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𝐂𝐋𝐎𝐒𝐄 𝐂𝐀𝐋𝐋 𝐅𝐎𝐑 𝐏𝐈𝐋𝐀𝐕 Going AFK while playing Hardcore Classic is always a risky a move and waiting that 20 seconds for the logout is always the play. Pilav had a close call when he stepped away from his PC but was lucky enough to return and save his character.

79,255 görüntüleme • 1 yıl önce •via X (Twitter)

10 Yorum

Poisonslash profil fotoğrafı
Poisonslash1 yıl önce

@Pilavpowa Pilav is lucky he changed to hunter cause on warrior that was another rip 💀 Give Tilly some treats after that one.

doug profil fotoğrafı
doug1 yıl önce

@Pilavpowa ALWAYS LOGOUT @Pilavpowa

Panic profil fotoğrafı
Panic1 yıl önce

@Pilavpowa Never afk in the badlands. There is like 3 mobs per square foot in that zone.

invizsobill profil fotoğrafı
invizsobill1 yıl önce

@Pilavpowa WOW

⭐️^^...Lúa...^^⭐️ profil fotoğrafı
⭐️^^...Lúa...^^⭐️1 yıl önce

@Pilavpowa

Skull profil fotoğrafı
Skull1 yıl önce

@Pilavpowa HELLO THERE

Meyers profil fotoğrafı
Meyers1 yıl önce

@Pilavpowa damn mobbed with the boulder toss

Jenny Jonhson profil fotoğrafı
Jenny Jonhson1 yıl önce

@Pilavpowa is he clip farming or actually brain dead irl ?? how do you even get to 40 if you just afk in the middle of mobs

ryuranzou profil fotoğrafı
ryuranzou1 yıl önce

@Pilavpowa If I was playing hardcore I'm not going anywhere til I /camp

Jake Carr profil fotoğrafı
Jake Carr1 yıl önce

@Pilavpowa Staged

Benzer Videolar

François Truffaut on why he got more pleasure in directing a child actor than an adult in his debut film, "The 400 Blows" (1959): "To shoot a film with children is very enticing beforehand, entails a lot of panic while it is happening (because it is a fearsomely challenging business that is always slipping through one’s fingers), and is immensely satisfying afterwards. Even when I have a feeling that everything is going adrift, there is always something that is salvageable, and no matter what happens, it is always the child who comes across best on the screen. I also think that I get more pleasure from directing a child than an adult because I am just starting out as a director, whereas adults have already had experience at acting. I tend to be intimidated by their “seniority,” and when they don’t want to do what I tell them, I sometimes give up the struggle, or else allow myself to be pulled along when they do their thing, and I am never sure I’m right. A child’s sincerity is something I think I can feel absolutely. For example, through the whole length of the film, I had to wrestle with Jean-Pierre Léaud. He was terrific, but he was scared that he was going to come across as unlikeable, which meant that he continually wanted to smile. For three whole months I prevented him from smiling … and I’m sure I was right. That said, I was amazingly lucky to come across that kid. He was the character. Better still, he improved the film. I had been seeing Antoine as more fragile, more timid, less aggressive, whereas Jean-Pierre gave him his robustness, his truculence, his courage. He was an invaluable collaborator. He was able to find the right gestures spontaneously, he adjusted the script, always for the better, and he used the words that he wanted to use." (Truffaut's interview to Arts, 1959) P.S: On this day, 67 years ago, "The 400 Blows" (1959) premiered at the Cannes Film Festival.

DepressedBergman

25,571 görüntüleme • 2 ay önce