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With Atlas, you can literally make films. And it also basically solves first-frame-last-frame transitions. Reconstruct a 3D scene from images, then position the camera exactly where you want it, and let Atlas fill in what the camera would see along that path. You’re in the director's chair, staging the... show more

David Pantera

6,156 subscribers

27,621 次观看 • 1 个月前 •via X (Twitter)

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31 条评论

David Pantera 的头像

David Pantera1 个月前

Request access to Atlas here:

Ekim Kaya 的头像

Ekim Kaya1 个月前

when do we get our hands on it? :)

David Pantera 的头像

David Pantera1 个月前

We're opening early access to Atlas to a select group of partners over the next few weeks. Please sign up for the waitlist and someone from our team will get in touch -

Ekim Kaya 的头像

Ekim Kaya1 个月前

I did. I already have a user base to which I can start selling pretty quickly :) No public info about pricing yet?

ClipStudio 的头像

ClipStudio1 个月前

the top down drop straight into the stone well in the cobblestone village is the bit i keep rewinding, and then it just keeps going into the ship bridge with the blue holo globe. no cut anywhere

Ai(n) Malcolm 的头像

Ai(n) Malcolm1 个月前

Bad time for drone pilots

Bobcat 的头像

Bobcat1 个月前

Would love to try it whenever you guys will have me. I'm currently making a historical film that spans the 20th century. (With Marble the problem was that I was so broke earlier this year, I couldn't afford any plugins to transfer splats to Unreal!)

David Pantera 的头像

David Pantera1 个月前

make sure to request access!

Matthew Johnson 的头像

Matthew Johnson1 个月前

Ooh! This is definitely one of the tools that I've been waiting for. Looking forward to seeing where it goes.

justin 的头像

justin1 个月前

this is super cool!

Peachy J 的头像

Peachy J1 个月前

That first to last frame transition fix is a big unlock.

Purvh 的头像

Purvh1 个月前

How well does Atlas preserve characters and scene details across longer camera paths?

Ian Danforth 的头像

Ian Danforth1 个月前

Is it reproducible? If I change the path slightly does it change a ton of the content it generates?

Steve d’Atelier | MrCakeFlex 的头像

Steve d’Atelier | MrCakeFlex1 个月前

Didn’t Franco Vazza publish a paper arguing we can’t live in a simulation because the compute required would exceed the energy available in the universe? I guess he never heard of computer graphics.

blackbox 的头像

blackbox1 个月前

staging a camera path through a reconstructed scene is a very different job than prompting a shot. one is direction, the other is gambling. the interesting question is how far the camera can drift before the geometry starts inventing things.

niebin 的头像

niebin1 个月前

你好左边这个是什么工具

Wagaba Allan 的头像

Wagaba Allan1 个月前

I was disappointed with Mabel I hope this is completely different

Jeff Young 的头像

Jeff Young1 个月前

The idea of reconstructing a 3D scene and then placing camera keyframes is proper director territory. I’d try staging a short multi-scene shot in Krea with similar camera paths to see how the transitions read.

TAL77SVAD 的头像

TAL77SVAD1 个月前

#MadeForLoosers

Jacob Brown 的头像

Jacob Brown1 个月前

have anyone attempted motion tracking with real green screen of a subject on this yet? Really interested in seeing how a consistent 1 minute take would look in here.

Konpaku 的头像

Konpaku1 个月前

How well does it handle complex camera moves like dolly zooms?

Cobra 𐤊 的头像

Cobra 𐤊1 个月前

Maybe I am more prone to motion sickness but I wouldn't last in the theatre with these shots. @grok is this a closed source model? Can the frame (camera) stay fixed in one position?

armandoki 的头像

armandoki1 个月前

Very cool, but you can’t make 99.9% of films without cutting so continuous takes like this aren’t particularly useful, although they’re visually impressive. I spent quite a bit of time making a filmmaking agent that used Marble, but got distracted with other work. Excited to see further development from your team!

AI Mastery Guide 的头像

AI Mastery Guide1 个月前

This is basically a camera in a scene

Si(super intelligence) 的头像

Si(super intelligence)1 个月前

👍

✋🏼 Sami Belhadj 📍 的头像

✋🏼 Sami Belhadj 📍1 个月前

We need a new awards category I think

Alexandra Dekimpe / AI Filmmaker 的头像

Alexandra Dekimpe / AI Filmmaker1 个月前

Amazing !

Rish Agarwal 的头像

Rish Agarwal1 个月前

Games, yes Films, probably not

FEEL-OS 的头像

FEEL-OS1 个月前

Sound would make it even more impressive.

Romain Simon 的头像

Romain Simon1 个月前

Would love to integrate this in it looks incredible ❤️

Romagn 的头像

Romagn1 个月前

Can you potentially generate an entire film starting from one frame?

相关视频

a few space scenes made with atlas. each one started from a single image. atlas generates the video as the camera moves, including the parts of the scene that weren’t in the original image. orange = input image in 3D space blue = camera moving through the scene

a few space scenes made with atlas. each one started from a single image. atlas generates the video as the camera moves, including the parts of the scene that weren’t in the original image. orange = input image in 3D space blue = camera moving through the scene

Ian Curtis

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Bring your stories to life with a 3D camera. Start with a single frame and turn it into a 3D scene you can move through, shot by shot. Control the camera. Set the pace. Shape the story.

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Moonvalley

18,809 次观看 • 1 年前

Camera control is no longer in the prompt Meet 3D Motion Control → Set the camera path in 3D → Your scene becomes the video reference the model follows → Same move, every take, exactly where you set it Available now in Magnific

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Magnific

611,138 次观看 • 2 个月前

Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

Invideo

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Jon Bernthal says his sex scene with Laurie Holden in The Walking Dead was so graphic that most of it was cut “We filmed a sex scene in a green Hyundai with Laurie Holden.” “What we did in that scene was so graphic.” “They ended up using only a wide shot of the car.” “I worked with the camera operator to make the scene feel as real and gritty as possible.” “You couldn’t actually see anything in the final scene, but I wanted it to feel authentic.”

Sensitive content

Jon Bernthal says his sex scene with Laurie Holden in The Walking Dead was so graphic that most of it was cut “We filmed a sex scene in a green Hyundai with Laurie Holden.” “What we did in that scene was so graphic.” “They ended up using only a wide shot of the car.” “I worked with the camera operator to make the scene feel as real and gritty as possible.” “You couldn’t actually see anything in the final scene, but I wanted it to feel authentic.”

Lin

722,613 次观看 • 2 个月前

Looking right in 2D doesn’t really mean the scene holds together in 3D. That's why we open-sourced BlenderWorld last week and wanted to give it a closer look here. It’s a benchmark with 223 tasks where agents use Blender to build editable 3D scenes from text, images or video references. We evaluate the actual projects through scene inspection and renders from multiple viewpoints. Can a visual agent turn a real-world brief into a complete, editable 3D scene? BlenderWorld is here to evaluate that You can grab the benchmark below (Links in the comment) and plug in your own 3D agent to see how it does

Looking right in 2D doesn’t really mean the scene holds together in 3D. That's why we open-sourced BlenderWorld last week and wanted to give it a closer look here. It’s a benchmark with 223 tasks where agents use Blender to build editable 3D scenes from text, images or video references. We evaluate the actual projects through scene inspection and renders from multiple viewpoints. Can a visual agent turn a real-world brief into a complete, editable 3D scene? BlenderWorld is here to evaluate that You can grab the benchmark below (Links in the comment) and plug in your own 3D agent to see how it does

Qwen Developers

58,218 次观看 • 4 天前

Built a prototype with Atlas API + 8th Wall. I started with a single image, walked around the point cloud in augmented reality, and used my phone to frame the shot. Atlas generates the video along my camera path, filling in what the initial image never showed. Result at 0:15

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Ian Curtis

12,230 次观看 • 10 天前

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neilson

58,017 次观看 • 1 个月前

Use the prompt below to take more control of your video generation and create smoother, more natural scene transitions. "Multi-shot: Every scene must begin with a medium close-up shot of the podcast setup and speaker in frame. End each scene with extreme close-up shot (tight face, eyes-centered). Maintain continuity in lighting, audio, and props."

Use the prompt below to take more control of your video generation and create smoother, more natural scene transitions. "Multi-shot: Every scene must begin with a medium close-up shot of the podcast setup and speaker in frame. End each scene with extreme close-up shot (tight face, eyes-centered). Maintain continuity in lighting, audio, and props."

Olatunde AI

14,610 次观看 • 1 个月前

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239,950 次观看 • 1 个月前

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114,608 次观看 • 12 天前