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With Atlas, you can literally make films. And it also basically solves first-frame-last-frame transitions. Reconstruct a 3D scene from images, then position the camera exactly where you want it, and let Atlas fill in what the camera would see along that path. You’re in the director's chair, staging the... show more

David Pantera

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Jon Bernthal says his sex scene with Laurie Holden in The Walking Dead was so graphic that most of it was cut “We filmed a sex scene in a green Hyundai with Laurie Holden.” “What we did in that scene was so graphic.” “They ended up using only a wide shot of the car.” “I worked with the camera operator to make the scene feel as real and gritty as possible.” “You couldn’t actually see anything in the final scene, but I wanted it to feel authentic.”

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Jon Bernthal says his sex scene with Laurie Holden in The Walking Dead was so graphic that most of it was cut “We filmed a sex scene in a green Hyundai with Laurie Holden.” “What we did in that scene was so graphic.” “They ended up using only a wide shot of the car.” “I worked with the camera operator to make the scene feel as real and gritty as possible.” “You couldn’t actually see anything in the final scene, but I wanted it to feel authentic.”

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Tom Holland reveals he watched Matt Damon and Anne Hathaway stay in character for entire afternoons during a highly emotional 9-minute scene filmed with 3-minute camera limits "I remember a scene between Matt Damon and Anne Hathaway. It's about a 9-minute scene, and the camera can only run for 3 minutes at a time because it runs out of film. They would run it, take it out the blimp, reload it, put it back in, and then the two actors would just carry on from where they left off." "This is the most emotional scene in the movie. It's so fantastic. To see both of them stay in character, stay in that emotion, never waver, and never come out of it. They would call cut, they would reload the camera, and Matt and Anne just stayed there in the moment for 3 minutes before the camera would roll again." "It was just a masterclass in patience, professionalism, and confidence in themselves. It was awesome."

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Kiss scene lecture from our Master of Kissing as we are waiting for his mukbang in #WhenThePhoneRings 👩‍❤️‍💋‍👨 - if actors are too into the scene when they kiss, it doesnt look so great in camera. Instead, treat the kiss scene just like action scene like its choreographed 🔥 - plan the angles ahead of time - plan the big pictures so they wont struggle and will be able to focus so it looks nicer - he personally likes to bring wine to the set, have a drink🍷 and talk💬 with the actress to set the mood Kiseu Jang-in Yoo Yeonseok, i’m looking forward to your move with soobin!

Kiss scene lecture from our Master of Kissing as we are waiting for his mukbang in #WhenThePhoneRings 👩‍❤️‍💋‍👨 - if actors are too into the scene when they kiss, it doesnt look so great in camera. Instead, treat the kiss scene just like action scene like its choreographed 🔥 - plan the angles ahead of time - plan the big pictures so they wont struggle and will be able to focus so it looks nicer - he personally likes to bring wine to the set, have a drink🍷 and talk💬 with the actress to set the mood Kiseu Jang-in Yoo Yeonseok, i’m looking forward to your move with soobin!

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In Carlito’s Way, when Benny Blanco confronts Carlito, De Palma doesn’t cut back and forth like most directors would in a normal dialogue scene. Instead, he keeps the camera at a distance and pans between the two actors, capturing the rising tension between them. And as the scene becomes more chaotic, so does the camera's movements, amplifying the intensity of their performances until the scene finally erupts. This is a perfect example of the type of stylish visual storytelling Brian De Palma is known for, something he learned from studying masters like Billy Wilder -as he’s stated before… “Great directors like William Wilder, when he's staging a scene - just gets the camera in one position and lets the actors act through the emotion of the scene. And you can see the transference of feelings between them... This idea of cutting to close-ups back and forth, I think, shatters the sort of emotion going between the actors - the whole idea of catching lightning in the bottle. Something happens uniquely between the actors as they're playing a scene with each other, and it changes from take to take to take to take.”

In Carlito’s Way, when Benny Blanco confronts Carlito, De Palma doesn’t cut back and forth like most directors would in a normal dialogue scene. Instead, he keeps the camera at a distance and pans between the two actors, capturing the rising tension between them. And as the scene becomes more chaotic, so does the camera's movements, amplifying the intensity of their performances until the scene finally erupts. This is a perfect example of the type of stylish visual storytelling Brian De Palma is known for, something he learned from studying masters like Billy Wilder -as he’s stated before… “Great directors like William Wilder, when he's staging a scene - just gets the camera in one position and lets the actors act through the emotion of the scene. And you can see the transference of feelings between them... This idea of cutting to close-ups back and forth, I think, shatters the sort of emotion going between the actors - the whole idea of catching lightning in the bottle. Something happens uniquely between the actors as they're playing a scene with each other, and it changes from take to take to take to take.”

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Here is a game that looks like it was made with 2D sprites on a tilemap But it’s actually a three.js scene Also, no external assets. It’s all code and a bit of shader magic The player can switch between the pixel view and the 3D scene Made with Opus 5

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51,091 görüntüleme • 17 gün önce

The biggest mistake people make with Seedance 2.0 is writing prompts at all. Sounds strange, but the model wasn't built for describing things in words - it was built for multimodal direction: up to 12 references at once, combining images, video, and audio. Each reference type controls a different layer: the image sets the style, the video defines the camera movement, the audio sets the rhythm of the scene. When you combine all three instead of typing "camera slowly pushes in, tense atmosphere" - the model understands it directly, with no interpretation and no guessing involved. Text is the weakest control tool available here. And most users are stuck using exactly that.

The biggest mistake people make with Seedance 2.0 is writing prompts at all. Sounds strange, but the model wasn't built for describing things in words - it was built for multimodal direction: up to 12 references at once, combining images, video, and audio. Each reference type controls a different layer: the image sets the style, the video defines the camera movement, the audio sets the rhythm of the scene. When you combine all three instead of typing "camera slowly pushes in, tense atmosphere" - the model understands it directly, with no interpretation and no guessing involved. Text is the weakest control tool available here. And most users are stuck using exactly that.

Zentrix⌚️

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#JANHAE #JanJingjing #EnemiesWithBenefits 💬: which scene do you like the most? 🦊: for me, in the past 3 episodes… let me think first. honestly, i like a lot of scenes. it was fun while filming! i like the scene where they buy stickers for each other. we filmed that scene during q1, and everyone was still… normally, for qs 1-2, they’re like the experimenting phase. oh we filmed it on q2, or q1? one of the first qs, i don’t remember if it’s 1 or 2. qs 1-2 is the period where you’ve officially started for real and are trying to see whether you need to add or adjust anything. it won’t be perfect yet. it’s more like we use it for experimentation 🦊: but that scene was filmed during q1 or 2. at first, everyone probably thought, “let’s try acting it out first! and if anything doesn’t feel right, we’ll adjust it later.” but it turned out that, when we finished filming that scene, everyone (clapped). because it was so cute!!! they said, “oh so cute! so good!” they weren’t worried anymore about us acting in scenes together, our chemistry, or us pairing up. so jing and i immediately high-fived! 🦊: because when we were filming, i already thought it was very cute. and it was the first scene, you know, where we acted together as a pair in cutesy vibes. because most of my scenes in q1… oh yeah this scene was probably q1, and it was mostly my scenes in the office with the nongs (i.e., sales team). i didn’t really get to act with jing too much. so that was probably our first scene together, or it was the scene where we interacted with each other the most at that time. and everyone said we did well so we’re (clapping) happy~ i liked it, that scene was cute!

#JANHAE #JanJingjing #EnemiesWithBenefits 💬: which scene do you like the most? 🦊: for me, in the past 3 episodes… let me think first. honestly, i like a lot of scenes. it was fun while filming! i like the scene where they buy stickers for each other. we filmed that scene during q1, and everyone was still… normally, for qs 1-2, they’re like the experimenting phase. oh we filmed it on q2, or q1? one of the first qs, i don’t remember if it’s 1 or 2. qs 1-2 is the period where you’ve officially started for real and are trying to see whether you need to add or adjust anything. it won’t be perfect yet. it’s more like we use it for experimentation 🦊: but that scene was filmed during q1 or 2. at first, everyone probably thought, “let’s try acting it out first! and if anything doesn’t feel right, we’ll adjust it later.” but it turned out that, when we finished filming that scene, everyone (clapped). because it was so cute!!! they said, “oh so cute! so good!” they weren’t worried anymore about us acting in scenes together, our chemistry, or us pairing up. so jing and i immediately high-fived! 🦊: because when we were filming, i already thought it was very cute. and it was the first scene, you know, where we acted together as a pair in cutesy vibes. because most of my scenes in q1… oh yeah this scene was probably q1, and it was mostly my scenes in the office with the nongs (i.e., sales team). i didn’t really get to act with jing too much. so that was probably our first scene together, or it was the scene where we interacted with each other the most at that time. and everyone said we did well so we’re (clapping) happy~ i liked it, that scene was cute!

²²

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