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Jinetta Bliss | COMMS Open

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42,463 görüntüleme • 1 yıl önce •via X (Twitter)

SanatKomedi#2danimation#indie_anime#Webtoon#WebtoonCanvas#OC
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an animated banner I made for little hollow cafe webtoon
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an animated banner I made for little hollow cafe webtoon

vi (｡･ω･｡) / comms open

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Here's my submission for this month's Agora Anin-challenge. I made this in my spare time over 3-4 weeks. All of the 2D effects (expect for the explosion) were animated using simple Maya geo. I had an absolute blast making this- Enjoy! #animation #Deadpool
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Here's my submission for this month's Agora Anin-challenge. I made this in my spare time over 3-4 weeks. All of the 2D effects (expect for the explosion) were animated using simple Maya geo. I had an absolute blast making this- Enjoy! #animation #Deadpool

Mark Spokes

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My friends and I watched the rayman animated series and this is the only joke that made me laugh so much I had to pause
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My friends and I watched the rayman animated series and this is the only joke that made me laugh so much I had to pause

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This Optimus Prime meme made and voiced by ☠️🍊COMMS OPEN🍊4️⃣VGEN has been stuck in my head for days, so I animated it
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This Optimus Prime meme made and voiced by ☠️🍊COMMS OPEN🍊4️⃣VGEN has been stuck in my head for days, so I animated it

Tom Schalk (Voice Over Guy)

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I did this but with Doom, I made skins for Usagi and my stupid oc and made bots for them in multiplayer and its so funny everytime they cross paths and duke it out with each other (I even made them talk if they got killed or they frag someone)
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I did this but with Doom, I made skins for Usagi and my stupid oc and made bots for them in multiplayer and its so funny everytime they cross paths and duke it out with each other (I even made them talk if they got killed or they frag someone)

qt 🍉

158,754 görüntüleme • 9 ay önce

This part was originally gonna be 2D animated by me but I didn’t have the schedule for it so they ended up using my boards instead for the final shot, its nice to see my work follow through the vision to the end shoutout to the crew
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This part was originally gonna be 2D animated by me but I didn’t have the schedule for it so they ended up using my boards instead for the final shot, its nice to see my work follow through the vision to the end shoutout to the crew

TerminalRepo 🔜 Momocon 2026

20,258 görüntüleme • 8 ay önce

animated a regular show clip for fun cuz atp im basically just practicing my animations lol gumball and darwin rigs by me (yea i made rigs for them a while ago before making this vid, not public tho) #tawog #gumball #RegularShow
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animated a regular show clip for fun cuz atp im basically just practicing my animations lol gumball and darwin rigs by me (yea i made rigs for them a while ago before making this vid, not public tho) #tawog #gumball #RegularShow

Mars

92,937 görüntüleme • 1 yıl önce

Anim scrap book page 19. I was having an eat and draw at my friends place, who had this super echii book. I animated the thing on the left as a joke while looking at the book. The three guys walking on the right are diff colors for procedural texturing and lighting on 2d anim
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Anim scrap book page 19. I was having an eat and draw at my friends place, who had this super echii book. I animated the thing on the left as a joke while looking at the book. The three guys walking on the right are diff colors for procedural texturing and lighting on 2d anim

Toniko Pantoja

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My mom sent me a 30-year-old drawing... That I made for her when I was a kid. Naturally, I animated with Midjourney.. + It's not perfect + But it's awesome + And it captures the innocent chaos + Of my childhood imagination. Yes, my mother is fighting a dragon... With a rainbow wooden spoon. Moral of the story - Do this with your kids. #midjourney
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My mom sent me a 30-year-old drawing... That I made for her when I was a kid. Naturally, I animated with Midjourney.. + It's not perfect + But it's awesome + And it captures the innocent chaos + Of my childhood imagination. Yes, my mother is fighting a dragon... With a rainbow wooden spoon. Moral of the story - Do this with your kids. #midjourney

Rory Flynn

627,432 görüntüleme • 1 yıl önce

Before replying, please pay close attention to this scene. This drama received a lot of criticism, especially for the changes it made to the original webtoon. One of the biggest criticisms was changing the female lead’s profession from a teacher in the webtoon to an office worker who became the male lead’s employee in the drama. Some viewers claimed that this pushed a male-dominance narrative, reduced the female lead’s independence, and placed her in a position where she was more at the mercy of the ML. I was reading some discussions about the drama recently, then I came across this interesting debate about this particular scene. So, both the male and female leads were drunk when they had a onenight stand, which later resulted in a pregnancy. Some viewers insisted that the drama should have placed the responsibility solely on the male lead, ‘he should have exercised more self control’ ‘the female lead didn’t give her consent’. so it was a back and forth convo as others felt that based on what was shown in the scene, both characters gave consent and therefore shared responsibility. With all the conversations today about consent and responsibility when alcohol is involved, how would you interpret this scene? P.S. They didn’t know they were employer and employee until after that night.
0:19

Before replying, please pay close attention to this scene. This drama received a lot of criticism, especially for the changes it made to the original webtoon. One of the biggest criticisms was changing the female lead’s profession from a teacher in the webtoon to an office worker who became the male lead’s employee in the drama. Some viewers claimed that this pushed a male-dominance narrative, reduced the female lead’s independence, and placed her in a position where she was more at the mercy of the ML. I was reading some discussions about the drama recently, then I came across this interesting debate about this particular scene. So, both the male and female leads were drunk when they had a onenight stand, which later resulted in a pregnancy. Some viewers insisted that the drama should have placed the responsibility solely on the male lead, ‘he should have exercised more self control’ ‘the female lead didn’t give her consent’. so it was a back and forth convo as others felt that based on what was shown in the scene, both characters gave consent and therefore shared responsibility. With all the conversations today about consent and responsibility when alcohol is involved, how would you interpret this scene? P.S. They didn’t know they were employer and employee until after that night.

Omo-adony💕✂️

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3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?
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3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?

Kvintestar⛩️ Anime Artist

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I genuinely love this art style. 😆 And then a random idea popped into my head... what if I turned it into a series of ridiculous battles between iconic characters? Episode 1 is: KONG 🦍 vs. OPTIMUS PRIME There's a tiny HP bar glitch in one scene, so please forgive me for that 😂 Made with Seedance 2.0 on Kinovi.AI Who should fight in Episode 2?👇
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I genuinely love this art style. 😆 And then a random idea popped into my head... what if I turned it into a series of ridiculous battles between iconic characters? Episode 1 is: KONG 🦍 vs. OPTIMUS PRIME There's a tiny HP bar glitch in one scene, so please forgive me for that 😂 Made with Seedance 2.0 on Kinovi.AI Who should fight in Episode 2?👇

WHORANGE

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Hey guys! Today is my birthday 🎉 To celebrate, I decided to drop a little before/after comparison from one of the projects I worked on. This was a small animated sequence for a feature-length film and the main challenge was achieving very realistic, hand-drawn textures in every single frame. I think it turned out pretty great, literally every frame here is unique and made purely by human hands. No shortcuts, just love, patience and a lot of pixels🤙🏻✨
0:15

Hey guys! Today is my birthday 🎉 To celebrate, I decided to drop a little before/after comparison from one of the projects I worked on. This was a small animated sequence for a feature-length film and the main challenge was achieving very realistic, hand-drawn textures in every single frame. I think it turned out pretty great, literally every frame here is unique and made purely by human hands. No shortcuts, just love, patience and a lot of pixels🤙🏻✨

Veronika Khoreva

101,863 görüntüleme • 8 ay önce

there are a few things i am laser focused on for 2026 and beyond. here is a brief summary for you, should you be interested in reading more. #1. The Starry Nights; - a 1/1/X series i am curating/creating which is a themed series and follow up to my edition work "la nuit étoilée". For this series, we will be offering exquisite print options with a custom and beautiful Muse Facktory unboxing experience. These will be our debut Muse Facktory prints open to the public and the moment we plant our flag as a true contender in the high caliber Fine Art world of prints. For the digital only collectors, the ultra high resolution artworks will stand on their own within your wallet, waiting for the day we have the means to exhibit our digital art properly and at scale. Each work is 12k pixels, for which we are building a custom viewport for them to be experienced properly, even on mobile. Printing, however, is something I truly enjoy, and the ChromaSculpt technique captures my layering process precisely and beautifully. Offering both is a must for this series, especially since all new works will be still jpgs. The exact quantity will be determined once i feel the series is complete, but not to exceed 1/1/111. It will be a ranked auction with settlement. This is all i can say for now. #2. curation of the servants of the Muse; As you know, i have the “servants of the Muse” collection of 69. When i began this series as a thank you token for 1/1 holders, i created as ERC721 for a reason. To one day bring about the 69 servants of the Muse, all in their true forms. 69 true 1 of 1s. DoomScroller, for example, is but one of the 69. There will be no 2 alike. All will be animated. All will serve at Her pleasure. These will of course only be available to 'servants of the Muse', who will have to pay a toll in order to reveal their servant. Toll price currently undetermined but i am no extractor so it will be reasonable. Some of these beasts and creatures and machines will be ungodly, some will be just, many will be grotesque, but all will serve. #3. Commissioned large scale aluminum sculpture Can’t speak to it beyond that at the moment. #4. Potential Installs and performances for Grand Skull Piano. #5. PROTO I - mounted digital art canvases specific for my animated works. #6. Whatever else the Muse commands. dyor
0:19

there are a few things i am laser focused on for 2026 and beyond. here is a brief summary for you, should you be interested in reading more. #1. The Starry Nights; - a 1/1/X series i am curating/creating which is a themed series and follow up to my edition work "la nuit étoilée". For this series, we will be offering exquisite print options with a custom and beautiful Muse Facktory unboxing experience. These will be our debut Muse Facktory prints open to the public and the moment we plant our flag as a true contender in the high caliber Fine Art world of prints. For the digital only collectors, the ultra high resolution artworks will stand on their own within your wallet, waiting for the day we have the means to exhibit our digital art properly and at scale. Each work is 12k pixels, for which we are building a custom viewport for them to be experienced properly, even on mobile. Printing, however, is something I truly enjoy, and the ChromaSculpt technique captures my layering process precisely and beautifully. Offering both is a must for this series, especially since all new works will be still jpgs. The exact quantity will be determined once i feel the series is complete, but not to exceed 1/1/111. It will be a ranked auction with settlement. This is all i can say for now. #2. curation of the servants of the Muse; As you know, i have the “servants of the Muse” collection of 69. When i began this series as a thank you token for 1/1 holders, i created as ERC721 for a reason. To one day bring about the 69 servants of the Muse, all in their true forms. 69 true 1 of 1s. DoomScroller, for example, is but one of the 69. There will be no 2 alike. All will be animated. All will serve at Her pleasure. These will of course only be available to 'servants of the Muse', who will have to pay a toll in order to reveal their servant. Toll price currently undetermined but i am no extractor so it will be reasonable. Some of these beasts and creatures and machines will be ungodly, some will be just, many will be grotesque, but all will serve. #3. Commissioned large scale aluminum sculpture Can’t speak to it beyond that at the moment. #4. Potential Installs and performances for Grand Skull Piano. #5. PROTO I - mounted digital art canvases specific for my animated works. #6. Whatever else the Muse commands. dyor

a.c.k.

34,506 görüntüleme • 8 ay önce

'Of a Feather' ‣11/11 - 11:11am PST / 2:11pm EST ‣Supply 144 ‣Mint price 0.025 ‣2D/3D/Animated/Static pieces ‣Allowlist being filled now, DM. Of a Feather is a call to peace, a call to understanding where there is a lack. Meeting many styles upon one design, each generative piece travels through many worlds. Like a bird flying overhead, viewing the earth below, above the mire of destruction, dismay or doubt, in the open air of imagination and creations unwavering end. This collection with a small supply embarks to serve as a pass to future collections, airdrops, and interactivity between artist and collector. This is just the beginning of a new flight to inspiration. Holding a piece grants you access to a new storytelling arc in my creative career. I meticulously crafted this collection by seeding a SD ControlNet Ai gen with a painting i made previously this year, of a simple bird silhouette adorned with flowers. Picking through and editing together thousands of generations I managed to slim it down to 144. This is just beginning.
0:18

'Of a Feather' ‣11/11 - 11:11am PST / 2:11pm EST ‣Supply 144 ‣Mint price 0.025 ‣2D/3D/Animated/Static pieces ‣Allowlist being filled now, DM. Of a Feather is a call to peace, a call to understanding where there is a lack. Meeting many styles upon one design, each generative piece travels through many worlds. Like a bird flying overhead, viewing the earth below, above the mire of destruction, dismay or doubt, in the open air of imagination and creations unwavering end. This collection with a small supply embarks to serve as a pass to future collections, airdrops, and interactivity between artist and collector. This is just the beginning of a new flight to inspiration. Holding a piece grants you access to a new storytelling arc in my creative career. I meticulously crafted this collection by seeding a SD ControlNet Ai gen with a painting i made previously this year, of a simple bird silhouette adorned with flowers. Picking through and editing together thousands of generations I managed to slim it down to 144. This is just beginning.

catnip🦄

44,749 görüntüleme • 2 yıl önce

David Papunashvili discussed the workflow behind the Punk Knight project, explaining how he projected the 2D concept directly onto the sculpt for reference and color matching, and detailing how he used PolyPaint to paint the character. “Before sculpting, I usually gather a variety of references. In this case, however, my goal was to match the concept as closely as possible, so the concept itself became my primary reference. I imported it into ZBrush's Spotlight, which gave me much more flexibility than using PureRef alone. Being able to move, scale, and adjust its opacity directly in the viewport made it much easier to compare my sculpt with the original artwork. Spotlight also lets you sample colors or even project them onto the model, making the painting process much faster.”
0:12

David Papunashvili discussed the workflow behind the Punk Knight project, explaining how he projected the 2D concept directly onto the sculpt for reference and color matching, and detailing how he used PolyPaint to paint the character. “Before sculpting, I usually gather a variety of references. In this case, however, my goal was to match the concept as closely as possible, so the concept itself became my primary reference. I imported it into ZBrush's Spotlight, which gave me much more flexibility than using PureRef alone. Being able to move, scale, and adjust its opacity directly in the viewport made it much easier to compare my sculpt with the original artwork. Spotlight also lets you sample colors or even project them onto the model, making the painting process much faster.”

80 LEVEL

15,593 görüntüleme • 1 ay önce

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,410,281 görüntüleme • 3 ay önce