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Young children incorporate powerful learning within their play. 🧠 Take a moment to admire all of the literacy, mathematical, and restaurant knowledge this little waitress (just shy of two-years-old) puts on display as she takes her parents’ dinner orders. While her writing isn’t yet conventional, watch carefully and you’ll...

82,844 次观看 • 1 年前 •via X (Twitter)

10 条评论

NBCT for Public Schools🌟 的头像
NBCT for Public Schools🌟1 年前

Our hero obviously doesn't get a device stuck in front of her at the restaurant 😊😊 I'll bet she colors on the kids' menu and reads a book while waiting for her food instead❤️❤️

Dan Wuori 的头像
Dan Wuori1 年前

That’s a good bet.

Beanie 的头像
Beanie1 年前

Adorable! She’s clearly not staring at a screen when she goes out to eat with her parents. She’s been very observant about her surroundings and does a lovely job of imitating what she’s seen. Well done, mom & dad!

Dan Wuori 的头像
Dan Wuori1 年前

No doubt she’s learned a ton about the interactions between wait staff and customers. So cool to see that translated in her play!

Prepper X 的头像
Prepper X1 年前

lol she looks like a little waitress here. Even her facial expressions match.

Dan Wuori 的头像
Dan Wuori1 年前

I loved this too. She’s all business.

bernita corder 的头像
bernita corder1 年前

I wonder if she ever came back😂

Dan Wuori 的头像
Dan Wuori1 年前

With toddlers you never know! But she seems very focused. Guessing she did.

MonieLuv 的头像
MonieLuv1 年前

I hope they tip.

Dan Wuori 的头像
Dan Wuori1 年前

Yes chef!

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I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 次观看 • 5 个月前

Michael Mann on the pivotal scene in Heat when Ashley Judd’s character Charlene chooses to warn Chris instead of giving him up to the police - despite knowing what it’s going to cost her: “In this scene, I confess I’m stunned with how wonderful Ashley Judd is; the expressions on her face as she processes all her options and what she has to do - and then she waves them off. She’s established early in the film as a practical, emotionally mature adult trying to put together a small family. And those are her values. They are family values. She knows that she ought to cooperate with the police and she ought to let Chris (Val Kilmer) fall. That would protect her child, and no instinct is more profound or powerful than the maternal instinct she has right there. And she’s set up for us to expect that she will do exactly that- even though the anguish would be intense, she would give up Chris to protect the family unit that remains. But when she goes to do that on the porch, she sees him and can’t help herself. She’s in love with the guy. You can see her face processing those choices, the endearment she feels for him, and then she does the irrational act and waves them off. In that moment, we see a look on Ashley’s face, we see a sense of what her future is going to be — which is going to be grim. And it’s there again when she closes her eyes as Drucker tells Vincent that the man was not Chris. But of course - it was. And then this is the final moment of Ashley Judd/Charlene Shiherlis in the film: an awareness of the separation from her man, an awareness of what her future holds for her. And with Chris, there’s a parallel moment of realization.” From the director’s commentary track off the Heat Blu-ray

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