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رحلةٌ تنبض بالحياة في أعالي الأودية.. قارا عسير تشق طريقها نحو المنابع، في مشهد طبيعي يكشف انسجامها العميق مع موطنها، ويجسّد واحدة من أروع صور التكيف في بيئات المياه العذبة بالمملكة. #بحياتها_نحيا In the upper reaches of the valleys, a journey alive with movement is taking place. The Asir...

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المركز الوطني لتنمية الحياة الفطرية

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11,216 views • 2 months ago •via X (Twitter)

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نفخر بالإمارات وطناً يجمع أبناءه والمقيمين على أرضه تحت رايةٍ واحدة، في نموذجٍ راسخٍ للوحدة والتلاحم، يزداد قوةً في كل ظرف، وثباتاً في كل مرحلة. حفظ الله الإمارات، وطن الأمان والكرامة، وأدام عزّها ورفعتها، لتبقى رايتها خفّاقة، ومسيرتها ماضية بثقةٍ نحو مستقبلٍ أكثر إشراقاً. #وزارة_الموارد_البشرية_والتوطين #الإمارات #فخورين_بالإمارات We are proud of the UAE, a nation that brings together its citizens and residents under one flag, in a strong model of unity and cohesion that grows stronger in every circumstance and remains steadfast through every stage. May the UAE always remain a land of safety and dignity, with its flag held high and its journey moving forward with confidence toward a brighter future. #MOHRE #UAE #ProudOfUAE
1:54

نفخر بالإمارات وطناً يجمع أبناءه والمقيمين على أرضه تحت رايةٍ واحدة، في نموذجٍ راسخٍ للوحدة والتلاحم، يزداد قوةً في كل ظرف، وثباتاً في كل مرحلة. حفظ الله الإمارات، وطن الأمان والكرامة، وأدام عزّها ورفعتها، لتبقى رايتها خفّاقة، ومسيرتها ماضية بثقةٍ نحو مستقبلٍ أكثر إشراقاً. #وزارة_الموارد_البشرية_والتوطين #الإمارات #فخورين_بالإمارات We are proud of the UAE, a nation that brings together its citizens and residents under one flag, in a strong model of unity and cohesion that grows stronger in every circumstance and remains steadfast through every stage. May the UAE always remain a land of safety and dignity, with its flag held high and its journey moving forward with confidence toward a brighter future. #MOHRE #UAE #ProudOfUAE

وزارة الموارد البشرية والتوطين

13,968 views • 4 months ago

XRP has deep roots across Asia, and Flare is expanding the infrastructure that can take its utility much further. With one of the strongest XRP communities in the world, Asia is a natural place for Flare to keep building, connecting, and expanding.
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XRP has deep roots across Asia, and Flare is expanding the infrastructure that can take its utility much further. With one of the strongest XRP communities in the world, Asia is a natural place for Flare to keep building, connecting, and expanding.

Flare Devs

17,077 views • 2 months ago

WAR IS OVER! → Inspired by one of the most important songs of the twentieth century and the film that carried on its legacy, War Is Over! is a stirring reminder of the human connection that binds us all, even during the most divisive times. Share this remarkable story with the kids in your life today.
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WAR IS OVER! → Inspired by one of the most important songs of the twentieth century and the film that carried on its legacy, War Is Over! is a stirring reminder of the human connection that binds us all, even during the most divisive times. Share this remarkable story with the kids in your life today.

John Lennon

24,742 views • 9 months ago

Bengal is carving its place on the global stage. As part of our continued efforts to deepen ties with Britain, we convened an interactive session in London, exploring opportunities in automation, engineering, green manufacturing, renewable energy, and artificial intelligence. Bengal is surging ahead with a vision that is dynamic, inclusive, and future-ready. Come, witness the energy of our land, experience its boundless potential, and be a part of this remarkable journey.
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Bengal is carving its place on the global stage. As part of our continued efforts to deepen ties with Britain, we convened an interactive session in London, exploring opportunities in automation, engineering, green manufacturing, renewable energy, and artificial intelligence. Bengal is surging ahead with a vision that is dynamic, inclusive, and future-ready. Come, witness the energy of our land, experience its boundless potential, and be a part of this remarkable journey.

Mamata Banerjee

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من شنغهاي، تتواصل رحلة الفرص.. في اليوم الثاني من معرض النقل والخدمات اللوجستية في الصين 2026 #TransportLogisticChina2026، واصل الجناح السعودي تحت مظلة برنامج #ندلب ومبادرة #استثمر_في_السعودية استعراض ممكنات المملكة اللوجستية وفرصها الاستثمارية، وترسيخ حضورها كمركز يربط الأسواق وسلاسل الإمداد العالمية، دعمًا لمستهدفات #رؤية_السعودية_2030 From Shanghai, the journey of opportunity continues.. On the second day of #TransportLogisticChina2026, the Saudi Pavilion under #NIDLP and #InvestSaudi continued to showcase the Kingdom’s logistics capabilities and investment opportunities, reinforcing its position as a global logistics hub connecting markets and supply chains in line with the objectives of #SaudiVision2030
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من شنغهاي، تتواصل رحلة الفرص.. في اليوم الثاني من معرض النقل والخدمات اللوجستية في الصين 2026 #TransportLogisticChina2026، واصل الجناح السعودي تحت مظلة برنامج #ندلب ومبادرة #استثمر_في_السعودية استعراض ممكنات المملكة اللوجستية وفرصها الاستثمارية، وترسيخ حضورها كمركز يربط الأسواق وسلاسل الإمداد العالمية، دعمًا لمستهدفات #رؤية_السعودية_2030 From Shanghai, the journey of opportunity continues.. On the second day of #TransportLogisticChina2026, the Saudi Pavilion under #NIDLP and #InvestSaudi continued to showcase the Kingdom’s logistics capabilities and investment opportunities, reinforcing its position as a global logistics hub connecting markets and supply chains in line with the objectives of #SaudiVision2030

برنامج تطوير الصناعة الوطنية والخدمات اللوجستية

82,963 views • 2 months ago

In the shadow of the Bodhi tree.. Blessed to visit the sacred Mahabodhi Temple in Bodh Gaya, a UNESCO World Heritage Site and the place where Lord Buddha attained enlightenment. Since my younger days I had dreamt of coming here, and that dream has now found its meaning. Standing in this holy place fills me with a deep sense of fulfilment and strengthens my faith in the timeless values of compassion, harmony and inner peace. The calm and oneness of the bells and the awakening of the enlightenment tree have made it one of the most special days of my life. I’ll always cherish this sacred experience.
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In the shadow of the Bodhi tree.. Blessed to visit the sacred Mahabodhi Temple in Bodh Gaya, a UNESCO World Heritage Site and the place where Lord Buddha attained enlightenment. Since my younger days I had dreamt of coming here, and that dream has now found its meaning. Standing in this holy place fills me with a deep sense of fulfilment and strengthens my faith in the timeless values of compassion, harmony and inner peace. The calm and oneness of the bells and the awakening of the enlightenment tree have made it one of the most special days of my life. I’ll always cherish this sacred experience.

DK Shivakumar

31,481 views • 11 months ago

From the Ground to the Skies High-risk operations are now entrusted to humanoid robots, sparing humans the need to risk their lives working at heights of several hundred meters. For example, Robot++’s specialized semi-humanoid platform designed for high-altitude work. Indeed, it is not a fullyhumanoid robot. Its upper body is humanoid in form, allowing for the customized installation of various end effectors; its dual arms work in tandem,welding with one while grinding with the other. Its lower body consists of a wheeled chassis equipped with magnetic adhesion capabilities, enabling movement both vertically and horizontally. TBH,even when operated remotely--from the safety of the ground,former welders are transformed into professional operators, no longer required to place themselves in harm's way.
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From the Ground to the Skies High-risk operations are now entrusted to humanoid robots, sparing humans the need to risk their lives working at heights of several hundred meters. For example, Robot++’s specialized semi-humanoid platform designed for high-altitude work. Indeed, it is not a fullyhumanoid robot. Its upper body is humanoid in form, allowing for the customized installation of various end effectors; its dual arms work in tandem,welding with one while grinding with the other. Its lower body consists of a wheeled chassis equipped with magnetic adhesion capabilities, enabling movement both vertically and horizontally. TBH,even when operated remotely--from the safety of the ground,former welders are transformed into professional operators, no longer required to place themselves in harm's way.

CyberRobo

20,952 views • 3 months ago

Guarikh, The wild Tulip: national flower of Balochistan By: Mir Yar Baloch 22 April 2026 The flower shown in the image is most likely a wild tulip belonging to the genus Tulipa, and in the mountainous regions around Quetta especially the Chiltan range it is commonly identified as a native species such as Tulipa montana. In the Balochi language, this striking flower is known as “Guarikh,” a name that carries cultural warmth and local pride. Found abundantly in areas like Hazarganji-Chiltan National Park, this wild tulip thrives naturally in the rugged and rocky terrain of the Republic of Balochistan, where the climate is semi-arid, winters are cold, and spring brings just enough moisture for life to flourish. Guarikh is a small yet visually captivating flower, typically growing between 10 to 25 centimeters in height. Its bright red petals, sometimes tinged with orange, form a smooth cup-like shape that opens gracefully toward the sky. At the center, vibrant yellow stamens create a beautiful contrast, making the flower stand out vividly against the muted tones of the surrounding mountains and gravelly soil. Its leaves are narrow, green, and slightly curved, growing close to the ground, which helps the plant conserve moisture and withstand harsh environmental conditions. Despite its delicate appearance, the Guarikh is highly adapted to survive in one of the toughest natural landscapes. The blooming season of this wild tulip usually falls in early spring, particularly during March and April. This short yet magical period transforms the otherwise dry and barren hills of Chiltan into a colorful spectacle. Vast patches of red flowers appear almost suddenly, covering slopes and valleys like a natural carpet. This seasonal transformation not only enhances the visual beauty of the region but also signals renewal and life after the long winter months. Ecologically, the Guarikh plays a quiet but important role in maintaining balance within its environment. It provides nectar and pollen for insects such as bees, supporting pollination and sustaining local biodiversity. Its presence is often an indicator of a healthy ecosystem, as it grows best in undisturbed soils with natural seasonal cycles. In a region where vegetation is sparse, each plant contributes significantly to the ecological network. Beyond its environmental value, the Guarikh holds deep cultural significance for the people of Balochistan. It is often seen as a symbol of resilience and beauty emerging from hardship, reflecting the spirit of the land and its inhabitants. Growing from rocky, dry soil and blooming without human intervention, it represents purity, endurance, and the quiet strength of nature. For many locals, it is more than just a flower it is a seasonal blessing that brings joy and inspiration. Just as the Guarikh flower grows naturally without any human intervention or support and establishes its own beauty, in the same way the Balochistan freedom movement, like Guarikh, has been growing on its own for the past seven decades without any external assistance or backing. It has been developing, maturing, gaining strength, and has firmly rooted itself among the Baloch nation. Therefore, there is a clear resemblance between Guarikh and the Balochistan freedom movement. The people of Balochistan, since they live far from cities, gather and tie together Guarikh flowers and give them to one another as bouquets as an expression of love. Guarikh is also considered a symbol of love in Balochistan, where Baloch freedom fighters carry these flowers in their hands as a way of expressing their deep affection for their homeland and their everlasting, priceless love for the Balochistan. The presence of Guarikh greatly enhances the natural charm of Balochistan. During its blooming season, the Chiltan mountains and surrounding landscapes attract visitors, photographers, and nature enthusiasts who come to witness this rare and beautiful phenomenon. The vivid red blossoms against the earthy browns and greys of the mountains create a dramatic and unforgettable, giving Balochistan a unique floral identity that rivals famous flower regions around the world. However, despite its natural abundance, the Guarikh faces potential threats from overgrazing, climate change, and increasing human activity. Protecting its habitat, particularly within areas like Hazarganji Chiltan National Park, is essential to ensure that future generations can continue to witness this symbol of natural beauty. The Republic of Balochistan is taking tangible steps aware the people to take care of their nature. Conservation efforts and awareness can help preserve this delicate yet resilient flower. In conclusion, the Guarikh, a wild tulip of the Tulipa genus, stands as a remarkable emblem of Balochistan’s natural heritage. Its vibrant bloom in the harsh mountain terrain is not only a visual delight but also a powerful reminder of nature’s ability to create beauty under the most challenging conditions. #BalochistanIsNotPakistan Video credit: Baba E Kalan.
4:37

Guarikh, The wild Tulip: national flower of Balochistan By: Mir Yar Baloch 22 April 2026 The flower shown in the image is most likely a wild tulip belonging to the genus Tulipa, and in the mountainous regions around Quetta especially the Chiltan range it is commonly identified as a native species such as Tulipa montana. In the Balochi language, this striking flower is known as “Guarikh,” a name that carries cultural warmth and local pride. Found abundantly in areas like Hazarganji-Chiltan National Park, this wild tulip thrives naturally in the rugged and rocky terrain of the Republic of Balochistan, where the climate is semi-arid, winters are cold, and spring brings just enough moisture for life to flourish. Guarikh is a small yet visually captivating flower, typically growing between 10 to 25 centimeters in height. Its bright red petals, sometimes tinged with orange, form a smooth cup-like shape that opens gracefully toward the sky. At the center, vibrant yellow stamens create a beautiful contrast, making the flower stand out vividly against the muted tones of the surrounding mountains and gravelly soil. Its leaves are narrow, green, and slightly curved, growing close to the ground, which helps the plant conserve moisture and withstand harsh environmental conditions. Despite its delicate appearance, the Guarikh is highly adapted to survive in one of the toughest natural landscapes. The blooming season of this wild tulip usually falls in early spring, particularly during March and April. This short yet magical period transforms the otherwise dry and barren hills of Chiltan into a colorful spectacle. Vast patches of red flowers appear almost suddenly, covering slopes and valleys like a natural carpet. This seasonal transformation not only enhances the visual beauty of the region but also signals renewal and life after the long winter months. Ecologically, the Guarikh plays a quiet but important role in maintaining balance within its environment. It provides nectar and pollen for insects such as bees, supporting pollination and sustaining local biodiversity. Its presence is often an indicator of a healthy ecosystem, as it grows best in undisturbed soils with natural seasonal cycles. In a region where vegetation is sparse, each plant contributes significantly to the ecological network. Beyond its environmental value, the Guarikh holds deep cultural significance for the people of Balochistan. It is often seen as a symbol of resilience and beauty emerging from hardship, reflecting the spirit of the land and its inhabitants. Growing from rocky, dry soil and blooming without human intervention, it represents purity, endurance, and the quiet strength of nature. For many locals, it is more than just a flower it is a seasonal blessing that brings joy and inspiration. Just as the Guarikh flower grows naturally without any human intervention or support and establishes its own beauty, in the same way the Balochistan freedom movement, like Guarikh, has been growing on its own for the past seven decades without any external assistance or backing. It has been developing, maturing, gaining strength, and has firmly rooted itself among the Baloch nation. Therefore, there is a clear resemblance between Guarikh and the Balochistan freedom movement. The people of Balochistan, since they live far from cities, gather and tie together Guarikh flowers and give them to one another as bouquets as an expression of love. Guarikh is also considered a symbol of love in Balochistan, where Baloch freedom fighters carry these flowers in their hands as a way of expressing their deep affection for their homeland and their everlasting, priceless love for the Balochistan. The presence of Guarikh greatly enhances the natural charm of Balochistan. During its blooming season, the Chiltan mountains and surrounding landscapes attract visitors, photographers, and nature enthusiasts who come to witness this rare and beautiful phenomenon. The vivid red blossoms against the earthy browns and greys of the mountains create a dramatic and unforgettable, giving Balochistan a unique floral identity that rivals famous flower regions around the world. However, despite its natural abundance, the Guarikh faces potential threats from overgrazing, climate change, and increasing human activity. Protecting its habitat, particularly within areas like Hazarganji Chiltan National Park, is essential to ensure that future generations can continue to witness this symbol of natural beauty. The Republic of Balochistan is taking tangible steps aware the people to take care of their nature. Conservation efforts and awareness can help preserve this delicate yet resilient flower. In conclusion, the Guarikh, a wild tulip of the Tulipa genus, stands as a remarkable emblem of Balochistan’s natural heritage. Its vibrant bloom in the harsh mountain terrain is not only a visual delight but also a powerful reminder of nature’s ability to create beauty under the most challenging conditions. #BalochistanIsNotPakistan Video credit: Baba E Kalan.

Mir Yar Baloch

11,573 views • 4 months ago

Mozart – Bassoon Concerto in B-flat Major, K.191 When a Voice from the Background Finally Steps into the Spotlight In every play and every classical orchestra, there are performers whose role is to support everyone else. The bassoon—with its long body and warm, resonant tone—has traditionally been one of them. In most orchestras of Mozart's time, it was valued primarily for reinforcing the harmonic foundation and supporting the overall texture rather than drawing attention to itself. As a result, audiences became accustomed to hearing the bassoon as a voice from the background rather than a character standing at center stage. Yet in the Bassoon Concerto, K.191, Mozart does not try to turn the bassoon into a violin or a flute. Instead, he does something far more subtle: he gradually reveals the full expressive identity that has always existed within the instrument itself. The concerto's three movements feel like three different portraits of the same character. I. First Movement: Hidden Strength This becomes clear the moment the bassoon enters with its first solo. After the orchestra's opening, the bassoon does not begin with a gentle, lyrical melody. Instead, it speaks from its familiar low register before suddenly leaping upward across a wide interval, creating an immediate sense of energy and confidence. It is like someone who has quietly stood behind the scenes for years, suddenly stepping forward under their own strength. The bassoon never abandons its naturally warm, dark voice. Rather, Mozart transforms that very foundation into the source of its vitality and agility. For the first time, listeners begin to realize that beneath the instrument's seemingly weighty tone lies an unexpected freedom of movement. II. Second Movement: A Singing Voice If the first movement reveals strength, the second uncovers an entirely different side of the instrument. Mozart gently draws the orchestra into the background, thinning the texture and creating an open space in which the bassoon can truly sing. Freed from dense orchestral layers, its long melodic lines unfold with remarkable calmness, warmth, and emotional depth. A tone often associated with darkness and gravity suddenly becomes deeply human, almost like a quiet voice sharing its thoughts. The graceful phrases invite listeners to forget the bassoon's familiar orchestral role and instead hear an instrument capable of profound lyricism and sincerity. Mozart does not change the nature of the bassoon. He simply places it in the perfect setting for its beauty to reveal itself naturally. III. Third Movement: Wit and Grace In the final movement, Mozart reveals yet another side of the bassoon's personality. Against the lively rhythm of the rondo, the instrument dances through wide leaps, agile passages, and playful exchanges with the orchestra. Everything moves with lightness, wit, and effortless charm. The fascination lies not in virtuosity for its own sake, but in the way Mozart allows the bassoon to behave like a gifted stage performer—tossing ideas into the air, answering the orchestra, and smiling through its own musical phrases. An instrument long admired for its warm, mellow tone suddenly delights the listener with quickness, humor, and elegance. It is a side of the bassoon that can fully emerge only when it is given the opportunity to stand as a solo voice. Conclusion: An Instrument Allowed to Be Itself Seen as a whole, the concerto presents three portraits of the same instrument. The first movement reveals its strength and agility. The second reveals its ability to sing with deep emotion. The third celebrates its wit, elegance, and vibrant spirit. What makes this concerto remarkable is that Mozart never tries to transform the bassoon into something it is not. He neither disguises its naturally dark tone nor rejects its traditional place within the orchestra. Instead, he uncovers the expressive possibilities that have always existed within the instrument and brings them into the light. Perhaps that is why, more than two centuries later, the Bassoon Concerto in B-flat Major, K.191 continues to surprise listeners. Not because Mozart created a completely new instrument, but because he revealed that behind a voice long accustomed to supporting others lies a rich and distinctive personality waiting to be heard.
19:20

Mozart – Bassoon Concerto in B-flat Major, K.191 When a Voice from the Background Finally Steps into the Spotlight In every play and every classical orchestra, there are performers whose role is to support everyone else. The bassoon—with its long body and warm, resonant tone—has traditionally been one of them. In most orchestras of Mozart's time, it was valued primarily for reinforcing the harmonic foundation and supporting the overall texture rather than drawing attention to itself. As a result, audiences became accustomed to hearing the bassoon as a voice from the background rather than a character standing at center stage. Yet in the Bassoon Concerto, K.191, Mozart does not try to turn the bassoon into a violin or a flute. Instead, he does something far more subtle: he gradually reveals the full expressive identity that has always existed within the instrument itself. The concerto's three movements feel like three different portraits of the same character. I. First Movement: Hidden Strength This becomes clear the moment the bassoon enters with its first solo. After the orchestra's opening, the bassoon does not begin with a gentle, lyrical melody. Instead, it speaks from its familiar low register before suddenly leaping upward across a wide interval, creating an immediate sense of energy and confidence. It is like someone who has quietly stood behind the scenes for years, suddenly stepping forward under their own strength. The bassoon never abandons its naturally warm, dark voice. Rather, Mozart transforms that very foundation into the source of its vitality and agility. For the first time, listeners begin to realize that beneath the instrument's seemingly weighty tone lies an unexpected freedom of movement. II. Second Movement: A Singing Voice If the first movement reveals strength, the second uncovers an entirely different side of the instrument. Mozart gently draws the orchestra into the background, thinning the texture and creating an open space in which the bassoon can truly sing. Freed from dense orchestral layers, its long melodic lines unfold with remarkable calmness, warmth, and emotional depth. A tone often associated with darkness and gravity suddenly becomes deeply human, almost like a quiet voice sharing its thoughts. The graceful phrases invite listeners to forget the bassoon's familiar orchestral role and instead hear an instrument capable of profound lyricism and sincerity. Mozart does not change the nature of the bassoon. He simply places it in the perfect setting for its beauty to reveal itself naturally. III. Third Movement: Wit and Grace In the final movement, Mozart reveals yet another side of the bassoon's personality. Against the lively rhythm of the rondo, the instrument dances through wide leaps, agile passages, and playful exchanges with the orchestra. Everything moves with lightness, wit, and effortless charm. The fascination lies not in virtuosity for its own sake, but in the way Mozart allows the bassoon to behave like a gifted stage performer—tossing ideas into the air, answering the orchestra, and smiling through its own musical phrases. An instrument long admired for its warm, mellow tone suddenly delights the listener with quickness, humor, and elegance. It is a side of the bassoon that can fully emerge only when it is given the opportunity to stand as a solo voice. Conclusion: An Instrument Allowed to Be Itself Seen as a whole, the concerto presents three portraits of the same instrument. The first movement reveals its strength and agility. The second reveals its ability to sing with deep emotion. The third celebrates its wit, elegance, and vibrant spirit. What makes this concerto remarkable is that Mozart never tries to transform the bassoon into something it is not. He neither disguises its naturally dark tone nor rejects its traditional place within the orchestra. Instead, he uncovers the expressive possibilities that have always existed within the instrument and brings them into the light. Perhaps that is why, more than two centuries later, the Bassoon Concerto in B-flat Major, K.191 continues to surprise listeners. Not because Mozart created a completely new instrument, but because he revealed that behind a voice long accustomed to supporting others lies a rich and distinctive personality waiting to be heard.

🎼🌺Music Love♥️

15,023 views • 1 month ago

Rep. Harriet Hageman TORCHES Gavin Newsom’s California over its REFUSAL to build the water infrastructure it needs. Before coming to Congress, Hageman was a water and natural resources attorney. She knows exactly what she’s talking about. She pointed out that California is trying to serve tens of millions more people with essentially the same water infrastructure it had decades ago. HAGEMAN: “California has failed its people and it’s failed the interior west in terms of its refusal to actually develop water for its citizens.” “California has essentially the same water infrastructure in place today with 40 million people that they had in the 1960’s with 16 million people.” “One of the very things…that government ought to be doing is making sure that they are providing resources such as water for their citizens for industrial use, for commercial use, for irrigation and agriculture.” “And yet, California has FAILED at one of the most important duties that it has to meet the needs of its citizens.”
0:38

Rep. Harriet Hageman TORCHES Gavin Newsom’s California over its REFUSAL to build the water infrastructure it needs. Before coming to Congress, Hageman was a water and natural resources attorney. She knows exactly what she’s talking about. She pointed out that California is trying to serve tens of millions more people with essentially the same water infrastructure it had decades ago. HAGEMAN: “California has failed its people and it’s failed the interior west in terms of its refusal to actually develop water for its citizens.” “California has essentially the same water infrastructure in place today with 40 million people that they had in the 1960’s with 16 million people.” “One of the very things…that government ought to be doing is making sure that they are providing resources such as water for their citizens for industrial use, for commercial use, for irrigation and agriculture.” “And yet, California has FAILED at one of the most important duties that it has to meet the needs of its citizens.”

Overton

48,093 views • 15 days ago

For years, illegal fishing activities continued along Somalia’s coasts, preventing the country from fully benefiting from its rich marine resources. Yet Somalia possesses one of the largest and most productive fishing areas in Africa. At this point, Somalia is preparing to achieve full control over its maritime domain through a strong partnership with Türkiye. With Türkiye’s support, maritime security will be strengthened, resources will be protected, and the fishing sector will be transformed into a sustainable source of income. Through this cooperation, Somalia will bring its natural wealth into the economy, increase employment, raise the standard of living of its people, and take an important step toward building its future on its own terms.
0:47

For years, illegal fishing activities continued along Somalia’s coasts, preventing the country from fully benefiting from its rich marine resources. Yet Somalia possesses one of the largest and most productive fishing areas in Africa. At this point, Somalia is preparing to achieve full control over its maritime domain through a strong partnership with Türkiye. With Türkiye’s support, maritime security will be strengthened, resources will be protected, and the fishing sector will be transformed into a sustainable source of income. Through this cooperation, Somalia will bring its natural wealth into the economy, increase employment, raise the standard of living of its people, and take an important step toward building its future on its own terms.

Umut Çağrı Sarı

11,706 views • 8 months ago

TasteAtlas presents: Hamsiköy Sütlacı 🇹🇷 Discover Turkey: Hamsiköy Sütlacı is a legendary Turkish rice pudding originating from the Maçka district in Trabzon. Unlike standard versions of this dessert, the authentic Hamsiköy variety is celebrated for its incredible creaminess and a distinctive golden-brown crust formed during a long, slow baking process in traditional clay bowls. The secret to its award-winning flavor lies in the high-quality fatty milk from cows that graze on the lush, high-altitude pastures of the Zigana Mountains. This premium milk is simmered for hours with just a few simple ingredients—rice, sugar, and a pinch of salt—allowing the natural richness to intensify without the need for thickeners. Once the pudding reaches its perfect consistency, it is placed in a stone oven where the top caramelizes into a beautiful charred skin. Traditionally served chilled and generously topped with finely crushed local hazelnuts, Hamsiköy Sütlacı remains one of the most iconic symbols of Black Sea gastronomy. Video: Meral Mıdık
0:59

TasteAtlas presents: Hamsiköy Sütlacı 🇹🇷 Discover Turkey: Hamsiköy Sütlacı is a legendary Turkish rice pudding originating from the Maçka district in Trabzon. Unlike standard versions of this dessert, the authentic Hamsiköy variety is celebrated for its incredible creaminess and a distinctive golden-brown crust formed during a long, slow baking process in traditional clay bowls. The secret to its award-winning flavor lies in the high-quality fatty milk from cows that graze on the lush, high-altitude pastures of the Zigana Mountains. This premium milk is simmered for hours with just a few simple ingredients—rice, sugar, and a pinch of salt—allowing the natural richness to intensify without the need for thickeners. Once the pudding reaches its perfect consistency, it is placed in a stone oven where the top caramelizes into a beautiful charred skin. Traditionally served chilled and generously topped with finely crushed local hazelnuts, Hamsiköy Sütlacı remains one of the most iconic symbols of Black Sea gastronomy. Video: Meral Mıdık

TasteAtlas

19,299 views • 3 months ago

للليمون العُماني مكانةٌ تتجاوز كونه محصولًا زراعيًا؛ فهو أحد الأصناف المحلية التي شكّلت جزءًا من هوية الزراعة في عُمان، وظل حاضرًا في تفاصيل الحياة اليومية والمائدة العُمانية. وفي مزرعة رحب، نحتفي اليوم بأول حصاد لهذا المحصول، بعد عامين من العمل المتواصل ضمن أول مشروع للاعتماد الكربوني، في تجربةٍ تعكس كيف يمكن للاستدامة أن تحافظ على الأصناف المحلية، وتعزز الإنتاج الزراعي، وتدعم مستقبل الأمن الغذائي في سلطنة عُمان. رحلةٌ بدأت بفكرة... وتُثمر اليوم واقعًا. The Omani lime is more than just a crop. It is a native variety that has long been part of Oman’s agricultural heritage, with a lasting place in everyday life and on Omani tables. Today, at Rahab Farm, we celebrate its first harvest after two years of dedicated care, as part of the first carbon credit project. A milestone that reflects how sustainability can help preserve native varieties, strengthen agricultural production, and contribute to a more resilient food system for the Sultanate of Oman. A journey that began with a vision… Now bearing its first harvest.
1:19

للليمون العُماني مكانةٌ تتجاوز كونه محصولًا زراعيًا؛ فهو أحد الأصناف المحلية التي شكّلت جزءًا من هوية الزراعة في عُمان، وظل حاضرًا في تفاصيل الحياة اليومية والمائدة العُمانية. وفي مزرعة رحب، نحتفي اليوم بأول حصاد لهذا المحصول، بعد عامين من العمل المتواصل ضمن أول مشروع للاعتماد الكربوني، في تجربةٍ تعكس كيف يمكن للاستدامة أن تحافظ على الأصناف المحلية، وتعزز الإنتاج الزراعي، وتدعم مستقبل الأمن الغذائي في سلطنة عُمان. رحلةٌ بدأت بفكرة... وتُثمر اليوم واقعًا. The Omani lime is more than just a crop. It is a native variety that has long been part of Oman’s agricultural heritage, with a lasting place in everyday life and on Omani tables. Today, at Rahab Farm, we celebrate its first harvest after two years of dedicated care, as part of the first carbon credit project. A milestone that reflects how sustainability can help preserve native varieties, strengthen agricultural production, and contribute to a more resilient food system for the Sultanate of Oman. A journey that began with a vision… Now bearing its first harvest.

شركة تنمية زراعة عُمان

12,194 views • 1 month ago

This recording presents Vivaldi’s Spring (La Primavera) as performed by the Netherlands Bach Society, with Shunske Sato as solo violinist and director. It is a performance in the historically informed style, seeking to recreate the manner in which Baroque music would have been played in Vivaldi’s own time, the eighteenth century. What distinguishes this interpretation is its complete fidelity to the original Baroque idiom. The musicians employ period instruments—gut strings and Baroque bows—producing a sound that is crisp, transparent, and restrained, with minimal vibrato and a faithful observance of the rhythms and ornamental practices of the era. The most striking and profoundly meaningful element in Vivaldi’s Spring (La Primavera)—In the traditional Western understanding—is the depiction of birdsong in the first movement and its striking contrast with the thunder and lightning that follow. Immediately after the joyful principal theme, Vivaldi employs three solo violins in harmonious interplay, using soaring trills and florid passages to evoke the joyous song of birds welcoming the spring. Yet this is swiftly succeeded by the darker, urgent tones of the full ensemble, conjuring a sudden storm with rumbling thunder and flashes of lightning. When the tempest subsides, the birdsong returns in serene tranquillity. Vivaldi does not use his music to recount a personal narrative. Rather, he employs it as a lens through which the listener may observe the ordered harmony of the natural world. There is warmth and sunshine, there are storms, and then there is peace once more. In the traditional Western understanding, nature and the cosmos do not operate by chance but are governed by a supreme intelligence—the Creator. By composing a work in which nature unfolds according to discernible laws, with perfect balance between light and darkness, sunshine and rain, Vivaldi offers a direct celebration of this perfect order. It imparts to the listener a profound sense of spiritual reassurance and stability. The performer, in rendering the birdsong or the thunder, must set aside personal ego and strive to imitate and merge with nature in its purest form. The true artistry lies in transforming the instruments into the very voice of creation, resulting in a work of art for its own sake—one that preserves the pristine beauty of its subject. In short, this music is beloved because it conveys a vivid sense of life and joy, as though one were witnessing the true awakening of spring. It is neither pessimistic nor abstract, but intimately connected to daily life and to the ancestral way of perceiving the world—a world possessed of order, beauty, and worthy of celebration. It is this rigorous structure, faithful depiction, and respect for the laws of nature that have secured for Spring its enduring status as one of the most lasting cultural symbols across the centuries.
10:12

This recording presents Vivaldi’s Spring (La Primavera) as performed by the Netherlands Bach Society, with Shunske Sato as solo violinist and director. It is a performance in the historically informed style, seeking to recreate the manner in which Baroque music would have been played in Vivaldi’s own time, the eighteenth century. What distinguishes this interpretation is its complete fidelity to the original Baroque idiom. The musicians employ period instruments—gut strings and Baroque bows—producing a sound that is crisp, transparent, and restrained, with minimal vibrato and a faithful observance of the rhythms and ornamental practices of the era. The most striking and profoundly meaningful element in Vivaldi’s Spring (La Primavera)—In the traditional Western understanding—is the depiction of birdsong in the first movement and its striking contrast with the thunder and lightning that follow. Immediately after the joyful principal theme, Vivaldi employs three solo violins in harmonious interplay, using soaring trills and florid passages to evoke the joyous song of birds welcoming the spring. Yet this is swiftly succeeded by the darker, urgent tones of the full ensemble, conjuring a sudden storm with rumbling thunder and flashes of lightning. When the tempest subsides, the birdsong returns in serene tranquillity. Vivaldi does not use his music to recount a personal narrative. Rather, he employs it as a lens through which the listener may observe the ordered harmony of the natural world. There is warmth and sunshine, there are storms, and then there is peace once more. In the traditional Western understanding, nature and the cosmos do not operate by chance but are governed by a supreme intelligence—the Creator. By composing a work in which nature unfolds according to discernible laws, with perfect balance between light and darkness, sunshine and rain, Vivaldi offers a direct celebration of this perfect order. It imparts to the listener a profound sense of spiritual reassurance and stability. The performer, in rendering the birdsong or the thunder, must set aside personal ego and strive to imitate and merge with nature in its purest form. The true artistry lies in transforming the instruments into the very voice of creation, resulting in a work of art for its own sake—one that preserves the pristine beauty of its subject. In short, this music is beloved because it conveys a vivid sense of life and joy, as though one were witnessing the true awakening of spring. It is neither pessimistic nor abstract, but intimately connected to daily life and to the ancestral way of perceiving the world—a world possessed of order, beauty, and worthy of celebration. It is this rigorous structure, faithful depiction, and respect for the laws of nature that have secured for Spring its enduring status as one of the most lasting cultural symbols across the centuries.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

13,965 views • 2 months ago

Eine kleine Nachtmusik, KV 525, is a well-known work by Wolfgang Amadeus Mozart. Composed in 1787 for string ensemble, the piece consists of four movements, each with its own character yet unified within the Classical style associated with Mozart. Among them, the opening Allegro is the section most widely recognised and illustrates his approach to musical form. The version in the recording highlights a distinctive feature of this movement: the entire development proceeds according to a highly organised musical order, while retaining a sense of lightness and natural flow. To understand why the Allegro continues to engage listeners after more than two centuries, it is useful to examine how Mozart establishes that order. What strikes the ear from the first bars is not a complex melody or elaborate compositional devices. The impression is one of clarity. The opening theme is formed from balanced phrases, with clear question-and-answer patterns and natural points of rest. Each musical idea appears at the right moment, develops in its proper place, and prepares for what follows in a continuous manner. Listeners generally sense the direction in which the music is moving and the reasons for that direction. This clarity is maintained throughout the Allegro. Mozart develops the theme through modulations, dialogues between instrumental groups, and subtle rhythmic variations. Yet each step emerges as a natural consequence of what has come before. The music moves forward steadily, without abrupt shifts or disjointed passages. The movement resembles a continuous flow, in which every section occupies an essential place within the whole. It is worth noting that even in the way the string parts converse, Mozart ensures no single instrument disrupts the balance of the work. Each part has its own function and character, yet all lines are arranged to support one another. This clear division of roles allows the ensemble to move with flexibility while avoiding any sense of disorder. Listeners perceive not only the beauty of individual melodies but also the harmony of the overall structure that sustains them. Harmony plays an important part in creating this impression. Harmonic progressions remain clear and stable, providing a firm foundation for each development. Every change appears as a natural continuation of the preceding material. This natural quality arises not from spontaneity alone but from an inner structure organised with care, so that its presence is scarcely noticed by the listener. As a result, the experience of listening tends to deepen. At first, attention may be drawn to the bright melodies and graceful qualities of the work. With further listening, what remains is not merely the appeal of separate phrases but a sense that all elements combine in a natural way. Here Mozart demonstrates a notable aspect of his art: order does not render the music rigid; rather, it is through this order that the movement achieves its lightness and vitality. On a broader level, Eine kleine Nachtmusik reflects a principle familiar in human experience. It is sometimes thought that freedom arises only in the absence of rules or frameworks. Yet many refined achievements suggest otherwise. A violinist performs with natural ease only after years of technical training. A speaker expresses ideas fluently when language has become instinctive. A skilled craftsman works with assurance when the principles of the craft have become part of every action. In such cases, rules do not remove freedom. When those rules have been absorbed into the manner of living and working, natural expression becomes possible. Mozart translates this principle into musical terms. In the Allegro, order does not appear as an external pattern imposed from without but as an unseen foundation that connects every element into a unified whole. Listeners therefore sense the lightness of the music with little awareness of the structure supporting it. At a deeper level, the work also reflects a general principle observed in nature. In the natural world, the most stable systems often follow the clearest laws. A flock of birds may change direction with great flexibility while maintaining formation. A planetary system moves continuously through space without disorder. A healthy body performs countless actions because its organs function within a unified order. Law does not make life rigid; it enables life to move with flexibility while preserving stability and balance. It may be for this reason that Eine kleine Nachtmusik retains its appeal after more than two centuries. What holds the listener’s attention is not only the beauty of the melodies or the refinement of Mozart’s compositional technique. What endures is the idea that order and freedom need not exclude each other. When every element is in its proper place, beauty can emerge in a natural manner. In this way, the Allegro continues to convey to successive generations a sense of a world in which things exist together in harmony and balance.
17:21

Eine kleine Nachtmusik, KV 525, is a well-known work by Wolfgang Amadeus Mozart. Composed in 1787 for string ensemble, the piece consists of four movements, each with its own character yet unified within the Classical style associated with Mozart. Among them, the opening Allegro is the section most widely recognised and illustrates his approach to musical form. The version in the recording highlights a distinctive feature of this movement: the entire development proceeds according to a highly organised musical order, while retaining a sense of lightness and natural flow. To understand why the Allegro continues to engage listeners after more than two centuries, it is useful to examine how Mozart establishes that order. What strikes the ear from the first bars is not a complex melody or elaborate compositional devices. The impression is one of clarity. The opening theme is formed from balanced phrases, with clear question-and-answer patterns and natural points of rest. Each musical idea appears at the right moment, develops in its proper place, and prepares for what follows in a continuous manner. Listeners generally sense the direction in which the music is moving and the reasons for that direction. This clarity is maintained throughout the Allegro. Mozart develops the theme through modulations, dialogues between instrumental groups, and subtle rhythmic variations. Yet each step emerges as a natural consequence of what has come before. The music moves forward steadily, without abrupt shifts or disjointed passages. The movement resembles a continuous flow, in which every section occupies an essential place within the whole. It is worth noting that even in the way the string parts converse, Mozart ensures no single instrument disrupts the balance of the work. Each part has its own function and character, yet all lines are arranged to support one another. This clear division of roles allows the ensemble to move with flexibility while avoiding any sense of disorder. Listeners perceive not only the beauty of individual melodies but also the harmony of the overall structure that sustains them. Harmony plays an important part in creating this impression. Harmonic progressions remain clear and stable, providing a firm foundation for each development. Every change appears as a natural continuation of the preceding material. This natural quality arises not from spontaneity alone but from an inner structure organised with care, so that its presence is scarcely noticed by the listener. As a result, the experience of listening tends to deepen. At first, attention may be drawn to the bright melodies and graceful qualities of the work. With further listening, what remains is not merely the appeal of separate phrases but a sense that all elements combine in a natural way. Here Mozart demonstrates a notable aspect of his art: order does not render the music rigid; rather, it is through this order that the movement achieves its lightness and vitality. On a broader level, Eine kleine Nachtmusik reflects a principle familiar in human experience. It is sometimes thought that freedom arises only in the absence of rules or frameworks. Yet many refined achievements suggest otherwise. A violinist performs with natural ease only after years of technical training. A speaker expresses ideas fluently when language has become instinctive. A skilled craftsman works with assurance when the principles of the craft have become part of every action. In such cases, rules do not remove freedom. When those rules have been absorbed into the manner of living and working, natural expression becomes possible. Mozart translates this principle into musical terms. In the Allegro, order does not appear as an external pattern imposed from without but as an unseen foundation that connects every element into a unified whole. Listeners therefore sense the lightness of the music with little awareness of the structure supporting it. At a deeper level, the work also reflects a general principle observed in nature. In the natural world, the most stable systems often follow the clearest laws. A flock of birds may change direction with great flexibility while maintaining formation. A planetary system moves continuously through space without disorder. A healthy body performs countless actions because its organs function within a unified order. Law does not make life rigid; it enables life to move with flexibility while preserving stability and balance. It may be for this reason that Eine kleine Nachtmusik retains its appeal after more than two centuries. What holds the listener’s attention is not only the beauty of the melodies or the refinement of Mozart’s compositional technique. What endures is the idea that order and freedom need not exclude each other. When every element is in its proper place, beauty can emerge in a natural manner. In this way, the Allegro continues to convey to successive generations a sense of a world in which things exist together in harmony and balance.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

10,982 views • 1 month ago

How did a tiny, scrappy team build one of the most powerful AI voice models? In a deep dive with Sesame CTO Ankit Kumar and a16z's Anjney Midha, we explore how Sesame is pushing the boundaries of AI conversation, why it open-sourced its speech generation model, and the power of small teams to outdo much larger AI labs on product focus. A part of their secret: a relentless focus on real-time, natural conversations over raw intelligence, and a deep commitment to voice, personality, and user experience. By opening up its speech generation model, Sesame is paving the way for even more breakthroughs in AI-native conversation 👇
1:04

How did a tiny, scrappy team build one of the most powerful AI voice models? In a deep dive with Sesame CTO Ankit Kumar and a16z's Anjney Midha, we explore how Sesame is pushing the boundaries of AI conversation, why it open-sourced its speech generation model, and the power of small teams to outdo much larger AI labs on product focus. A part of their secret: a relentless focus on real-time, natural conversations over raw intelligence, and a deep commitment to voice, personality, and user experience. By opening up its speech generation model, Sesame is paving the way for even more breakthroughs in AI-native conversation 👇

a16z

29,930 views • 1 year ago

A scene that summarizes the reality of the Gulf States today ⚠️ In the game of national survival.. the strong is the one who holds the rope firmly.. and the weak will be thrown into the fire by the strong. Right now, any country that does not control its own destiny will not be heard of in a few years. I hope the Gulf rulers break their fathers' covenants with Zionism and think about the future of their مشهد يلخص واقع دول #الخليج اليوم في لعبة بقاء الأمم .. القوي هو من يمسك الحبل بقوة .. والضعيف بيرميه القوي في النار .. اي دولة الان لو لم تكن صاحبة قرار مصيرها فلن نسمع عنها بعد سنوات .. اتمني حكام الخليج يكسرو عهد أبائهم مع الصهيونية ويفكرو في مستقبل شعوبهم #تريند #مسجد_رحمت_للعالمین_کھولو #IranWar‌ #Israël #AtletiBarça #volfey
0:22

A scene that summarizes the reality of the Gulf States today ⚠️ In the game of national survival.. the strong is the one who holds the rope firmly.. and the weak will be thrown into the fire by the strong. Right now, any country that does not control its own destiny will not be heard of in a few years. I hope the Gulf rulers break their fathers' covenants with Zionism and think about the future of their مشهد يلخص واقع دول #الخليج اليوم في لعبة بقاء الأمم .. القوي هو من يمسك الحبل بقوة .. والضعيف بيرميه القوي في النار .. اي دولة الان لو لم تكن صاحبة قرار مصيرها فلن نسمع عنها بعد سنوات .. اتمني حكام الخليج يكسرو عهد أبائهم مع الصهيونية ويفكرو في مستقبل شعوبهم #تريند #مسجد_رحمت_للعالمین_کھولو #IranWar‌ #Israël #AtletiBarça #volfey

رضوانہ

30,439 views • 4 months ago