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𝐓𝐡𝐞 𝐍𝐞𝐱𝐭 𝐏𝐫𝐢𝐧𝐜𝐞 𝐒𝐞𝐫𝐢𝐞𝐬 | 𝐇𝐢𝐝𝐝𝐞𝐧 𝐂𝐮𝐭 👑⚔️✨ กลับเข้าสู่ปฐมบทแห่งการช่วงชิงบัลลังก์ ใน #ข้ามฟ้าเคียงเธอSeries ซีรีส์ทุ่มทุนสร้างกว่า 100 ล้าน ✨ กับเวอร์ชั่นที่ถูกซ่อนเร้นไว้ให้ทุกคนค้นหาพร้อมกัน ที่ Netflix เท่านั้น! Embark on a journey back to the very beginning of the royal battle #TheNextPrince Prepare to be captivated by the grand production of this series, boasting a budget exceeding 100...

209,595 просмотров • 6 месяцев назад •via X (Twitter)

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“Netflix posted $1.47 billion in revenue in Australia in 2025, $1.35 billion of which was sent overseas as “distribution fees” to its parent entities. After its offshore fees, Netflix Australia had $119 million in revenue and $20 million in profit. It paid $16 million in income tax and paid a dividend of $41 million. This allows them to transfer vast amounts of money abroad, very little of which is taxable in Australia. Netflix had an effective local profit margin of 1.4 per cent of its total Australian revenue. “A distribution fee is paid by the company under this agreement, and the operating margin retained by the company is an arm’s length return in accordance with the Netflix Group’s transfer pricing policy,” the accounts say. There is no suggestion of wrongdoing by Netflix.” •••••••••••••• Globalists often talk about tariffs and how bad they are for free trade, but you rarely hear them complain about reverse tariffs whereby multinational companies can send profits offshore at tax rates much lower than onshore tax rates. Netflix has a local operating profit margin of 1.4% while their worldwide operating profit (see accounts in comments) was 28%. Multinationals get away with shifting so much money offshore because of our tax treaties allow them by setting withholding tax rates well below the onshore company tax rate. For example the withholding tax on royalties paid to the U.S. is just 5%. (See link below) Netflix can save 25% in every dollar it transfers offshore. So 25 cents on $1.35 billion transferred offshore is $338 million in lost company tax to Australia. To be fair to Netflix, some of the fees paid offshore should be offset by production costs but not at rate of 98.6% in the dollar. I.e 1.4% margin. is the only party that understands transfer pricing. We will apply a 25% withholding tax on all offshore payments that exceed the operating profit ratio of its worldwide entity.

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Friday the 13th: The Final Chapter (1984) The Final Chapter is arguably the most popular entry in the franchise, widely considered by fans to be the "gold standard" of the series. Its massive success ensured the series' survival for decades. Producer Frank Mancuso Jr. and Paramount Pictures, believing the slasher genre's popularity was waning, brought back legendary makeup artist Tom Savini – who designed Jason's iconic look in the original 1980 film – specifically to "kill off" his creation. Joseph Zito, known for his gritty work on The Prowler, was hired to direct, prioritizing a darker and more brutal tone than previous installments. The film also features breakout performances from a young Corey Feldman as Tommy Jarvis and Crispin Glover, whose eccentric dance scene has become a famous meme. Despite a modest budget of approximately $2.2 million, the film grossed roughly $33 million in the U.S., boasting the best opening weekend of 1984 up to that point ($11.1 million) and remained the franchise's highest opening until Freddy vs. Jason in 2003. This massive success immediately reversed Paramount's decision to end the series, paving the way for Part V: A New Beginning just one year later. A staple of the VHS era, the film's frequent rentals fueled its longevity and eventual transition to "cult" status, driven by Savini's impressive gore effects. While critics like Roger Ebert initially dismissed it as "immoral trash," modern audiences frequently rank it as the best sequel in the series. Notably, the film introduced Tommy Jarvis, the franchise's first "Final Boy," who became its most iconic recurring protagonist. Ted White's portrayal of Jason is also often cited by fans as one of the most aggressive and terrifying versions of the character.

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