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Friday the 13th: The Final Chapter (1984) The Final Chapter is arguably the most popular entry in the franchise, widely considered by fans to be the "gold standard" of the series. Its massive success ensured the series' survival for decades. Producer Frank Mancuso Jr. and Paramount Pictures, believing the...

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Tom😈Loves❤️Horror😱

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Friday the 13th (1980) A low-budget independent production that unexpectedly became a global phenomenon. Despite critical backlash for its graphic violence, it launched one of the most successful horror franchises in history and defined the 1980s slasher genre. The film was born out of "need and desperation" by director Sean S. Cunningham, who sought a commercially viable project after several previous failures. Cunningham famously placed an ad in Variety for a movie titled Friday the 13th before a script even existed to secure interest and funding. Writer Victor Miller drafted the screenplay (initially titled A Long Night at Camp Blood) to create a "cinematic roller coaster" similar to Halloween (1978). It was shot in the fall of 1979 at Camp No-Be-Bo-Sco, a Boy Scout camp in Blairstown, New Jersey. Tom Savini was hired for nearly $20,000 to create the film’s iconic, realistic gore effects. Savini is also credited with suggesting the famous "jump scare" ending featuring a young Jason Voorhees emerging from the lake. Betsy Palmer took on the role of Mrs. Voorhees for $1,000 a day, primarily to purchase a new car, famously calling the script a "piece of junk" at the time. A young Kevin Bacon was also cast as one of the ill-fated counselors. Bacon often jokes that his character was destined to die because he followed the classic "slasher rules"—he both smoked a joint and had sex with his girlfriend, Marcie. Bacon revealed that the number one picture fans ask him to sign is a still of his own corpse with an arrow through its neck. While he is "easygoing" about autographs, he admits it is "a little bit disconcerting" to sign images of himself dead and bloody decades later. The film's success caught major studios off guard, leading to a bidding war won by Paramount Pictures for domestic rights ($1.5 million) and Warner Bros. for international rights. It was the 15th highest-grossing film of 1980 and the second most profitable for Paramount that year. Its massive return on investment proved that low-budget horror could be a major studio powerhouse, triggering the "slasher boom" of the 1980s. While critics like Gene Siskel and Roger Ebert condemned the film—even revealing the ending to discourage viewers—their attacks inadvertently fueled public curiosity. The film was a cornerstone of the early home video era, released on VHS, Betamax, LaserDisc, and CED in 1980. Over the decades, the film transitioned from a "trashy" independent flick to a cultural institution. Fans host annual "Crystal Lake Tours" at the original filming location and celebrate the series every Friday the 13th. It established horror staples like the "Final Girl" (Alice), the "ki-ki-ki, ma-ma-ma" sound effect by composer Harry Manfredini, and eventually, the legendary status of Jason Voorhees as a pop-culture icon.
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Friday the 13th (1980) A low-budget independent production that unexpectedly became a global phenomenon. Despite critical backlash for its graphic violence, it launched one of the most successful horror franchises in history and defined the 1980s slasher genre. The film was born out of "need and desperation" by director Sean S. Cunningham, who sought a commercially viable project after several previous failures. Cunningham famously placed an ad in Variety for a movie titled Friday the 13th before a script even existed to secure interest and funding. Writer Victor Miller drafted the screenplay (initially titled A Long Night at Camp Blood) to create a "cinematic roller coaster" similar to Halloween (1978). It was shot in the fall of 1979 at Camp No-Be-Bo-Sco, a Boy Scout camp in Blairstown, New Jersey. Tom Savini was hired for nearly $20,000 to create the film’s iconic, realistic gore effects. Savini is also credited with suggesting the famous "jump scare" ending featuring a young Jason Voorhees emerging from the lake. Betsy Palmer took on the role of Mrs. Voorhees for $1,000 a day, primarily to purchase a new car, famously calling the script a "piece of junk" at the time. A young Kevin Bacon was also cast as one of the ill-fated counselors. Bacon often jokes that his character was destined to die because he followed the classic "slasher rules"—he both smoked a joint and had sex with his girlfriend, Marcie. Bacon revealed that the number one picture fans ask him to sign is a still of his own corpse with an arrow through its neck. While he is "easygoing" about autographs, he admits it is "a little bit disconcerting" to sign images of himself dead and bloody decades later. The film's success caught major studios off guard, leading to a bidding war won by Paramount Pictures for domestic rights ($1.5 million) and Warner Bros. for international rights. It was the 15th highest-grossing film of 1980 and the second most profitable for Paramount that year. Its massive return on investment proved that low-budget horror could be a major studio powerhouse, triggering the "slasher boom" of the 1980s. While critics like Gene Siskel and Roger Ebert condemned the film—even revealing the ending to discourage viewers—their attacks inadvertently fueled public curiosity. The film was a cornerstone of the early home video era, released on VHS, Betamax, LaserDisc, and CED in 1980. Over the decades, the film transitioned from a "trashy" independent flick to a cultural institution. Fans host annual "Crystal Lake Tours" at the original filming location and celebrate the series every Friday the 13th. It established horror staples like the "Final Girl" (Alice), the "ki-ki-ki, ma-ma-ma" sound effect by composer Harry Manfredini, and eventually, the legendary status of Jason Voorhees as a pop-culture icon.

Tom😈Loves❤️Horror😱

25,622 görüntüleme • 4 ay önce

Val Kilmer's portrayal of Doc Holliday wasn't initially expected to be a highlight of the film. However, his outstanding performance made the character iconic and is often considered one of Kilmer's best performances. To play Doc Holliday, who was suffering from terminal tuberculosis, Kilmer frequently lay in bed between scenes and used special makeup to create a pale, emaciated appearance. Doc Holliday's famous line, "I'm your huckleberry," has become one of the most quoted lines in modern Western film history and contributed to the character's legendary status in popular culture. 🎬 Tombstone (1993)
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Val Kilmer's portrayal of Doc Holliday wasn't initially expected to be a highlight of the film. However, his outstanding performance made the character iconic and is often considered one of Kilmer's best performances. To play Doc Holliday, who was suffering from terminal tuberculosis, Kilmer frequently lay in bed between scenes and used special makeup to create a pale, emaciated appearance. Doc Holliday's famous line, "I'm your huckleberry," has become one of the most quoted lines in modern Western film history and contributed to the character's legendary status in popular culture. 🎬 Tombstone (1993)

CineHub

31,664 görüntüleme • 1 ay önce

Class of 1984 (1982) Class of 1984 was a commercial success relative to its modest $3.2–$4.3 million budget, earning over $6–$7 million at the box office. It achieved broader financial success through the home video and cable markets, estimated at $15–$20 million in total. The film is celebrated as a definitive cult classic of the early 1980s. Its "video nasty" reputation stemmed from extreme violence, including a graphic table saw death and a brutal rape scene, which nearly earned it an X rating. Modern audiences value it as a bleak, nihilistic time capsule of the early '80s punk aesthetic and urban decay. It is famous for featuring a young, pre-Family Ties Michael J. Fox in a supporting role. Its status is solidified by high-end boutique releases, such as the Shout! Factory Collector’s Edition. The film was directly influenced by A Clockwork Orange (1971) and Blackboard Jungle (1955). In turn, it influenced several "school violence" and vigilante films: It spawned two sci-fi-themed sequels: Class of 1999 (1990) and Class of 1999 II: The Substitute (1994). Films like The Principal (1987), The Substitute (1996), and Class of Nuke 'Em High (1986) are often cited as spiritual successors or parodies. Timothy Van Patten, who played the menacing gang leader Peter Stegman, is now better known as an Emmy-winning director of prestigious series like The Sopranos and Boardwalk Empire. Van Patten personally wrote and performed the piano concerto his character plays in the film, a scene often cited as a highlight that revealed Stegman's complex, "yuppie" background. While director Mark Lester expected Van Patten to become a major acting star following his "riveting" performance, Van Patten eventually found his greatest success behind the camera. His portrayal remains iconic for its use of low-angle shots to maximize his threatening presence despite his clean-cut appearance.
2:01

Class of 1984 (1982) Class of 1984 was a commercial success relative to its modest $3.2–$4.3 million budget, earning over $6–$7 million at the box office. It achieved broader financial success through the home video and cable markets, estimated at $15–$20 million in total. The film is celebrated as a definitive cult classic of the early 1980s. Its "video nasty" reputation stemmed from extreme violence, including a graphic table saw death and a brutal rape scene, which nearly earned it an X rating. Modern audiences value it as a bleak, nihilistic time capsule of the early '80s punk aesthetic and urban decay. It is famous for featuring a young, pre-Family Ties Michael J. Fox in a supporting role. Its status is solidified by high-end boutique releases, such as the Shout! Factory Collector’s Edition. The film was directly influenced by A Clockwork Orange (1971) and Blackboard Jungle (1955). In turn, it influenced several "school violence" and vigilante films: It spawned two sci-fi-themed sequels: Class of 1999 (1990) and Class of 1999 II: The Substitute (1994). Films like The Principal (1987), The Substitute (1996), and Class of Nuke 'Em High (1986) are often cited as spiritual successors or parodies. Timothy Van Patten, who played the menacing gang leader Peter Stegman, is now better known as an Emmy-winning director of prestigious series like The Sopranos and Boardwalk Empire. Van Patten personally wrote and performed the piano concerto his character plays in the film, a scene often cited as a highlight that revealed Stegman's complex, "yuppie" background. While director Mark Lester expected Van Patten to become a major acting star following his "riveting" performance, Van Patten eventually found his greatest success behind the camera. His portrayal remains iconic for its use of low-angle shots to maximize his threatening presence despite his clean-cut appearance.

Tom😈Loves❤️Horror😱

11,070 görüntüleme • 6 ay önce

🇬🇧 Cillian Murphy hangs up his flat cap at 'Peaky Blinders' film premiere The cast and crew of 'Peaky Blinders: The Immortal Man' gather in Birmingham for the film's global premiere. The film, which is a sequel to the iconic British series, has been announced as the end of the Tommy Shelby's story.
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🇬🇧 Cillian Murphy hangs up his flat cap at 'Peaky Blinders' film premiere The cast and crew of 'Peaky Blinders: The Immortal Man' gather in Birmingham for the film's global premiere. The film, which is a sequel to the iconic British series, has been announced as the end of the Tommy Shelby's story.

AFP News Agency

22,179 görüntüleme • 4 ay önce

Black Christmas (1974) 🎄 This film is considered one of the most influential horror films ever made, often cited as the "mother" of the modern slasher genre. Despite a modest initial financial performance, it has achieved massive cultural impact and critical re-evaluation over the last 50 years. Produced on a budget of roughly $686,000, it was a major hit in its native Canada, becoming the third-highest-grossing Canadian film of its time. It initially struggled in the U.S. due to competition from The Godfather Part II, but eventually grossed over $4 million worldwide, cementing its status as a financial success. Upon release, critics largely dismissed it as "senseless mayhem" or "trash". However, modern reviews are overwhelmingly positive, with a 71% rating on Rotten Tomatoes and rankings on numerous "Best Horror Movie" lists by outlets like IndieWire and Esquire. Cultural Impact and Innovation The film pioneered several tropes that defined the 1980s slasher boom: The "Final Girl": Jess Bradford (Olivia Hussey) is recognized as one of the first "final girls" in horror. Unlike later iterations, she was sexually active and had full agency, challenging the "virginal survivor" trope. It introduced the Killer's POV tracking shots, the concept of a killer stalking a group of young women, and the "calls are coming from inside the house" plot device later famously used in “When a Stranger Calls”. Influence on “Halloween”: Director Bob Clark’s discussions with John Carpenter about a hypothetical Black Christmas sequel (involving a killer escaping a psychiatric ward on Halloween) directly inspired Carpenter's 1978 classic. Released just one year after Roe v. Wade, the film is praised for its progressive treatment of reproductive rights, as Jess remains steadfast in her decision to have an abortion despite pressure from her boyfriend. Fun Fact Director Bob Clark later directed the 1983 holiday classic “A Christmas Story”. While the two films are tonally opposites, they both remain essential viewing for the Christmas season.
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Black Christmas (1974) 🎄 This film is considered one of the most influential horror films ever made, often cited as the "mother" of the modern slasher genre. Despite a modest initial financial performance, it has achieved massive cultural impact and critical re-evaluation over the last 50 years. Produced on a budget of roughly $686,000, it was a major hit in its native Canada, becoming the third-highest-grossing Canadian film of its time. It initially struggled in the U.S. due to competition from The Godfather Part II, but eventually grossed over $4 million worldwide, cementing its status as a financial success. Upon release, critics largely dismissed it as "senseless mayhem" or "trash". However, modern reviews are overwhelmingly positive, with a 71% rating on Rotten Tomatoes and rankings on numerous "Best Horror Movie" lists by outlets like IndieWire and Esquire. Cultural Impact and Innovation The film pioneered several tropes that defined the 1980s slasher boom: The "Final Girl": Jess Bradford (Olivia Hussey) is recognized as one of the first "final girls" in horror. Unlike later iterations, she was sexually active and had full agency, challenging the "virginal survivor" trope. It introduced the Killer's POV tracking shots, the concept of a killer stalking a group of young women, and the "calls are coming from inside the house" plot device later famously used in “When a Stranger Calls”. Influence on “Halloween”: Director Bob Clark’s discussions with John Carpenter about a hypothetical Black Christmas sequel (involving a killer escaping a psychiatric ward on Halloween) directly inspired Carpenter's 1978 classic. Released just one year after Roe v. Wade, the film is praised for its progressive treatment of reproductive rights, as Jess remains steadfast in her decision to have an abortion despite pressure from her boyfriend. Fun Fact Director Bob Clark later directed the 1983 holiday classic “A Christmas Story”. While the two films are tonally opposites, they both remain essential viewing for the Christmas season.

Tom😈Loves❤️Horror😱

23,369 görüntüleme • 6 ay önce

Angel (1984) Released on January 13, 1984, Angel is an American exploitation slasher thriller that became a defining "sleeper hit" of the 1980s. It was the first film released by New World Pictures after the studio was sold by its founder, Roger Corman. The film mixed a gritty, "sleazy" premise with a "found family" of colorful street characters, including an aging cowboy (Rory Calhoun) and a flamboyant drag queen (Dick Shawn). The blend of "Afterschool Special" sweetness and "sleaze-fest" violence created a jarring but memorable experience that helped the film stand out from typical 1980s slashers. Despite failing to open in the top five, Angel was a major financial success. It grossed $2.2 million in its opening weekend and stayed in the top ten for several months, eventually earning $17.5 million domestically. It was New World's highest-grossing release of 1984. The film thrived during the 1980s VHS boom, where its lurid cover art and exploitation themes helped it populate video store shelves. This popularity led to three sequels: Avenging Angel (1985), Angel III: The Final Chapter (1988), and Angel 4: Undercover (1994), though the latter two were straight-to-video releases. Today, Angel is considered a prime example of '80s "sleaze-fest" cinema with a surprising amount of heart. Its cult following is driven by its campy "instant characters," its unpretentious tone, and its depiction of a now-gone era of Hollywood Boulevard. Its enduring status is reflected in modern high-definition re-releases from boutique labels like Vinegar Syndrome, which released a dedicated "Angel Collection" Blu-ray set in 2020.
1:45

Angel (1984) Released on January 13, 1984, Angel is an American exploitation slasher thriller that became a defining "sleeper hit" of the 1980s. It was the first film released by New World Pictures after the studio was sold by its founder, Roger Corman. The film mixed a gritty, "sleazy" premise with a "found family" of colorful street characters, including an aging cowboy (Rory Calhoun) and a flamboyant drag queen (Dick Shawn). The blend of "Afterschool Special" sweetness and "sleaze-fest" violence created a jarring but memorable experience that helped the film stand out from typical 1980s slashers. Despite failing to open in the top five, Angel was a major financial success. It grossed $2.2 million in its opening weekend and stayed in the top ten for several months, eventually earning $17.5 million domestically. It was New World's highest-grossing release of 1984. The film thrived during the 1980s VHS boom, where its lurid cover art and exploitation themes helped it populate video store shelves. This popularity led to three sequels: Avenging Angel (1985), Angel III: The Final Chapter (1988), and Angel 4: Undercover (1994), though the latter two were straight-to-video releases. Today, Angel is considered a prime example of '80s "sleaze-fest" cinema with a surprising amount of heart. Its cult following is driven by its campy "instant characters," its unpretentious tone, and its depiction of a now-gone era of Hollywood Boulevard. Its enduring status is reflected in modern high-definition re-releases from boutique labels like Vinegar Syndrome, which released a dedicated "Angel Collection" Blu-ray set in 2020.

Tom😈Loves❤️Horror😱

87,122 görüntüleme • 5 ay önce

The Fog (1980) The Fog had a limited release on February 1, 1980, before expanding nationwide on February 8, 1980. It was originally scheduled for Christmas 1979 but was delayed to avoid heavy competition. The idea for the movie was born during a trip to England when John Carpenter and producer/co-writer Debra Hill visited Stonehenge. Witnessing an eerie mist rolling over the landscape, Carpenter famously asked, "What do you think is in that fog?" He also drew inspiration from the 1958 film The Trollenberg Terror, which featured monsters hiding in clouds. After viewing the initial rough cut, Carpenter was horrified, calling it "terrible" and noting it lacked scares and proper pacing. To save the project, he and Hill spent an additional $200,000 on massive reshoots just a month before the release date. Roughly one-third of the final film consists of reshoots. Key additions include: - The iconic campfire prologue with John Houseman. - The morgue scene where a corpse suddenly reanimates. - Stevie Wayne's lighthouse confrontation with the ghosts (originally, she never encountered them). - Footage of meat hooks and physical contact was added to compete with the rising popularity of "slasher" films. Despite mixed reviews from critics like Roger Ebert, who found the premise weak, the film was a major commercial success. It grossed approximately $21.3 million domestically against a modest $1.1 million budget. The Fog became a staple of the early home video era, first appearing on VHS and Betamax in late 1980. Subsequent high-definition re-releases, including a 4K UHD edition from Scream Factory in 2022, have kept it in the public eye. While initially seen as a "tame" follow-up to Carpenter’s Halloween, it is now revered as a cult classic for its masterclass in building dread. The 1980 original’s legacy was actually strengthened by the failure of the 2005 remake. The film solidified a unique piece of horror history by featuring Janet Leigh (Psycho) and Jamie Lee Curtis (Halloween) together. This "passing of the torch" between mother and daughter created a legacy of horror royalty that fans still celebrate at conventions today.
2:12

The Fog (1980) The Fog had a limited release on February 1, 1980, before expanding nationwide on February 8, 1980. It was originally scheduled for Christmas 1979 but was delayed to avoid heavy competition. The idea for the movie was born during a trip to England when John Carpenter and producer/co-writer Debra Hill visited Stonehenge. Witnessing an eerie mist rolling over the landscape, Carpenter famously asked, "What do you think is in that fog?" He also drew inspiration from the 1958 film The Trollenberg Terror, which featured monsters hiding in clouds. After viewing the initial rough cut, Carpenter was horrified, calling it "terrible" and noting it lacked scares and proper pacing. To save the project, he and Hill spent an additional $200,000 on massive reshoots just a month before the release date. Roughly one-third of the final film consists of reshoots. Key additions include: - The iconic campfire prologue with John Houseman. - The morgue scene where a corpse suddenly reanimates. - Stevie Wayne's lighthouse confrontation with the ghosts (originally, she never encountered them). - Footage of meat hooks and physical contact was added to compete with the rising popularity of "slasher" films. Despite mixed reviews from critics like Roger Ebert, who found the premise weak, the film was a major commercial success. It grossed approximately $21.3 million domestically against a modest $1.1 million budget. The Fog became a staple of the early home video era, first appearing on VHS and Betamax in late 1980. Subsequent high-definition re-releases, including a 4K UHD edition from Scream Factory in 2022, have kept it in the public eye. While initially seen as a "tame" follow-up to Carpenter’s Halloween, it is now revered as a cult classic for its masterclass in building dread. The 1980 original’s legacy was actually strengthened by the failure of the 2005 remake. The film solidified a unique piece of horror history by featuring Janet Leigh (Psycho) and Jamie Lee Curtis (Halloween) together. This "passing of the torch" between mother and daughter created a legacy of horror royalty that fans still celebrate at conventions today.

Tom😈Loves❤️Horror😱

15,850 görüntüleme • 5 ay önce

Elizabeth Taylor’s 1963 portrayal of Cleopatra defined her as a global superstar and Hollywood royalty, setting a then-record million salary for the role. Taylor’s portrayal, marked by 65 costume changes and iconic eye makeup, solidified her image as a glamorous "screen goddess". ✨ The film, with a final cost around million, symbolized the decline of the traditional studio system and the rise of superstar power, partly due to Taylor's unprecedented contract. The film sparked a resurgence of interest in Egyptian-inspired fashion, including draped gowns and bold eye makeup. Despite its tumultuous production, the film was the highest-grossing film of 1963 and won four Academy Awards. 🎥© ai.daria.sarana (IG)
0:21

Elizabeth Taylor’s 1963 portrayal of Cleopatra defined her as a global superstar and Hollywood royalty, setting a then-record million salary for the role. Taylor’s portrayal, marked by 65 costume changes and iconic eye makeup, solidified her image as a glamorous "screen goddess". ✨ The film, with a final cost around million, symbolized the decline of the traditional studio system and the rise of superstar power, partly due to Taylor's unprecedented contract. The film sparked a resurgence of interest in Egyptian-inspired fashion, including draped gowns and bold eye makeup. Despite its tumultuous production, the film was the highest-grossing film of 1963 and won four Academy Awards. 🎥© ai.daria.sarana (IG)

Sarahh

57,055 görüntüleme • 3 ay önce

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.
0:48

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.

Rassoul Edji

130,138 görüntüleme • 1 yıl önce

A conclusion that stunned audiences and immediately established this film as a classic.. Audiences in 1968 were stunned by the ending of Planet of the Apes, which revealed that astronaut George Taylor had been on a post-apocalyptic Earth all along, catching viewers completely off guard. With spoiler culture and twist-driven marketing still largely absent at the time, most audiences experienced the final reveal with no advance hint of what was coming. The ending went on to become one of the most iconic moments in film history, helping cement the movie’s reputation as a sci-fi classic while also reflecting the era’s anxieties about nuclear war during the 1960s.
0:53

A conclusion that stunned audiences and immediately established this film as a classic.. Audiences in 1968 were stunned by the ending of Planet of the Apes, which revealed that astronaut George Taylor had been on a post-apocalyptic Earth all along, catching viewers completely off guard. With spoiler culture and twist-driven marketing still largely absent at the time, most audiences experienced the final reveal with no advance hint of what was coming. The ending went on to become one of the most iconic moments in film history, helping cement the movie’s reputation as a sci-fi classic while also reflecting the era’s anxieties about nuclear war during the 1960s.

Historic Vids

1,329,063 görüntüleme • 1 ay önce

Desmond Llewelyn played Q in 17 consecutive Bond films, from From Russia with Love (1963) to The World Is Not Enough (1999), becoming the most-appearing actor in Bond history. The scene where Q introduces the Aston Martin DB5 was the first time audiences saw a range of iconic spy gadgets such as the ejection seat, machine gun, and rotating license plate – a formula that became a trademark of the Bond series. The original DB5 did not have these special features. All the weapons and mechanisms in the film were designed specifically for filming by John Stears' special effects team. The success of GOLDFINGER transformed the Aston Martin DB5 into the most iconic Bond car of all time, to the point that it reappeared in many subsequent Bond films, including GoldenEye, Casino Royale, Skyfall, and No Time to Die.
2:39

Desmond Llewelyn played Q in 17 consecutive Bond films, from From Russia with Love (1963) to The World Is Not Enough (1999), becoming the most-appearing actor in Bond history. The scene where Q introduces the Aston Martin DB5 was the first time audiences saw a range of iconic spy gadgets such as the ejection seat, machine gun, and rotating license plate – a formula that became a trademark of the Bond series. The original DB5 did not have these special features. All the weapons and mechanisms in the film were designed specifically for filming by John Stears' special effects team. The success of GOLDFINGER transformed the Aston Martin DB5 into the most iconic Bond car of all time, to the point that it reappeared in many subsequent Bond films, including GoldenEye, Casino Royale, Skyfall, and No Time to Die.

CineHub

32,399 görüntüleme • 1 ay önce

The Warriors (1979) Based on Sol Yurick’s 1965 novel (itself inspired by the ancient Greek Anabasis), the film was originally envisioned as a western before being adapted into a gritty urban odyssey. It was shot on location across New York City during a period of real-life urban decay, which provided an authentic, "nightmarish" backdrop for its fictional gangs. Despite being produced on a modest budget of roughly $4 million, it grossed over $22.5 million worldwide. It opened strong with a $3.5 million weekend, proving highly popular with young, working-class audiences. Success was marred by reports of real-life gang violence and vandalism at screenings. This led Paramount Pictures to temporarily halt advertising and release theater owners from their contracts to show the film. The film’s longevity was solidified by its 1980 VHS release, which allowed it to find a massive audience through word-of-mouth and midnight screenings. It has since seen numerous re-releases, including the 2005 "Ultimate Director's Cut" (which added comic book-style transitions) and high-definition versions on Blu-ray and 4K. It is celebrated for its vivid visual language—specifically the theatrical, themed gang costumes like the Baseball Furies—and iconic dialogue such as "Warriors, come out to play-i-ay!"
2:13

The Warriors (1979) Based on Sol Yurick’s 1965 novel (itself inspired by the ancient Greek Anabasis), the film was originally envisioned as a western before being adapted into a gritty urban odyssey. It was shot on location across New York City during a period of real-life urban decay, which provided an authentic, "nightmarish" backdrop for its fictional gangs. Despite being produced on a modest budget of roughly $4 million, it grossed over $22.5 million worldwide. It opened strong with a $3.5 million weekend, proving highly popular with young, working-class audiences. Success was marred by reports of real-life gang violence and vandalism at screenings. This led Paramount Pictures to temporarily halt advertising and release theater owners from their contracts to show the film. The film’s longevity was solidified by its 1980 VHS release, which allowed it to find a massive audience through word-of-mouth and midnight screenings. It has since seen numerous re-releases, including the 2005 "Ultimate Director's Cut" (which added comic book-style transitions) and high-definition versions on Blu-ray and 4K. It is celebrated for its vivid visual language—specifically the theatrical, themed gang costumes like the Baseball Furies—and iconic dialogue such as "Warriors, come out to play-i-ay!"

Tom😈Loves❤️Horror😱

234,505 görüntüleme • 5 ay önce

Videodrome (1983) 🕯️📹 Released on February 4, 1983, “Videodrome” faced a difficult theatrical run due to its transgressive content but eventually found a massive second life through home video and high-quality restorations. The film opened in 600 theaters across North America. It debuted at number 8 on the box office charts, earning approximately $1.19 million in its opening weekend. It was a significant commercial "bomb," grossing a total of $2.12 million against a budget of roughly $5.95 million. Director David Cronenberg noted that the film was difficult to categorize, neither fitting clearly as an "art-house" film nor a standard "exploitation" horror flick. Universal Pictures executives later expressed regret for giving it a wide release rather than treating it as a specialized art film. Home video was instrumental in transitioning “Videodrome” from a financial failure to a revered cult classic. The film was released on VHS and Betamax in the 1980s by companies like CIC Video. In the UK, early versions were heavily censored—cut by nearly three minutes—due to the "video nasty" moral panic of the era. The film's critical status was cemented with its inclusion in the Criterion Collection, which released a landmark DVD in 2004 and a Blu-ray in 2010. These editions featured the "unrated" version and extensive documentaries on its groundbreaking prosthetic effects. Arrow Video released a highly praised dual-format (Blu-ray/DVD) set in the UK with new restorations and archival content in 2015. New 4K restorations, approved by Cronenberg, were released to theaters and home media, further enhancing the film's "techno-surrealist" visuals for modern audiences. Today, the film is widely available for digital streaming on platforms like Peacock and for purchase through boutique labels.
1:41

Videodrome (1983) 🕯️📹 Released on February 4, 1983, “Videodrome” faced a difficult theatrical run due to its transgressive content but eventually found a massive second life through home video and high-quality restorations. The film opened in 600 theaters across North America. It debuted at number 8 on the box office charts, earning approximately $1.19 million in its opening weekend. It was a significant commercial "bomb," grossing a total of $2.12 million against a budget of roughly $5.95 million. Director David Cronenberg noted that the film was difficult to categorize, neither fitting clearly as an "art-house" film nor a standard "exploitation" horror flick. Universal Pictures executives later expressed regret for giving it a wide release rather than treating it as a specialized art film. Home video was instrumental in transitioning “Videodrome” from a financial failure to a revered cult classic. The film was released on VHS and Betamax in the 1980s by companies like CIC Video. In the UK, early versions were heavily censored—cut by nearly three minutes—due to the "video nasty" moral panic of the era. The film's critical status was cemented with its inclusion in the Criterion Collection, which released a landmark DVD in 2004 and a Blu-ray in 2010. These editions featured the "unrated" version and extensive documentaries on its groundbreaking prosthetic effects. Arrow Video released a highly praised dual-format (Blu-ray/DVD) set in the UK with new restorations and archival content in 2015. New 4K restorations, approved by Cronenberg, were released to theaters and home media, further enhancing the film's "techno-surrealist" visuals for modern audiences. Today, the film is widely available for digital streaming on platforms like Peacock and for purchase through boutique labels.

Tom😈Loves❤️Horror😱

16,931 görüntüleme • 6 ay önce

The Faculty (1998) 🪱 After the massive success of Scream (1996), Dimension Films attempted to replicate that same "lightning in a bottle" formula with The Faculty, aiming to do for the sci-fi genre what Scream had done for slashers. Often described as "The Breakfast Club meets The Thing," The Faculty is a modern reimagining of the classic "body snatcher" subgenre, heavily influenced by Jack Finney's 1955 novel, The Body Snatchers, and its subsequent film adaptations. The original script, titled The Feelers, was written in 1990 by David Wechter and Bruce Kimmel. Years later, riding the wave of the success of Scream (1996), Miramax purchased the script, and to ensure it felt "hip," the studio hired Scream writer Kevin Williamson to rewrite the dialogue and characters, adding the meta-humor and self-aware tone that had become his trademark. Williamson was initially intended to direct the film, but he ultimately chose to make his directorial debut with Teaching Mrs. Tingle. Robert Rodriguez then stepped in, bringing his signature fast-paced, indie-inspired filming style to the project. To secure the film's $15 million budget, Rodriguez struck a deal with Tommy Hilfiger. The cast prominently wore Hilfiger clothing throughout the movie, and they starred in a high-profile TV commercial for the brand, released to coincide with the film's debut. While The Faculty initially had a modest theatrical run, it has since become a beloved cult classic, with many fans discovering it through VHS rentals and cable television airings.
2:06

The Faculty (1998) 🪱 After the massive success of Scream (1996), Dimension Films attempted to replicate that same "lightning in a bottle" formula with The Faculty, aiming to do for the sci-fi genre what Scream had done for slashers. Often described as "The Breakfast Club meets The Thing," The Faculty is a modern reimagining of the classic "body snatcher" subgenre, heavily influenced by Jack Finney's 1955 novel, The Body Snatchers, and its subsequent film adaptations. The original script, titled The Feelers, was written in 1990 by David Wechter and Bruce Kimmel. Years later, riding the wave of the success of Scream (1996), Miramax purchased the script, and to ensure it felt "hip," the studio hired Scream writer Kevin Williamson to rewrite the dialogue and characters, adding the meta-humor and self-aware tone that had become his trademark. Williamson was initially intended to direct the film, but he ultimately chose to make his directorial debut with Teaching Mrs. Tingle. Robert Rodriguez then stepped in, bringing his signature fast-paced, indie-inspired filming style to the project. To secure the film's $15 million budget, Rodriguez struck a deal with Tommy Hilfiger. The cast prominently wore Hilfiger clothing throughout the movie, and they starred in a high-profile TV commercial for the brand, released to coincide with the film's debut. While The Faculty initially had a modest theatrical run, it has since become a beloved cult classic, with many fans discovering it through VHS rentals and cable television airings.

Tom😈Loves❤️Horror😱

113,306 görüntüleme • 4 ay önce

ROCKY written by and starring Sylvester Stallone hit screens on this day in 1976. It would go on to become the top grossing film of the year and win three of its ten Academy Award Nominations including Best Picture. I don’t know how many times I saw this film growing up, but it was A LOT! Its success and impact highlighted the power of popular culture as I know I am certainly not the only one inspired by Rocky’s journey. Happy Birthday Rocky! And thank you to Sylvester Stallone for creating one of the most iconic and inspirational characters in film history! “Keep Punching!” Who’s watching Rocky tonight to celebrate?
1:04

ROCKY written by and starring Sylvester Stallone hit screens on this day in 1976. It would go on to become the top grossing film of the year and win three of its ten Academy Award Nominations including Best Picture. I don’t know how many times I saw this film growing up, but it was A LOT! Its success and impact highlighted the power of popular culture as I know I am certainly not the only one inspired by Rocky’s journey. Happy Birthday Rocky! And thank you to Sylvester Stallone for creating one of the most iconic and inspirational characters in film history! “Keep Punching!” Who’s watching Rocky tonight to celebrate?

Jack Carr

24,142 görüntüleme • 7 ay önce

It was the End of an Era and we knew it. We wanted to remember every moment leading up to the culmination of the most important and intense chapter of our lives, so we allowed filmmakers to capture this tour and all the stories woven throughout it as it wound down. And to film the final show in its entirety. The Eras Tour | The Final Show, featuring the entire Tortured Poets Department set, and the first two episodes of The End of an Era, a 6-episode behind-the-scenes docuseries will be yours December 12th on Disney+
1:39

It was the End of an Era and we knew it. We wanted to remember every moment leading up to the culmination of the most important and intense chapter of our lives, so we allowed filmmakers to capture this tour and all the stories woven throughout it as it wound down. And to film the final show in its entirety. The Eras Tour | The Final Show, featuring the entire Tortured Poets Department set, and the first two episodes of The End of an Era, a 6-episode behind-the-scenes docuseries will be yours December 12th on Disney+

Taylor Swift

21,330,058 görüntüleme • 9 ay önce

On Her Majesty's Secret Service (1969) remains one of the most distinctive entries in the Bond franchise. It was the only time George Lazenby portrayed 007 and the first film to show Bond marrying Tracy. Directed by former Bond editor Peter R. Hunt, it has since earned a reputation as one of the most acclaimed films in the series.
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On Her Majesty's Secret Service (1969) remains one of the most distinctive entries in the Bond franchise. It was the only time George Lazenby portrayed 007 and the first film to show Bond marrying Tracy. Directed by former Bond editor Peter R. Hunt, it has since earned a reputation as one of the most acclaimed films in the series.

CineHub

64,598 görüntüleme • 1 ay önce

Alien Ant Farm originally played “Smooth Criminal” as a fun cover rather than as a single, but audience reaction was so strong that the band eventually embraced it and released it as the second single from Anthology (2001). The track became a massive success, topping Billboard’s Modern Rock chart and turning into the band’s signature hit. Its popularity also helped push Anthology past one million copies sold in the US. According to the band, Michael Jackson himself later called to express how much he enjoyed their version! a surreal seal of approval for one of the most memorable covers of the 2000s.
3:16

Alien Ant Farm originally played “Smooth Criminal” as a fun cover rather than as a single, but audience reaction was so strong that the band eventually embraced it and released it as the second single from Anthology (2001). The track became a massive success, topping Billboard’s Modern Rock chart and turning into the band’s signature hit. Its popularity also helped push Anthology past one million copies sold in the US. According to the band, Michael Jackson himself later called to express how much he enjoyed their version! a surreal seal of approval for one of the most memorable covers of the 2000s.

Ladytron Fan Account

34,826 görüntüleme • 11 gün önce

Lipstick (1976) A controversial rape-and-revenge thriller directed by Lamont Johnson. Despite being panned by critics upon its release, the film has since developed a significant cult following. Margaux Hemingway, in her film debut, the 1970s supermodel played Chris McCormick, a high-fashion model who seeks justice after being assaulted. While her beauty was praised, critics widely criticized her acting as stiff and unconvincing. Margaux’s 14-year-old sister also made her debut, playing Chris's younger sister Kathy. In a reversal of expectations, Mariel received critical acclaim and a Golden Globe nomination, which reportedly caused professional tension between the sisters. The film featured established stars including Anne Bancroft as a determined district attorney and Chris Sarandon as the brutal music teacher. The film was largely a failure at the time of its release for several reasons. Critics like Roger Ebert and those at Variety condemned the film as "cynical exploitation," arguing it used a serious subject to pander to voyeuristic interests through graphic nudity and violence. Reviewers found the narrative uneven, moving from a glossy fashion-world drama to a brutal courtroom procedural, and finally to a "Rambo-like" vigilante ending that many felt lacked credibility. (Personally, this is exactly what I like about it). Its depiction of a victim taking the law into her own hands after a legal failure was highly polarizing in 1976. Despite its initial failure, Lipstick gained cult status over the following decades. Modern viewers often view the film as an early, if flawed, attempt to address the "real horror story" of the judicial system's failure to protect women. The film is remembered for its slick 1970s Los Angeles aesthetic and its avant-garde synthesizer soundtrack by French musician Michel Polnareff, which became a disco hit in its own right. Filmmakers such as Quentin Tarantino and Edgar Wright have cited the film as a notable example of the genre, further solidifying its place in cult cinema history.
2:18

Lipstick (1976) A controversial rape-and-revenge thriller directed by Lamont Johnson. Despite being panned by critics upon its release, the film has since developed a significant cult following. Margaux Hemingway, in her film debut, the 1970s supermodel played Chris McCormick, a high-fashion model who seeks justice after being assaulted. While her beauty was praised, critics widely criticized her acting as stiff and unconvincing. Margaux’s 14-year-old sister also made her debut, playing Chris's younger sister Kathy. In a reversal of expectations, Mariel received critical acclaim and a Golden Globe nomination, which reportedly caused professional tension between the sisters. The film featured established stars including Anne Bancroft as a determined district attorney and Chris Sarandon as the brutal music teacher. The film was largely a failure at the time of its release for several reasons. Critics like Roger Ebert and those at Variety condemned the film as "cynical exploitation," arguing it used a serious subject to pander to voyeuristic interests through graphic nudity and violence. Reviewers found the narrative uneven, moving from a glossy fashion-world drama to a brutal courtroom procedural, and finally to a "Rambo-like" vigilante ending that many felt lacked credibility. (Personally, this is exactly what I like about it). Its depiction of a victim taking the law into her own hands after a legal failure was highly polarizing in 1976. Despite its initial failure, Lipstick gained cult status over the following decades. Modern viewers often view the film as an early, if flawed, attempt to address the "real horror story" of the judicial system's failure to protect women. The film is remembered for its slick 1970s Los Angeles aesthetic and its avant-garde synthesizer soundtrack by French musician Michel Polnareff, which became a disco hit in its own right. Filmmakers such as Quentin Tarantino and Edgar Wright have cited the film as a notable example of the genre, further solidifying its place in cult cinema history.

Tom😈Loves❤️Horror😱

100,285 görüntüleme • 5 ay önce

THE GREAT AMERICAN PATRIOT - REAL AMERICAN (FINAL CUT DOCUMENTARY) This documentary-style film focuses on the rise of Donald Trump, a heroic patriot who has been fighting corruption, the mob, and the "deep state" since the 1980s. It features Trumps role in exposing figures like Jeffrey Epstein, and his broader efforts to protect American values and freedoms. This film presents Trump as a central figure in a larger battle against globalist elites and criminal syndicates, framing his presidency and ongoing influence as part of a patriotic "sting operation" to save the country. For posterity, this film sets up Trump as the protagonist and is the precursor video to The Q-Series.
1:57:17

THE GREAT AMERICAN PATRIOT - REAL AMERICAN (FINAL CUT DOCUMENTARY) This documentary-style film focuses on the rise of Donald Trump, a heroic patriot who has been fighting corruption, the mob, and the "deep state" since the 1980s. It features Trumps role in exposing figures like Jeffrey Epstein, and his broader efforts to protect American values and freedoms. This film presents Trump as a central figure in a larger battle against globalist elites and criminal syndicates, framing his presidency and ongoing influence as part of a patriotic "sting operation" to save the country. For posterity, this film sets up Trump as the protagonist and is the precursor video to The Q-Series.

MrTruthBomb

82,401 görüntüleme • 6 ay önce