road, and this is right after the Buckingham Nicks record had been dropped. And it was horrifying to Lindsey and I because we had a taste of the big time, we recorded in a big studio, we met famous people, we made what we consider to be a brilliant record and nobody liked it. I had been a waitress and a cleaning lady, and I didn’t mind any of this. I was perfectly delighted to work and support us so that Lindsey could produce and work and fix our songs and make our music. But I had gotten to a point where it was like, “I’m not happy. I am tired. But I don’t know if we can do any better than this. If nobody likes this, then what are we going to do?” So during that two months I made a decision to continue. “Landslide” was the decision. She sings “When you see my reflection in the snow-covered hills”—it’s the only time in my life that I’ve lived in the snow. But looking up at those Rocky Mountains and going, “Okay, we can do it. I’m sure we can do it.” In one of my journal entries, it says, “I took Lindsey and said, We’re going to the top!” And that’s what we did. Within a year, Mick Fleetwood called us, and we were in Fleetwood Mac making $800 a week a piece. Washing $100 bills through the laundry. It was hysterical. It was like we were rich overnight.''
4:37

Fleetwood Mac's Stevie Nicks and Lindsey Buckingham perform "Landslide" live on stage. Here's Stevie Nicks telling the story of this awesome song: ''It was written in 1973 at a point where Lindsey and I had driven to Aspen for him to rehearse for two weeks with Don Everly. Lindsey was going to take Phil’s place. So they rehearsed and left, and I made a choice to stay in Aspen. I figured I’d stay there and one of my girlfriends was there. We stayed there for almost three months while Lindsey was on the road, and this is right after the Buckingham Nicks record had been dropped. And it was horrifying to Lindsey and I because we had a taste of the big time, we recorded in a big studio, we met famous people, we made what we consider to be a brilliant record and nobody liked it. I had been a waitress and a cleaning lady, and I didn’t mind any of this. I was perfectly delighted to work and support us so that Lindsey could produce and work and fix our songs and make our music. But I had gotten to a point where it was like, “I’m not happy. I am tired. But I don’t know if we can do any better than this. If nobody likes this, then what are we going to do?” So during that two months I made a decision to continue. “Landslide” was the decision. She sings “When you see my reflection in the snow-covered hills”—it’s the only time in my life that I’ve lived in the snow. But looking up at those Rocky Mountains and going, “Okay, we can do it. I’m sure we can do it.” In one of my journal entries, it says, “I took Lindsey and said, We’re going to the top!” And that’s what we did. Within a year, Mick Fleetwood called us, and we were in Fleetwood Mac making $800 a week a piece. Washing $100 bills through the laundry. It was hysterical. It was like we were rich overnight.''

Rock'n Roll of All

74,416 görüntüleme • 8 ay önce

Brock Purdy was asked when was the moment he knew he could play in the NFL: “Once we got into week 13 against Miami and Jimmy went down. My first 3rd down pass was a little 5 yard out to Christian and I completed it on the sideline. In that moment I was like 'dude this is football. I’ve been doing this my whole life'… we went down and we scored. There was a 2 minute drill right before half, we were executing and I was throwing and going through my reads, and I was like 'I can do this', and sure enough, we went on a run my rookie year. It was those two drives right there, week 13, 2022.” 🎥: Richard Sherman
1:20

Brock Purdy was asked when was the moment he knew he could play in the NFL: “Once we got into week 13 against Miami and Jimmy went down. My first 3rd down pass was a little 5 yard out to Christian and I completed it on the sideline. In that moment I was like 'dude this is football. I’ve been doing this my whole life'… we went down and we scored. There was a 2 minute drill right before half, we were executing and I was throwing and going through my reads, and I was like 'I can do this', and sure enough, we went on a run my rookie year. It was those two drives right there, week 13, 2022.” 🎥: Richard Sherman

Coach Yac 🗣

135,742 görüntüleme • 11 ay önce

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.
3:24

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

DepressedBergman

55,467 görüntüleme • 1 ay önce

🚨| Sir Lewis Hamilton: "It was a really good session in general except for the last lap." "I've been so so happy with the work that my engineers have been doing, mechanics. I felt the best in the car this weekend and I really feel like this small tweak we made into qualifying was just right and we're making tweaks as we're going through this session just with wing and Q3 run one felt good and I did a really good prep laps and then when I started my lap my SM wasn't on and I was down already like a tenth and a half or two tenths into turn one so that and then I had turn seven because I was trying to floor it back so you know but it's nice I think we probably could have fought for third I think that was the case yesterday as well but it means like a perfect lap out of our car and um but the good thing is that we're kind of we are improving and I really hope that I can take this sort of performance home for the season." F1 2026 || Canada
0:59

🚨| Sir Lewis Hamilton: "It was a really good session in general except for the last lap." "I've been so so happy with the work that my engineers have been doing, mechanics. I felt the best in the car this weekend and I really feel like this small tweak we made into qualifying was just right and we're making tweaks as we're going through this session just with wing and Q3 run one felt good and I did a really good prep laps and then when I started my lap my SM wasn't on and I was down already like a tenth and a half or two tenths into turn one so that and then I had turn seven because I was trying to floor it back so you know but it's nice I think we probably could have fought for third I think that was the case yesterday as well but it means like a perfect lap out of our car and um but the good thing is that we're kind of we are improving and I really hope that I can take this sort of performance home for the season." F1 2026 || Canada

sim

66,663 görüntüleme • 1 ay önce

I remember taking a trip to Florida in my teens. We were sightseeing , new to the area. I was just enjoying the sun and the warm weather for once, I didn’t expect to see anything out of the ordinary. It finally hit me as we were enjoying a drink on the water, we see what looks like a floating log. Our friend who owned the boat said to keep our eyes open and don’t freak out, as long as we were in the boat we were fine. Just hearing that alone was almost panic inducing because he didn’t tell us what we were supposed to be careful of. When the “log drifted under the water, I finally understood what it was that we were looking at. Our friend had us piled in a boat on water infested with these gators. Being from up north, we didn’t see much of this. It made me believe I was in my own movie but I was going to be okay, I thought to myself if it was truly dangerous, our friend wouldn’t have brought us out there right? I stayed calm though, I never knew you could fish in areas that had gators, I assumed they would always go after your bait. All in all I would do it again, but I would never have taken anyone in the water and not tell them about the inhabitants, just in case they have a real phobia. Like I would never take my kids in there in case one panics and falls in. But looking back I’m thinking he may have been in the wrong for taking us there, would you take your friends in an area infested with these creatures not knowing? It’s a little messed up in my opinion but I’m over it.
0:23

I remember taking a trip to Florida in my teens. We were sightseeing , new to the area. I was just enjoying the sun and the warm weather for once, I didn’t expect to see anything out of the ordinary. It finally hit me as we were enjoying a drink on the water, we see what looks like a floating log. Our friend who owned the boat said to keep our eyes open and don’t freak out, as long as we were in the boat we were fine. Just hearing that alone was almost panic inducing because he didn’t tell us what we were supposed to be careful of. When the “log drifted under the water, I finally understood what it was that we were looking at. Our friend had us piled in a boat on water infested with these gators. Being from up north, we didn’t see much of this. It made me believe I was in my own movie but I was going to be okay, I thought to myself if it was truly dangerous, our friend wouldn’t have brought us out there right? I stayed calm though, I never knew you could fish in areas that had gators, I assumed they would always go after your bait. All in all I would do it again, but I would never have taken anyone in the water and not tell them about the inhabitants, just in case they have a real phobia. Like I would never take my kids in there in case one panics and falls in. But looking back I’m thinking he may have been in the wrong for taking us there, would you take your friends in an area infested with these creatures not knowing? It’s a little messed up in my opinion but I’m over it.

SonnyBoy🇺🇸

64,473 görüntüleme • 1 ay önce