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𝐇𝐨𝐰 𝐌𝐮𝐜𝐡 𝐃𝐢𝐝 𝐀𝐫𝐞𝐞𝐧 𝐌𝐚𝐬𝐫𝐨𝐮𝐫 𝐁𝐚𝐫𝐳𝐚𝐧𝐢 𝐏𝐚𝐲 𝐚 𝐅𝐚𝐦𝐨𝐮𝐬 𝐒𝐚𝐮𝐝𝐢 𝐒𝐢𝐧𝐠𝐞𝐫 𝐭𝐨 𝐒𝐢𝐧𝐠 𝐟𝐨𝐫 𝐇𝐢𝐦? A famous Saudi singer, Abdulmajeed Abdullah, has a new song titled 'I am Kurdish,' which appears to have been commissioned for the purpose of mentioning and referencing Areen Masrour Barzani. The song has received...

11,700 Aufrufe • vor 2 Jahren •via X (Twitter)

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THE FOUR HORSEMEN STORY DOESN’T MAKE SENSE!!!🚨🚨🚨 Thread🧵 Notice : this is pure speculation and nothing about this is factual information. All the information provided is fully based on what we see/saw on the internet. Please RT for awareness. First of all i would just like to say that A-Reece has no reason not to answer his phone for a whole month especially from a guy that he worked with before and has a good working relationship with. Something just doesnt feel right. Get your popcorn🍿 1. This first started when Nasty C leaked or hinted on being on the same song as A-Reece. Note that Nasty C specifically mentioned that Stogie T asked him to do a hook for him and says he will work on the verse in the meantime, meaning that he was initially asked to do both a hook and a verse. Also note that the Date of this interview is back in may meaning that the song had been in the making for awhile. BET! 2. Stogie T finally talks about the after it comes out on a radio show. He clearly states that he sent them both the beat and with Nasty C he talks about a hook and with A-Reece he is clearly referring to a verse/bars since he says “things that Slimes know him for”. BET! 3. L Tido invites MAGGZ on his podcast and he clearly indicates that MAGGZ is “ GONNA” (note that word) have the best verse on the song and during this time L Tido only knew that only Stogie T, A-Reece and MAGGZ will have verses while Nasty C is on the hook and i will prove that on number 4. So by this time L Tido already underestimates Stogie T and A-Reece pen. 4. After the song drops L Tido’s tone changes from MAGGZ to Nasty C having the best verse and clearly indicates that Nasty C didn’t have a verse and was initially supposed to be on only the hook and indicates again that Nasty C sent his verse a week before the song released. The song got released on the 28th of November meaning that Nasty C sent his verse during the week 16th - 22th This is 4 proofs that Nasty C was asked for a hook. Note and pay proper attention as this leads into 5 down below…

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i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

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