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เผื่อใครจะหลงลืมอะไรไป 9 ปีที่ผ่านมา มีหลายคนเข้ามา หลายคนออกไป แต่สิ่งนึงที่ยังเป็นความจริงอยู่ตลอดไป คือเค้าอยู่ด้วยกันมาตั้งแต่ day 0 เค้ายังไม่มีพวกเรา แต่เค้ามีกัน และแน่นอนว่ายังคง still counting นะจ้ะ ⭐️

84,708 Aufrufe • vor 1 Jahr •via X (Twitter)

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Used Product Commercial Skill to create this video on FlovaAI FlovaAI_Japan prom SHOT 1 [0:00–0:03] — 3s, real-time Extreme close-up: a single perfect golden-brown fried mandu (Korean dumpling), triangular fold, sitting on the railing of a 10th-floor officetel balcony in Seoul. Bright midday sun catching every crisp fried edge, steam rising gently. A small dish of soy-vinegar dipping sauce sits right beside it, close to the mandu. SHOT 2 [0:03–0:05] — 2s, real-time A pigeon lands on the railing a foot away. It looks at the mandu, tilts its head, takes one casual step closer. Its wing brushes the sauce dish. SHOT 3 [0:05–0:06] — 1s, real-time The mandu and the sauce dish both wobble from the nudge. They tip together and fall off the edge of the railing. SHOT 4 [0:06–0:10] — 4s, slow motion Wide shot from directly across the street at 10th-floor level: the mandu and sauce dish tumbling outward, rotating end over end, catching the sunlight on every turn. Behind them, the building facade — a tall Seoul apartment block, muted grey-blue exterior, laundry hanging on a few balconies. The mandu is a tiny golden triangle falling against the building. SHOT 5 [0:10–0:13] — 3s, real-time Ground level wide shot: a busy Seoul street in midday sun. Pedestrians with shopping bags, a delivery scooter idling at the curb, a tteokbokki/odeng street cart with an ajumma stirring a pot, a dog sleeping in a patch of sun, an elderly man reading a newspaper on a bench. Ordinary day, nobody aware anything is falling. SHOT 6 [0:13–0:15] — 2s, real-time Close-up on the sleeping dog: one ear twitches, then both go up. Nose starts working. One eye opens, pupils tracking something falling. The dog slowly rises, never looking away from above. SHOT 7 [0:15–0:17] — 2s, real-time Close-up on the cart ajumma: her stirring spoon slows, then stops. She looks up, eyes widening, and slowly sets the spoon down on the cart edge. SHOT 8 [0:17–0:19] — 2s, real-time Close-up on the newspaper man: a small triangular shadow crosses his page. He lowers the newspaper and looks up, his glasses catching the sunlight. SHOT 9 [0:19–0:23] — 4s, slow motion Wide shot of the full street: the mandu and sauce dish visible as tiny falling shapes above the crowd. Below, reactions ripple outward — the dog now standing, the ajumma craning her neck, the newspaper man on his feet, the delivery driver stepped off his scooter looking up, a vegetable vendor shielding her eyes with one hand. SHOT 10 [0:23–0:25] — 2s, real-time A second pigeon flying past at around the 5th-floor level narrowly dodges the falling mandu, does a startled double-take mid-flight, and veers off. SHOT 11 [0:25–0:29] — 4s, extreme slow motion Extreme close-up: the mandu now three feet from the ground, rotating slowly, every crisp fried ridge sharp in the light, a faint trail of steam still lifting off it. The sauce dish falls a foot above it, tilting but staying upright. SHOT 12 [0:29–0:31] — 2s, real-time Ground-level close-up: the dog's mouth is open, perfectly positioned. The mandu drops directly into it. The dog closes its mouth. The sauce dish lands upright on the pavement beside the dog with a small click. SHOT 13 [0:31–0:34] — 3s, real-time The dog sits down, chews twice, swallows. It licks its nose once, then glances down at the sauce dish, then up at the silent, staring crowd. SHOT 14 [0:34–0:40] — 6s, real-time Wide shot: total silence on the street for a beat. Then the dog lies back down in its sunny spot and closes its eyes. The crowd slowly breaks and goes back to what they were doing — the ajumma picks her spoon back up, the newspaper man sits and lifts his paper, the delivery driver gets back on his scooter. SHOT 15 [0:40–0:45] — 5s, real-time Overhead, back on the 10th-floor balcony: the first pigeon is now sitting exactly where the mandu used to be, looking down at the street below. Bright midday sun, crisp shadows. Hold on the pigeon as the shot settles, closing the sequence. #Flovaai #Flovacpp

Sharon Riley

32,523 Aufrufe • vor 2 Monaten

just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. 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12,990 Aufrufe • vor 3 Monaten

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West Lord

26,063 Aufrufe • vor 23 Tagen

9 MILLION BARRELS A DAY VANISHED: THE OIL MARKET IS TIGHTER THAN IT LOOKS David Wech has spent more than twenty years counting barrels. As Chief Economist at Vortexa he now tracks every cargo, every tanker and every storage tank in near real time. His latest picture is stark: on paper the world has plenty of oil, yet the barrels that actually reach buyers are disappearing fast. Combined oil-on-water and onshore stocks have been falling at around 9 million barrels a day. THE INVENTORY COLLAPSE ➡️ Oil on the water is a moving stock — produced but not yet consumed. ➡️ That floating inventory plus onshore tanks have been draining at a pace few expected. ➡️ The three biggest producers are driving most of the drop: the United States, Russia and Saudi Arabia. THE US EXPORT SHUT-OFF ➡️ America started the summer with high stocks and an SPR release that freed extra WTI for export. ➡️ Extra crude exports peaked near 2.2 million barrels a day above year-ago levels. ➡️ The SPR programme has stopped, US refiners are running flat out for diesel and jet, and commercial stocks have fallen. ➡️ Extra exports have now collapsed back to last year’s levels. THE DIESEL EMERGENCY ➡️ The shortage is not mainly in crude. It is in diesel, jet and other products. ➡️ Russian and Middle East diesel exports together have been more than 50 percent below normal for two months. ➡️ Russia, once the world’s largest diesel exporter, is now close to zero and has banned diesel shipments until at least 1 September. ➡️ The United States has become the world’s biggest diesel exporter, but maintenance season and hurricane risk make those record flows hard to sustain. THE HORMUZ REALITY ➡️ White House officials have cited 8 to 10 million barrels a day leaving the Gulf on short moving averages. ➡️ Vortexa’s more relevant 28-day average sits near 6.5 million barrels a day of total oil. ➡️ Daily and seven-day numbers swing wildly. One day hit 15 million. That does not make a trend. ➡️ A new shuttle system of VLCCs now loads inside the Gulf, goes dark, and transfers cargo outside the Strait. ➡️ Transits happen mostly at night. Confirmed figures usually take three to four days. WHO IS ACTUALLY EXPORTING ➡️ Iraq, Kuwait, Qatar and the UAE have raised loadings and are taking the risk. ➡️ Saudi Arabia remains the most cautious player and is shipping at very low levels. ➡️ Iranian exports are essentially zero since the latest escalation. ➡️ Risk tolerance, not reservoir quality, now decides who gets oil out. THE CHINA WILD CARD ➡️ China is the biggest potential balancer. ➡️ Refiners are racing to use this year’s quotas so they can lock in larger allowances for 2027. ➡️ That means higher crude imports and more product exports — bullish for crude, potentially easier for diesel later. ➡️ July Asian crude imports looked normal. Far less Atlantic-basin crude is now on the water. That shortfall hits in September. THE POSITIONING TRAP ➡️ Asian buyers are betting heavily that Middle East volumes will surge in the coming weeks. ➡️ Freight rates have spiked to records. Ballast tankers are lining up outside Hormuz. ➡️ If that expected flood does not arrive, the market is set up for a sharp crude squeeze. THE BOTTOM LINE Theoretical supply is ample. Physical barrels that reach the market are not. Diesel is already the tightest corner of the complex, Hormuz flows remain well below official claims, and Asia is positioned for a recovery that still has to prove itself. The tightness is already here. Most of the market is still looking the other way. HT: YouTube CLEAR COMMODITY NETWORK #OilMarket #Hormuz #DieselShortage #OilOnWater #Vortexa #EnergyCrisis #ChinaOil

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28,957 Aufrufe • vor 20 Tagen

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507,557 Aufrufe • vor 7 Monaten

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²²

20,319 Aufrufe • vor 10 Tagen