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✨𝐑𝐀𝐃𝐈𝐀𝐍𝐓 𝐋𝐀𝐃𝐈𝐄𝐒 : #เลิศนรีกูล TEASER ตอน #แลกรักศรา 🎬✍️🏻 "เราสองคนน่ะ... เลิกกันเถอะนะคะ" Fan Fiction Project — OomBam. story by between may and july edited by ก่อนกรกฎ 09.12.25 อ่านได้ที่ Read A Write 📌

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ก่อนกรกฎ

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88,101 просмотров • 9 месяцев назад •via X (Twitter)

Искусство#เลิศนรีกูล#แลกรักศรา
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✨𝐑𝐀𝐃𝐈𝐀𝐍𝐓 𝐋𝐀𝐃𝐈𝐄𝐒 : #เลิศนรีกูล Fan Fiction Project [ 09.12.25 ] แลกรักศรา - อุ้มแบม by ก่อนกรกฎ วิวาห์ดารัณ - แทนญะ by 🌈 a hottie cat :: พี่หมีชน์ รักพลันณันทา - ลีน่าหมิว by ดชช🪽🦋🧸 สัญญาณภัส - หลิงออม by sleeptime,💤 อ่านได้ที่ Read A Write
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✨𝐑𝐀𝐃𝐈𝐀𝐍𝐓 𝐋𝐀𝐃𝐈𝐄𝐒 : #เลิศนรีกูล Fan Fiction Project [ 09.12.25 ] แลกรักศรา - อุ้มแบม by ก่อนกรกฎ วิวาห์ดารัณ - แทนญะ by 🌈 a hottie cat :: พี่หมีชน์ รักพลันณันทา - ลีน่าหมิว by ดชช🪽🦋🧸 สัญญาณภัส - หลิงออม by sleeptime,💤 อ่านได้ที่ Read A Write

ก่อนกรกฎ

144,422 просмотров • 9 месяцев назад

#LMBD27TH_Project 🎂 LOOKMHEE 27TH BIRTHDAY PROJECT 💛🐨 วันเกิดปีนี้ ลูกหมีมีหน้าตัวเองอยู่บนบิลบอร์ดแล้วน้า 🥹🐨 อีกหนึ่งโมเมนต์พิเศษที่เกิดขึ้นได้เพราะพลังใจจากแฟน ๆ ทุกคน 💛 📺 LED Location • Parc Paragon LED, Siam Paragon • Interchange21 LED, Asoke 🗓️ Period : 6 – 8 February 2026 ⏰ Time : 06.00 – 24.00 📍 Locations • Parc Paragon, Siam Paragon • Interchange21 (Asoke) 🎬 Screening Details • Spot : 30 seconds • Frequency : 4 times / hour 👩‍❤️‍👩 โปรเจกต์นี้เป็นความร่วมมือของทั้ง 3 บ้านเบส Lmlookmhee_CNFANS🇨🇳 LMSY Singapore ขอขอบคุณในความร่วมแรงร่วมใจของทุกบ้าน ที่ทำให้โปรเจกต์วันเกิดครั้งนี้เกิดขึ้นได้จริง ขอขอบคุณแฟนคลับทุกท่านที่ร่วมโดเนท ไม่ว่าจะมากหรือน้อย ทุกคนล้วนเป็นส่วนสำคัญที่ทำให้โปรเจกต์นี้สมบูรณ์ขึ้นมาได้ 💛 📸✨ ขอชวนทุกคนแวะไป เก็บโปรเจกต์วันเกิดลูกหมี ถ่ายรูป ถ่ายคลิป แล้วนำมาอวดกันเยอะ ๆ อย่าลืมติดแฮชแท็กโปรเจกต์ เพื่อแบ่งปันความประทับใจและความรักที่เรามีให้ลูกหมีไปด้วยกันนะคะ 💛🐨 Happy 27th Birthday, Lookmhee 🎂✨ ขอให้ปีนี้เต็มไปด้วยรอยยิ้ม ความสุข และความรักจากพวกเราทุกคนเสมอ 💛 🎂 LOOKMHEE 27TH BIRTHDAY PROJECT 💛🐨 This year, Lookmhee’s face is finally up on a billboard 🥹🐨 A truly special moment made possible by the love and support from all fans 💛 📺 LED Locations • Parc Paragon LED, Siam Paragon • Interchange21 LED, Asoke 🗓️ Period : 6 – 8 February 2026 ⏰ Time : 06.00 A.M. – 12.00 P.M. 📍 Locations • Parc Paragon, Siam Paragon • Interchange21 (Asoke) 🎬 Screening Details • Spot : 30 seconds • Frequency : 4 times per hour 👩‍❤️‍👩 This project is a collaboration between 3 fanbases Lmlookmhee_CNFANS🇨🇳 LMSY Singapore We sincerely thank all fanbases for their cooperation and dedication, which made this birthday project possible. We would also like to thank every fan who contributed through donations, no matter how big or small. Each and every one of you is an important part of bringing this project to life 💛 📸✨ Fans are warmly invited to visit and collect Lookmhee’s birthday project Take photos or videos and share them with everyone! Don’t forget to use the project hashtag to spread the love and celebrate this special moment together 💛🐨 Happy 27th Birthday, Lookmhee 🎂✨ May this year be filled with smiles, happiness, and endless love from all of us 💛 #lmlookmhee #ลูกหมีปัญญาพัชร #LMSY #ลูกหมีซอนญ่า
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#LMBD27TH_Project 🎂 LOOKMHEE 27TH BIRTHDAY PROJECT 💛🐨 วันเกิดปีนี้ ลูกหมีมีหน้าตัวเองอยู่บนบิลบอร์ดแล้วน้า 🥹🐨 อีกหนึ่งโมเมนต์พิเศษที่เกิดขึ้นได้เพราะพลังใจจากแฟน ๆ ทุกคน 💛 📺 LED Location • Parc Paragon LED, Siam Paragon • Interchange21 LED, Asoke 🗓️ Period : 6 – 8 February 2026 ⏰ Time : 06.00 – 24.00 📍 Locations • Parc Paragon, Siam Paragon • Interchange21 (Asoke) 🎬 Screening Details • Spot : 30 seconds • Frequency : 4 times / hour 👩‍❤️‍👩 โปรเจกต์นี้เป็นความร่วมมือของทั้ง 3 บ้านเบส Lmlookmhee_CNFANS🇨🇳 LMSY Singapore ขอขอบคุณในความร่วมแรงร่วมใจของทุกบ้าน ที่ทำให้โปรเจกต์วันเกิดครั้งนี้เกิดขึ้นได้จริง ขอขอบคุณแฟนคลับทุกท่านที่ร่วมโดเนท ไม่ว่าจะมากหรือน้อย ทุกคนล้วนเป็นส่วนสำคัญที่ทำให้โปรเจกต์นี้สมบูรณ์ขึ้นมาได้ 💛 📸✨ ขอชวนทุกคนแวะไป เก็บโปรเจกต์วันเกิดลูกหมี ถ่ายรูป ถ่ายคลิป แล้วนำมาอวดกันเยอะ ๆ อย่าลืมติดแฮชแท็กโปรเจกต์ เพื่อแบ่งปันความประทับใจและความรักที่เรามีให้ลูกหมีไปด้วยกันนะคะ 💛🐨 Happy 27th Birthday, Lookmhee 🎂✨ ขอให้ปีนี้เต็มไปด้วยรอยยิ้ม ความสุข และความรักจากพวกเราทุกคนเสมอ 💛 🎂 LOOKMHEE 27TH BIRTHDAY PROJECT 💛🐨 This year, Lookmhee’s face is finally up on a billboard 🥹🐨 A truly special moment made possible by the love and support from all fans 💛 📺 LED Locations • Parc Paragon LED, Siam Paragon • Interchange21 LED, Asoke 🗓️ Period : 6 – 8 February 2026 ⏰ Time : 06.00 A.M. – 12.00 P.M. 📍 Locations • Parc Paragon, Siam Paragon • Interchange21 (Asoke) 🎬 Screening Details • Spot : 30 seconds • Frequency : 4 times per hour 👩‍❤️‍👩 This project is a collaboration between 3 fanbases Lmlookmhee_CNFANS🇨🇳 LMSY Singapore We sincerely thank all fanbases for their cooperation and dedication, which made this birthday project possible. We would also like to thank every fan who contributed through donations, no matter how big or small. Each and every one of you is an important part of bringing this project to life 💛 📸✨ Fans are warmly invited to visit and collect Lookmhee’s birthday project Take photos or videos and share them with everyone! Don’t forget to use the project hashtag to spread the love and celebrate this special moment together 💛🐨 Happy 27th Birthday, Lookmhee 🎂✨ May this year be filled with smiles, happiness, and endless love from all of us 💛 #lmlookmhee #ลูกหมีปัญญาพัชร #LMSY #ลูกหมีซอนญ่า

Lookmheeland.OfficialTH

14,713 просмотров • 7 месяцев назад

⚓️ STEJAY HARBOR: Anchored in Love Project 9 – Grand Finale ⚓️ We dreamed of a closing that would make this tour unforgettable, a night where the sky blooms with light and music, a celebration no STEJAYist will ever forget. 🎆✨ At first, we held back, wondering if this vision could truly take shape. But the Harbor was ready. Fans were ready. Everyone's love for STEJAY was too strong not to be shared, and together we chose to make it happen. 🤍 Introducing our grand finale: a Pyromusical Show, designed to light up the night and etch memories that Steven, JL, and every fan will carry forever. Fireworks, music, and love, woven together into one breathtaking celebration. 🌌🎶 Event Details📌 - Date: July 26, 2026 - Time: 11:00 PM - Location: SM By the Bay Project Details: • Pyromusical Package: ₱345,000 • SM By the Bay Venue Rental: ₱89,600 • Sound Engineer and Voice Talent: ₱8,000 • Permits/Other Charges: ₱57,400 Project Timeline: • May 29, 2026 9:07 AM – Project was proposed to the team. • May 29, 2026 9:38 AM – Sent email inquiries to prospect suppliers. • June 2, 2026 12:10 AM – Private collection started in Anchorpoint. [₱307,883] • June 2, 2026 10:35 AM – Public Donation Drive started. [₱47,026] • June 2, 2026 2:28 PM – ₱320,000 Goal Achieved. • June 5, 2026 – Sent our Letter of Intent to SM MOA. • June 6, 2026 – SM MOA forwarded our letter to the management for review and evaluation. • June 8, 2026 2:45 PM – Project was endorsed to marketing. • June 8, 2026 3:51 PM – Meeting concluded with marketing manager with complete details, venue rental estimate, and requirements. • June 16, 2026 – A large portion of Rewrite the Lines collection was forwarded to Project #9. • June 29, 2026 2:34 PM – Offer was received and reviewed by SJH team. • June 29, 2026 2:47 PM – Offer signed. • June 29, 2026 3:07 PM – Venue Certification received. • June 29, 2026 3:41 PM – Pyromusical secured and downpayment sent to supplier. This project is more than spectacle. It's a tribute to the fans who gave their hearts, and to every hand that helped us build this journey. Your dedication, creativity, and love made this possible. 💖✨ Project #9 is our promise, that this tour will never be forgotten. That every burst in the sky will remind us of the bond we share. That Anchored in Love will always mean celebrating Steven, JL, and the fans who sail with them. ⚓️🚢 ⚠️ Note/Disclaimer: This project was funded through a combination of private support and a donation drive. The majority of the cost was privately funded by sponsors, admins, and fans through direct transactions. The remaining amount was raised through a donation drive. Always for STEJAY, always Anchored in Love. All aboard! 🤍 ANCHORED IN LOVE #StevenKim #JLGaspar #STEJAY #스티븐 #제이엘 #AHOF #아홉 AHOF
0:48

⚓️ STEJAY HARBOR: Anchored in Love Project 9 – Grand Finale ⚓️ We dreamed of a closing that would make this tour unforgettable, a night where the sky blooms with light and music, a celebration no STEJAYist will ever forget. 🎆✨ At first, we held back, wondering if this vision could truly take shape. But the Harbor was ready. Fans were ready. Everyone's love for STEJAY was too strong not to be shared, and together we chose to make it happen. 🤍 Introducing our grand finale: a Pyromusical Show, designed to light up the night and etch memories that Steven, JL, and every fan will carry forever. Fireworks, music, and love, woven together into one breathtaking celebration. 🌌🎶 Event Details📌 - Date: July 26, 2026 - Time: 11:00 PM - Location: SM By the Bay Project Details: • Pyromusical Package: ₱345,000 • SM By the Bay Venue Rental: ₱89,600 • Sound Engineer and Voice Talent: ₱8,000 • Permits/Other Charges: ₱57,400 Project Timeline: • May 29, 2026 9:07 AM – Project was proposed to the team. • May 29, 2026 9:38 AM – Sent email inquiries to prospect suppliers. • June 2, 2026 12:10 AM – Private collection started in Anchorpoint. [₱307,883] • June 2, 2026 10:35 AM – Public Donation Drive started. [₱47,026] • June 2, 2026 2:28 PM – ₱320,000 Goal Achieved. • June 5, 2026 – Sent our Letter of Intent to SM MOA. • June 6, 2026 – SM MOA forwarded our letter to the management for review and evaluation. • June 8, 2026 2:45 PM – Project was endorsed to marketing. • June 8, 2026 3:51 PM – Meeting concluded with marketing manager with complete details, venue rental estimate, and requirements. • June 16, 2026 – A large portion of Rewrite the Lines collection was forwarded to Project #9. • June 29, 2026 2:34 PM – Offer was received and reviewed by SJH team. • June 29, 2026 2:47 PM – Offer signed. • June 29, 2026 3:07 PM – Venue Certification received. • June 29, 2026 3:41 PM – Pyromusical secured and downpayment sent to supplier. This project is more than spectacle. It's a tribute to the fans who gave their hearts, and to every hand that helped us build this journey. Your dedication, creativity, and love made this possible. 💖✨ Project #9 is our promise, that this tour will never be forgotten. That every burst in the sky will remind us of the bond we share. That Anchored in Love will always mean celebrating Steven, JL, and the fans who sail with them. ⚓️🚢 ⚠️ Note/Disclaimer: This project was funded through a combination of private support and a donation drive. The majority of the cost was privately funded by sponsors, admins, and fans through direct transactions. The remaining amount was raised through a donation drive. Always for STEJAY, always Anchored in Love. All aboard! 🤍 ANCHORED IN LOVE #StevenKim #JLGaspar #STEJAY #스티븐 #제이엘 #AHOF #아홉 AHOF

SteJay Harbor

153,886 просмотров • 2 месяцев назад

What if there were stories waiting for you… stories you've never read before? Something new is about to set sail at Tides and Tales. A hidden corner of the harbor filled with Voyager exclusive stories, new worlds, unforgettable characters, and stories created by the talented writers of our Tides and Tales crew. ✨ OPENING SOON: THE TIDES AND TALES READER HUB ✨ Whether you're someone who loves getting lost between the pages or a writer ready to share a story of your own, a new journey is waiting for you. 📖 For Readers Discover exclusive stories you won't find anywhere else and dive into tales waiting to be explored. ✍️ For Authors Tides and Tales is more than a place to share your work. It's a space created to support writers, open new opportunities, and give their stories room to grow. Authors who have officially applied to Tides and Tales may have the opportunity to contribute their stories to SteJay Harbor. A huge portion of the earnings from these stories will directly support SteJay Harbor's projects and initiatives for SteJay, helping the harbor keep sailing forward. SteJay Harbor is also giving opportunities to authors to help our projects and support their work financially, because we believe writers should be recognized not only for the stories they create but also for the value they bring to the harbor. All authors and submissions will undergo a review and approval process before being featured. New stories are coming. New worlds are waiting. And this time, the journey begins at the harbor. Are you ready to turn the page? 🌊✨ TALES BEYOND THE TIDE #스티븐 #제이엘 #STEVEN #JL #STEJAY
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What if there were stories waiting for you… stories you've never read before? Something new is about to set sail at Tides and Tales. A hidden corner of the harbor filled with Voyager exclusive stories, new worlds, unforgettable characters, and stories created by the talented writers of our Tides and Tales crew. ✨ OPENING SOON: THE TIDES AND TALES READER HUB ✨ Whether you're someone who loves getting lost between the pages or a writer ready to share a story of your own, a new journey is waiting for you. 📖 For Readers Discover exclusive stories you won't find anywhere else and dive into tales waiting to be explored. ✍️ For Authors Tides and Tales is more than a place to share your work. It's a space created to support writers, open new opportunities, and give their stories room to grow. Authors who have officially applied to Tides and Tales may have the opportunity to contribute their stories to SteJay Harbor. A huge portion of the earnings from these stories will directly support SteJay Harbor's projects and initiatives for SteJay, helping the harbor keep sailing forward. SteJay Harbor is also giving opportunities to authors to help our projects and support their work financially, because we believe writers should be recognized not only for the stories they create but also for the value they bring to the harbor. All authors and submissions will undergo a review and approval process before being featured. New stories are coming. New worlds are waiting. And this time, the journey begins at the harbor. Are you ready to turn the page? 🌊✨ TALES BEYOND THE TIDE #스티븐 #제이엘 #STEVEN #JL #STEJAY

SteJay Harbor

13,693 просмотров • 7 дней назад

From my conversation with Will Storr: Rob Henderson: I think you cited some research suggesting that the Hero’s Journey might not be what audiences are actually responding to. That instead, it might be something like story reversals. Is that right? Will Storr: Yeah, there was a fascinating study where AI analyzed a bunch of film scripts and freely available books. They wanted to see if stories that followed structures like the Hero’s Journey or Freytag’s Pyramid were more successful—measured by downloads or IMDb scores. But they found no real correlation between structure and success. That surprised me. Then I figured maybe structure is so common it’s hard to detect—there’s just too much noise. Most screenwriters follow some formula, whether it’s Campbell or Save the Cat. Plus, the fiction they used was mostly amateur romantic novels from fan sites, so the dataset wasn’t ideal. But another study found something more interesting: stories with more reversals—sudden shifts in fortune—did much better. The more dramatic the swings, the more popular the story. In fact, the most reversal-heavy books got around 160% more downloads. That lines up with what’s in The Bestseller Code—have you read it? Rob Henderson: I’ve read parts of it, yeah. Will Storr: It’s by a Penguin editor and a data analyst who studied bestselling novels like Fifty Shades of Grey and The Da Vinci Code—books critics hate but readers love. They graphed the emotional ups and downs and found nearly identical patterns: constant reversals. They called it “the bestseller code.” So if you want commercial success, it’s not necessarily about mythic structure—it’s the emotional turbulence. Just: up, down, up, down, again and again.
3:07

From my conversation with Will Storr: Rob Henderson: I think you cited some research suggesting that the Hero’s Journey might not be what audiences are actually responding to. That instead, it might be something like story reversals. Is that right? Will Storr: Yeah, there was a fascinating study where AI analyzed a bunch of film scripts and freely available books. They wanted to see if stories that followed structures like the Hero’s Journey or Freytag’s Pyramid were more successful—measured by downloads or IMDb scores. But they found no real correlation between structure and success. That surprised me. Then I figured maybe structure is so common it’s hard to detect—there’s just too much noise. Most screenwriters follow some formula, whether it’s Campbell or Save the Cat. Plus, the fiction they used was mostly amateur romantic novels from fan sites, so the dataset wasn’t ideal. But another study found something more interesting: stories with more reversals—sudden shifts in fortune—did much better. The more dramatic the swings, the more popular the story. In fact, the most reversal-heavy books got around 160% more downloads. That lines up with what’s in The Bestseller Code—have you read it? Rob Henderson: I’ve read parts of it, yeah. Will Storr: It’s by a Penguin editor and a data analyst who studied bestselling novels like Fifty Shades of Grey and The Da Vinci Code—books critics hate but readers love. They graphed the emotional ups and downs and found nearly identical patterns: constant reversals. They called it “the bestseller code.” So if you want commercial success, it’s not necessarily about mythic structure—it’s the emotional turbulence. Just: up, down, up, down, again and again.

Rob Henderson

10,849 просмотров • 1 год назад

Oom Eisaya | A 10-Year Journey 🤍 Birthday Fan Project 2026 🎂✨🎉 วิดีโอแฟนโปรเจกต์นี้ จัดทำขึ้นด้วยความรักจากแฟนคลับชาวคาร์บและชาวบลอสซั่ม ที่มีต่อ อุ้ม อิษยา (Oom Eisaya) เพื่อส่งต่อความรู้สึกจากหัวใจของแฟนคลับทุกคน และอยากให้อุ้มได้รับรู้ไว้เสมอว่า... คุณอาจจะเป็นแค่ "คน ๆ หนึ่ง" ในโลกใบนี้ แต่คุณอาจจะเป็น "โลกทั้งใบ" ของคนคนหนึ่งก็ได้ You may only be one person to the world, but you may also be the whole world to one person. ขอให้พี่อุ้มอิษยามีความสุขมาก ๆ มีรอยยิ้มที่สดใสในทุกวัน ได้พบเจอแต่ผู้คนที่ดี มีสุขภาพแข็งแรง และมีแต่เรื่องราวดี ๆ เข้ามาในชีวิต ขอบคุณที่ทุ่มเทและตั้งใจสร้างสรรค์ผลงานมาตลอดเส้นทางกว่า 10 ปี ขอบคุณที่ไม่เคยหยุดพัฒนาตัวเอง และมอบทั้งความสุข รอยยิ้ม และแรงบันดาลใจให้กับผู้คนมากมาย ขอบคุณที่เป็น "อุ้ม อิษยา" ในแบบที่พวกเราภูมิใจเสมอ ไม่ว่าพี่จะเลือกเดินบนเส้นทางไหน ขอให้รู้ไว้ว่าจะมีพวกเราทุกคนคอยอยู่เคียงข้าง คอยสนับสนุน และเป็นกำลังใจให้พี่ในทุกก้าวเสมอ ขอให้ความรักและกำลังใจจากแฟนคลับทุกคน คอยโอบกอดพี่อุ้มในทุกวันที่เหนื่อย และเป็นพลังให้พี่ยิ้มได้ในทุกวัน เพราะไม่ว่าจะผ่านไปนานแค่ไหน พวกเราจะยังคงอยู่ตรงนี้... รัก เชื่อมั่น และซัพพอร์ตพี่อุ้มอิษยาเสมอ วิดีโอนี้ถูกนำเสนอและเปิดฉายภายในกิจกรรม "Oom Eisaya Birthday Charity 2026" เมื่อวันที่ 4 กรกฎาคม 2026 ทีมงานขออนุญาตเผยแพร่วิดีโอนี้ เพื่อแบ่งปันความทรงจำอันแสนพิเศษให้กับแฟนคลับทุกคน ทั้งชาวคาร์บ ชาวบลอสซั่ม (อ๊บอ๊บ) และทุกคนที่รักอุ้มอิษยา ได้ร่วมรับชมและเก็บเกี่ยวช่วงเวลาแห่งความประทับใจนี้ไปด้วยกัน โดยไม่มีวัตถุประสงค์เพื่อแสวงหาผลกำไรหรือใช้ในเชิงพาณิชย์ This fan project video was created with love by Carb and Blossom fans for Oom Eisaya, as a heartfelt gift to remind her that she is deeply loved and cherished by all of us. You may only be one person to the world, but you may also be the whole world to one person. Thank you for dedicating yourself to your craft and for creating wonderful work throughout the past 10 years. Thank you for never stopping, for always growing, and for bringing happiness, comfort, and inspiration to so many people through everything you do. Most of all, thank you for being Oom Eisaya—the person we are so proud of. Whatever path you choose to walk in the future, please remember that we will always be here, supporting you, believing in you, and cheering you on every step of the way. We hope your days are filled with happiness, bright smiles, good health, wonderful people, and countless beautiful moments. May the love from all your fans always be a source of warmth and strength whenever you need it. No matter how much time passes, our love and support for you will never change. This video was first presented during the "Oom Eisaya Birthday Charity 2026" event on 4 July 2026. We are now sharing it with all Carb fans, Blossom (Ob Ob) fans, and everyone who loves Oom Eisaya, so that we can relive these precious memories together. This video is shared purely for commemorative purposes and is not intended for any commercial use. 30 YEARS EVER IN BLOOM #Oomeis30thYoungCarbs #oomeisaya #อุ้มอิษยา
6:08

Oom Eisaya | A 10-Year Journey 🤍 Birthday Fan Project 2026 🎂✨🎉 วิดีโอแฟนโปรเจกต์นี้ จัดทำขึ้นด้วยความรักจากแฟนคลับชาวคาร์บและชาวบลอสซั่ม ที่มีต่อ อุ้ม อิษยา (Oom Eisaya) เพื่อส่งต่อความรู้สึกจากหัวใจของแฟนคลับทุกคน และอยากให้อุ้มได้รับรู้ไว้เสมอว่า... คุณอาจจะเป็นแค่ "คน ๆ หนึ่ง" ในโลกใบนี้ แต่คุณอาจจะเป็น "โลกทั้งใบ" ของคนคนหนึ่งก็ได้ You may only be one person to the world, but you may also be the whole world to one person. ขอให้พี่อุ้มอิษยามีความสุขมาก ๆ มีรอยยิ้มที่สดใสในทุกวัน ได้พบเจอแต่ผู้คนที่ดี มีสุขภาพแข็งแรง และมีแต่เรื่องราวดี ๆ เข้ามาในชีวิต ขอบคุณที่ทุ่มเทและตั้งใจสร้างสรรค์ผลงานมาตลอดเส้นทางกว่า 10 ปี ขอบคุณที่ไม่เคยหยุดพัฒนาตัวเอง และมอบทั้งความสุข รอยยิ้ม และแรงบันดาลใจให้กับผู้คนมากมาย ขอบคุณที่เป็น "อุ้ม อิษยา" ในแบบที่พวกเราภูมิใจเสมอ ไม่ว่าพี่จะเลือกเดินบนเส้นทางไหน ขอให้รู้ไว้ว่าจะมีพวกเราทุกคนคอยอยู่เคียงข้าง คอยสนับสนุน และเป็นกำลังใจให้พี่ในทุกก้าวเสมอ ขอให้ความรักและกำลังใจจากแฟนคลับทุกคน คอยโอบกอดพี่อุ้มในทุกวันที่เหนื่อย และเป็นพลังให้พี่ยิ้มได้ในทุกวัน เพราะไม่ว่าจะผ่านไปนานแค่ไหน พวกเราจะยังคงอยู่ตรงนี้... รัก เชื่อมั่น และซัพพอร์ตพี่อุ้มอิษยาเสมอ วิดีโอนี้ถูกนำเสนอและเปิดฉายภายในกิจกรรม "Oom Eisaya Birthday Charity 2026" เมื่อวันที่ 4 กรกฎาคม 2026 ทีมงานขออนุญาตเผยแพร่วิดีโอนี้ เพื่อแบ่งปันความทรงจำอันแสนพิเศษให้กับแฟนคลับทุกคน ทั้งชาวคาร์บ ชาวบลอสซั่ม (อ๊บอ๊บ) และทุกคนที่รักอุ้มอิษยา ได้ร่วมรับชมและเก็บเกี่ยวช่วงเวลาแห่งความประทับใจนี้ไปด้วยกัน โดยไม่มีวัตถุประสงค์เพื่อแสวงหาผลกำไรหรือใช้ในเชิงพาณิชย์ This fan project video was created with love by Carb and Blossom fans for Oom Eisaya, as a heartfelt gift to remind her that she is deeply loved and cherished by all of us. You may only be one person to the world, but you may also be the whole world to one person. Thank you for dedicating yourself to your craft and for creating wonderful work throughout the past 10 years. Thank you for never stopping, for always growing, and for bringing happiness, comfort, and inspiration to so many people through everything you do. Most of all, thank you for being Oom Eisaya—the person we are so proud of. Whatever path you choose to walk in the future, please remember that we will always be here, supporting you, believing in you, and cheering you on every step of the way. We hope your days are filled with happiness, bright smiles, good health, wonderful people, and countless beautiful moments. May the love from all your fans always be a source of warmth and strength whenever you need it. No matter how much time passes, our love and support for you will never change. This video was first presented during the "Oom Eisaya Birthday Charity 2026" event on 4 July 2026. We are now sharing it with all Carb fans, Blossom (Ob Ob) fans, and everyone who loves Oom Eisaya, so that we can relive these precious memories together. This video is shared purely for commemorative purposes and is not intended for any commercial use. 30 YEARS EVER IN BLOOM #Oomeis30thYoungCarbs #oomeisaya #อุ้มอิษยา

OOMEISAYA OFFICIALTH ✨CARBSของอุ้ม 🍞💕

10,724 просмотров • 2 месяцев назад

Werner Herzog explains how he got the inspiration to write his debut feature film, 'Signs of Life' (1968): "Whilst in Greece I walked around the mountains of Crete where I came across a valley. I had to sit down because I was sure I had gone insane. Before me lay 10,000 windmills - it was like a field of flowers gone mad - turning and turning with these tiny squeaking noises. I sat down and pinched myself. I have either gone insane or have seen something very significant indeed.' Of course, it turned out that the windmills were for real, and this central image became a pivotal point of the film, a land- scape in complete ecstasy and fantastic madness. I knew as I stood there that I would return one day to make a film. Had I never seen the windmills, I would not have made the connection between this fantastic landscape and the von Arnim story, which I read only later on. In Signs of Life there are long shots of the incredible landscapes of Crete. The opening credits, for example, hold for an unusually long time with a single shot of a mountain valley. It gives you time to really climb deep inside the landscapes, and for them to climb inside you. It shows that these are not just literal landscapes you are looking at, but landscapes of the mind too." ('Herzog on Herzog', edited by Paul Cronin, 2002)
1:55

Werner Herzog explains how he got the inspiration to write his debut feature film, 'Signs of Life' (1968): "Whilst in Greece I walked around the mountains of Crete where I came across a valley. I had to sit down because I was sure I had gone insane. Before me lay 10,000 windmills - it was like a field of flowers gone mad - turning and turning with these tiny squeaking noises. I sat down and pinched myself. I have either gone insane or have seen something very significant indeed.' Of course, it turned out that the windmills were for real, and this central image became a pivotal point of the film, a land- scape in complete ecstasy and fantastic madness. I knew as I stood there that I would return one day to make a film. Had I never seen the windmills, I would not have made the connection between this fantastic landscape and the von Arnim story, which I read only later on. In Signs of Life there are long shots of the incredible landscapes of Crete. The opening credits, for example, hold for an unusually long time with a single shot of a mountain valley. It gives you time to really climb deep inside the landscapes, and for them to climb inside you. It shows that these are not just literal landscapes you are looking at, but landscapes of the mind too." ('Herzog on Herzog', edited by Paul Cronin, 2002)

DepressedBergman

252,727 просмотров • 9 месяцев назад

𝗗-𝟮 𝗯𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗟𝗬𝗦𝗕 𝗠𝗼𝘃𝗶𝗲 🎬 𝘗𝘢𝘳𝘵 𝘛𝘸𝘰 𝘰𝘧 𝘞𝘪𝘭𝘭𝘊𝘢𝘥𝘦𝘮𝘺 𝘗𝘳𝘦𝘴𝘦𝘯𝘵𝘴: 𝘞𝘪𝘭𝘭𝘊𝘢𝘵𝘢𝘭𝘬! 🩷🩵 As the showing date of Love You So Bad draws near, the WillCademy team carried Savannah’s story from one place to another—across campuses, cities, and conversations. From UP Diliman to MAPUA Laguna, and all the way to Cagayan de Oro City—Xavier University, Limketkai Mall, and the University of Science and Technology of Southern Philippines—we listened to voices willing to pause, reflect, and feel. We asked them questions starting with, “If you were Savannah’s friend…” Because when someone you care about is caught between two kinds of love, giving advice is no longer casual—it becomes a responsibility. Savannah stands at the edge of two worlds: one shaped by calm and certainty, the other by speed, thrill, and unpredictability. Does Victor’s quiet, steady presence deserve her heart? Or does Savannah deserve a love that makes her feel fiercely, overwhelmingly alive? In every answer we heard, there was pause, honesty, and the kind of truth that only surfaces when you imagine your friend’s heart on the line. This series invites us to look at love from the outside—when it is no longer about what excites you, but about what will not break someone you love. Through these conversations, Savannah slowly stopped being just a character on screen. She became a reflection of the people we care for, the choices we’ve witnessed, and the moments when love demanded wisdom more than passion. Because love looks different when you are not the one choosing. As a friend, you stop asking what feels thrilling, and start asking what will keep her whole. And in those raw, unfiltered answers, Savannah’s story turned into a mirror of our own experiences—our past loves, our quiet regrets, and the advice we wish we had listened to sooner. In that space, she was no longer just a character. She became someone we wanted to protect, understand, and guide. This fan project was made possible by our dearest ninang Greenwich Pizza, whose support has been felt from the very beginning. From day one to every shoot day that followed, they continued to show up, stand with us, and believe in what we are creating—for WillCa, for WillCatchers, and for the stories that deserve to be told. 💚🍕 And this journey does not end here. Watch out for the upcoming episodes of our video series—because there are still more stories, more truths, and more conversations about love waiting to be heard. Love You So Bad. This December 25, 2025. Edited by: Weematcha🩺 #GreenwichxWillCa #LYSBPromo #MMFF2025 #LoveYouSoBad #TeamSaVic | Mae Cruz Alviar Will Ashley | Bianca De Vera WILLCA GATEWAY TO ENDGAME
9:16

𝗗-𝟮 𝗯𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗟𝗬𝗦𝗕 𝗠𝗼𝘃𝗶𝗲 🎬 𝘗𝘢𝘳𝘵 𝘛𝘸𝘰 𝘰𝘧 𝘞𝘪𝘭𝘭𝘊𝘢𝘥𝘦𝘮𝘺 𝘗𝘳𝘦𝘴𝘦𝘯𝘵𝘴: 𝘞𝘪𝘭𝘭𝘊𝘢𝘵𝘢𝘭𝘬! 🩷🩵 As the showing date of Love You So Bad draws near, the WillCademy team carried Savannah’s story from one place to another—across campuses, cities, and conversations. From UP Diliman to MAPUA Laguna, and all the way to Cagayan de Oro City—Xavier University, Limketkai Mall, and the University of Science and Technology of Southern Philippines—we listened to voices willing to pause, reflect, and feel. We asked them questions starting with, “If you were Savannah’s friend…” Because when someone you care about is caught between two kinds of love, giving advice is no longer casual—it becomes a responsibility. Savannah stands at the edge of two worlds: one shaped by calm and certainty, the other by speed, thrill, and unpredictability. Does Victor’s quiet, steady presence deserve her heart? Or does Savannah deserve a love that makes her feel fiercely, overwhelmingly alive? In every answer we heard, there was pause, honesty, and the kind of truth that only surfaces when you imagine your friend’s heart on the line. This series invites us to look at love from the outside—when it is no longer about what excites you, but about what will not break someone you love. Through these conversations, Savannah slowly stopped being just a character on screen. She became a reflection of the people we care for, the choices we’ve witnessed, and the moments when love demanded wisdom more than passion. Because love looks different when you are not the one choosing. As a friend, you stop asking what feels thrilling, and start asking what will keep her whole. And in those raw, unfiltered answers, Savannah’s story turned into a mirror of our own experiences—our past loves, our quiet regrets, and the advice we wish we had listened to sooner. In that space, she was no longer just a character. She became someone we wanted to protect, understand, and guide. This fan project was made possible by our dearest ninang Greenwich Pizza, whose support has been felt from the very beginning. From day one to every shoot day that followed, they continued to show up, stand with us, and believe in what we are creating—for WillCa, for WillCatchers, and for the stories that deserve to be told. 💚🍕 And this journey does not end here. Watch out for the upcoming episodes of our video series—because there are still more stories, more truths, and more conversations about love waiting to be heard. Love You So Bad. This December 25, 2025. Edited by: Weematcha🩺 #GreenwichxWillCa #LYSBPromo #MMFF2025 #LoveYouSoBad #TeamSaVic | Mae Cruz Alviar Will Ashley | Bianca De Vera WILLCA GATEWAY TO ENDGAME

WILLCADEMY

28,811 просмотров • 8 месяцев назад

BREAKING NEWS 🚨🚨 Per newly-released John O'Keefe and Karen Read trial transcripts (May 24, 2024), undercover ATF Agent Brian Higgins testified or provided information to the US DOJ in Boston under a grant of immunity at some point prior to May of 2024 regarding John's death. Source, pages 127-128 (of 5481) here - Higgins, also according to new documents, was in some kind of bisexual relationship with both John and Karen in the weeks before John's death (that, for some reason, involved "gay men.") Read those text messages here - Furthermore, Higgins was inside a home at 34 Fairview Road in Canton on the night/early morning of January 28th into January 29th of 2022 that John was killed and left to die from a brain hemorrhage and hypothermia on a lawn during a blizzard. In recent weeks, it was also revealed that the state police unit who investigated Karen Read (and who may also have been involved in the coverup of Sandra Birchmore's murder by Stoughton police officer, and affiliate of Epstein-linked Stoughton Deputy Chief Robert Devine, Matthew Farwell) were the subject of an intense federal grand jury investigation related to the "performance of the Massachusetts state police" between, at the very least, the summer of 2024 and the early spring of 2024. Read more about the document, from the Brian Walshe, confirming that federal probe of the "performance of the state police" here- That grand jury (which, per the federal information filed against leaker Jessica Leslie, was empaneled by Justice Indra Talwani on May 26, 2022) culminated in a shocking six and a half hour interview of infamous former state trooper Michael Proctor (who worked under Brian Tully at the Norfolk District Attorney's State Police SPDU unit). According to new Internal Affairs documents released about Tully, after Proctor's six hour grilling by then US Attorney For The District Of Massachusetts Josh Levy, Tully and his right-hand man John Fanning (the trooper who wrote the 2021 state police report clearing Farwell for Birchmore's murder initially, prior to federal charges coming down for Farwell in August of 2024) visited Proctor's home and were desperate for information about that federal probe. Read that IA report here - Interestingly, in December of 2023, Brian Tully also used his official position as a state police officer to ask Lindsey Gaetani if she knew information about the "target of the federal probe." When Lindsey (a witness in the orbit of the TurtleBoy and Karen Read cases) told Tully that Norfolk DA Michael Morrissey was the target of the probe, Tully reacted with shock. Interestingly, Tully would have had access to a November 28, 2023, text messages (sent at 6:42PM ET exactly) from TurtleBoy to Lindsey which indicated that Josh Levy wanted to set an obstruction trap for Read trial witness Jen McCabe (who knows Tully personally and speaks to him directly) by comparing the discovery turned over to Karen Read's legal team with records obtained by the DOJ from McCabe's cellphone between February and May of 2022. Here's the transcript of an interview where Lindsey described that moment with Tully; **Grant Smith-Ellis:** Yeah, and Lindsey, let me ask you about something because I kind of might have previewed it before you came on, but I'm very interested to hear you talk about it. Brian Tully alludes in paragraph 79 of the Karen Read search warrant affidavit to a piece of information you told him related to like something about Josh Levy or something. Did Brian Tully—in December of 2023, while the Birchmore investigation was open (we know that now in hindsight)—did he ask you who the targets of the federal probe were? And what did you tell him, and how did he respond? **Lindsey Gaetani:** Yeah, and I said, yeah—from the conversations I had with Aidan, it was implied or alluded to—from either his conversations with Karen or whatever—that the target was Michael Morrissey. And I remember this moment like as if it were yesterday: Tully, at the same exact time as Nelson—they both looked at each other like their heads turned sideways. They both looked at each other, made eye contact, and kind of smirked. And then they looked back at me and continued the questioning. But it was just like—I was frozen in that moment, and I was like—what was that smirk about? Like, was that a smirk of relief? Like, “We are not the target”? Or was that a smirk of like, “Oh good—like, this is what we thought”? Like, I don't know what that was. I don't—I didn't know how to interpret it. I just know what I saw, you know? Source - In any event, on March 7th of 2024, after Tully found out that the DOJ had the contents of Michael proctor's cellphone (showing Proctor used horrifying language towards Karen Read), Tully was then forced to write up a disciplinary report on Proctor. However, before Tully could do so, Tully was forced to sign an NDA with the DOJ (middlewomaned by Norfolk ADA Laura McLaughlin) whereupon Tully was not allowed to see or hold the records from proctor's cellphone. Instead, Tully had to enter a room with McLaughlin and McLaughlin was not permitted (by the DOJ) to allow Tully to see or touch the documents. She read them, in part, to Tully and then he left the room. Furthermore, it is of note that, in July of 2025 (after Karen's second trial resulted in her acquittal for John's death and a guilty verdict on OUI) Michael Proctor, through counsel, told a lawyer in a number of other cases that Proctor investigated (including Myles King and Brian Walshe) that Proctor did not have any phone records to turn over to those defendants because his "old phone was destroyed in November of 2024" and "his new phone auto deletes itself every 30 days." Just a few months later, however, in late August of 2025, "someone" turned over 13 years of Proctor's phone records (including records that showed Proctor "sharing an SA victims name" with third parties, "sharing intimate images" with third parties and, also, potentially using racial slurs against defendants in cases Proctor investigated. Read more background about that timeline and Proctor's phone records here - In light of that information showing up in the Norfolk DA's possession, somehow, and then being turned over to multiple criminal defendants, Proctor then dropped his long-standing appeal of his discharge from the state police and retreated from public life entirely (as did almost all of his friends and allies connected to the Read investigation, many of whom were transferred demoted or involved in strange public scandals wherein the Boston Police Commissioner called them into his office and then lied to the media about it). As a result, it may well be that Brian Higgins is, or was, cooperating as a federal witness against some of the members of the state police unit who were involved in the investigation of John O'Keefe's death (and potentially he coverup of Sandra Birchmore's murder). My name is Grant Smith-Ellis and I wrote all of that from memory.
3:58

BREAKING NEWS 🚨🚨 Per newly-released John O'Keefe and Karen Read trial transcripts (May 24, 2024), undercover ATF Agent Brian Higgins testified or provided information to the US DOJ in Boston under a grant of immunity at some point prior to May of 2024 regarding John's death. Source, pages 127-128 (of 5481) here - Higgins, also according to new documents, was in some kind of bisexual relationship with both John and Karen in the weeks before John's death (that, for some reason, involved "gay men.") Read those text messages here - Furthermore, Higgins was inside a home at 34 Fairview Road in Canton on the night/early morning of January 28th into January 29th of 2022 that John was killed and left to die from a brain hemorrhage and hypothermia on a lawn during a blizzard. In recent weeks, it was also revealed that the state police unit who investigated Karen Read (and who may also have been involved in the coverup of Sandra Birchmore's murder by Stoughton police officer, and affiliate of Epstein-linked Stoughton Deputy Chief Robert Devine, Matthew Farwell) were the subject of an intense federal grand jury investigation related to the "performance of the Massachusetts state police" between, at the very least, the summer of 2024 and the early spring of 2024. Read more about the document, from the Brian Walshe, confirming that federal probe of the "performance of the state police" here- That grand jury (which, per the federal information filed against leaker Jessica Leslie, was empaneled by Justice Indra Talwani on May 26, 2022) culminated in a shocking six and a half hour interview of infamous former state trooper Michael Proctor (who worked under Brian Tully at the Norfolk District Attorney's State Police SPDU unit). According to new Internal Affairs documents released about Tully, after Proctor's six hour grilling by then US Attorney For The District Of Massachusetts Josh Levy, Tully and his right-hand man John Fanning (the trooper who wrote the 2021 state police report clearing Farwell for Birchmore's murder initially, prior to federal charges coming down for Farwell in August of 2024) visited Proctor's home and were desperate for information about that federal probe. Read that IA report here - Interestingly, in December of 2023, Brian Tully also used his official position as a state police officer to ask Lindsey Gaetani if she knew information about the "target of the federal probe." When Lindsey (a witness in the orbit of the TurtleBoy and Karen Read cases) told Tully that Norfolk DA Michael Morrissey was the target of the probe, Tully reacted with shock. Interestingly, Tully would have had access to a November 28, 2023, text messages (sent at 6:42PM ET exactly) from TurtleBoy to Lindsey which indicated that Josh Levy wanted to set an obstruction trap for Read trial witness Jen McCabe (who knows Tully personally and speaks to him directly) by comparing the discovery turned over to Karen Read's legal team with records obtained by the DOJ from McCabe's cellphone between February and May of 2022. Here's the transcript of an interview where Lindsey described that moment with Tully; **Grant Smith-Ellis:** Yeah, and Lindsey, let me ask you about something because I kind of might have previewed it before you came on, but I'm very interested to hear you talk about it. Brian Tully alludes in paragraph 79 of the Karen Read search warrant affidavit to a piece of information you told him related to like something about Josh Levy or something. Did Brian Tully—in December of 2023, while the Birchmore investigation was open (we know that now in hindsight)—did he ask you who the targets of the federal probe were? And what did you tell him, and how did he respond? **Lindsey Gaetani:** Yeah, and I said, yeah—from the conversations I had with Aidan, it was implied or alluded to—from either his conversations with Karen or whatever—that the target was Michael Morrissey. And I remember this moment like as if it were yesterday: Tully, at the same exact time as Nelson—they both looked at each other like their heads turned sideways. They both looked at each other, made eye contact, and kind of smirked. And then they looked back at me and continued the questioning. But it was just like—I was frozen in that moment, and I was like—what was that smirk about? Like, was that a smirk of relief? Like, “We are not the target”? Or was that a smirk of like, “Oh good—like, this is what we thought”? Like, I don't know what that was. I don't—I didn't know how to interpret it. I just know what I saw, you know? Source - In any event, on March 7th of 2024, after Tully found out that the DOJ had the contents of Michael proctor's cellphone (showing Proctor used horrifying language towards Karen Read), Tully was then forced to write up a disciplinary report on Proctor. However, before Tully could do so, Tully was forced to sign an NDA with the DOJ (middlewomaned by Norfolk ADA Laura McLaughlin) whereupon Tully was not allowed to see or hold the records from proctor's cellphone. Instead, Tully had to enter a room with McLaughlin and McLaughlin was not permitted (by the DOJ) to allow Tully to see or touch the documents. She read them, in part, to Tully and then he left the room. Furthermore, it is of note that, in July of 2025 (after Karen's second trial resulted in her acquittal for John's death and a guilty verdict on OUI) Michael Proctor, through counsel, told a lawyer in a number of other cases that Proctor investigated (including Myles King and Brian Walshe) that Proctor did not have any phone records to turn over to those defendants because his "old phone was destroyed in November of 2024" and "his new phone auto deletes itself every 30 days." Just a few months later, however, in late August of 2025, "someone" turned over 13 years of Proctor's phone records (including records that showed Proctor "sharing an SA victims name" with third parties, "sharing intimate images" with third parties and, also, potentially using racial slurs against defendants in cases Proctor investigated. Read more background about that timeline and Proctor's phone records here - In light of that information showing up in the Norfolk DA's possession, somehow, and then being turned over to multiple criminal defendants, Proctor then dropped his long-standing appeal of his discharge from the state police and retreated from public life entirely (as did almost all of his friends and allies connected to the Read investigation, many of whom were transferred demoted or involved in strange public scandals wherein the Boston Police Commissioner called them into his office and then lied to the media about it). As a result, it may well be that Brian Higgins is, or was, cooperating as a federal witness against some of the members of the state police unit who were involved in the investigation of John O'Keefe's death (and potentially he coverup of Sandra Birchmore's murder). My name is Grant Smith-Ellis and I wrote all of that from memory.

Grant Smith Ellis

50,303 просмотров • 7 месяцев назад

GM GM GM! (✿>⩊<)࿔*°💜 ✨𝑨𝒔 𝒑𝒓𝒐𝒎𝒊𝒔𝒆𝒅, 𝑰’𝒎 𝒃𝒂𝒄𝒌 𝒘𝒊𝒕𝒉 𝒂 𝒅𝒂𝒚-𝒐𝒏𝒆 1𝒔𝒕 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒗𝒊𝒅𝒆𝒐 𝒓𝒆𝒗𝒊𝒆𝒘 𝒐𝒇 𝑵𝒆𝒗𝒆𝒓𝒏𝒆𝒔𝒔 𝒕𝒐 𝑬𝒗𝒆𝒓𝒏𝒆𝒔𝒔! 🎬🎧𝗘𝗻𝗷𝗼𝘆 𝘁𝗵𝗲 𝘃𝗶𝗱𝗲𝗼 & 𝘃𝗶𝗯𝗲 𝘄𝗶𝘁𝗵 𝗦𝗲𝗻𝗽𝗮𝗶🌸 🎐✍️Written review🔻 ⛱️Neverness to Everness delivers an electrifying, all-around experience that feels polished and exciting across every aspect. The gameplay is dynamic and constantly engaging, blending exploration with action in a way that always keeps you moving and discovering something new. Combat is fast, flashy, and incredibly satisfying, with smooth mechanics that make every encounter feel powerful and stylish. 🚘Driving is a major highlight, offering a sleek, responsive feel that makes traversing the world genuinely fun. Whether you’re speeding through neon-lit streets or cruising between objectives, it adds a strong sense of immersion and freedom. 💎Graphically, the game is stunning. The world is vibrant and detailed, with impressive lighting and effects that bring every scene to life. Cutscenes are cinematic and beautifully directed, seamlessly pulling you deeper into the experience. 📜The story is intriguing and filled with mystery, supported by high-quality cutscenes that give weight to the characters and their journey. It creates a sense of anticipation that keeps you invested in what comes next. 🎲The gacha mechanics add an extra layer of excitement, giving players the thrill of unlocking new characters and upgrades. It keeps progression feeling rewarding and constantly fresh. 🪩Overall, Neverness to Everness stands out as a stylish, high-energy game that excels in presentation, gameplay, and overall experience ~ definitely a 10/10 game if you love anime universe gacha games! 💽 #NTE #NTECREATOR #nte予告番組 #NevernesstoEverness #GachaGame #AnimeGame #WaifuGame #Gaming #AnimeRPG 🕹️𝑫𝑶𝑾𝑵𝑳𝑶𝑨𝑫 𝑭𝑹𝑬𝑬➤ 💋𝐓𝐇𝐀𝐍𝐊 𝐘𝐎𝐔 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐅𝐎𝐑 𝐁𝐄𝐈𝐍𝐆 𝐇𝐄𝐑𝐄 ~ 𝐒𝐄𝐍𝐏𝐀𝐈 𝐋𝐎𝐕𝐄𝐒 𝐘𝐎𝐔💖
11:38

GM GM GM! (✿>⩊<)࿔*°💜 ✨𝑨𝒔 𝒑𝒓𝒐𝒎𝒊𝒔𝒆𝒅, 𝑰’𝒎 𝒃𝒂𝒄𝒌 𝒘𝒊𝒕𝒉 𝒂 𝒅𝒂𝒚-𝒐𝒏𝒆 1𝒔𝒕 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒗𝒊𝒅𝒆𝒐 𝒓𝒆𝒗𝒊𝒆𝒘 𝒐𝒇 𝑵𝒆𝒗𝒆𝒓𝒏𝒆𝒔𝒔 𝒕𝒐 𝑬𝒗𝒆𝒓𝒏𝒆𝒔𝒔! 🎬🎧𝗘𝗻𝗷𝗼𝘆 𝘁𝗵𝗲 𝘃𝗶𝗱𝗲𝗼 & 𝘃𝗶𝗯𝗲 𝘄𝗶𝘁𝗵 𝗦𝗲𝗻𝗽𝗮𝗶🌸 🎐✍️Written review🔻 ⛱️Neverness to Everness delivers an electrifying, all-around experience that feels polished and exciting across every aspect. The gameplay is dynamic and constantly engaging, blending exploration with action in a way that always keeps you moving and discovering something new. Combat is fast, flashy, and incredibly satisfying, with smooth mechanics that make every encounter feel powerful and stylish. 🚘Driving is a major highlight, offering a sleek, responsive feel that makes traversing the world genuinely fun. Whether you’re speeding through neon-lit streets or cruising between objectives, it adds a strong sense of immersion and freedom. 💎Graphically, the game is stunning. The world is vibrant and detailed, with impressive lighting and effects that bring every scene to life. Cutscenes are cinematic and beautifully directed, seamlessly pulling you deeper into the experience. 📜The story is intriguing and filled with mystery, supported by high-quality cutscenes that give weight to the characters and their journey. It creates a sense of anticipation that keeps you invested in what comes next. 🎲The gacha mechanics add an extra layer of excitement, giving players the thrill of unlocking new characters and upgrades. It keeps progression feeling rewarding and constantly fresh. 🪩Overall, Neverness to Everness stands out as a stylish, high-energy game that excels in presentation, gameplay, and overall experience ~ definitely a 10/10 game if you love anime universe gacha games! 💽 #NTE #NTECREATOR #nte予告番組 #NevernesstoEverness #GachaGame #AnimeGame #WaifuGame #Gaming #AnimeRPG 🕹️𝑫𝑶𝑾𝑵𝑳𝑶𝑨𝑫 𝑭𝑹𝑬𝑬➤ 💋𝐓𝐇𝐀𝐍𝐊 𝐘𝐎𝐔 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐅𝐎𝐑 𝐁𝐄𝐈𝐍𝐆 𝐇𝐄𝐑𝐄 ~ 𝐒𝐄𝐍𝐏𝐀𝐈 𝐋𝐎𝐕𝐄𝐒 𝐘𝐎𝐔💖

🌸𝐒𝐄𝐍𝐏𝐀𝐈 先輩🍜

302,114 просмотров • 4 месяцев назад

The CIA's information war with American citizens and the operation that started it all. Project Mockingbird. This is one main aspect as to why people are so divided and brainwashed in today's society. Information has always been a crucial component to power and control. Knowledge is power, right? The only difference today from 40+ years ago is that now information flows at a rate that is absolutely mind-boggling and allows you to connect with anyone, at anytime, anywhere in the world, with real-time information 24/7 at your finger tips. So what happens when you have people who are suppose to be giving you accurate, truthful, information, and start to give you information that benefits, manipulates, and persuades the global population with mis and disinformation, protects certain corrupt people and groups by not reporting on other information, and who also lies and slanders other individuals all for the purpose to maintain power and control over the entire population, entirely on PURPOSE? You get what's called PROPAGANDA, aka, a sh*t show of so much purposeful bad and fake information, that it literally starts to persuade and mold the populations overall views and opinions on an array of various topics to fit the nefarious controllers, behind the scenes narrative or agenda. Ultimitely benefitting only them. If you take notice, these campaigns have been around for a long time, depending what side your on, your personal views and where you get your overall information will ultimately decide or be a factor of how much it has affected you or how much you are aware of the deception in the first place. Most legacy mainstream media groups are owned and operated by a small group of wealthy globalist individuals who seem to lean towards the left, and some leaning even farther left than others. These campaigns started to really pick up when Trump entered the picture in 2016. Trump was never suppose to win in the first place. Obama reinstated propaganda to be used on American citizens once again in 2013. The task to slander and attempt to destroy and imprison Trump through multiple operations and media campaigns were in full effect for the deep state to regain control of The White House. The group that these campaigns affected the most were the older groups and the younger groups. The people in the middle basically got to see both worlds play out in their lives at a crucial time period in their lives. They've seen the mainstream shift from what it once was, to an extreme lying, propaganda machine when Trump took office. The older aged crowd was so used to the regular nightly news and not as comfortable with newer technology to access alternative media sites and really just stuck with the mainstream's words and kept their faith in the MSM. Now the younger crowd literally grew up with the fully scripted, CIA, propaganda MSM because that is literally all they've ever known and haven't experienced anything else before or have anything to compare it to. Especially when your indoctrinated in a public school system that has been infiltrated itself with a majority of far-left teachers who usually end up being predators as well. That's a whole other story. The problem this CIA operation has caused was a population with people all in their own separate groups and boxes, fighting with each other over many things, instead of the people who started this mess in the first place, that aren't even true because one side has been lied to and manipulated. Brainwashed from a literal military style operation that's used to topple foreign countries during regime changes. And the worst part on top of all this is that know since Elon has started DOGE, a government efficiency operation, we are now uncovering that all these communist, Marxist, ideas, and operations and slander campaigns, and legal cases against Trump, down to these politicians luxurious lifestyles have been all funded and paid for by us, the TAXPAYERS. On the one example above, through USAID, there is proof of over $9 MILLION dollars that went to Reuters for a campaign named, " ACTIVE SOCIAL ENGINEERING DEFENSE LARGE SCALE SOCIAL DECEPTION," which is a definitive contract. There are thousands of examples just like this for all different companies, influencers, T.V. shows, Magazines, Articles, any type of media, and all of them are left leaning outlets. This has been going on for decades. Then on top off all of that, you have people who own these publishing and media companies who are not only getting paid by the taxpayers from the CIA to deceive us, but many of these owners are best friends with people like Jeffery Epstein and Ghislaine Maxell as you can also see above who is with Laurene Powell Jobs, the owner of "The Atlantic" publication, on vacation just hanging out. You wonder why the media never talks about child trafficking. Their paid to cover it up, or they're literally involved themselves... It just get's better and better. The good news is that it is now being exposed and shut down. Let's dive into the history of PROJECT MOCKINGBIRD now. The story of Project Mockingbird begins in the shadow of the Cold War, a period defined by ideological warfare between the United States and the Soviet Union. In the early 1960s, the Central Intelligence Agency (CIA), under the leadership of Director John McCone, launched a covert operation codenamed "Project Mockingbird." Unlike the broader, alleged "Operation Mockingbird" often cited in conspiracy circles as a sprawling media manipulation scheme, the historical Project Mockingbird was a specific, documented wiretapping effort aimed at curbing leaks of classified information. Initiated on March 12, 1963, and concluding on June 15, 1963, Project Mockingbird targeted two Washington-based journalists, Robert S. Allen and Paul J. Scott, who wrote the syndicated "Allen-Scott Report." These columnists had a knack for publishing articles laced with highly classified CIA details—information so sensitive it included Top Secret and Special Intelligence data. Their scoops, often sourced from government insiders, rattled the Kennedy administration, particularly after a July 26, 1962, New York Times article by Hanson Baldwin exposed details of a National Intelligence Estimate comparing U.S. and Soviet nuclear arsenals. President John F. Kennedy, incensed by such leaks, sought to plug the holes. The operation was a collaborative effort, greenlit by Attorney General Robert F. Kennedy, Secretary of Defense Robert McNamara, and Director of the Defense Intelligence Agency Joseph Carroll. The CIA’s Office of Security, led by Sheffield Edwards, executed the wiretapping, monitoring the journalists’ home and office phones. The surveillance results identified congressional sources, including then-Speaker of the House John McCormack, who spoke with Scott on March 26, 1963. The "Family Jewels"—a 1973 CIA document declassified in 2007—later exposed this operation, revealing its scope and raising questions about its legality. Daniel L. Pines, a CIA Assistant General Counsel, argued in a 2009 Indiana Law Journal review that the wiretapping likely violated legal bounds, as its primary aim was to trace leaks rather than gather foreign intelligence. This historical Project Mockingbird, though limited in duration and scope, planted a seed of distrust between the government, the press, and the public—a seed that would grow into a broader narrative of media manipulation. From Wiretaps to Media Empire While Project Mockingbird of 1963 was a discrete surveillance effort, it became conflated with a larger CIA program dubbed "Operation Mockingbird." This narrative emerged most prominently in Deborah Davis’s 1979 book, Katharine the Great, which claimed that the CIA, under Frank Wisner of the Office of Policy Coordination, had systematically infiltrated American media starting in the 1950s. Davis alleged that Wisner recruited Washington Post publisher Phil Graham to orchestrate a propaganda network, embedding CIA-friendly journalists in outlets like The New York Times, Newsweek, and CBS. Cord Meyer, a key CIA figure, was said to have taken the reins in 1951, expanding the operation’s reach. The Church Committee’s 1975-1976 investigation lent some credence to these claims, uncovering CIA ties to around 50 American journalists and covert funding of front groups like the National Student Association, exposed by Ramparts magazine in 1967. Carl Bernstein’s 1977 Rolling Stone article, "The CIA and the Media," further detailed how over 400 U.S. journalists had covertly worked with the CIA, often disseminating propaganda abroad that would then filter back to domestic audiences. the CIA admitted overreach. By 1976, under Director George H.W. Bush, the CIA publicly pledged to end paid relationships with U.S. journalists. Yet, skeptics argued the agency merely shifted tactics, maintaining influence through foreign media outlets that indirectly shaped American narratives. The line between historical fact and conspiracy theory blurred, setting the stage for modern reinterpretations of Mockingbird’s legacy. They claim. The Turning Point came in 2013 and the Smith-Mundt Modernization Act Fast forward to July 2, 2013, a date that marks a pivotal shift in the Mockingbird saga. Under President Barack Obama, the Smith-Mundt Modernization Act—embedded in the 2013 National Defense Authorization Act (NDAA)—took effect. This legislation amended the U.S. Information and Educational Exchange Act of 1948, commonly known as the Smith-Mundt Act, which had long barred government-funded broadcasters like Voice of America (VOA) and Radio Free Europe/Radio Liberty—overseen by the Broadcasting Board of Governors (now the U.S. Agency for Global Media, USAGM)—from disseminating their content domestically. The original intent was to prevent the U.S. government from propagandizing its own citizens, a safeguard rooted in post-World War II fears of authoritarian overreach. The 2013 amendment, co-sponsored by Representatives Adam Smith (D-WA) and Mac Thornberry (R-TX), lifted this restriction, allowing USAGM content to be requested and accessed by Americans. Proponents hailed it as a transparency win, arguing that taxpayers deserved to see what their dollars funded—news and programming in 61 languages, reaching over 100 countries. Critics, however, saw it as a Pandora’s box. Foreign Policy reported on July 14, 2013, that the change unleashed "thousands of hours per week of government-funded radio and TV programs for domestic U.S. consumption," raising fears of legalized propaganda. The timing was notable: it followed a decade of post-9/11 media scrutiny and preceded a surge in misinformation debates. in 2024 claimed "Operation Mockingbird never ended," tying the NDAA to a supposed CIA media takeover. No hard evidence supports a direct CIA role, but the legal shift undeniably blurred lines between foreign and domestic information flows. While the USAGM insists its mission remains outward-facing—delivering uncensored news to foreign audiences lacking free press—and that its journalists adhere to strict objectivity standards, the repeal stoked speculation. Could this be a modern resurrection of Mockingbird-style influence? The answer is yes. Most projects they say they stopped just get renamed or go black and off the books so Congress doesn't even know it exists or get access to it. Be careful what you read, who you follow, and who you get your information from. Look for patterns and scripts. They're easy to find once you understand what's really going on and their tactics and techniques. Keep asking questions, cross reference everything, do your due diligence, have multiple sources, do not buy everything at face value, go deeper, think about the bigger picture or long term goals. And always remember that there are layers, optics, and timing to everything you see. 90% of everything that comes out gets run by the intelligence agencies first. Lastly, keep fighting for the truth and and continue to help others to wake up as well.
8:02

The CIA's information war with American citizens and the operation that started it all. Project Mockingbird. This is one main aspect as to why people are so divided and brainwashed in today's society. Information has always been a crucial component to power and control. Knowledge is power, right? The only difference today from 40+ years ago is that now information flows at a rate that is absolutely mind-boggling and allows you to connect with anyone, at anytime, anywhere in the world, with real-time information 24/7 at your finger tips. So what happens when you have people who are suppose to be giving you accurate, truthful, information, and start to give you information that benefits, manipulates, and persuades the global population with mis and disinformation, protects certain corrupt people and groups by not reporting on other information, and who also lies and slanders other individuals all for the purpose to maintain power and control over the entire population, entirely on PURPOSE? You get what's called PROPAGANDA, aka, a sh*t show of so much purposeful bad and fake information, that it literally starts to persuade and mold the populations overall views and opinions on an array of various topics to fit the nefarious controllers, behind the scenes narrative or agenda. Ultimitely benefitting only them. If you take notice, these campaigns have been around for a long time, depending what side your on, your personal views and where you get your overall information will ultimately decide or be a factor of how much it has affected you or how much you are aware of the deception in the first place. Most legacy mainstream media groups are owned and operated by a small group of wealthy globalist individuals who seem to lean towards the left, and some leaning even farther left than others. These campaigns started to really pick up when Trump entered the picture in 2016. Trump was never suppose to win in the first place. Obama reinstated propaganda to be used on American citizens once again in 2013. The task to slander and attempt to destroy and imprison Trump through multiple operations and media campaigns were in full effect for the deep state to regain control of The White House. The group that these campaigns affected the most were the older groups and the younger groups. The people in the middle basically got to see both worlds play out in their lives at a crucial time period in their lives. They've seen the mainstream shift from what it once was, to an extreme lying, propaganda machine when Trump took office. The older aged crowd was so used to the regular nightly news and not as comfortable with newer technology to access alternative media sites and really just stuck with the mainstream's words and kept their faith in the MSM. Now the younger crowd literally grew up with the fully scripted, CIA, propaganda MSM because that is literally all they've ever known and haven't experienced anything else before or have anything to compare it to. Especially when your indoctrinated in a public school system that has been infiltrated itself with a majority of far-left teachers who usually end up being predators as well. That's a whole other story. The problem this CIA operation has caused was a population with people all in their own separate groups and boxes, fighting with each other over many things, instead of the people who started this mess in the first place, that aren't even true because one side has been lied to and manipulated. Brainwashed from a literal military style operation that's used to topple foreign countries during regime changes. And the worst part on top of all this is that know since Elon has started DOGE, a government efficiency operation, we are now uncovering that all these communist, Marxist, ideas, and operations and slander campaigns, and legal cases against Trump, down to these politicians luxurious lifestyles have been all funded and paid for by us, the TAXPAYERS. On the one example above, through USAID, there is proof of over $9 MILLION dollars that went to Reuters for a campaign named, " ACTIVE SOCIAL ENGINEERING DEFENSE LARGE SCALE SOCIAL DECEPTION," which is a definitive contract. There are thousands of examples just like this for all different companies, influencers, T.V. shows, Magazines, Articles, any type of media, and all of them are left leaning outlets. This has been going on for decades. Then on top off all of that, you have people who own these publishing and media companies who are not only getting paid by the taxpayers from the CIA to deceive us, but many of these owners are best friends with people like Jeffery Epstein and Ghislaine Maxell as you can also see above who is with Laurene Powell Jobs, the owner of "The Atlantic" publication, on vacation just hanging out. You wonder why the media never talks about child trafficking. Their paid to cover it up, or they're literally involved themselves... It just get's better and better. The good news is that it is now being exposed and shut down. Let's dive into the history of PROJECT MOCKINGBIRD now. The story of Project Mockingbird begins in the shadow of the Cold War, a period defined by ideological warfare between the United States and the Soviet Union. In the early 1960s, the Central Intelligence Agency (CIA), under the leadership of Director John McCone, launched a covert operation codenamed "Project Mockingbird." Unlike the broader, alleged "Operation Mockingbird" often cited in conspiracy circles as a sprawling media manipulation scheme, the historical Project Mockingbird was a specific, documented wiretapping effort aimed at curbing leaks of classified information. Initiated on March 12, 1963, and concluding on June 15, 1963, Project Mockingbird targeted two Washington-based journalists, Robert S. Allen and Paul J. Scott, who wrote the syndicated "Allen-Scott Report." These columnists had a knack for publishing articles laced with highly classified CIA details—information so sensitive it included Top Secret and Special Intelligence data. Their scoops, often sourced from government insiders, rattled the Kennedy administration, particularly after a July 26, 1962, New York Times article by Hanson Baldwin exposed details of a National Intelligence Estimate comparing U.S. and Soviet nuclear arsenals. President John F. Kennedy, incensed by such leaks, sought to plug the holes. The operation was a collaborative effort, greenlit by Attorney General Robert F. Kennedy, Secretary of Defense Robert McNamara, and Director of the Defense Intelligence Agency Joseph Carroll. The CIA’s Office of Security, led by Sheffield Edwards, executed the wiretapping, monitoring the journalists’ home and office phones. The surveillance results identified congressional sources, including then-Speaker of the House John McCormack, who spoke with Scott on March 26, 1963. The "Family Jewels"—a 1973 CIA document declassified in 2007—later exposed this operation, revealing its scope and raising questions about its legality. Daniel L. Pines, a CIA Assistant General Counsel, argued in a 2009 Indiana Law Journal review that the wiretapping likely violated legal bounds, as its primary aim was to trace leaks rather than gather foreign intelligence. This historical Project Mockingbird, though limited in duration and scope, planted a seed of distrust between the government, the press, and the public—a seed that would grow into a broader narrative of media manipulation. From Wiretaps to Media Empire While Project Mockingbird of 1963 was a discrete surveillance effort, it became conflated with a larger CIA program dubbed "Operation Mockingbird." This narrative emerged most prominently in Deborah Davis’s 1979 book, Katharine the Great, which claimed that the CIA, under Frank Wisner of the Office of Policy Coordination, had systematically infiltrated American media starting in the 1950s. Davis alleged that Wisner recruited Washington Post publisher Phil Graham to orchestrate a propaganda network, embedding CIA-friendly journalists in outlets like The New York Times, Newsweek, and CBS. Cord Meyer, a key CIA figure, was said to have taken the reins in 1951, expanding the operation’s reach. The Church Committee’s 1975-1976 investigation lent some credence to these claims, uncovering CIA ties to around 50 American journalists and covert funding of front groups like the National Student Association, exposed by Ramparts magazine in 1967. Carl Bernstein’s 1977 Rolling Stone article, "The CIA and the Media," further detailed how over 400 U.S. journalists had covertly worked with the CIA, often disseminating propaganda abroad that would then filter back to domestic audiences. the CIA admitted overreach. By 1976, under Director George H.W. Bush, the CIA publicly pledged to end paid relationships with U.S. journalists. Yet, skeptics argued the agency merely shifted tactics, maintaining influence through foreign media outlets that indirectly shaped American narratives. The line between historical fact and conspiracy theory blurred, setting the stage for modern reinterpretations of Mockingbird’s legacy. They claim. The Turning Point came in 2013 and the Smith-Mundt Modernization Act Fast forward to July 2, 2013, a date that marks a pivotal shift in the Mockingbird saga. Under President Barack Obama, the Smith-Mundt Modernization Act—embedded in the 2013 National Defense Authorization Act (NDAA)—took effect. This legislation amended the U.S. Information and Educational Exchange Act of 1948, commonly known as the Smith-Mundt Act, which had long barred government-funded broadcasters like Voice of America (VOA) and Radio Free Europe/Radio Liberty—overseen by the Broadcasting Board of Governors (now the U.S. Agency for Global Media, USAGM)—from disseminating their content domestically. The original intent was to prevent the U.S. government from propagandizing its own citizens, a safeguard rooted in post-World War II fears of authoritarian overreach. The 2013 amendment, co-sponsored by Representatives Adam Smith (D-WA) and Mac Thornberry (R-TX), lifted this restriction, allowing USAGM content to be requested and accessed by Americans. Proponents hailed it as a transparency win, arguing that taxpayers deserved to see what their dollars funded—news and programming in 61 languages, reaching over 100 countries. Critics, however, saw it as a Pandora’s box. Foreign Policy reported on July 14, 2013, that the change unleashed "thousands of hours per week of government-funded radio and TV programs for domestic U.S. consumption," raising fears of legalized propaganda. The timing was notable: it followed a decade of post-9/11 media scrutiny and preceded a surge in misinformation debates. in 2024 claimed "Operation Mockingbird never ended," tying the NDAA to a supposed CIA media takeover. No hard evidence supports a direct CIA role, but the legal shift undeniably blurred lines between foreign and domestic information flows. While the USAGM insists its mission remains outward-facing—delivering uncensored news to foreign audiences lacking free press—and that its journalists adhere to strict objectivity standards, the repeal stoked speculation. Could this be a modern resurrection of Mockingbird-style influence? The answer is yes. Most projects they say they stopped just get renamed or go black and off the books so Congress doesn't even know it exists or get access to it. Be careful what you read, who you follow, and who you get your information from. Look for patterns and scripts. They're easy to find once you understand what's really going on and their tactics and techniques. Keep asking questions, cross reference everything, do your due diligence, have multiple sources, do not buy everything at face value, go deeper, think about the bigger picture or long term goals. And always remember that there are layers, optics, and timing to everything you see. 90% of everything that comes out gets run by the intelligence agencies first. Lastly, keep fighting for the truth and and continue to help others to wake up as well.

The SCIF

85,170 просмотров • 1 год назад

#リチャアヤ Happy Qixi! On this traditional Chinese festival, my friend and I have prepared this fan video, and we hope you enjoy it. BGM: ALONE to ALONE (feat. lasah)-sasakure.UK Illustrations: torimomo Video: Mist Since Mist-sensei's account ran into some issues, I'm relaying and attaching both of our creative notes here. Mist： The initial storyboards for this fan-made video were drawn by me, and I had been thinking about how to present it ever since the first season of the anime ended. The BD novel also gave me a lot of inspiration afterward. Before formally starting this project, I kept asking myself over and over: "Is my interpretation good enough?" "Will our understanding conflict with the original novel?" What changed my mind and gave me encouragement was precisely what Dumas said in the FGO×FSF collab—if your creation can bring people true joy and emotion, then even if it is "Fake," it still has value in existing. So, in a sense, wouldn't fan-made derivative works based on Narita-sensei's "Fake" original all count as "Fake of Fake"? In this year of 2026, I witnessed with my own eyes the novel I had followed for ten years finally receive an anime adaptation. I also came to know a warm and passionate community of fellow fans who speak different languages. And it is precisely because of this that I was able to meet torimomo-sensei and other friends. Sometimes I wonder—are these the friendships that could only bloom and bear fruit after ten years of waiting? And in the novel, Richard and Ayaka have likewise been by each other's side for ten years, and are now about to welcome the final chapter of their story. In my eyes, the two of them were once lonely children of the stars, but after a long passage of time, those two stars welcomed their Fate in Snowfield. No matter how many times I revisit their first meeting, it stirs in me much the same emotion. Allright! At that moment, I thought: "I've finally found the courage to take this first step into creating derivative works for Fake. Come on—now that my skills have matured enough, let me pour my heart and talent into them!" This is a fan work created together by torimomo-sensei and me, dedicated to Fate/strange Fake and to our beloved Richaya. Although it is likewise only "Fake," if this fan video can bring "True" emotions to friends who love Richaya—then, for me, that would be an incomparable honor. Torimomo: From first receiving the storyboards and drawing a few pages on and off, to finally mustering all my energy and drawing in earnest from the beginning of July—during this past month and a half, almost all of my thoughts, energy, and passion were poured into the illustrations for this PV. It was only partway through drawing that I realized, "Wait, it seems Mist's storyboards weren't meant to be fully colored after all..." (laughs). But since I had already come this far, and both the art style and rhythm had already become second nature, I decided to see it through to the end according to my own interpretation. I also changed quite a few of the storyboards along the way, and I am truly grateful to Mist for being so accepting of these modifications and creative liberties. To me, Richaya is a beam of light. I love the relationship between them, bound by the pull of fate; I love how they encourage and support each other; and I also love the perfect amount of negative space in Fate/strange Fake. It is precisely because of that negative space that different people can give rise to different imaginations and expectations—and that, in itself, is the greatest joy of derivative creation. I have so many imaginings of Richaya born from the wish that "they can be happy." Ever since I met Richaya this year, I have been drawing without pause. I don't hold back from pouring every image and story I can think of that suits them into my art. And it was precisely because of this that I was able to form a connection with Mist—through exchange after exchange of inspiration, each of us went on to create even more wonderful works about Richaya. This animated PV is one of them. For me, simply being able to see it through to the end was already more than enough to make me happy. And after Mist-sensei's post-production polish and editing, it ultimately came together as such a complete video. I'm truly satisfied. Lastly, thank you to everyone who was willing to take the time to watch this video through to the end.
4:25

#リチャアヤ Happy Qixi! On this traditional Chinese festival, my friend and I have prepared this fan video, and we hope you enjoy it. BGM: ALONE to ALONE (feat. lasah)-sasakure.UK Illustrations: torimomo Video: Mist Since Mist-sensei's account ran into some issues, I'm relaying and attaching both of our creative notes here. Mist： The initial storyboards for this fan-made video were drawn by me, and I had been thinking about how to present it ever since the first season of the anime ended. The BD novel also gave me a lot of inspiration afterward. Before formally starting this project, I kept asking myself over and over: "Is my interpretation good enough?" "Will our understanding conflict with the original novel?" What changed my mind and gave me encouragement was precisely what Dumas said in the FGO×FSF collab—if your creation can bring people true joy and emotion, then even if it is "Fake," it still has value in existing. So, in a sense, wouldn't fan-made derivative works based on Narita-sensei's "Fake" original all count as "Fake of Fake"? In this year of 2026, I witnessed with my own eyes the novel I had followed for ten years finally receive an anime adaptation. I also came to know a warm and passionate community of fellow fans who speak different languages. And it is precisely because of this that I was able to meet torimomo-sensei and other friends. Sometimes I wonder—are these the friendships that could only bloom and bear fruit after ten years of waiting? And in the novel, Richard and Ayaka have likewise been by each other's side for ten years, and are now about to welcome the final chapter of their story. In my eyes, the two of them were once lonely children of the stars, but after a long passage of time, those two stars welcomed their Fate in Snowfield. No matter how many times I revisit their first meeting, it stirs in me much the same emotion. Allright! At that moment, I thought: "I've finally found the courage to take this first step into creating derivative works for Fake. Come on—now that my skills have matured enough, let me pour my heart and talent into them!" This is a fan work created together by torimomo-sensei and me, dedicated to Fate/strange Fake and to our beloved Richaya. Although it is likewise only "Fake," if this fan video can bring "True" emotions to friends who love Richaya—then, for me, that would be an incomparable honor. Torimomo: From first receiving the storyboards and drawing a few pages on and off, to finally mustering all my energy and drawing in earnest from the beginning of July—during this past month and a half, almost all of my thoughts, energy, and passion were poured into the illustrations for this PV. It was only partway through drawing that I realized, "Wait, it seems Mist's storyboards weren't meant to be fully colored after all..." (laughs). But since I had already come this far, and both the art style and rhythm had already become second nature, I decided to see it through to the end according to my own interpretation. I also changed quite a few of the storyboards along the way, and I am truly grateful to Mist for being so accepting of these modifications and creative liberties. To me, Richaya is a beam of light. I love the relationship between them, bound by the pull of fate; I love how they encourage and support each other; and I also love the perfect amount of negative space in Fate/strange Fake. It is precisely because of that negative space that different people can give rise to different imaginations and expectations—and that, in itself, is the greatest joy of derivative creation. I have so many imaginings of Richaya born from the wish that "they can be happy." Ever since I met Richaya this year, I have been drawing without pause. I don't hold back from pouring every image and story I can think of that suits them into my art. And it was precisely because of this that I was able to form a connection with Mist—through exchange after exchange of inspiration, each of us went on to create even more wonderful works about Richaya. This animated PV is one of them. For me, simply being able to see it through to the end was already more than enough to make me happy. And after Mist-sensei's post-production polish and editing, it ultimately came together as such a complete video. I'm truly satisfied. Lastly, thank you to everyone who was willing to take the time to watch this video through to the end.

torimomo

13,466 просмотров • 26 дней назад

🧵 ASAP Rocky vs Drake — A DEEPER LOOK (Receipts, Not Revisionism) ASAP Rocky recently went on The Joe Budden Podcast and claimed the reason he dissed Drake on “Stole My Flow” and other songs on the (Don’t Be Dumb) project is because Drake has been “taking shots at him for years” while he stayed silent. That narrative doesn’t hold up when you look at the full history. This has been back and forth tension for nearly half a decade, with Rocky repeatedly firing first musically, visually, and symbolically and Drake responding in kind. 📌 The Real Starting Point (2021) •May 2021: ASAP Rocky & Rihanna confirm their relationship in GQ •June 2021: Rocky previews “D.M.B (Dat’s My B*tch)” in a Klarna ad •Extended version leaks shortly after •The intro and bars clearly frame Rihanna as a “prize won,” widely interpreted as a Drake sub •Video rollout goes viral with Rihanna as the love interest, doubling down on the flex September 3, 2021 •Drake drops Certified Lover Boy •Multiple bars are read as indirect responses to Rocky’s rollout September 13, 2021 •ASAP Rocky & Rihanna attend the Met Gala •Rocky wears a quilted blanket outfit, which many saw as a calculated visual jab toward Drake 2022 •Pregnancy announcement 4 months later first child is born •8 days later, Rocky officially drops the D.M.B video, once again starring Rihanna •Drake responds months later on Her Loss, continuing the subliminal exchange 📌 Escalation Era (2023) •Rihanna performs at the Super Bowl, visibly pregnant again •Shortly after: •ASAP Rocky previews “Stole My Flow” at Rolling Loud •The clip goes viral immediately •Rocky then drops “Riot”, another track interpreted as a Drake jab Drake Responds •October 6, 2023: Drake releases For All The Dogs •Tracks like “Fear of Heights” and “Another Late Night” contain clear subs •Drake even trolls Rocky’s Rolling Loud appearance by wearing colorful hair clips, mirroring Rocky’s look Rocky’s Counter •Puma x F1 partnership rollout featuring Rocky and Rihanna •Rocky positions himself as a fashion forward mogul while taking subtle cultural shots 📌 Diss Cycle Goes Public (2024) •Rocky jumps on Future & Metro Boomin’s Drake diss project •Track: “Show of Hands” •Drake fires back on “Family Matters”: “Rakim talkin’ shit again…” •Drake follows with 100 Gigs for Your Head Top •Rocky responds with “Tailor Swif” and “Hijack” •Drake answers again with: •No Face •SOD •Circadian Rhythm •Rocky doubles down with another Puma F1 campaign, leaning into optics instead of direct records 📌 Optics, Timing & Strategy (2025) •Rolling Loud: Rocky performs multiple Drake sub tracks like Helicopter •Met Gala 2025: •ASAP & Rihanna announce another pregnancy • Rocky does late night appearance with Anna wintour on Seth meyers •Rihanna drops a Smurfs soundtrack song produced by the same producer behind Drake’s “Nokia” •Lyrics hint at déjà vu 👀 Drake’s Response •Headlines Wireless Festival solo •Sends an unspoken message: I don’t need Rolling Loud or a stacked lineup •July 4, 2025: Drake drops “What Did I Miss?” •Same day: Rocky drops “Pray4DaGang” •July 25, 2025: Drake drops “Which One” viewed as a Rihanna centered response 📌 The Album Delay & Final Drop (2026) •Rocky teases Don’t Be Dumb for nearly three years •Avoids direct release windows where Drake might step on the moment •January 2026: •Rocky finally drops the album •Includes the same Drake diss tracks previewed years earlier •Then goes on podcasts claiming Drake dissed him “out of nowhere” 🎯 Final Take This wasn’t: ❌ sudden ❌ unprovoked ❌ one sided It was: ✔️ long term ✔️ strategic ✔️ mutually escalated ASAP Rocky has been sending shots through music, fashion, relationships, timing, and optics. Drake has been responding consistently and directly. That’s hip hop Trying to reframe it as“I stayed quiet and Drake attacked me”
0:19

🧵 ASAP Rocky vs Drake — A DEEPER LOOK (Receipts, Not Revisionism) ASAP Rocky recently went on The Joe Budden Podcast and claimed the reason he dissed Drake on “Stole My Flow” and other songs on the (Don’t Be Dumb) project is because Drake has been “taking shots at him for years” while he stayed silent. That narrative doesn’t hold up when you look at the full history. This has been back and forth tension for nearly half a decade, with Rocky repeatedly firing first musically, visually, and symbolically and Drake responding in kind. 📌 The Real Starting Point (2021) •May 2021: ASAP Rocky & Rihanna confirm their relationship in GQ •June 2021: Rocky previews “D.M.B (Dat’s My B*tch)” in a Klarna ad •Extended version leaks shortly after •The intro and bars clearly frame Rihanna as a “prize won,” widely interpreted as a Drake sub •Video rollout goes viral with Rihanna as the love interest, doubling down on the flex September 3, 2021 •Drake drops Certified Lover Boy •Multiple bars are read as indirect responses to Rocky’s rollout September 13, 2021 •ASAP Rocky & Rihanna attend the Met Gala •Rocky wears a quilted blanket outfit, which many saw as a calculated visual jab toward Drake 2022 •Pregnancy announcement 4 months later first child is born •8 days later, Rocky officially drops the D.M.B video, once again starring Rihanna •Drake responds months later on Her Loss, continuing the subliminal exchange 📌 Escalation Era (2023) •Rihanna performs at the Super Bowl, visibly pregnant again •Shortly after: •ASAP Rocky previews “Stole My Flow” at Rolling Loud •The clip goes viral immediately •Rocky then drops “Riot”, another track interpreted as a Drake jab Drake Responds •October 6, 2023: Drake releases For All The Dogs •Tracks like “Fear of Heights” and “Another Late Night” contain clear subs •Drake even trolls Rocky’s Rolling Loud appearance by wearing colorful hair clips, mirroring Rocky’s look Rocky’s Counter •Puma x F1 partnership rollout featuring Rocky and Rihanna •Rocky positions himself as a fashion forward mogul while taking subtle cultural shots 📌 Diss Cycle Goes Public (2024) •Rocky jumps on Future & Metro Boomin’s Drake diss project •Track: “Show of Hands” •Drake fires back on “Family Matters”: “Rakim talkin’ shit again…” •Drake follows with 100 Gigs for Your Head Top •Rocky responds with “Tailor Swif” and “Hijack” •Drake answers again with: •No Face •SOD •Circadian Rhythm •Rocky doubles down with another Puma F1 campaign, leaning into optics instead of direct records 📌 Optics, Timing & Strategy (2025) •Rolling Loud: Rocky performs multiple Drake sub tracks like Helicopter •Met Gala 2025: •ASAP & Rihanna announce another pregnancy • Rocky does late night appearance with Anna wintour on Seth meyers •Rihanna drops a Smurfs soundtrack song produced by the same producer behind Drake’s “Nokia” •Lyrics hint at déjà vu 👀 Drake’s Response •Headlines Wireless Festival solo •Sends an unspoken message: I don’t need Rolling Loud or a stacked lineup •July 4, 2025: Drake drops “What Did I Miss?” •Same day: Rocky drops “Pray4DaGang” •July 25, 2025: Drake drops “Which One” viewed as a Rihanna centered response 📌 The Album Delay & Final Drop (2026) •Rocky teases Don’t Be Dumb for nearly three years •Avoids direct release windows where Drake might step on the moment •January 2026: •Rocky finally drops the album •Includes the same Drake diss tracks previewed years earlier •Then goes on podcasts claiming Drake dissed him “out of nowhere” 🎯 Final Take This wasn’t: ❌ sudden ❌ unprovoked ❌ one sided It was: ✔️ long term ✔️ strategic ✔️ mutually escalated ASAP Rocky has been sending shots through music, fashion, relationships, timing, and optics. Drake has been responding consistently and directly. That’s hip hop Trying to reframe it as“I stayed quiet and Drake attacked me”

Cousin Tino ™️

42,850 просмотров • 7 месяцев назад

Happy New Year to Global Pioneers! 🌍✨ Pi Network is a historic revolution. It is not a traditional cryptocurrency where people enter at Open Mainnet, sell for profit, speculate, and leave. It is also not a simple product release where value appears the moment a product is ready. Pi Network is not a project driven only by a team. Its success depends on collaboration between the Core Team and us—the Pioneers. That is why real value takes time. True value requires patience, trust, and collective effort. The Bamboo Lesson 🌱 Look at the bamboo. For the first four years, bamboo grows only about 3 centimeters above the ground. But during this time, it is building a massive root system underground, extending hundreds of square meters. Then, in the fifth year, everything changes. The bamboo can grow 30–40 centimeters per day, reaching up to 15 meters in just six weeks. This is how real growth works. This is how Pi Network grows. And this is how GCV value is built. Nothing is wasted. What looks slow today is foundation-building for tomorrow. Where We Are Now Pi Network has already succeeded in its first major stage with the Enclosed Mainnet. Since February 2025, we have entered the Open Mainnet phase. However, Pi’s Open Mainnet is not like traditional crypto Open Mainnet. In traditional crypto, the exchange market is the destination. In Pi Network, the exchange market is only a bridge—not the destination. Open Mainnet is not a light switch. It is a process, involving: Compliance Ecosystem development Real utilities Value consensus Community strength Today, we are encouraged to see hundreds of GCV DApps and GCV embedded directly in code. This is a critical step—because only when Pi’s value is created and confirmed by Pioneers can the next stages move forward. What Should Pioneers Do? • Keep high spirits and trust Pi Network • Be grateful to walk this journey with Dr. Nicolas Kokkalis and Dr. Chengdiao Fan • Support our GCV Ambassadors, Special Envoys, partners, and community builders Together, we are building something that can fulfill our mission, our vision, and our shared dream. A Message for 2026 💫 Please do not stress about GCV dates. Focus on your life, your work, and your family. When you live fully, time moves fast. When you only wait, anxiety grows. Please do not chase rumors or fake news. Instead, focus on building our community and ecosystem—that is where positive energy comes from. Let us, the Global Pioneers, continue building, and allow PCT to focus on technical and infrastructure matters. GCV success. Pi Network success. May all Pioneers enjoy a happy, healthy, and prosperous 2026 🌱✨ Doris Yin 🪷 🪷 🪷 January 1st 2026
4:43

Happy New Year to Global Pioneers! 🌍✨ Pi Network is a historic revolution. It is not a traditional cryptocurrency where people enter at Open Mainnet, sell for profit, speculate, and leave. It is also not a simple product release where value appears the moment a product is ready. Pi Network is not a project driven only by a team. Its success depends on collaboration between the Core Team and us—the Pioneers. That is why real value takes time. True value requires patience, trust, and collective effort. The Bamboo Lesson 🌱 Look at the bamboo. For the first four years, bamboo grows only about 3 centimeters above the ground. But during this time, it is building a massive root system underground, extending hundreds of square meters. Then, in the fifth year, everything changes. The bamboo can grow 30–40 centimeters per day, reaching up to 15 meters in just six weeks. This is how real growth works. This is how Pi Network grows. And this is how GCV value is built. Nothing is wasted. What looks slow today is foundation-building for tomorrow. Where We Are Now Pi Network has already succeeded in its first major stage with the Enclosed Mainnet. Since February 2025, we have entered the Open Mainnet phase. However, Pi’s Open Mainnet is not like traditional crypto Open Mainnet. In traditional crypto, the exchange market is the destination. In Pi Network, the exchange market is only a bridge—not the destination. Open Mainnet is not a light switch. It is a process, involving: Compliance Ecosystem development Real utilities Value consensus Community strength Today, we are encouraged to see hundreds of GCV DApps and GCV embedded directly in code. This is a critical step—because only when Pi’s value is created and confirmed by Pioneers can the next stages move forward. What Should Pioneers Do? • Keep high spirits and trust Pi Network • Be grateful to walk this journey with Dr. Nicolas Kokkalis and Dr. Chengdiao Fan • Support our GCV Ambassadors, Special Envoys, partners, and community builders Together, we are building something that can fulfill our mission, our vision, and our shared dream. A Message for 2026 💫 Please do not stress about GCV dates. Focus on your life, your work, and your family. When you live fully, time moves fast. When you only wait, anxiety grows. Please do not chase rumors or fake news. Instead, focus on building our community and ecosystem—that is where positive energy comes from. Let us, the Global Pioneers, continue building, and allow PCT to focus on technical and infrastructure matters. GCV success. Pi Network success. May all Pioneers enjoy a happy, healthy, and prosperous 2026 🌱✨ Doris Yin 🪷 🪷 🪷 January 1st 2026

Doris Yin 东方紫莲🪷

16,495 просмотров • 8 месяцев назад