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εїз HARUTO 20TH BIRTHDAY PROJECT 𝐏𝐚𝐫𝐭𝟓 εїз 💌 GS25 convenient store wall billboard, located right across the street from YG building 🥳It was released yesterday. ⏰Release time：～2024.4.7 #HARUTO #하루토 #ハルト

CHINA HARUTO BAR

19,047 subscribers

17,672 Aufrufe • vor 2 Jahren •via X (Twitter)

#HARUTO #하루토 #ハルト

Anya Rossi• Live Now

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Profilbild von CHINA HARUTO BAR

CHINA HARUTO BARvor 2 Jahren

루토야 생일 축하해! 중국 팬들은 항상 응원하고 있을게요! 5월에 홍콩에서 만나요! 여기서도 사진많이많이찍고 가주시길바랍니다~📸💕 #HARUTO #하루토 #ハルト @treasuremembers

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LEO and HARUTO from TREASURE recording the IF I + OMG challenge omg! 🦁: I've been preparing since yesterday. 🦁: I prepared in advance, 🦁: and maybe because the choreography has a vibe I like 🦁: I was able to memorize it right away. 👍🏼 🦁: Hello 💭: Hello [TREASURE HARUTO SBN Gives Him Their Album] 🦁: Whoa 🦁: Since this is a digital single, we don't have a physical album 💭: it’s okay 🦁: Thank you so much! 💭: Thank you 🦁: Thanks for your hard work today 🦁: You keep showing up in my algorithm, so 1 kind of feel like I know you already. 💭: Really!? 🦁: Every time you react.. 💭: Oh, did you see that? 🦁: Yes 💭: Thank you! 🦁: I just finished filming a challenge with TREASURE HARUTO sumbaenim he gave me this album, he even wrote me a message on it like this. 🦁: HARUTO SBN always shows up in my feed algorithm, so I see his videos every day I'm really happy that I got to film this challenge with him. We had a lot of fun filming. Fighting! #LEO #HARUTO #TREASURE #ALD1

LEO and HARUTO from TREASURE recording the IF I + OMG challenge omg! 🦁: I've been preparing since yesterday. 🦁: I prepared in advance, 🦁: and maybe because the choreography has a vibe I like 🦁: I was able to memorize it right away. 👍🏼 🦁: Hello 💭: Hello [TREASURE HARUTO SBN Gives Him Their Album] 🦁: Whoa 🦁: Since this is a digital single, we don't have a physical album 💭: it’s okay 🦁: Thank you so much! 💭: Thank you 🦁: Thanks for your hard work today 🦁: You keep showing up in my algorithm, so 1 kind of feel like I know you already. 💭: Really!? 🦁: Every time you react.. 💭: Oh, did you see that? 🦁: Yes 💭: Thank you! 🦁: I just finished filming a challenge with TREASURE HARUTO sumbaenim he gave me this album, he even wrote me a message on it like this. 🦁: HARUTO SBN always shows up in my feed algorithm, so I see his videos every day I'm really happy that I got to film this challenge with him. We had a lot of fun filming. Fighting! #LEO #HARUTO #TREASURE #ALD1

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Massive lines spotted outside of Trader Joe's across the country after the grocery store released a new $2.99 tote bag. According to the Wall Street Journal, similar Trader Joe's bags have been listed online for $50,000 overseas in cities like London and Tokyo. One East Coast mother and daughter say they purchased 24 totes that will be shipped as gifts to their family in South Korea. In a recent statement, Trader Joe's announced it was filing a lawsuit to protect customers from knock-off totes. "We are aware that some knockoff totes are being sold online and have recently filed a lawsuit to protect our customers from being misled," Trader Joe’s said in a statement. Insane.

Massive lines spotted outside of Trader Joe's across the country after the grocery store released a new $2.99 tote bag. According to the Wall Street Journal, similar Trader Joe's bags have been listed online for $50,000 overseas in cities like London and Tokyo. One East Coast mother and daughter say they purchased 24 totes that will be shipped as gifts to their family in South Korea. In a recent statement, Trader Joe's announced it was filing a lawsuit to protect customers from knock-off totes. "We are aware that some knockoff totes are being sold online and have recently filed a lawsuit to protect our customers from being misled," Trader Joe’s said in a statement. Insane.

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🗣️: Getting back together as BIGBANG to release another song and promote, and coordinating our schedules—that wasn’t exactly easy, was it? 🐉: I never really thought about whether it was easy or not before. We were all with the same agency, but this time, since it’s our 20th anniversary, we’d been working out a rough plan among the members for the past year or two. But when it actually came time to do it, we were all with different agencies now, so we’d just be together in our group chat, saying, “Let’s do it this way,” and that was it - “I’ll talk to my agency, and you talk to yours,” We couldn’t decide right away, so we shared the plan with our companies. After that, we gathered feedback from our respective companies and discussed it again. It took longer to make a decision than before. 🌞: BIGBANG is still signed to YG, you know. There are just more steps we have to go through.

🗣️: Getting back together as BIGBANG to release another song and promote, and coordinating our schedules—that wasn’t exactly easy, was it? 🐉: I never really thought about whether it was easy or not before. We were all with the same agency, but this time, since it’s our 20th anniversary, we’d been working out a rough plan among the members for the past year or two. But when it actually came time to do it, we were all with different agencies now, so we’d just be together in our group chat, saying, “Let’s do it this way,” and that was it - “I’ll talk to my agency, and you talk to yours,” We couldn’t decide right away, so we shared the plan with our companies. After that, we gathered feedback from our respective companies and discussed it again. It took longer to make a decision than before. 🌞: BIGBANG is still signed to YG, you know. There are just more steps we have to go through.

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#WATCH | Delhi: Head Constable Balram, who was injured during the CJP protest yesterday, says, "I was on protest duty, crossing the road from Parliament Street near the Regal Building. A crowd was following me. Someone stabbed me from behind, causing a lot of bleeding. I was then taken to the hospital. It was around 8:40 pm. There were 5-6 of us. We were crossing the road. A boy from behind, a protester, stabbed me from behind. He must have been around 24-25 years old. He was a tall guy, wearing a black T-shirt, and he moved back into the crowd... Two or three of my companions were hit first, one later... No one could identify him at that time. The crowd was huge, they were moving... Whenever they see policemen walking by, they suddenly attack them right there and start beating them. Many other people, including our ACP, were injured here..."

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ANI

193,492 Aufrufe • vor 1 Monat

People think the Bolshevik Revolution was some organic workers’ uprising against the Tsar. But it was completely manufactured by elites and great powers playing against other elites. Trotsky was in New York with almost no income, yet he had a chauffeured limousine and sailed for Russia with $10,000 in gold. Wall Street financed him and Woodrow Wilson personally approved his passport. When the British caught him in Canada and pulled him off the ship, orders came from London to put him right back on so the revolution could happen. At the same time, while Germany was locked in total war with Britain, the Germans gave Lenin safe passage through their lines in a sealed train. You had two mortal enemies on the battlefield secretly cooperating to install the Bolsheviks. With only about 10,000 actual revolutionaries, they still needed Western money, passports, and protection to seize and hold power. The “people’s revolution” was an elite project from day one. History will show that so are today’s “elected” commies across America. You only need to follow the money.

People think the Bolshevik Revolution was some organic workers’ uprising against the Tsar. But it was completely manufactured by elites and great powers playing against other elites. Trotsky was in New York with almost no income, yet he had a chauffeured limousine and sailed for Russia with $10,000 in gold. Wall Street financed him and Woodrow Wilson personally approved his passport. When the British caught him in Canada and pulled him off the ship, orders came from London to put him right back on so the revolution could happen. At the same time, while Germany was locked in total war with Britain, the Germans gave Lenin safe passage through their lines in a sealed train. You had two mortal enemies on the battlefield secretly cooperating to install the Bolsheviks. With only about 10,000 actual revolutionaries, they still needed Western money, passports, and protection to seize and hold power. The “people’s revolution” was an elite project from day one. History will show that so are today’s “elected” commies across America. You only need to follow the money.

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FOR IMMEDIATE RELEASE San Francisco Fire Department - Media Release Incident: 1-Alarm Structure Fire - 300 Block of Raymond Street Date: July 31, 2026 - Time: 6:55 AM This morning at approximately 6:55 a.m., the San Francisco Fire Department responded to the 300 block of Raymond Street for a reported structure fire. Firefighters arrived on scene within minutes of dispatch and confirmed a working one-alarm fire on the second floor of a two-story, multi-unit residential dwelling. Crews initiated an aggressive interior fire attack and rescued one adult victim from the fire building. The victim was assessed by SFFD paramedics on scene, is expected to be OK, and did not require hospitalization. Multiple family pets were also located and are safe. Firefighters were able to extinguish the fire and place it under control at 07:34 AM, within one hour of arrival. 6 adults are displaced and are being aided by Red Cross Central California The cause of the fire is under investigation. No additional information is available at this time.

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[Pre-released Ep 12] Wooyeol and Yugyeong talked about how they handle conflicts in relationships, and both of them are the type to solve things right away #HeartSignal5 WY: didn't I look really sleepy yesterday? YG: You looked so exhausted. You were like this.. you looked so pitiful WY: Yeah, I was seriously so tired yesterday YG: Double eyelid.. WY: i kept opening my eyes like this and going ‘haha…’ like that YG: Yeah, that’s why I couldn’t even hear what you were saying. I was just so curious, what’s your way of handling conflicts? WY: me? My voice isn’t that loud. YG: Maybe you’re just speaking softly? WY: I don’t try to win. Back then, I used to try to win out of frustration though. YG: I see, you felt wronged. WY: But at some point I realized there’s nothing to gain from winning. If winning came with a medal of honor or something, then sure I’d try. But in reality, there’s nothing good that comes from winning. So I don’t try to win anymore. But I think you only realize that after going through it yourself. Back then, if I felt wronged, my voice would get louder and I’d try to win. Then at some point I’d suddenly think, ‘Wait… what am I even doing? Why am I…?’ ‘What’s the point of winning?’ Then I just let it go and say, ‘Okay, okay, it’s fine.’ YG: Really? I’m actually afraid of fighting, raising voices, and getting angry like that. WY: From what I can see, it looks like you also need a bit of time. YG: Like needing time to fix things? No. WY: No? You want to solve it right away? YG: Yeah, I can’t take time. Avoidant type? I’m honestly done for. I really can’t do that, I get too overwhelmed. WY: I also prefer resolving things immediately. Back then, I used to find avoidant people frustrating and couldn’t understand them. But now I try to understand them too. It’s just their own pace. I used to get really frustrated. You have to go with understanding, try to see things from the other person’s perspective. YG: really? WY: Of course. you think I’m lying? Try to see it from the other person’s perspective YG: Yeah.. If you understand, then everything works out. There’s nothing you can’t handle

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Kookie⁷🥢

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🐰 Thank you. Japan feels strange sometimes. It keeps making me cry. I have to sing later... 😂 Actually, it’s always the warm words from all of you—my dear Bingos—that touch me deeply. Hyperknife is a project we finished filming last year, and I had even completed The Wonderpools, the next project, before coming here. So in a way, the time I’m living in and the time you're seeing me don’t quite align. But it’s thanks to you, Bingos, that I’m able to keep my feet on the ground. Even if something is already in the past for me, the fact that you continue to watch and support me makes it feel like I’m still here—right now. That truly moves me. To be honest, the filming process itself wasn’t too difficult—it was actually quite enjoyable. But as the release of the project approached, a lot happened, and it made me reflect deeply. Even when we’re all working on the same project, it’s impossible for everyone to feel exactly the same. Still, I always want to walk the right path. So I needed time to understand and convince myself—what Hyperknife wanted to show, what kind of person I hoped Seok would come across as to the audience. That process of aligning my thoughts sometimes made me feel a little lonely. But I kept going, believing that Bingos would always support me and continue to see me. It’s been about 8 or 9 months since we finished filming, and now, finally, you’re watching the result. Hearing you say, “You’ve worked so hard,” makes me feel like this journey has come to a meaningful close. I did my best in this project. And it was all thanks to you. Thank you so much. 🩷💚

🐰 Thank you. Japan feels strange sometimes. It keeps making me cry. I have to sing later... 😂 Actually, it’s always the warm words from all of you—my dear Bingos—that touch me deeply. Hyperknife is a project we finished filming last year, and I had even completed The Wonderpools, the next project, before coming here. So in a way, the time I’m living in and the time you're seeing me don’t quite align. But it’s thanks to you, Bingos, that I’m able to keep my feet on the ground. Even if something is already in the past for me, the fact that you continue to watch and support me makes it feel like I’m still here—right now. That truly moves me. To be honest, the filming process itself wasn’t too difficult—it was actually quite enjoyable. But as the release of the project approached, a lot happened, and it made me reflect deeply. Even when we’re all working on the same project, it’s impossible for everyone to feel exactly the same. Still, I always want to walk the right path. So I needed time to understand and convince myself—what Hyperknife wanted to show, what kind of person I hoped Seok would come across as to the audience. That process of aligning my thoughts sometimes made me feel a little lonely. But I kept going, believing that Bingos would always support me and continue to see me. It’s been about 8 or 9 months since we finished filming, and now, finally, you’re watching the result. Hearing you say, “You’ve worked so hard,” makes me feel like this journey has come to a meaningful close. I did my best in this project. And it was all thanks to you. Thank you so much. 🩷💚

박친놈

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January 30, 1969 – The Last Moment on the Roof: When The Beatles Played “Get Back” Like the World Didn’t Exist It was a freezing lunchtime on January 30, 1969. A bitter wind cut across the rooftop of 3 Savile Row in London. Four guys from Liverpool walked out, plugged in, and the first notes of “Get Back” spilled down into the street below. No big stage. No lights. No tickets. Just them, the January cold, and a very Beatles decision: screw the hesitation—let’s just do it. This wasn’t a normal concert. It was the last time The Beatles would ever play live in public. And none of them knew it at the time. They hadn’t performed live in almost three years. The Get Back project (which later became Let It Be) was stuck. They needed an ending for the film they were shooting. The original ideas were wilder: the Sahara Desert, an ancient amphitheater in Tunisia, the QE2 ocean liner, the Roundhouse… But time was running out. On January 26, someone (probably Paul) suggested the simplest option: “Let’s just go up on the roof.” Close. Easy. And no one had ever done it before. Right before they were supposed to start, everything almost fell apart. George was still reluctant. Ringo was complaining about the cold. The four of them stood in a small room under the stairs leading to the roof, tension thick in the air. Then John Lennon simply said, “Let’s do it.” And they walked out. The cold that day was brutal. John wore Yoko’s fur coat. Ringo put on his wife Maureen’s red raincoat. Between songs, someone kept lighting cigarettes and holding them out so George could warm his fingers. Sound engineer Alan Parsons had to run to a department store and buy women’s pantyhose to wrap around the microphones to block the wind. The salesclerk looked at him like he was either about to rob the place or try on the merchandise himself. The truck carrying the gear from EMI got pulled over by police who thought the equipment was for a burglary. It took a long explanation before they were allowed to continue. They played for exactly 42 minutes. Nine takes of five songs. “Get Back” got the most plays. During “Dig a Pony,” John forgot the lyrics and had an assistant kneel down holding up cue cards. When the police finally came up because of noise complaints from the neighboring businesses (especially the tailors and the bank across the street), Paul ad-libbed new lines into “Get Back” on the spot...

January 30, 1969 – The Last Moment on the Roof: When The Beatles Played “Get Back” Like the World Didn’t Exist It was a freezing lunchtime on January 30, 1969. A bitter wind cut across the rooftop of 3 Savile Row in London. Four guys from Liverpool walked out, plugged in, and the first notes of “Get Back” spilled down into the street below. No big stage. No lights. No tickets. Just them, the January cold, and a very Beatles decision: screw the hesitation—let’s just do it. This wasn’t a normal concert. It was the last time The Beatles would ever play live in public. And none of them knew it at the time. They hadn’t performed live in almost three years. The Get Back project (which later became Let It Be) was stuck. They needed an ending for the film they were shooting. The original ideas were wilder: the Sahara Desert, an ancient amphitheater in Tunisia, the QE2 ocean liner, the Roundhouse… But time was running out. On January 26, someone (probably Paul) suggested the simplest option: “Let’s just go up on the roof.” Close. Easy. And no one had ever done it before. Right before they were supposed to start, everything almost fell apart. George was still reluctant. Ringo was complaining about the cold. The four of them stood in a small room under the stairs leading to the roof, tension thick in the air. Then John Lennon simply said, “Let’s do it.” And they walked out. The cold that day was brutal. John wore Yoko’s fur coat. Ringo put on his wife Maureen’s red raincoat. Between songs, someone kept lighting cigarettes and holding them out so George could warm his fingers. Sound engineer Alan Parsons had to run to a department store and buy women’s pantyhose to wrap around the microphones to block the wind. The salesclerk looked at him like he was either about to rob the place or try on the merchandise himself. The truck carrying the gear from EMI got pulled over by police who thought the equipment was for a burglary. It took a long explanation before they were allowed to continue. They played for exactly 42 minutes. Nine takes of five songs. “Get Back” got the most plays. During “Dig a Pony,” John forgot the lyrics and had an assistant kneel down holding up cue cards. When the police finally came up because of noise complaints from the neighboring businesses (especially the tailors and the bank across the street), Paul ad-libbed new lines into “Get Back” on the spot...

Music over time🎻

42,085 Aufrufe • vor 22 Tagen

🚨VANISHED OVERNIGHT: Tyler Robinson’s Dairy Queen Suddenly Gutted & Emptied — Closed, Cleaned, and Covered Up? Suspicious Shutdown of Tyler Robinson’s Dairy Queen Raises Alarms. What Are They Hiding? George Webb - Investigative Journalist Wen't yesterday to the "Dairy Queen" tied to Tyler Robinson, and shocker it's CLOSED, completely gutted, and fenced off — emptied out FAST. Mops, buckets, a packed trailer in the lot, trash still on the curb. Too quick. Too clean. Too convenient. 👀 Questions EVERYONE should be asking right now: • Why was the store torn down within days of the shooting? • Who ordered the cleanup — owner, landlord, or someone else? • Why aren’t we seeing clear, time-stamped CCTV of Robinson’s movements from the cameras all along that route (stadium, parking lot, nearby businesses)? • Was the tile/flooring or any evidence altered before investigators could document it? This is not speculation — it’s a call for transparency. If there’s nothing to hide, release the footage, Let independent investigators verify the timeline. 📁🔍 FBI / UVU / Local PD — we want answers, not PR spin. If you have photos, videos, or receipts from around that Dairy Queen (Sept 10–13), send them to me — or better yet, to the investigators. Don’t let this disappear. 🚨 Share this. Demand CCTV. Demand the truth.

🚨VANISHED OVERNIGHT: Tyler Robinson’s Dairy Queen Suddenly Gutted & Emptied — Closed, Cleaned, and Covered Up? Suspicious Shutdown of Tyler Robinson’s Dairy Queen Raises Alarms. What Are They Hiding? George Webb - Investigative Journalist Wen't yesterday to the "Dairy Queen" tied to Tyler Robinson, and shocker it's CLOSED, completely gutted, and fenced off — emptied out FAST. Mops, buckets, a packed trailer in the lot, trash still on the curb. Too quick. Too clean. Too convenient. 👀 Questions EVERYONE should be asking right now: • Why was the store torn down within days of the shooting? • Who ordered the cleanup — owner, landlord, or someone else? • Why aren’t we seeing clear, time-stamped CCTV of Robinson’s movements from the cameras all along that route (stadium, parking lot, nearby businesses)? • Was the tile/flooring or any evidence altered before investigators could document it? This is not speculation — it’s a call for transparency. If there’s nothing to hide, release the footage, Let independent investigators verify the timeline. 📁🔍 FBI / UVU / Local PD — we want answers, not PR spin. If you have photos, videos, or receipts from around that Dairy Queen (Sept 10–13), send them to me — or better yet, to the investigators. Don’t let this disappear. 🚨 Share this. Demand CCTV. Demand the truth.

Project Constitution

1,358,352 Aufrufe • vor 11 Monaten

DANCING IN THE STREET UPGRADED 4K VIDEO WITH PREVIOUSLY UNSEEN FOOTAGE “Just as long as you are there...” The headline says it all, keep reading for the full press release and links. #BowieJaggerDITS DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET WATCH THE 12” REMIX UPGRADED 4K VIDEO FEATURING UNSEEN FOOTAGE HERE NOW 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” OUT NOW ON PARLOPHONE RECORDS 40 years ago this week, the David Bowie and Mick Jagger duet of the Motown classic, “Dancing In The Street” was released with all the proceeds benefiting famine relief. The track and video had been debuted six weeks earlier during Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for the relief of the famine in Ethiopia. The video, which, like the song, had been recorded and filmed in thirteen hours, only fourteen days earlier, was shown just before Bowie took to the stage at Wembley Stadium. The making of the video was documented at the time, but that footage has mainly remained unseen until today. The new 4K video for the Steve Thompson Mix remix of the track features behind-the-scenes footage from the late-night shoot at Spillers Millennium Mills in the East End of London. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100. To celebrate the 40th anniversary of ”Dancing In The Street,” a limited edition white vinyl 12" is available now, bringing together every one of the song's mixes for the first time. As with the original, 30% of the retail price from the sale of this single, representing royalties and proceeds, will be donated to the Band Aid Charitable Trust by David Bowie, Mick Jagger and Parlophone Records. Talking about the collaboration today, Mick Jagger comments ‘’We had such a laugh doing ‘Dancing in the Street’ with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET - 40th ANNIVERSARY LIMITED EDITION REMASTERED WHITE VINYL 12” - OUT NOW ON PARLOPHONE

DANCING IN THE STREET UPGRADED 4K VIDEO WITH PREVIOUSLY UNSEEN FOOTAGE “Just as long as you are there...” The headline says it all, keep reading for the full press release and links. #BowieJaggerDITS DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET WATCH THE 12” REMIX UPGRADED 4K VIDEO FEATURING UNSEEN FOOTAGE HERE NOW 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” OUT NOW ON PARLOPHONE RECORDS 40 years ago this week, the David Bowie and Mick Jagger duet of the Motown classic, “Dancing In The Street” was released with all the proceeds benefiting famine relief. The track and video had been debuted six weeks earlier during Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for the relief of the famine in Ethiopia. The video, which, like the song, had been recorded and filmed in thirteen hours, only fourteen days earlier, was shown just before Bowie took to the stage at Wembley Stadium. The making of the video was documented at the time, but that footage has mainly remained unseen until today. The new 4K video for the Steve Thompson Mix remix of the track features behind-the-scenes footage from the late-night shoot at Spillers Millennium Mills in the East End of London. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100. To celebrate the 40th anniversary of ”Dancing In The Street,” a limited edition white vinyl 12" is available now, bringing together every one of the song's mixes for the first time. As with the original, 30% of the retail price from the sale of this single, representing royalties and proceeds, will be donated to the Band Aid Charitable Trust by David Bowie, Mick Jagger and Parlophone Records. Talking about the collaboration today, Mick Jagger comments ‘’We had such a laugh doing ‘Dancing in the Street’ with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET - 40th ANNIVERSARY LIMITED EDITION REMASTERED WHITE VINYL 12” - OUT NOW ON PARLOPHONE

David Bowie Official

20,931 Aufrufe • vor 1 Jahr

𝗡𝗼𝘁 𝗲𝘃𝗲𝗻 𝗮𝗻 𝗙𝗞𝗡𝗞 𝗕𝗮𝗿𝗻 𝗢𝘄𝗹 𝗶𝘀 𝘀𝗽𝗮𝗿𝗲𝗱 𝗳𝗿𝗼𝗺 𝗶𝗹𝗹𝗲𝗴𝗮𝗹 𝗵𝘂𝗻𝘁𝗶𝗻𝗴! Not even birds released by the hunters themselves are being spared from illegal hunting this autumn hunting season! This Barn Owl (Barbaġann) that forms part of a reintroduction project managed by FKNK MALTA was illegally shot over the past few days, ending up in the grounds of a school. The injured bird – with an evident gunshot injury to its right wing – was found at St Dorothy’s School in Ħaż-Żebbuġ. The bird was found by a member of the public and handed over to BirdLife Malta on Monday 18th December. Following an examination by the Government of Malta 🇲🇹 vet, it was today confirmed that the bird was suffering from a gunshot wound, leading to a broken right wing. The bird has a ring on its left leg bearing the details “024-BORP”. The reading of the ring highlights the fact that it is from the FKNK’s project, with the letters BORP standing for “Barn Owl Reintroduction project”. This reintroduction project led by FKNK since 2018 is funded by the Government through the Wild Birds Regulation Unit (WBRU), and its objective is to re-establish the species that was exterminated by illegal hunting throughout the years. Various pairs of #BarnOwl used to breed in Malta and Gozo regularly until the eighties. The Barn Owls are bred and reared in captivity in a facility in Buskett, before then being released back into the wild where it is hoped that these beautiful birds will then breed once again across the Maltese Islands. Sadly for this particular bird, this opportunity was cut short due to illegal hunting which – as clearly llustrated by this incident – remains rampant and indiscriminatory, with hunters targeting anything that flies, especially during open hunting seasons such as the ongoing season that runs until the end of January 2024. BirdLife Malta CEO Mark Sultana (birdlife malta) stated: “This incident, which is just part of the tip of the iceberg of what happens with illegal hunting in Malta, reminds us how destructive hunting is and how backwards in time we have gone when even the efforts of the hunting lobby to greenwash hunters’ activities, gets stained red in blood literally by hunters themselves. This is a far cry from true conservation!”

𝗡𝗼𝘁 𝗲𝘃𝗲𝗻 𝗮𝗻 𝗙𝗞𝗡𝗞 𝗕𝗮𝗿𝗻 𝗢𝘄𝗹 𝗶𝘀 𝘀𝗽𝗮𝗿𝗲𝗱 𝗳𝗿𝗼𝗺 𝗶𝗹𝗹𝗲𝗴𝗮𝗹 𝗵𝘂𝗻𝘁𝗶𝗻𝗴! Not even birds released by the hunters themselves are being spared from illegal hunting this autumn hunting season! This Barn Owl (Barbaġann) that forms part of a reintroduction project managed by FKNK MALTA was illegally shot over the past few days, ending up in the grounds of a school. The injured bird – with an evident gunshot injury to its right wing – was found at St Dorothy’s School in Ħaż-Żebbuġ. The bird was found by a member of the public and handed over to BirdLife Malta on Monday 18th December. Following an examination by the Government of Malta 🇲🇹 vet, it was today confirmed that the bird was suffering from a gunshot wound, leading to a broken right wing. The bird has a ring on its left leg bearing the details “024-BORP”. The reading of the ring highlights the fact that it is from the FKNK’s project, with the letters BORP standing for “Barn Owl Reintroduction project”. This reintroduction project led by FKNK since 2018 is funded by the Government through the Wild Birds Regulation Unit (WBRU), and its objective is to re-establish the species that was exterminated by illegal hunting throughout the years. Various pairs of #BarnOwl used to breed in Malta and Gozo regularly until the eighties. The Barn Owls are bred and reared in captivity in a facility in Buskett, before then being released back into the wild where it is hoped that these beautiful birds will then breed once again across the Maltese Islands. Sadly for this particular bird, this opportunity was cut short due to illegal hunting which – as clearly llustrated by this incident – remains rampant and indiscriminatory, with hunters targeting anything that flies, especially during open hunting seasons such as the ongoing season that runs until the end of January 2024. BirdLife Malta CEO Mark Sultana (birdlife malta) stated: “This incident, which is just part of the tip of the iceberg of what happens with illegal hunting in Malta, reminds us how destructive hunting is and how backwards in time we have gone when even the efforts of the hunting lobby to greenwash hunters’ activities, gets stained red in blood literally by hunters themselves. This is a far cry from true conservation!”

BirdLife Malta

17,833 Aufrufe • vor 2 Jahren

Sharing a small personal project I’ve been slowly building over the past couple of years, mostly on weekends and in spare moments: Cosmic XR, a mixed reality experience that brings space and the universe into your own room. This project began from my deep love for space, and the desire to let people not just observe, but reach out and interact with planets, moons, and other celestial wonders — to touch, rotate, and scale them with their hands, as if they were right in front of them. For those familiar with HoloLens, many parts of this app are inspired by the open-source Galaxy Explorer project, which played a key role in building many parts of the experience. I’m grateful to build on that foundation. As a single-person project, there’s still much to improve — technically, visually, and content-wise. But I wanted to share it now, in hopes that it brings a sense of curiosity and wonder to anyone who tries it. If you're into space and immersive experiences, I’d love for you to give it a try — you can explore it without purchasing through the “Try Before You Buy” feature on Meta Quest Store: I hope this experience reminds us of how small we are — and how precious each moment is, a fleeting blink in the vast timeline of the universe. Disclaimer: Cosmic XR was designed and developed entirely in my personal time using personal resources as a passion project. It is not affiliated with or endorsed by my employer. #CosmicXR #MixedReality #AugmentedReality #VR #MetaQuest #Cosmos #Space #NASA #galaxy #milkyway #Quest3 #Quest3S #Quest2 #QuestPro #HandTracking #SpatialComputing #SpatialInteraction #SpaceApp #STEM #XRforEducation #PassionProject #Astrophysics #JWST #STEMLearning #EdTech #Astronomy #SpaceScience #JamesWebb #Hubble #SpaceExploration

Sharing a small personal project I’ve been slowly building over the past couple of years, mostly on weekends and in spare moments: Cosmic XR, a mixed reality experience that brings space and the universe into your own room. This project began from my deep love for space, and the desire to let people not just observe, but reach out and interact with planets, moons, and other celestial wonders — to touch, rotate, and scale them with their hands, as if they were right in front of them. For those familiar with HoloLens, many parts of this app are inspired by the open-source Galaxy Explorer project, which played a key role in building many parts of the experience. I’m grateful to build on that foundation. As a single-person project, there’s still much to improve — technically, visually, and content-wise. But I wanted to share it now, in hopes that it brings a sense of curiosity and wonder to anyone who tries it. If you're into space and immersive experiences, I’d love for you to give it a try — you can explore it without purchasing through the “Try Before You Buy” feature on Meta Quest Store: I hope this experience reminds us of how small we are — and how precious each moment is, a fleeting blink in the vast timeline of the universe. Disclaimer: Cosmic XR was designed and developed entirely in my personal time using personal resources as a passion project. It is not affiliated with or endorsed by my employer. #CosmicXR #MixedReality #AugmentedReality #VR #MetaQuest #Cosmos #Space #NASA #galaxy #milkyway #Quest3 #Quest3S #Quest2 #QuestPro #HandTracking #SpatialComputing #SpatialInteraction #SpaceApp #STEM #XRforEducation #PassionProject #Astrophysics #JWST #STEMLearning #EdTech #Astronomy #SpaceScience #JamesWebb #Hubble #SpaceExploration

Yoon Park (박동윤)

13,076 Aufrufe • vor 1 Jahr

DANCING IN THE STREET - 40th ANNIVERSARY WHITE VINYL 12” - JAGGER SPEAKS “When people stared in Jagger’s eyes and scored, Like the video films we saw...” The headline says it all but keep reading for the press release and a few words from Sir Michael Philip Jagger himself, along with a link to the upgraded 4k video. #BowieLiveAid #BowieJaggerDancing #BowieJaggerDITS + - + - + - + - + - + - + - + - + - + - + - + DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” AVAILABLE 29th AUGUST 2025 ON PARLOPHONE: (Link will update throughout the day) WATCH THE UPGRADED 4K VIDEO NOW: ‘’We had such a laugh doing Dancing in the Street with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Mick Jagger, June 2025 LONDON, 10TH JUNE 2025 - 40 years ago today, Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for relief of the famine in Ethiopia, was announced with a press conference on the pitch at Wembley Stadium. The show was held simultaneously on Saturday, 13th July 1985, at Wembley and John F. Kennedy Stadium in Philadelphia. One of the day's highlights was the surprise duet of the Motown classic, 'Dancing In The Street', between David Bowie and Mick Jagger. The video for the track, which, like the song, had only been recorded and filmed in thirteen hours, only fourteen days earlier, was shown at 7 pm in the UK (2 pm in Philadelphia), just before Bowie took to the stage at Wembley Stadium. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100 chart. To celebrate the 40th anniversary of the track, a limited edition white vinyl 12" will be released on 29th August, 2 days after its anniversary, bringing together all of the song's mixes for the first time. 30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199). The original plan for Live Aid was to perform the track together live, with Bowie at Wembley Stadium and Jagger at John F. Kennedy Stadium in Philadelphia. It soon became apparent that the satellite link-up between the two countries would mean a half-second delay, rendering the plan impossible. Instead, the pair convened at Westside Studios in London on 29th June, where Bowie was working with producers Clive Langer & Alan Winstanley. The duo went directly from the studio to Spillers Millennium Mills in the East End to shoot the video with director David Mallet, who had previously worked with Bowie on the groundbreaking Ashes To Ashes video. The video has been upgraded to high resolution to celebrate the anniversary using the original film negative. Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying, “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) + - + - + - + - + - + - + - + - + - + - + - +

DANCING IN THE STREET - 40th ANNIVERSARY WHITE VINYL 12” - JAGGER SPEAKS “When people stared in Jagger’s eyes and scored, Like the video films we saw...” The headline says it all but keep reading for the press release and a few words from Sir Michael Philip Jagger himself, along with a link to the upgraded 4k video. #BowieLiveAid #BowieJaggerDancing #BowieJaggerDITS + - + - + - + - + - + - + - + - + - + - + - + DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” AVAILABLE 29th AUGUST 2025 ON PARLOPHONE: (Link will update throughout the day) WATCH THE UPGRADED 4K VIDEO NOW: ‘’We had such a laugh doing Dancing in the Street with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Mick Jagger, June 2025 LONDON, 10TH JUNE 2025 - 40 years ago today, Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for relief of the famine in Ethiopia, was announced with a press conference on the pitch at Wembley Stadium. The show was held simultaneously on Saturday, 13th July 1985, at Wembley and John F. Kennedy Stadium in Philadelphia. One of the day's highlights was the surprise duet of the Motown classic, 'Dancing In The Street', between David Bowie and Mick Jagger. The video for the track, which, like the song, had only been recorded and filmed in thirteen hours, only fourteen days earlier, was shown at 7 pm in the UK (2 pm in Philadelphia), just before Bowie took to the stage at Wembley Stadium. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100 chart. To celebrate the 40th anniversary of the track, a limited edition white vinyl 12" will be released on 29th August, 2 days after its anniversary, bringing together all of the song's mixes for the first time. 30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199). The original plan for Live Aid was to perform the track together live, with Bowie at Wembley Stadium and Jagger at John F. Kennedy Stadium in Philadelphia. It soon became apparent that the satellite link-up between the two countries would mean a half-second delay, rendering the plan impossible. Instead, the pair convened at Westside Studios in London on 29th June, where Bowie was working with producers Clive Langer & Alan Winstanley. The duo went directly from the studio to Spillers Millennium Mills in the East End to shoot the video with director David Mallet, who had previously worked with Bowie on the groundbreaking Ashes To Ashes video. The video has been upgraded to high resolution to celebrate the anniversary using the original film negative. Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying, “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) + - + - + - + - + - + - + - + - + - + - + - +

David Bowie Official

50,698 Aufrufe • vor 1 Jahr