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𝐃𝐢𝐝 𝐲𝐨𝐮 𝐤𝐧𝐨𝐰? Before today's choreography sequence, there was the spiral sequence! ⛸️ Let’s take a trip down memory lane with Sasha Cohen’s mesmerising spiral sequence from Turin 2006, performed to Romeo and Juliet in her free skate program. #Olympics | #WinterOlympics | #FigureSkating | ISU Figure Skating

24,815 просмотров • 3 месяцев назад •via X (Twitter)

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17-Year-Old Adelia Petrosyan Crowned Champion, Winning Back-To-Back Russian Figure Skating Championships 🇦🇲 ➖➖➖ 17-year-old Russian-Armenian figure skater Adelia Petrosyan has won the title of Russian Champion for the second year in a row following an outstanding performance at the 2025 Russian Figure Skating Championships in Omsk, Russia, once again showing her dominance in women’s single skating. The Senior Championships were held in Omsk from December 18 to 22, 2024. Now a two-time Russian champion, Petrosyan scored an impressive 262.92 points across the short and free programs, a remarkable improvement from last year’s winning score of 246.53 points, where she also secured the same title. Daria Sadkova earned the silver medal with 234.69 points, while Alina Gorbacheva rounded out the podium in third place, scoring 223.92 points. A Nerve-Wracking Victory She admitted to being nervous before her free skate, saying: “I thought I was going to die… My legs were shaking, I was very worried.” She revealed that messages of support from her coaches, mother, and grandmother played a crucial role in helping her gather her strength. “I think I prayed five times. When I went out on the ice, I thought I would relax, but I started to get more nervous. I looked at the audience, calmed down a bit, and after the triple Axel, I said to myself, ‘It turned out well, do it again,’” Petrosyan said. Her perseverance paid off as she delivered flawless performances in both programs, solidifying her status as one of the brightest talents in Russian figure skating. Expert Praise Petrosyan trains under the guidance of renowned Russian figure skating coach Eteri Tutberidze, whose expertise has shaped numerous champions and further propelled Adelia’s promising career. Two-time Olympic champion and current coach Evgeni Plushenko praised Petrosyan, calling her the best in Russia while also acknowledging the unpredictability of women’s figure skating. Plushenko told RIA Novosti: “Adelia skates very beautifully, and her technical component is also at a good level. Today she is undoubtedly the strongest figure skater in Russia, but when it comes to women, surprises cannot be ruled out.” Gratitude and Triumph Following her victory, Petrosyan expressed gratitude to her coaches, parents, fans, and the Russian Figure Skating Federation for their unwavering support. “I’m extremely happy because I’ve achieved my goal,” she said, adding that the win was a collective effort of everyone who stood by her side. The Road Ahead In related news, the International Skating Union (ISU) has announced that Russian figure skaters will be allowed to participate as neutrals in the 2026 Olympic Games selection process. This decision provides an opportunity for Petrosyan and her peers to showcase their talents on the global stage despite ongoing restrictions. As Petrosyan continues to break records and inspire with her resilience and skill, all eyes will be on her as she aims for even greater achievements in the years to come. #AdeliaPetrosyan #FigureSkating #RussianChampionship #TripleAxel

Zartonk Media

10,593 просмотров • 1 год назад

I've been experimenting with Seedance 2.0 to create seamless extensions. I created this sequence called UBUMBE FOREST. Seamless extensions can actually be quite tricky to do and requires some precise magic with editing to connect them. There is no shortcut here, you must experiment until you find the sweet spot to make the transition seamless. Ubumbe Forest - During a routine foraging trip deep in the Ubumbe forest in Tanzania, a father guides his daughter off the beaten path. Here, hidden from the rest of their tribe, she steps into a breathtaking new world and comes face-to-face with insects and creatures she has never seen before, even encountering a rare Peafox. 🟢Extending a scene however is fairly simple: - Generate your first sequence. - Upload that video as an Omni reference. - Type this at the start of the prompt "Naturally continue the movement and momentum from the previous clip. Keep the exact same art style, lighting, character appearance, and physics." and then explain what happens next in this sequence. - Congrats, you now have a scene extension that naturally flows from where the last video ended. However this is only the start of the puzzle, you need to join these clips so they're seamless. Seedance 2.0 is able to match the pacing, remember the characters and even their voices using this technique. The hard part is the extension but check my second post to see how I'm doing it in Capcut.

Travis Davids

14,162 просмотров • 3 месяцев назад

Quentin Tarantino on Pam Grier & the opening sequence in 'Jackie Brown' (1997): "'Jackie Brown' (1997) is not a black exploitation film. Having said that, Pam is such an icon. To one degree or another, it is like casting John Wayne in a movie. You cast John Wayne in a Western, you are not just dealing with this unknown figure walking in there that you have got to learn about. For some audiences that will be the case, but that is not where I am coming from. John Wayne has got a whole past behind him, and his past is built up from these other movies. That is good baggage. Some baggage can be very, very good. By casting Pam, I did term this in my mind to a Pam Grier movie, but it was a Pam Grier movie with its feet on the ground more. That is not putting anything down, because 'Coffy' (1973) is one of my favourite movies, actually; I love 'Coffy'. Jackie Brown is a real human being. She is not a super bad momma - she is a kind of super bad momma to tell you the truth! - she does not get razor blades in her Afro, and she is not Kung Fu-ing people, and she is not pulling a sawn off shotgun and blowing a guy's head off. She is realistic; she is a real lady in those dire circumstances that I described. One of the things I liked about the opening credit sequence is if you are familiar with Pam's movies, a whole lot of them start with Pam just walking, and beholding the glory that is Pam. I thought, OK, I will make me the greatest Pam Grier opening sequence of all time. I think I pulled it off actually. The structure of it is very interesting. It is not supposed to be naked to the eye, but it starts off that she is on the conveyor belt, and you see her, you are drinking her in, you are taking her in, and she is walking down the airport and she just looks like the baddest creature a guy ever created. She has just got all this power and strength - and she is Foxy Brown 20 years later, she is Coffy 20 years later - and she has all this womanness, and it is great. In the last part of it you see she is running and running, and you realise she is just trying to get to work. She is not walking down the street to burn Harlem to the ground. She is a woman working in this world, and she is late for her job, and she is going to get fired if she does not get there. After the big bad ass opening credit sequence, two minutes later she is serving peanuts. So it starts off as this mythical, super hero figure and then by the end of the credit sequence we have brought it back down to earth." ('Quentin Tarantino interview (I) with Pam Grier, Robert Forster and Lawrence Bender', Guardian, 1998)

DepressedBergman

53,783 просмотров • 7 месяцев назад

REMINDER: The genome for SARS-CoV-2 is a "consensus sequence." Anybody who says the gene sequence for SARS2 is confirmed is *confused or lying.* "[The reality is that] nobody has the code of the pathogen..." "What they set for the control [for the PCR 'test'] is a consensus sequence, which [means] they took AI, they averaged out a section of the genome that they want as that test, and they set it for that. So it doesn't even exist in nature anywhere." This is a clip from a recent discussion between former medical coder and whistleblower Zowe Smith (Sheldon Diedericks) and retired pharma R&D executive Sasha Latypova (sashalatypova.substack.com "Due Diligence and Art"). Smith and Latypova discuss the many shortcomings of PCR "tests," as well as the fact that no genome for SARS-CoV-2 has ever been characterized—only a "consensus sequence," which Smith notes is developed when AI "average[s] out... a section of the genome that they want as a test." She adds, "it doesn't even exist in nature anywhere." Latypova confirms, "when they're saying, 'Oh, we have the COVID virus, the full genome...it's been sequenced. Look at all these papers.' [The reality is that] nobody has the code of the pathogen... Ralph Baric also wrote about it in his work all the time. So nobody has the pathogenic sequence." The pharma insider adds, "What they upload to GenBank is... averaged... And once it's averaged, it's no longer pathogenic anything. It's just a model. And then for PCR, [it] doesn't test the full genome. They do these, like, snippets, and then whatever snippet you wanna set it to, you will find it, and that's how they find... positive COVID. So all of this is total BS." Interestingly, Smith notes that when she worked with PCR in a lab at the Oregon Health and Science University "[she] realized that everything was controlled through EUA [Emergency Use Authorization] and the CDC, so there was no way to independently verify [the controls that were used]."

Sense Receptor

22,818 просмотров • 1 год назад

In 1963, Manhattan Project mathematician Stanislaw Ulam was doodling numbers in a spiral during a boring lecture and noticed something that shouldn't be possible. Prime numbers numbers that are supposed to scatter randomly lined up into clean diagonal streaks across the page. For sixty years this sat as an open anomaly. Mathematicians confirmed it kept happening no matter how far out you drew the spiral, but nobody could explain why the universe would organize "random" numbers into geometry. We think we've solved it. Take any prime number bigger than 3 and divide it by 9. Look only at the remainder. There are 9 possible remainders, but primes can only ever land on 6 of them the other 3 are automatically ruled out because they're divisible by 3, which makes a number composite by definition. So every prime that has ever existed or will ever exist is funneled into exactly 6 fixed positions. Those 6 positions aren't random either. They split into two locked groups of three, each spaced perfectly 120° apart and the gaps between consecutive primes act like gears, forcing the sequence to step between these positions in a strict, predictable pattern we call the Prime Gap State Machine. When you take Ulam's flat 2D spiral and lift it into this structure, his mystery diagonals stop looking accidental. They're the visible seams of an underlying lattice built from just the primes 2 and 3. Watch the simulation Hard Wall primes (remainders 1, 4, 7) lock into one triangle. Temporal primes (remainders 2, 5, 8) lock into the other. The dark empty channels you see threading through the spiral are the Spine the positions no prime is allowed to occupy, ever. It isn't random. It's a lattice with exactly two moving parts. #NumberTheory #Physics #Mathematics #CTFTheory #UlamSpiral

CTFTHEORY

252,809 просмотров • 2 месяцев назад