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𝑟𝒉𝒚 𝒎𝒂𝒌𝒆 𝒕𝒉𝒆𝒎 𝒂𝒔 𝒇𝒐𝒐𝒅 𝒘𝒉𝒆𝒏 𝒚𝒐𝒖 𝒄𝒂𝒏 𝒇𝒐𝒓𝒄𝒆 𝒕𝒉𝒆𝒎 𝒂𝒔 𝒚𝒐𝒖𝒓 𝒑𝒍𝒂𝒚 𝒕𝒉𝒊𝒏𝒈?~ (personally I did this with Sarena because she's a brat BUT i wanted to show love to the women as well! XD) Artwork: 🎃HallowDeeJ🔞 Video Edit/ArachnidVA: Leviosaaa (Me :3) AnonVA: 🌞🔞👅Serena🎙🔞🌞 #SpicySessionCollab #nsfwtwtًً #voiceover #voiceactresses...

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Leviosaaa VA/LT🔞

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33,973 görÃŒntÃŒleme • 6 ay önce •via X (Twitter)

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#JuniorMarkConcertD3 #filmracha #NamtanFilm J: As a sister... 🀣🀣🀣 J: As a sister. M: I know, I know. J: Like a sis, like a sis. I love N’Film the most in the world as a sis. N’Film is like the brightness/joy during my practice. You too. (Mark) J: N’Film is... honestly, speaking about this show, when I requested it, it was under the same conditions as the first 2-3 calls... I asked her to be a guest right from the beginning and was really worried she’d be exhausted. But I genuinely wanted to see N’Film perform this show. This was very personal for me. ❀‍🩹: Thank you ka 🥰🙏🏌 J: So I told the team that if we couldn't get "Rockstar" by Lisa, I wouldn't bring N’Film on, because I didn't want her to get too tired. ❀‍🩹: Whoa... I was so stressed out, you know... Like, super stressed. But no, no, it's fine, it's fine! I just wanted the performance with P'Joo and P'Mark to turn out great and go smoothly all the way, so I was really scared and anxious. J: Actually, I've been following Blush Blossom for 2 years now, and I've always been impressed by N’Film's work, in whatever role/capacity. ❀‍🩹: Thank you so much. J: Both performance-wise... What do they call N’Film again? "30th Floor Hips", right? Is that the nickname? ❀‍🩹: Something like that, I guess... You're terrible, Phi 🫪🀣🀣🀣 J: Well, everyone can see it! Everyone likes... People often talk about... how she has immense charisma and is such a great performer. So I wanted to design a show for her. I felt like we've seen N’Film in sparkly/diamond-studded modes a lot already, or in that mode... what was it that you like to do with Namtan? Like a Mor Lam vibe. ❀‍🩹: *Covers her face with her hands* J: I've seen that a lot, so I wanted to see N’Film in a cool, edgy mode for a change. Plus, I felt like you wouldn't get to see this anywhere else anytime soon, so I wanted her to show this at the concert—mostly because I personally wanted to watch it myself. ❀‍🩹: 🀣🀣🀣 J: And well, I was being mischievous. I tricked Film by saying, "N’Film, I'm going to have you show 'Rockstar', okay?" ❀‍🩹: No! Oh wait, no! At first, you didn't even tell me the song title! At first, you said I just needed to stand there looking pretty and do nothing at all. "But Film, you're so pretty! Just come stand there, you don't have to do much." J: "Just stand there looking pretty, perform comfortably and easily." ❀‍🩹: "No need to memorize much." J: "No need to memorize much." But turns out, there isn't a single Thai word in it, and there isn't a single moment where you stop moving 🀣🀣🀣 ❀‍🩹: But it's good, it's good! I wanted... I wanted the whole performance to turn out great. I hope everyone likes it; I really gave it my all. ❀‍🩹: Also, I want to say that P'Joo worked super hard practicing. On days when it was just me practicing alone, P'Joo would always make time to come practice with me. So impressive. J: Do you know why? Because I couldn't leave N’Film to practice alone. N’Film was the guest who requested the most rehearsal slots! Like... so many that I felt like adding 4-5 more songs for her. I wanted us to practice a lot, but I was afraid N’Film would get too tired. Thank you so much, N’Film, for... yeah ❀‍🩹: So impressive, so impressive! I've never seen P'Joo dance before either, so I was super surprised. You picked up the choreography so fast! There was a day P'Joo had to rehearse other songs and then came straight to practice with me. So... so capable. And I'm really happy. I'm not stressed anymore! J: You did great... I love N’Film so much. Well, uh... I don't know what else to say, but I love N’Film so much and I'm so glad. You look so beautiful today, and so cool. Give it up for N’Film, everyone! 🫚🫚🫚👏🏻👏🏻👏🏻 ❀‍🩹: Thank you na kaaa 🙏🏌🥰
3:52

#JuniorMarkConcertD3 #filmracha #NamtanFilm J: As a sister... 🀣🀣🀣 J: As a sister. M: I know, I know. J: Like a sis, like a sis. I love N’Film the most in the world as a sis. N’Film is like the brightness/joy during my practice. You too. (Mark) J: N’Film is... honestly, speaking about this show, when I requested it, it was under the same conditions as the first 2-3 calls... I asked her to be a guest right from the beginning and was really worried she’d be exhausted. But I genuinely wanted to see N’Film perform this show. This was very personal for me. ❀‍🩹: Thank you ka 🥰🙏🏌 J: So I told the team that if we couldn't get "Rockstar" by Lisa, I wouldn't bring N’Film on, because I didn't want her to get too tired. ❀‍🩹: Whoa... I was so stressed out, you know... Like, super stressed. But no, no, it's fine, it's fine! I just wanted the performance with P'Joo and P'Mark to turn out great and go smoothly all the way, so I was really scared and anxious. J: Actually, I've been following Blush Blossom for 2 years now, and I've always been impressed by N’Film's work, in whatever role/capacity. ❀‍🩹: Thank you so much. J: Both performance-wise... What do they call N’Film again? "30th Floor Hips", right? Is that the nickname? ❀‍🩹: Something like that, I guess... You're terrible, Phi 🫪🀣🀣🀣 J: Well, everyone can see it! Everyone likes... People often talk about... how she has immense charisma and is such a great performer. So I wanted to design a show for her. I felt like we've seen N’Film in sparkly/diamond-studded modes a lot already, or in that mode... what was it that you like to do with Namtan? Like a Mor Lam vibe. ❀‍🩹: *Covers her face with her hands* J: I've seen that a lot, so I wanted to see N’Film in a cool, edgy mode for a change. Plus, I felt like you wouldn't get to see this anywhere else anytime soon, so I wanted her to show this at the concert—mostly because I personally wanted to watch it myself. ❀‍🩹: 🀣🀣🀣 J: And well, I was being mischievous. I tricked Film by saying, "N’Film, I'm going to have you show 'Rockstar', okay?" ❀‍🩹: No! Oh wait, no! At first, you didn't even tell me the song title! At first, you said I just needed to stand there looking pretty and do nothing at all. "But Film, you're so pretty! Just come stand there, you don't have to do much." J: "Just stand there looking pretty, perform comfortably and easily." ❀‍🩹: "No need to memorize much." J: "No need to memorize much." But turns out, there isn't a single Thai word in it, and there isn't a single moment where you stop moving 🀣🀣🀣 ❀‍🩹: But it's good, it's good! I wanted... I wanted the whole performance to turn out great. I hope everyone likes it; I really gave it my all. ❀‍🩹: Also, I want to say that P'Joo worked super hard practicing. On days when it was just me practicing alone, P'Joo would always make time to come practice with me. So impressive. J: Do you know why? Because I couldn't leave N’Film to practice alone. N’Film was the guest who requested the most rehearsal slots! Like... so many that I felt like adding 4-5 more songs for her. I wanted us to practice a lot, but I was afraid N’Film would get too tired. Thank you so much, N’Film, for... yeah ❀‍🩹: So impressive, so impressive! I've never seen P'Joo dance before either, so I was super surprised. You picked up the choreography so fast! There was a day P'Joo had to rehearse other songs and then came straight to practice with me. So... so capable. And I'm really happy. I'm not stressed anymore! J: You did great... I love N’Film so much. Well, uh... I don't know what else to say, but I love N’Film so much and I'm so glad. You look so beautiful today, and so cool. Give it up for N’Film, everyone! 🫚🫚🫚👏🏻👏🏻👏🏻 ❀‍🩹: Thank you na kaaa 🙏🏌🥰

à¹àž¡àž§à¹àž¡àž§à¹€àž­àž‡ 🎭💄🎙

48,948 görÃŒntÃŒleme • 1 ay önce

Why did I move to El Salvador? Very simple. Literally my purpose in life is to uphold my responsibility as a father and cultivate the best possible future for my children, using the knowledge and resources available to me. To some people, that means stocking up on ammo and having lots of Bitcoin for the inevitable end of the world. But me, I prefer going down the path of lesser resistance. Why 🇞🇻 ? I see hope here. I see actual problems being solved for real people. I see a government with a low-time preference looking towards the future. I came here with the intention to build something beyond the scope of my own desire... and the results in only 3 months are literally palpable. The opportunity is fertile. Meanwhile, I've watched my home country/culture deteriorate over the last 15 years, along with much of the Europe I fell in love with as a young adult. I don't see hope there. I don't think I ever did. But El Salvador is a place visualizing a bright future and taking the steps to create it. I don't have to generate that hope & optimism, because it permeates the air here. I obviously don't know what the future holds. But in this place, in this moment, where women can feel safe walking around at night, the hardest money in the known universe is legal tender, and a shared air of optimism that is all but clinically contagious, I can't say I'd be doing my job well as a father if I didn't at least 𝘵𝘳𝘺 to make things work here right now. End rant. If you vibe with what I'm saying and feel called to check this place out to see if it could be your Plan B (or A) for your own kids, I invite you to check out our next @SovStudios retreat happening November 10-14. We host workshops to introduce you to the country and take you on excursions to show you the lay of the land:
2:12

Why did I move to El Salvador? Very simple. Literally my purpose in life is to uphold my responsibility as a father and cultivate the best possible future for my children, using the knowledge and resources available to me. To some people, that means stocking up on ammo and having lots of Bitcoin for the inevitable end of the world. But me, I prefer going down the path of lesser resistance. Why 🇞🇻 ? I see hope here. I see actual problems being solved for real people. I see a government with a low-time preference looking towards the future. I came here with the intention to build something beyond the scope of my own desire... and the results in only 3 months are literally palpable. The opportunity is fertile. Meanwhile, I've watched my home country/culture deteriorate over the last 15 years, along with much of the Europe I fell in love with as a young adult. I don't see hope there. I don't think I ever did. But El Salvador is a place visualizing a bright future and taking the steps to create it. I don't have to generate that hope & optimism, because it permeates the air here. I obviously don't know what the future holds. But in this place, in this moment, where women can feel safe walking around at night, the hardest money in the known universe is legal tender, and a shared air of optimism that is all but clinically contagious, I can't say I'd be doing my job well as a father if I didn't at least 𝘵𝘳𝘺 to make things work here right now. End rant. If you vibe with what I'm saying and feel called to check this place out to see if it could be your Plan B (or A) for your own kids, I invite you to check out our next @SovStudios retreat happening November 10-14. We host workshops to introduce you to the country and take you on excursions to show you the lay of the land:

Flash Gourshanne

32,781 görÃŒntÃŒleme • 2 yıl önce

Took 2 months off of the gym and as you can see it doesn’t look like it at all. That is because how you look is MAJORLY impacted by what you eat. In the 2 months off, I tracked my meals everyday and made sure to stay active by taking over 12,000 steps per day. I did feel noticeably smaller but I wasn’t concerned because my body is known to bounce back pretty damn fast when I lock in. And that takes us to, ‘Chapter 2026. The Lock In.’ This year in my off season I plan to pack on an OD amount of size. I say size instead of muscle because in putting on size, I’m guaranteed to pack on body fat as well. Not as much as I would if I ate whatever I wanted and claimed I was “dirty bulking.” I spent way too much time getting lean last year to lose it all recklessly. How I’m going to do it is simple and straight forward. 1. Track my macros. 2. Prioritize protein and increase calories gradually by increasing my carb intake and keeping fat at a moderate level. 3. Training on a 5 day split. 4. Keeping light cardio a part of my routine. 5. Focusing on my recovery. That’s it. There’s no secret sauce or formula. It’s simply doing what you’re supposed to do consistently and making it a non negotiable habit. Once you start to see progress it becomes addicting and you begin to love the process. If you wait until you “get there” you’re going to miss out on the real fun and journey. I’m going to be documenting the entire year with the core of the content I produce and release be to educate you guys on what I am doing in fun creative ways. I don’t want this to be a year of, “watch me do it.” I’d rather it be a, “here, do it with me.” Which is why all my workout plans and meal guides are available for download on my website. Simply pick a program that fits your goals, download, follow along and repeat. And if you want to take it a step further and personally get trained by me 1-on-1, bet on yourself and Apply for coaching while on the site. You know you’re going to upgrade to a new phone this year. Might as well get a REAL upgrade and upgrade your body and mind. You deserve it. ⚔
1:16

Took 2 months off of the gym and as you can see it doesn’t look like it at all. That is because how you look is MAJORLY impacted by what you eat. In the 2 months off, I tracked my meals everyday and made sure to stay active by taking over 12,000 steps per day. I did feel noticeably smaller but I wasn’t concerned because my body is known to bounce back pretty damn fast when I lock in. And that takes us to, ‘Chapter 2026. The Lock In.’ This year in my off season I plan to pack on an OD amount of size. I say size instead of muscle because in putting on size, I’m guaranteed to pack on body fat as well. Not as much as I would if I ate whatever I wanted and claimed I was “dirty bulking.” I spent way too much time getting lean last year to lose it all recklessly. How I’m going to do it is simple and straight forward. 1. Track my macros. 2. Prioritize protein and increase calories gradually by increasing my carb intake and keeping fat at a moderate level. 3. Training on a 5 day split. 4. Keeping light cardio a part of my routine. 5. Focusing on my recovery. That’s it. There’s no secret sauce or formula. It’s simply doing what you’re supposed to do consistently and making it a non negotiable habit. Once you start to see progress it becomes addicting and you begin to love the process. If you wait until you “get there” you’re going to miss out on the real fun and journey. I’m going to be documenting the entire year with the core of the content I produce and release be to educate you guys on what I am doing in fun creative ways. I don’t want this to be a year of, “watch me do it.” I’d rather it be a, “here, do it with me.” Which is why all my workout plans and meal guides are available for download on my website. Simply pick a program that fits your goals, download, follow along and repeat. And if you want to take it a step further and personally get trained by me 1-on-1, bet on yourself and Apply for coaching while on the site. You know you’re going to upgrade to a new phone this year. Might as well get a REAL upgrade and upgrade your body and mind. You deserve it. ⚔

FOUSEY

33,321 görÃŒntÃŒleme • 7 ay önce

We "Don't Tolerate Nonsense" 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒑𝒓𝒐𝒃𝒂𝒃𝒍𝒚 𝒘𝒉𝒂𝒕 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑫𝒆𝒇𝒆𝒏𝒄𝒆 𝒘𝒂𝒔 𝒓𝒆𝒇𝒆𝒓𝒓𝒊𝒏𝒈 𝒕𝒐 𝒘𝒉𝒆𝒏 𝒉𝒆 𝒔𝒂𝒊𝒅 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒔𝒂𝒊𝒅 𝒉𝒆 "𝒑𝒂𝒊𝒅 𝒃𝒂𝒏𝒅𝒊𝒕𝒔". 𝑩𝒆𝒄𝒂𝒖𝒔𝒆 𝒕𝒉𝒆𝒓𝒆'𝒔 𝒏𝒐 𝒔𝒊𝒏𝒈𝒍𝒆 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏 𝒐𝒓 𝒓𝒆𝒄𝒐𝒓𝒅 𝒂𝒏𝒚𝒘𝒉𝒆𝒓𝒆 - 𝒆𝒗𝒆𝒏 𝒐𝒏 𝒕𝒉𝒆 "𝒀𝒐𝒖𝑻𝒖𝒃𝒆" 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒓𝒆𝒇𝒆𝒓𝒆𝒏𝒄𝒆𝒅 - 𝒐𝒇 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒔𝒂𝒚𝒊𝒏𝒈 𝒉𝒆 𝒑𝒂𝒊𝒅 𝒃𝒂𝒏𝒅𝒊𝒕𝒔 𝒐𝒓 𝒐𝒇 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒂𝒄𝒕𝒖𝒂𝒍𝒍𝒚 𝒑𝒂𝒚𝒊𝒏𝒈 𝒃𝒂𝒏𝒅𝒊𝒕𝒔. 𝑶𝒏 𝒕𝒉𝒆 𝒄𝒐𝒏𝒕𝒓𝒂𝒓𝒚, 𝒂𝒔 𝒂 𝒎𝒂𝒕𝒕𝒆𝒓 𝒐𝒇 𝒇𝒂𝒄𝒕 𝒂𝒏𝒅 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒆𝒅 𝒑𝒖𝒃𝒍𝒊𝒄 𝒓𝒆𝒄𝒐𝒓𝒅, 𝑎𝒂𝒍𝒍𝒂𝒎 𝑵𝒂𝒔𝒊𝒓 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒂𝒄𝒕𝒖𝒂𝒍𝒍𝒚 𝒑𝒂𝒊𝒅 𝒄𝒐𝒎𝒑𝒆𝒏𝒔𝒂𝒕𝒊𝒐𝒏𝒔 - 𝒃𝒂𝒔𝒆𝒅 𝒐𝒏 𝒓𝒆𝒄𝒐𝒎𝒎𝒆𝒏𝒅𝒂𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝒂 𝑪𝒐𝒎𝒎𝒊𝒕𝒕𝒆𝒆 𝒉𝒆𝒂𝒅𝒆𝒅 𝒃𝒚 𝒂 𝑺𝒐𝒖𝒕𝒉𝒆𝒓𝒏 𝑲𝒂𝒅𝒖𝒏𝒂 𝒊𝒏𝒅𝒊𝒈𝒆𝒏𝒆 - 𝒕𝒐 𝒔𝒐𝒎𝒆 𝑭𝒖𝒍𝒂𝒏𝒊 𝒑𝒂𝒔𝒕𝒐𝒓𝒂𝒍𝒊𝒔𝒕𝒔 (𝒉𝒆𝒓𝒅𝒔𝒎𝒆𝒏) 𝒘𝒉𝒐 𝒍𝒐𝒔𝒕 𝒍𝒊𝒗𝒆𝒔 𝒂𝒏𝒅 𝒄𝒂𝒕𝒕𝒍𝒆 𝒊𝒏 𝑺𝒐𝒖𝒕𝒉𝒆𝒓𝒏 𝑲𝒂𝒅𝒖𝒏𝒂 𝒅𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 2011 𝒑𝒐𝒔𝒕-𝒆𝒍𝒆𝒄𝒕𝒊𝒐𝒏 𝒗𝒊𝒐𝒍𝒆𝒏𝒄𝒆, 𝒂𝒔 𝒂 𝒘𝒂𝒚 𝒐𝒇 𝒔𝒕𝒐𝒑𝒑𝒊𝒏𝒈 𝒕𝒉𝒆 𝒌𝒊𝒍𝒍𝒊𝒏𝒈𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓'𝒔 "𝒑𝒆𝒐𝒑𝒍𝒆". 𝑺𝒆𝒆 𝒕𝒉𝒆 𝒕𝒉𝒂𝒏𝒌 𝒚𝒐𝒖 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒈𝒐𝒕 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒏 𝒃𝒆𝒉𝒂𝒍𝒇 𝒐𝒇 𝒉𝒊𝒔 "𝒑𝒆𝒐𝒑𝒍𝒆". 𝑚𝒍𝒍𝒂𝒉 𝒚𝒂 𝒊𝒔𝒂! One deluded entity of Southern Kaduna extraction said to me that they will meet me in court, adding, "we will present our evidence in court". I do not know who he meant by "we", because it was one person who regurgitated burukutu talk as facts on national television. Yes, indeed, we shall well meet in court soon, but he does not have to wait till then. I challenge this delusional individual and indeed all of them Southern Kaduna creeps crawling around my wall exhibiting their lack of home training and their hypochristianity to produce one clean sourced video evidence of where and when Mallam Nasir Nasir Ahmad El-Rufai ever said "HE PAID BANDITS". JUST ONE. Because some persons have no good reputation and do not know what it takes to build one, they think they can just try to damage someone else's hard built reputation, call it politics and get away with it. Not anymore. It has been smelling for a while now that someone would likely be used to teach other El-Rufai haters and bashers a lesson. Probably, we have the biggest fish yet for that. Everyday for the thief, one day for the owner of the house. We "don't tolerate nonsense". #EyesOnTheBall
6:56

We "Don't Tolerate Nonsense" 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒑𝒓𝒐𝒃𝒂𝒃𝒍𝒚 𝒘𝒉𝒂𝒕 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒇 𝑫𝒆𝒇𝒆𝒏𝒄𝒆 𝒘𝒂𝒔 𝒓𝒆𝒇𝒆𝒓𝒓𝒊𝒏𝒈 𝒕𝒐 𝒘𝒉𝒆𝒏 𝒉𝒆 𝒔𝒂𝒊𝒅 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒔𝒂𝒊𝒅 𝒉𝒆 "𝒑𝒂𝒊𝒅 𝒃𝒂𝒏𝒅𝒊𝒕𝒔". 𝑩𝒆𝒄𝒂𝒖𝒔𝒆 𝒕𝒉𝒆𝒓𝒆'𝒔 𝒏𝒐 𝒔𝒊𝒏𝒈𝒍𝒆 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏 𝒐𝒓 𝒓𝒆𝒄𝒐𝒓𝒅 𝒂𝒏𝒚𝒘𝒉𝒆𝒓𝒆 - 𝒆𝒗𝒆𝒏 𝒐𝒏 𝒕𝒉𝒆 "𝒀𝒐𝒖𝑻𝒖𝒃𝒆" 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒓𝒆𝒇𝒆𝒓𝒆𝒏𝒄𝒆𝒅 - 𝒐𝒇 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒔𝒂𝒚𝒊𝒏𝒈 𝒉𝒆 𝒑𝒂𝒊𝒅 𝒃𝒂𝒏𝒅𝒊𝒕𝒔 𝒐𝒓 𝒐𝒇 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒂𝒄𝒕𝒖𝒂𝒍𝒍𝒚 𝒑𝒂𝒚𝒊𝒏𝒈 𝒃𝒂𝒏𝒅𝒊𝒕𝒔. 𝑶𝒏 𝒕𝒉𝒆 𝒄𝒐𝒏𝒕𝒓𝒂𝒓𝒚, 𝒂𝒔 𝒂 𝒎𝒂𝒕𝒕𝒆𝒓 𝒐𝒇 𝒇𝒂𝒄𝒕 𝒂𝒏𝒅 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒆𝒅 𝒑𝒖𝒃𝒍𝒊𝒄 𝒓𝒆𝒄𝒐𝒓𝒅, 𝑎𝒂𝒍𝒍𝒂𝒎 𝑵𝒂𝒔𝒊𝒓 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒂𝒄𝒕𝒖𝒂𝒍𝒍𝒚 𝒑𝒂𝒊𝒅 𝒄𝒐𝒎𝒑𝒆𝒏𝒔𝒂𝒕𝒊𝒐𝒏𝒔 - 𝒃𝒂𝒔𝒆𝒅 𝒐𝒏 𝒓𝒆𝒄𝒐𝒎𝒎𝒆𝒏𝒅𝒂𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝒂 𝑪𝒐𝒎𝒎𝒊𝒕𝒕𝒆𝒆 𝒉𝒆𝒂𝒅𝒆𝒅 𝒃𝒚 𝒂 𝑺𝒐𝒖𝒕𝒉𝒆𝒓𝒏 𝑲𝒂𝒅𝒖𝒏𝒂 𝒊𝒏𝒅𝒊𝒈𝒆𝒏𝒆 - 𝒕𝒐 𝒔𝒐𝒎𝒆 𝑭𝒖𝒍𝒂𝒏𝒊 𝒑𝒂𝒔𝒕𝒐𝒓𝒂𝒍𝒊𝒔𝒕𝒔 (𝒉𝒆𝒓𝒅𝒔𝒎𝒆𝒏) 𝒘𝒉𝒐 𝒍𝒐𝒔𝒕 𝒍𝒊𝒗𝒆𝒔 𝒂𝒏𝒅 𝒄𝒂𝒕𝒕𝒍𝒆 𝒊𝒏 𝑺𝒐𝒖𝒕𝒉𝒆𝒓𝒏 𝑲𝒂𝒅𝒖𝒏𝒂 𝒅𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 2011 𝒑𝒐𝒔𝒕-𝒆𝒍𝒆𝒄𝒕𝒊𝒐𝒏 𝒗𝒊𝒐𝒍𝒆𝒏𝒄𝒆, 𝒂𝒔 𝒂 𝒘𝒂𝒚 𝒐𝒇 𝒔𝒕𝒐𝒑𝒑𝒊𝒏𝒈 𝒕𝒉𝒆 𝒌𝒊𝒍𝒍𝒊𝒏𝒈𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓'𝒔 "𝒑𝒆𝒐𝒑𝒍𝒆". 𝑺𝒆𝒆 𝒕𝒉𝒆 𝒕𝒉𝒂𝒏𝒌 𝒚𝒐𝒖 𝑬𝒍-𝑹𝒖𝒇𝒂𝒊 𝒈𝒐𝒕 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑎𝒊𝒏𝒊𝒔𝒕𝒆𝒓 𝒐𝒏 𝒃𝒆𝒉𝒂𝒍𝒇 𝒐𝒇 𝒉𝒊𝒔 "𝒑𝒆𝒐𝒑𝒍𝒆". 𝑚𝒍𝒍𝒂𝒉 𝒚𝒂 𝒊𝒔𝒂! One deluded entity of Southern Kaduna extraction said to me that they will meet me in court, adding, "we will present our evidence in court". I do not know who he meant by "we", because it was one person who regurgitated burukutu talk as facts on national television. Yes, indeed, we shall well meet in court soon, but he does not have to wait till then. I challenge this delusional individual and indeed all of them Southern Kaduna creeps crawling around my wall exhibiting their lack of home training and their hypochristianity to produce one clean sourced video evidence of where and when Mallam Nasir Nasir Ahmad El-Rufai ever said "HE PAID BANDITS". JUST ONE. Because some persons have no good reputation and do not know what it takes to build one, they think they can just try to damage someone else's hard built reputation, call it politics and get away with it. Not anymore. It has been smelling for a while now that someone would likely be used to teach other El-Rufai haters and bashers a lesson. Probably, we have the biggest fish yet for that. Everyday for the thief, one day for the owner of the house. We "don't tolerate nonsense". #EyesOnTheBall

uche diala

42,316 görÃŒntÃŒleme • 1 ay önce

UPDATE FROM JAKE- I went to show support at Chud the Builder's $1. 25 million bond hearing and was arrested and thrown (in the maximum he could sentence me to) of 10 days of solitary confinement by the judge!!!! Here's how it happened. I was sitting next to Chud's wonderful and soft-spoken fiancee when she whispered, “I love you” to Chud, and was kicked out of the courtroom!!! Moments later, I was nodding my head in agreement to a video of Chud during an interview when the bailiff demanded that I leave the courtroom as well! I stood up and calmly exited and said in a normal speaking tone “This is two-tiered justice!” I am now inside of Montgomery County Jail STARVING for two days because they are refusing to give me a Kosher Diet!! I was also told by Sergeant Hawley today that my request for Kosher Diet was denied and that he would be put on suicide watch if I refuse to eat, which is basically naked torture in a cell alone for 10 days. They also are saying they're going to move me in with a roommate in solitary tonight, but would not give me any other details on who they would be putting me with!!! I showed up to Chud's hearing because I know what it's like to turn around in a courtroom where your life is on the line and see nobody but your mother and father. I wanted to make sure Chud did not go through the same pain I had to for four years and six days as a January sixth political prisoner. I stood up and said something because that's what righteous men do. All it takes for evil to succeed is for good men to do nothing. Not me. As for me in my house, we shall serve the LORD. Free chud. SECOND UPDATE- As I was on the phone with Jake yesterday getting this message from him, he was yelling in his cell begging to be fed and saying how hungry he was. Seconds later Supervisor Black and another man went in his cell, said he’s coming with them, put him in handcuffs and took him away. I have now not heard from Jake for over 24 hours because they have taken away his phone privileges simply for begging for FOOD!!!!! I have the entire thing on recording. It is disturbing and sickening. I have called the jail dozens of times yesterday and today and they refuse to tell me where he was taken and will not let him speak to me. Every single lieutenant, supervisor, etc I have spoken to yesterday and today have all given me different stories than the other and continuously lie to cover up what they are doing. These people are EVIL AND SICK!!!! I have all of those calls recorded and documented also. I have spent three days calling every lawyer and law firm in Clarksville Tennessee and NOT ONE lawyer is willing to help Jake because Jake was arrested at Chuds court hearing and these SPINELESS COWARDS are all to scared to put their name anywhere associated with Chud. Between the INSANE POWER HUNGRY LUNATIC JUDGE, the WEAK PATHETIC lawyers and the EVIL SCUM at the Montgomery county jail, it has been an absolute nightmare. Lord, save us.
0:22

UPDATE FROM JAKE- I went to show support at Chud the Builder's $1. 25 million bond hearing and was arrested and thrown (in the maximum he could sentence me to) of 10 days of solitary confinement by the judge!!!! Here's how it happened. I was sitting next to Chud's wonderful and soft-spoken fiancee when she whispered, “I love you” to Chud, and was kicked out of the courtroom!!! Moments later, I was nodding my head in agreement to a video of Chud during an interview when the bailiff demanded that I leave the courtroom as well! I stood up and calmly exited and said in a normal speaking tone “This is two-tiered justice!” I am now inside of Montgomery County Jail STARVING for two days because they are refusing to give me a Kosher Diet!! I was also told by Sergeant Hawley today that my request for Kosher Diet was denied and that he would be put on suicide watch if I refuse to eat, which is basically naked torture in a cell alone for 10 days. They also are saying they're going to move me in with a roommate in solitary tonight, but would not give me any other details on who they would be putting me with!!! I showed up to Chud's hearing because I know what it's like to turn around in a courtroom where your life is on the line and see nobody but your mother and father. I wanted to make sure Chud did not go through the same pain I had to for four years and six days as a January sixth political prisoner. I stood up and said something because that's what righteous men do. All it takes for evil to succeed is for good men to do nothing. Not me. As for me in my house, we shall serve the LORD. Free chud. SECOND UPDATE- As I was on the phone with Jake yesterday getting this message from him, he was yelling in his cell begging to be fed and saying how hungry he was. Seconds later Supervisor Black and another man went in his cell, said he’s coming with them, put him in handcuffs and took him away. I have now not heard from Jake for over 24 hours because they have taken away his phone privileges simply for begging for FOOD!!!!! I have the entire thing on recording. It is disturbing and sickening. I have called the jail dozens of times yesterday and today and they refuse to tell me where he was taken and will not let him speak to me. Every single lieutenant, supervisor, etc I have spoken to yesterday and today have all given me different stories than the other and continuously lie to cover up what they are doing. These people are EVIL AND SICK!!!! I have all of those calls recorded and documented also. I have spent three days calling every lawyer and law firm in Clarksville Tennessee and NOT ONE lawyer is willing to help Jake because Jake was arrested at Chuds court hearing and these SPINELESS COWARDS are all to scared to put their name anywhere associated with Chud. Between the INSANE POWER HUNGRY LUNATIC JUDGE, the WEAK PATHETIC lawyers and the EVIL SCUM at the Montgomery county jail, it has been an absolute nightmare. Lord, save us.

Jake Lang - January 6 Political Prisoner 🇺🇞

780,607 görÃŒntÃŒleme • 4 ay önce

This is such a difficult watch ☹ Amanda Abbington, "I have a 30 page report.. Nearly half of the allegations were upheld" "What's being said in the tabloids is just not true.. There were five breaches of the code of conduct within the organisation" Victoria Derbyshire, "What have the last 12 months been like for you since you left last year's Strictly?" AA, "One of the worst years of my life... Unpleasant.. Turbulent.. Relentless time in my life.. Because I alerted people of bad behaviour" VD, "In terms of the complaints against Giovanni Pernice that were upheld, what happened in rehearsals?" AA, "Verbally abused.. Sexual innuendos.. Sexual gestures.. A 35 min rant at me calling me names.. This went on for 7 hours a day for 7 weeks.. I was called mad.. Unstable" VD, "How did you respond?" AA, "I'm open to criticism.. I've worked 32 years as an actress and I've never had to leave a job or experience anything like I experienced in that rehearsal room.. I not only did it for myself but for the contestants partnered with his previously.. I wasn't the only person that complained" "When you're constantly told that you're not good enough and you're going to make a fool of yourself.. I don't respond well to that sort of teaching" VD, "Papers reported there was a crotch incident" AA, "There were two allegations of inappropriate conduct of a sexual nature and they were upheld.. One was physical.. One was verbal" "When I got a dance step right, he would outline an erection in his trousers and tell me my dance move made that happen" "They weren't isolated one off incidents.. Over a period of 7 weeks" VD, "How did you react to that?" AA, "Because you were in a bubble.. I was either being called names.. Or worked without a break.. When you're in that bubble for 7 hours a day you lose all sense of reality.. I kind of just looked and sort of went, ok.. Only when I got home did I realise.. You lose all sense of reality" "In hindsight, you walk out and you don't look back" VD, "When did you first tell someone at BBC and how did they respond?" AA, "I told producers after 3 or 4 days of being in the rehearsal room.. They said sorry and said they would monitor the situation.. This wasn't an isolated incident, I know that it happened before to other contestants" VD, "You met up with other previous dance partners" AA, "Yes.. We all found each other.. I was put in touch with a few of them through mutual friends.. We just wanted to make sure we weren't on our own thinking this just happened to us.. All of us.. Have said the same thing.. It wasn't pleasant.. It wasn't isolated.. It happened to all of us" VD, "When you first met" AA, "We all cried, we burst into tears.. It was managing the room and our own mental health and emotional well being" VD, "Sarah Vine wrote: women like AA are part of the reason other women who find themselves in worse situations dont get taken seriously. What do you say to that?" AA, "I'm always shocked when women throw other women under the bus for standing up for what they think is wrong" "So many other women have thanked me for giving them the strength to speak up in similar situations" VD, "Strictly is a family show.. Some of the things do not appear to be very wholesome" AA, "I loved Strictly.. I never wanted to cause trouble.. All I did was experience something in a workplace environment.. And I didn't want anybody else to go through what I had gone through, and what people went through in the past before me" VD, "How do you feel you have been treated by the BBC throughout this process?" AA, "It's still ongoing.. There are things in the 30 page report that are unresolved.. I'm taking guidance from my lawyer who has been so amazing" VD, "BBC says it takes allegations seriously.. We want thank AA for coming forward as its not an easy thing to do.. Do you feel the BBC were as concerned for your well being as they were for the program?" AA, "I think they tried.. But I wouldn't be sitting here if they tried harder.. I got an apology.. And a lot of the allegations were upheld.. Everybody has to be looked after so things like this don' t happen" VD, "You talk about rape and death threats" AA, "Over the last eight months, hundreds.. I had a credible death threat.. The police had to be called.. A bomb threat to my place of work.. Death threats to me, my family.. Rape threats to my 15 year old daughter" "I've got screenshots that I've sent to the Met police" VD, "Did you do the right thing speaking up?" AA, "Oh My God, yea.. All I did was ask the BBC to address inappropriate bad behaviour"
18:06

This is such a difficult watch ☹ Amanda Abbington, "I have a 30 page report.. Nearly half of the allegations were upheld" "What's being said in the tabloids is just not true.. There were five breaches of the code of conduct within the organisation" Victoria Derbyshire, "What have the last 12 months been like for you since you left last year's Strictly?" AA, "One of the worst years of my life... Unpleasant.. Turbulent.. Relentless time in my life.. Because I alerted people of bad behaviour" VD, "In terms of the complaints against Giovanni Pernice that were upheld, what happened in rehearsals?" AA, "Verbally abused.. Sexual innuendos.. Sexual gestures.. A 35 min rant at me calling me names.. This went on for 7 hours a day for 7 weeks.. I was called mad.. Unstable" VD, "How did you respond?" AA, "I'm open to criticism.. I've worked 32 years as an actress and I've never had to leave a job or experience anything like I experienced in that rehearsal room.. I not only did it for myself but for the contestants partnered with his previously.. I wasn't the only person that complained" "When you're constantly told that you're not good enough and you're going to make a fool of yourself.. I don't respond well to that sort of teaching" VD, "Papers reported there was a crotch incident" AA, "There were two allegations of inappropriate conduct of a sexual nature and they were upheld.. One was physical.. One was verbal" "When I got a dance step right, he would outline an erection in his trousers and tell me my dance move made that happen" "They weren't isolated one off incidents.. Over a period of 7 weeks" VD, "How did you react to that?" AA, "Because you were in a bubble.. I was either being called names.. Or worked without a break.. When you're in that bubble for 7 hours a day you lose all sense of reality.. I kind of just looked and sort of went, ok.. Only when I got home did I realise.. You lose all sense of reality" "In hindsight, you walk out and you don't look back" VD, "When did you first tell someone at BBC and how did they respond?" AA, "I told producers after 3 or 4 days of being in the rehearsal room.. They said sorry and said they would monitor the situation.. This wasn't an isolated incident, I know that it happened before to other contestants" VD, "You met up with other previous dance partners" AA, "Yes.. We all found each other.. I was put in touch with a few of them through mutual friends.. We just wanted to make sure we weren't on our own thinking this just happened to us.. All of us.. Have said the same thing.. It wasn't pleasant.. It wasn't isolated.. It happened to all of us" VD, "When you first met" AA, "We all cried, we burst into tears.. It was managing the room and our own mental health and emotional well being" VD, "Sarah Vine wrote: women like AA are part of the reason other women who find themselves in worse situations dont get taken seriously. What do you say to that?" AA, "I'm always shocked when women throw other women under the bus for standing up for what they think is wrong" "So many other women have thanked me for giving them the strength to speak up in similar situations" VD, "Strictly is a family show.. Some of the things do not appear to be very wholesome" AA, "I loved Strictly.. I never wanted to cause trouble.. All I did was experience something in a workplace environment.. And I didn't want anybody else to go through what I had gone through, and what people went through in the past before me" VD, "How do you feel you have been treated by the BBC throughout this process?" AA, "It's still ongoing.. There are things in the 30 page report that are unresolved.. I'm taking guidance from my lawyer who has been so amazing" VD, "BBC says it takes allegations seriously.. We want thank AA for coming forward as its not an easy thing to do.. Do you feel the BBC were as concerned for your well being as they were for the program?" AA, "I think they tried.. But I wouldn't be sitting here if they tried harder.. I got an apology.. And a lot of the allegations were upheld.. Everybody has to be looked after so things like this don' t happen" VD, "You talk about rape and death threats" AA, "Over the last eight months, hundreds.. I had a credible death threat.. The police had to be called.. A bomb threat to my place of work.. Death threats to me, my family.. Rape threats to my 15 year old daughter" "I've got screenshots that I've sent to the Met police" VD, "Did you do the right thing speaking up?" AA, "Oh My God, yea.. All I did was ask the BBC to address inappropriate bad behaviour"

Farrukh

434,875 görÃŒntÃŒleme • 2 yıl önce

THEORY: Did Fanatics’ launch of stitched NFL jerseys for 30 teams reveal 2 teams planning new uniform redesigns in 2027? Connecting the drop with facts & rumors about why the Saints & Dolphins *could* be working on new primary uniforms! 🎥👇 I transcribed my video below, but the key points to consider: - I’m not reporting a redesign, but those I could reach today said my theory makes sense - Prior to this, there was already enough signs & smoke around the Dolphins & Saints considering new uniforms - The 2026 season has been locked since before the 2025 season, this is for 2027 - No one made a mistake, this is just a product of the long uniform process TRANSCRIPT (for those who like to read 😉): I think I might have uncovered something pretty big. You might know I love talking about jerseys, uniforms, sports design, especially in football. And occasionally, I like to report a little news, break some news I find out. Well, yesterday, Fanatics officially announced what I reported back in October, that they're bringing back stitched jerseys for NFL jerseys. But I didn't get excited and start connecting some dots until I noticed that they didn't drop the stitched jerseys for every NFL team. There are two missing. And it got me thinking about everything I've ever reported and said, all my videos I've ever made, and it specifically brought me to three key facts. Fact 1: teams work on new uniform designs for multiple years. My talks and videos with the Falcons and Ravens confirm this. The reason for this, among many reasons, they need to let manufacturers know ahead of time to get the proper materials and to prepare the new designs, both the new ones and to wind down existing ones. Fact 2: that does impact distributors. Retailers are notified as early as a year out to stop ordering and selling certain jerseys if new ones will be replacing it because they don't want to be sitting there with a bunch of unsold jerseys. That brings me to Fact 3. We know that Fanatics has been the NFL's official manufacturer and distributor, the exclusive one, since 2018. Well, the two teams that did not have stitched jerseys dropped with the rest of the league? My Dolphins and the Saints. Now I want to be clear real quick: Fanatics did not mess up. They did not make a mistake. They were simply following the long-winding uniform process that multiple parties are involved in. So why does this raise flags in me that the Saints and Dolphins could be getting new uniforms in 2027? Again, we know how long the process is, but there have been multiple reports about whispers within the Saints organization about new uniform and considerations, possible changes And back in April 2025, when I first reported the Dolphins having internal and external interest in a dark uniform, they also had interest in an orange uniform. So both teams having some whispers, some reported discussions about new uniforms does tell me maybe there is fire with this smoke. And also importantly, I feel like most Dolphins and Saints fans have wanted new uniforms for a while now. Maybe the organizations are listening. Now, I'm not confirming anything. And all of this, I guess, could be a moot point if the Saints and Dolphins quickly drop stitched jerseys for retail
 unless we find out it was a rushed reactionary process. Once again, I'm just connecting the dots, but what do you want to see?
2:52

THEORY: Did Fanatics’ launch of stitched NFL jerseys for 30 teams reveal 2 teams planning new uniform redesigns in 2027? Connecting the drop with facts & rumors about why the Saints & Dolphins *could* be working on new primary uniforms! 🎥👇 I transcribed my video below, but the key points to consider: - I’m not reporting a redesign, but those I could reach today said my theory makes sense - Prior to this, there was already enough signs & smoke around the Dolphins & Saints considering new uniforms - The 2026 season has been locked since before the 2025 season, this is for 2027 - No one made a mistake, this is just a product of the long uniform process TRANSCRIPT (for those who like to read 😉): I think I might have uncovered something pretty big. You might know I love talking about jerseys, uniforms, sports design, especially in football. And occasionally, I like to report a little news, break some news I find out. Well, yesterday, Fanatics officially announced what I reported back in October, that they're bringing back stitched jerseys for NFL jerseys. But I didn't get excited and start connecting some dots until I noticed that they didn't drop the stitched jerseys for every NFL team. There are two missing. And it got me thinking about everything I've ever reported and said, all my videos I've ever made, and it specifically brought me to three key facts. Fact 1: teams work on new uniform designs for multiple years. My talks and videos with the Falcons and Ravens confirm this. The reason for this, among many reasons, they need to let manufacturers know ahead of time to get the proper materials and to prepare the new designs, both the new ones and to wind down existing ones. Fact 2: that does impact distributors. Retailers are notified as early as a year out to stop ordering and selling certain jerseys if new ones will be replacing it because they don't want to be sitting there with a bunch of unsold jerseys. That brings me to Fact 3. We know that Fanatics has been the NFL's official manufacturer and distributor, the exclusive one, since 2018. Well, the two teams that did not have stitched jerseys dropped with the rest of the league? My Dolphins and the Saints. Now I want to be clear real quick: Fanatics did not mess up. They did not make a mistake. They were simply following the long-winding uniform process that multiple parties are involved in. So why does this raise flags in me that the Saints and Dolphins could be getting new uniforms in 2027? Again, we know how long the process is, but there have been multiple reports about whispers within the Saints organization about new uniform and considerations, possible changes And back in April 2025, when I first reported the Dolphins having internal and external interest in a dark uniform, they also had interest in an orange uniform. So both teams having some whispers, some reported discussions about new uniforms does tell me maybe there is fire with this smoke. And also importantly, I feel like most Dolphins and Saints fans have wanted new uniforms for a while now. Maybe the organizations are listening. Now, I'm not confirming anything. And all of this, I guess, could be a moot point if the Saints and Dolphins quickly drop stitched jerseys for retail
 unless we find out it was a rushed reactionary process. Once again, I'm just connecting the dots, but what do you want to see?

Zach Cohen

340,138 görÃŒntÃŒleme • 3 ay önce

Carol Vorderman in conversation with James O'Brein over Reform UK's Makerfield by-election candidate Robert Kenyon's insulting remarks JOB, "Carol Vorderman has asked Robert Kenyon, a Reform UK's candidate in the imminent Makerfield by election, for an apology, for posts on a now deleted X account in which he, Well, you'll find out, if you don't know already, she said, I want an apology from Rob Kenyon to me and to all the other people he's abused online." JOB, "I sat down with Carol yesterday afternoon to talk about this and, one or two other things. It occurred to me, just sitting down now, Carol, that this is not something you, you sought because you haven't been in any sense reticent in recent years with your political opinions and even with activism, but you've been dragged into this deeply unpleasant situation entirely innocently." JOB, "So unpleasant, in fact, that I'm not sure I can repeat, I'm not sure I'm comfortable saying in front of you the words that Robert Kenyon chose to endorse and defend on, social media." CV, "Well, I am, because it's important that people know. And this is just one comment. He has made multiple comments which are online abuse about me and lots of other people. So the one specifically about me that he endorsed was I want to smell and lick Carol Vorderman's eight letter word beginning with A." CV, "And reform have said, oh, it's just locker room banter. I don't know why they're using the term locker room, by the way, because I thought we said changing rooms in this country. But that's an entirely different, different, question. But the thing is, James, I'm not upset by it, I am angered by it." CV, "And the reason that I'm angered by it is because every woman listening, any woman who is on social media will have similar said to her, either abusive, all the other things that he said. You know, there was some forum that he was on, rugby, league forum, and they were posting pictures of the girls, the women who play." CV, "And then he was saying, oh, English women, they don't care. All they want to do with their fat bellies, et cetera, et cetera, et cetera. Then there was some, European women. Then he was saying, you know, oh, you wouldn't get me off them with a bazooka." CV, "You know, all this stuff, stuff about abortion. I mean, it's just disgusting stuff. And it's not just one comment, it's a tirade of online abuse. And every woman listening who has had that will know how it makes them feel." CV, "And so I am angry that a political party can take this person on one without obviously vetting him properly. But also that they just defend it and they're fine with that." JOB, "He was not a politician at the time. He was an ordinary man from an ordinary place, said Danny Craig group." CV, "Really? That's what. Yeah, that's what posh boys, who lead the Reform Party think, of ordinary men. Well, ordinary men generally are lovely, you know, they really are." JOB, "We do our best." CV, "Well, you are. And they respect women. All of that is true. But you have this growing minority who are extremely abusive. And I'm 65, James. And so I've been, you know, and women my age, we've been through the hard years." CV, "So in the 70s, you know, I was a bright kid from a comp in North Wales. Free school meals kid. And it took, you know, a lot to get to a Cambridge college because there were only, three girls colleges." CV, "And I think four or five had gone what they called mixed. So these are boys colleges taking on women's colleges. And it was like, why wouldn't you? You know, I was from a boys and girls comp, but we had to go through that." CV, "You had to be the first woman to do this. First woman from a state school. Northwest goes Cambridge first. You know, I was, I think, when I did engineering, There were about 300 students in our year, four or five of them were girls. I worked underground, me and 2,000 men, all this." CV, "So we have done the hard years over decades, all that. I wanted to be a fighter pilot. You can't, because you're a girl and you don't have the appendage that's required. You know, all of this nonsense that we had to put up with. So, for me, that this Reform Party is saying on day one, they would repeal the Equality act." CV, "And we all know what that means. So, you know, the protections against harassment of women in the workplace, the, equal pay, maternity leave, maternity pay, all of those. We're going to scrap all those. So it is indicative of the way in which this might go, as we've seen in America." JOB, "I think talking of ordinary men, the person who pushed back against him on social media was. It was a rather better model of masculinity." CV, "Yes, absolutely. So he's the author, Chris Ryan, who is a former SAS hero, a very successful author. Chris is his pen name. And, he absolutely defended me because he is a real man." CV, "He's not a pretend. He's a real guy and a guy who respects women." JOB, "I suppose, in some sense, the writing was on the wall with the leadership of reform who have not responded by the way, to, our, requests a, response to these allegations of misogyny, including the comments directed at you." JOB, "But when James McMurdoch Ended up in Parliament just after the last election, and, it quickly emerged that he'd been jailed for attacking a former girlfriend." CV, "Yes. And here is another example, a very serious example of, to me, reforms, excuses for things. So I think it was a Times newspaper fact he only got in with a majority of 98." CV, "So imagine if this information had been available beforehand about him. So, shortly after he was elected in 2024 as a Reform MP, I think it was a Times newspaper, found that he had been convicted and served time for, assaulting his girlfriend." CV, "He then said in his defense, oh, it was a push. Then the official court documents show that she was on the floor. He was kicking her multiple times while she was on the floor and had to be, dragged away by two security guards." CV, "Very different stories. Richard Tice then defends it, saying, oh, well, he's served his time. That was a long time ago. It doesn't matter. I am sorry. It matters. It matters to women. We know how much harassment online has increased and offline." CV, "So this is a time for all women to stand up and say, enough now, we are not going backwards." JOB, "I suppose one example is. It could be chalked up as accidental or carelessness. But two examples and emerging patterns speak of something altogether more sinister." CV, "Yes, well, Lee Anderson, bless him, when he was a Tory. That was after he was a Labour." JOB, "Yes." CV, "And now he's a Reform." JOB, "Correct. Well, at the time of this conversation, we'll have to check before we play it" CV, "out on the program tomorrow. Yeah, so he was, in the Conservative Party at the time and he was slinging insults to me all the time on Twitter in, the days when we used to be on Twitter. And, you know, obviously now he's reformed, he thinks it's perfectly acceptable." CV, "So there is a pattern there with this party. And, that is my concern that they will, if they get into, and they've stated it out in the open, we will repeal the Equality Act." JOB, "It's surprising to me when people like Danny Kruger talk about ordinary people. An ordinary man for an ordinary man." CV, "When he went to Eton." JOB, "Yeah. And, well, also his mother is on telly as well, so, you know, he or she at, at least will be aware of the misogyny that police. Yeah, yeah. You think that that might have given him a slightly more sensitive insight into what it's like for women like you. And, and you are tough. I mean, I don't mean that in a patronizing way." CV, "I take it as a compliment." JOB, "Good, I'm glad you do because you are perfectly capable of looking after yourself. A lot of women, both online and offline, are not, of course, and those are the kind of women that, misogynistic men prey on." CV, "But the thing is, I, I have a tough skin now because of all of the abuse over decades. And it. You know, I can remember when I wore a short skirt to the BAFTAs. I was age 39. Well, it was like I'd killed my grandmother the next day." CV, "It was the quest. Even the BBC made a whole Kilroy show about it. Flew this dress in copy dress from Paris. And, the question was, should a woman age 39 wear a dress above the knee? Jeez, I mean, that's my lifetime. This isn't Victorian days or my mother or post war." CV, "This is me in my lifetime. So, you know, as I go back to the beginning, women my age who love the fact that our daughters or nieces, or grandchildren have, can play football, you know, very happily can be applauded for what they do in sport." CV, "Can be. Oh, another thing that I'll, Kenyon said was that women can't referee, drive, take directions. And he had a go at various female sports presenters on the telly. You know, it's constant, it's consistent." JOB, "So they're not, they're not up to the job. They're only there to tick a box. And then declaring and From a political point of view, this is interesting actually stating I'm sexist. Sorry, but I am." CV, "Yeah." JOB, "And then the defense from reform UK becomes. These comments were made before he entered politics. He's perfectly entitled to his own personal opinions." CV, "That was three weeks ago." JOB, "Yeah, yeah. It's extraordinary that he can state that because Murdoch didn't get dropped by the party for the conviction for battering his ex, he got dropped after it emerged that he'd taken Covid loans out under the COVID support scheme. I think that's still ongoing." JOB, "But to state I am sexist, sorry, but I am in 2024 would have probably been a career ending revelation. Do you think? We're going a bit backwards, But I think we" CV, "have the potential to go backwards and we now, you know, generally you go, life's good. You know, doing this, that and the other. When I began my career as an engineer, funnily enough, not many women then were talking about having a career because not Many women have been to university and all of that." CV, "Now, thankfully, decades later, women are having careers. But also, housing was a lot cheaper then. So now we need to. You need, two incomes to fund a mortgage generally in this country." CV, "So the whole business of, oh, well, we're going to scrap the law that says about equal pay. That's going to affect people directly. And this is what I want people to understand, really. This is. This is not just about a woman getting on a high horse about something." CV, "This is very, very, very. Couldn't be more serious." JOB, "And, yeah, it is, of course, people like Nigel Farage and Sarah Potchin who claim that they're the party dedicated to protecting women and children. I mean, it's beyond irony. It emerged yesterday that one in five of the people arrested over the riots in 2024, which many people feel were fermented by Nigel Farage's social media activ." JOB, "Five of the people arrested over those riots have since been reported to the police for domestic abuse. So to simultaneously encourage and excuse the misogyny that's been directed at you and at other women while claiming. And, of course, to put a violent offender into Parliament and say that that's not an excluding offense while simultaneously claiming that they act for women and children is, It's beyond parody, isn't it?" CV, "And those same people who were arrested, there were almost 900 of them, weren't there? About the riots across the country at the time, 41% had already, been reported to the police for domestic abuse." JOB, "So who are the women and children they're dedicated to protecting?" CV, "Well, quite." JOB, "And who are they protecting them from?" CV, "None." JOB, "It's good to see you. I knew that you would be, perturbed by this, but." CV, "I am." JOB, "But enraged?" CV, "Yes, I am." JOB, "And are you expecting an apology? I know you've demanded." CV, "Well, I can't." JOB, "You did not demand anything." CV, "I can't demand anything. I have asked for an apology. Not for me." JOB, "No." CV, "But for all of us. And for his comments so far. I just think we're on day three. Nothing." JOB, "Not even a whisper nothing or a nothing." CV, "He's still running away. Hiding away from cameras, maybe." JOB, "Don't hold your breath, Carol. Thank you." CV, "Thanks, James." JOB, "Still waiting. I hope she didn't hold her breath. We got a statement from Reform Councillor Kenyon, made these comments before entering politics. We are confident that he is an excellent candidate who will be a superb local MP for Makerfield. And a full list of all the candidates running there can be found at lbc co uk"
14:08

Carol Vorderman in conversation with James O'Brein over Reform UK's Makerfield by-election candidate Robert Kenyon's insulting remarks JOB, "Carol Vorderman has asked Robert Kenyon, a Reform UK's candidate in the imminent Makerfield by election, for an apology, for posts on a now deleted X account in which he, Well, you'll find out, if you don't know already, she said, I want an apology from Rob Kenyon to me and to all the other people he's abused online." JOB, "I sat down with Carol yesterday afternoon to talk about this and, one or two other things. It occurred to me, just sitting down now, Carol, that this is not something you, you sought because you haven't been in any sense reticent in recent years with your political opinions and even with activism, but you've been dragged into this deeply unpleasant situation entirely innocently." JOB, "So unpleasant, in fact, that I'm not sure I can repeat, I'm not sure I'm comfortable saying in front of you the words that Robert Kenyon chose to endorse and defend on, social media." CV, "Well, I am, because it's important that people know. And this is just one comment. He has made multiple comments which are online abuse about me and lots of other people. So the one specifically about me that he endorsed was I want to smell and lick Carol Vorderman's eight letter word beginning with A." CV, "And reform have said, oh, it's just locker room banter. I don't know why they're using the term locker room, by the way, because I thought we said changing rooms in this country. But that's an entirely different, different, question. But the thing is, James, I'm not upset by it, I am angered by it." CV, "And the reason that I'm angered by it is because every woman listening, any woman who is on social media will have similar said to her, either abusive, all the other things that he said. You know, there was some forum that he was on, rugby, league forum, and they were posting pictures of the girls, the women who play." CV, "And then he was saying, oh, English women, they don't care. All they want to do with their fat bellies, et cetera, et cetera, et cetera. Then there was some, European women. Then he was saying, you know, oh, you wouldn't get me off them with a bazooka." CV, "You know, all this stuff, stuff about abortion. I mean, it's just disgusting stuff. And it's not just one comment, it's a tirade of online abuse. And every woman listening who has had that will know how it makes them feel." CV, "And so I am angry that a political party can take this person on one without obviously vetting him properly. But also that they just defend it and they're fine with that." JOB, "He was not a politician at the time. He was an ordinary man from an ordinary place, said Danny Craig group." CV, "Really? That's what. Yeah, that's what posh boys, who lead the Reform Party think, of ordinary men. Well, ordinary men generally are lovely, you know, they really are." JOB, "We do our best." CV, "Well, you are. And they respect women. All of that is true. But you have this growing minority who are extremely abusive. And I'm 65, James. And so I've been, you know, and women my age, we've been through the hard years." CV, "So in the 70s, you know, I was a bright kid from a comp in North Wales. Free school meals kid. And it took, you know, a lot to get to a Cambridge college because there were only, three girls colleges." CV, "And I think four or five had gone what they called mixed. So these are boys colleges taking on women's colleges. And it was like, why wouldn't you? You know, I was from a boys and girls comp, but we had to go through that." CV, "You had to be the first woman to do this. First woman from a state school. Northwest goes Cambridge first. You know, I was, I think, when I did engineering, There were about 300 students in our year, four or five of them were girls. I worked underground, me and 2,000 men, all this." CV, "So we have done the hard years over decades, all that. I wanted to be a fighter pilot. You can't, because you're a girl and you don't have the appendage that's required. You know, all of this nonsense that we had to put up with. So, for me, that this Reform Party is saying on day one, they would repeal the Equality act." CV, "And we all know what that means. So, you know, the protections against harassment of women in the workplace, the, equal pay, maternity leave, maternity pay, all of those. We're going to scrap all those. So it is indicative of the way in which this might go, as we've seen in America." JOB, "I think talking of ordinary men, the person who pushed back against him on social media was. It was a rather better model of masculinity." CV, "Yes, absolutely. So he's the author, Chris Ryan, who is a former SAS hero, a very successful author. Chris is his pen name. And, he absolutely defended me because he is a real man." CV, "He's not a pretend. He's a real guy and a guy who respects women." JOB, "I suppose, in some sense, the writing was on the wall with the leadership of reform who have not responded by the way, to, our, requests a, response to these allegations of misogyny, including the comments directed at you." JOB, "But when James McMurdoch Ended up in Parliament just after the last election, and, it quickly emerged that he'd been jailed for attacking a former girlfriend." CV, "Yes. And here is another example, a very serious example of, to me, reforms, excuses for things. So I think it was a Times newspaper fact he only got in with a majority of 98." CV, "So imagine if this information had been available beforehand about him. So, shortly after he was elected in 2024 as a Reform MP, I think it was a Times newspaper, found that he had been convicted and served time for, assaulting his girlfriend." CV, "He then said in his defense, oh, it was a push. Then the official court documents show that she was on the floor. He was kicking her multiple times while she was on the floor and had to be, dragged away by two security guards." CV, "Very different stories. Richard Tice then defends it, saying, oh, well, he's served his time. That was a long time ago. It doesn't matter. I am sorry. It matters. It matters to women. We know how much harassment online has increased and offline." CV, "So this is a time for all women to stand up and say, enough now, we are not going backwards." JOB, "I suppose one example is. It could be chalked up as accidental or carelessness. But two examples and emerging patterns speak of something altogether more sinister." CV, "Yes, well, Lee Anderson, bless him, when he was a Tory. That was after he was a Labour." JOB, "Yes." CV, "And now he's a Reform." JOB, "Correct. Well, at the time of this conversation, we'll have to check before we play it" CV, "out on the program tomorrow. Yeah, so he was, in the Conservative Party at the time and he was slinging insults to me all the time on Twitter in, the days when we used to be on Twitter. And, you know, obviously now he's reformed, he thinks it's perfectly acceptable." CV, "So there is a pattern there with this party. And, that is my concern that they will, if they get into, and they've stated it out in the open, we will repeal the Equality Act." JOB, "It's surprising to me when people like Danny Kruger talk about ordinary people. An ordinary man for an ordinary man." CV, "When he went to Eton." JOB, "Yeah. And, well, also his mother is on telly as well, so, you know, he or she at, at least will be aware of the misogyny that police. Yeah, yeah. You think that that might have given him a slightly more sensitive insight into what it's like for women like you. And, and you are tough. I mean, I don't mean that in a patronizing way." CV, "I take it as a compliment." JOB, "Good, I'm glad you do because you are perfectly capable of looking after yourself. A lot of women, both online and offline, are not, of course, and those are the kind of women that, misogynistic men prey on." CV, "But the thing is, I, I have a tough skin now because of all of the abuse over decades. And it. You know, I can remember when I wore a short skirt to the BAFTAs. I was age 39. Well, it was like I'd killed my grandmother the next day." CV, "It was the quest. Even the BBC made a whole Kilroy show about it. Flew this dress in copy dress from Paris. And, the question was, should a woman age 39 wear a dress above the knee? Jeez, I mean, that's my lifetime. This isn't Victorian days or my mother or post war." CV, "This is me in my lifetime. So, you know, as I go back to the beginning, women my age who love the fact that our daughters or nieces, or grandchildren have, can play football, you know, very happily can be applauded for what they do in sport." CV, "Can be. Oh, another thing that I'll, Kenyon said was that women can't referee, drive, take directions. And he had a go at various female sports presenters on the telly. You know, it's constant, it's consistent." JOB, "So they're not, they're not up to the job. They're only there to tick a box. And then declaring and From a political point of view, this is interesting actually stating I'm sexist. Sorry, but I am." CV, "Yeah." JOB, "And then the defense from reform UK becomes. These comments were made before he entered politics. He's perfectly entitled to his own personal opinions." CV, "That was three weeks ago." JOB, "Yeah, yeah. It's extraordinary that he can state that because Murdoch didn't get dropped by the party for the conviction for battering his ex, he got dropped after it emerged that he'd taken Covid loans out under the COVID support scheme. I think that's still ongoing." JOB, "But to state I am sexist, sorry, but I am in 2024 would have probably been a career ending revelation. Do you think? We're going a bit backwards, But I think we" CV, "have the potential to go backwards and we now, you know, generally you go, life's good. You know, doing this, that and the other. When I began my career as an engineer, funnily enough, not many women then were talking about having a career because not Many women have been to university and all of that." CV, "Now, thankfully, decades later, women are having careers. But also, housing was a lot cheaper then. So now we need to. You need, two incomes to fund a mortgage generally in this country." CV, "So the whole business of, oh, well, we're going to scrap the law that says about equal pay. That's going to affect people directly. And this is what I want people to understand, really. This is. This is not just about a woman getting on a high horse about something." CV, "This is very, very, very. Couldn't be more serious." JOB, "And, yeah, it is, of course, people like Nigel Farage and Sarah Potchin who claim that they're the party dedicated to protecting women and children. I mean, it's beyond irony. It emerged yesterday that one in five of the people arrested over the riots in 2024, which many people feel were fermented by Nigel Farage's social media activ." JOB, "Five of the people arrested over those riots have since been reported to the police for domestic abuse. So to simultaneously encourage and excuse the misogyny that's been directed at you and at other women while claiming. And, of course, to put a violent offender into Parliament and say that that's not an excluding offense while simultaneously claiming that they act for women and children is, It's beyond parody, isn't it?" CV, "And those same people who were arrested, there were almost 900 of them, weren't there? About the riots across the country at the time, 41% had already, been reported to the police for domestic abuse." JOB, "So who are the women and children they're dedicated to protecting?" CV, "Well, quite." JOB, "And who are they protecting them from?" CV, "None." JOB, "It's good to see you. I knew that you would be, perturbed by this, but." CV, "I am." JOB, "But enraged?" CV, "Yes, I am." JOB, "And are you expecting an apology? I know you've demanded." CV, "Well, I can't." JOB, "You did not demand anything." CV, "I can't demand anything. I have asked for an apology. Not for me." JOB, "No." CV, "But for all of us. And for his comments so far. I just think we're on day three. Nothing." JOB, "Not even a whisper nothing or a nothing." CV, "He's still running away. Hiding away from cameras, maybe." JOB, "Don't hold your breath, Carol. Thank you." CV, "Thanks, James." JOB, "Still waiting. I hope she didn't hold her breath. We got a statement from Reform Councillor Kenyon, made these comments before entering politics. We are confident that he is an excellent candidate who will be a superb local MP for Makerfield. And a full list of all the candidates running there can be found at lbc co uk"

Farrukh

24,754 görÃŒntÃŒleme • 4 ay önce

Unchecked capitalism is the cause of the male loneliness epidemic and the radicalization of young men. Allow me to show my work. Capitalism is the best economic system in history, but it only works with guardrails. Strong unions, social safety nets, accessible housing and education, fair wages - these are all things America USED to have. It’s why families could survive on one income, and women who wanted to stay home could choose to. The days when men could work 40 hours at a blue collar job and support a family of four. That all changed with Reagan and supply side (AKA trickle down) economics. As things became more and more expensive, women were forced into the workforce. There was no other choice. I was a child during this transition. My mom WANTED to stay home with us. My family couldn’t afford it. I was part of the latchkey kid generation. But through the transition, men were still raised to believe that they were the breadwinner - that their only identity in life was to go to work and be a paycheck - and when rising costs and stagnant wages made that increasingly impossible, they automatically internalized that they were a failure. Enter the podcast bros. Instead of this being correctly labeled as society failing men AND families, they grifted on the idea that somehow women were to blame, and feminism was the devil. And while it’s true that women gained more freedom once they were able to get their own credit cards and apply for their own mortgages, it never meant that we stopped wanting love, children and families. But with the rise in popularity of the “blame women for everything” movement + the new freedoms, women did start to naturally shy away from traditional norms. Men hated us for not wanting them, then women hated men for not wanting women, and grifters capitalized on this growing divide by making content that has - quite honestly - RADICALIZED young men that they shouldn’t even try. Women are the enemy. They only want money. But since the world isn’t set up any longer for individual success, then it’s women’s fault, and everything sucks, and why even try? I’d be angry as fuck too. You want to un-radicalize young men? Bring back HOPE. Fix our system. Bring back our unions, bring back workers rights, provide education, support universal healthcare, build affordable housing. Let men and women BOTH know that they will have the tools to succeed in this country if they want to. Because no one has that now. The larger the gap grows, the more workers rights are stripped away in favor of corporate profits, the more hopeless we all become. Men shouldn’t be fighting to take away the rights of women - they should be fighting WITH US to restore opportunity for us ALL. This video touches on how the banner of “conservatism” has been a lie all along, and how “othering” has been so incredibly damaging to our country. STOP blaming us and JOIN us - because we ALL need our country back. Please excuse the frequent pauses, when I recorded this I had just been released from the hospital with pneumonia. 😬
3:14

Unchecked capitalism is the cause of the male loneliness epidemic and the radicalization of young men. Allow me to show my work. Capitalism is the best economic system in history, but it only works with guardrails. Strong unions, social safety nets, accessible housing and education, fair wages - these are all things America USED to have. It’s why families could survive on one income, and women who wanted to stay home could choose to. The days when men could work 40 hours at a blue collar job and support a family of four. That all changed with Reagan and supply side (AKA trickle down) economics. As things became more and more expensive, women were forced into the workforce. There was no other choice. I was a child during this transition. My mom WANTED to stay home with us. My family couldn’t afford it. I was part of the latchkey kid generation. But through the transition, men were still raised to believe that they were the breadwinner - that their only identity in life was to go to work and be a paycheck - and when rising costs and stagnant wages made that increasingly impossible, they automatically internalized that they were a failure. Enter the podcast bros. Instead of this being correctly labeled as society failing men AND families, they grifted on the idea that somehow women were to blame, and feminism was the devil. And while it’s true that women gained more freedom once they were able to get their own credit cards and apply for their own mortgages, it never meant that we stopped wanting love, children and families. But with the rise in popularity of the “blame women for everything” movement + the new freedoms, women did start to naturally shy away from traditional norms. Men hated us for not wanting them, then women hated men for not wanting women, and grifters capitalized on this growing divide by making content that has - quite honestly - RADICALIZED young men that they shouldn’t even try. Women are the enemy. They only want money. But since the world isn’t set up any longer for individual success, then it’s women’s fault, and everything sucks, and why even try? I’d be angry as fuck too. You want to un-radicalize young men? Bring back HOPE. Fix our system. Bring back our unions, bring back workers rights, provide education, support universal healthcare, build affordable housing. Let men and women BOTH know that they will have the tools to succeed in this country if they want to. Because no one has that now. The larger the gap grows, the more workers rights are stripped away in favor of corporate profits, the more hopeless we all become. Men shouldn’t be fighting to take away the rights of women - they should be fighting WITH US to restore opportunity for us ALL. This video touches on how the banner of “conservatism” has been a lie all along, and how “othering” has been so incredibly damaging to our country. STOP blaming us and JOIN us - because we ALL need our country back. Please excuse the frequent pauses, when I recorded this I had just been released from the hospital with pneumonia. 😬

Sara McGee for Texas HD 132

32,904 görÃŒntÃŒleme • 1 yıl önce

[ENG SUB] How Are You Feeling? EP.3 — #JimmySea 💜🩵 JIMMYSEA HOW ARE YOU #jimmyyjp #sea_tawinan #HowAreYouFeeling JimmySea sits down for a raw, heart-to-heart conversation with P’Ja and P’Tong (Psychologist). This episode touches on: 🀍 Reflections after the Fancon 🀍 Jimmy’s perfectionist mindset 🀍 Sea’s trust issues 🀍 Jimmy’s PTSD 🀍 Sea’s secret artwork 🀍 Personality differences 🀍 The balance between Eagle and Mouse 🀍 How well they understand each other 🀍 Feelings they want to share A space filled with sincerity, vulnerability, and quiet comfort. —— my New Year’s gift for you all 💝🥰 I found myself crying again while working on this episode. 😭 I’m really thankful that P’Ja invited JS again to her new show. Thanks to her, we were able to hear such raw, vulnerable, and sincere thoughts from them. Learned more about them, both as individuals and as a pair. 💜🩵 It’s another hour-long video that I finally managed to sub successfully. Yay!! 🥳 Proud of myself! 😁 For deep-talk videos like this, the process is especially time-consuming, just 5 minutes of it can take nearly an hour to translate, type, edit, and properly research. After that comes QC for the entire video. On top of that, the subbing app didn’t cooperate and frustrated me so much. 😭 Some thought it could be released in just a couple of days, but I was also working a full-time job, so I didn’t have many hours each day to work on it. There were nights I was so exhausted that I fell asleep with my iPad literally on my face. 😅 I’m doing this purely out of love for JS, and as a way to unwind and relieve stress after work, not to stress myself out even more lol. So pls be patient next time and try not to ask me when. 🥹 Thank you and enjoy! 😊🀍
58:43

[ENG SUB] How Are You Feeling? EP.3 — #JimmySea 💜🩵 JIMMYSEA HOW ARE YOU #jimmyyjp #sea_tawinan #HowAreYouFeeling JimmySea sits down for a raw, heart-to-heart conversation with P’Ja and P’Tong (Psychologist). This episode touches on: 🀍 Reflections after the Fancon 🀍 Jimmy’s perfectionist mindset 🀍 Sea’s trust issues 🀍 Jimmy’s PTSD 🀍 Sea’s secret artwork 🀍 Personality differences 🀍 The balance between Eagle and Mouse 🀍 How well they understand each other 🀍 Feelings they want to share A space filled with sincerity, vulnerability, and quiet comfort. —— my New Year’s gift for you all 💝🥰 I found myself crying again while working on this episode. 😭 I’m really thankful that P’Ja invited JS again to her new show. Thanks to her, we were able to hear such raw, vulnerable, and sincere thoughts from them. Learned more about them, both as individuals and as a pair. 💜🩵 It’s another hour-long video that I finally managed to sub successfully. Yay!! 🥳 Proud of myself! 😁 For deep-talk videos like this, the process is especially time-consuming, just 5 minutes of it can take nearly an hour to translate, type, edit, and properly research. After that comes QC for the entire video. On top of that, the subbing app didn’t cooperate and frustrated me so much. 😭 Some thought it could be released in just a couple of days, but I was also working a full-time job, so I didn’t have many hours each day to work on it. There were nights I was so exhausted that I fell asleep with my iPad literally on my face. 😅 I’m doing this purely out of love for JS, and as a way to unwind and relieve stress after work, not to stress myself out even more lol. So pls be patient next time and try not to ask me when. 🥹 Thank you and enjoy! 😊🀍

Mhokstache ✹

71,822 görÃŒntÃŒleme • 9 ay önce

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh
 I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me
 because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think
 the state police would be capable of
 very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why
 movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.
10:03

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh
 I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me
 because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think
 the state police would be capable of
 very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why
 movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.

Grant Smith Ellis

13,187 görÃŒntÃŒleme • 9 ay önce

My honest impressions for The Blood Of Dawnwalker are ready. Bookmark it so you can return to it. 📌 I know you're in a hurry. So here's the TLDR: The game is a strong narrative piece so far. I'd describe it as a mature story with a focus on consequences. The time mechanic is very cool and does not hinder gameplay at all. In fact, it adds a really fun twist to the gameplay and makes you genuinely care about the people around you because your actions directly impact them. The villain is not afraid to be straight-up evil. How refreshing! You're in for a thrilling prologue where you learn the fundamentals of the game and see a reflection of the themes and writing the game has in store for us. Still here? Enjoy the rest of the impressions then: Characters make mistakes, and some are even self-conscious about their personal flaws! So refreshingly well written. I love it when characters are this believable. I really love Anca so far and to find out she was voiced by Nightsong from Baldur's Gate 3 was a great surprise. Brencis is also fantastic. The voice acting is also so well done. Everything was perfect here. Laslea is dreadful with a heavy atmosphere. It reminded me of From Town (From TV Show) because of the normalcy people try to keep to to despite their predicament. It is genuinely horrifying to picture yourself living as cattle for Brencis and his clan. The story so far is easy to follow. The pacing in the prologue was great. The build-up to Brencis was well done and his interest in Coen is fascinating. I think it's funny how he's kind of obsessed with Coen. THANK YOU REBELWOLVES for having a villain who's straight up evi... a HERO. He removed taxes and hard labour, what a legend. All he asked for in return was a pint of blood. The gameplay feels like an evolution of The Witcher 3 formula. The combat, however, is closer to a Kingdom Come game. I personally liked it because it offers a fun system where you can perfect parry and do cool duels with multiple enemies. Vampirism changes it all up and offers unique traversal mechanics on top. Some actions can only be done during daytime whereas some other actions require you to be a vampire. Still talking gameplay here: the time mechanic is fascinating. Not the first time it's been done but for this game specifically, it makes sense and it adds so many stakes to EVERY quest. There was an old lady I wanted to help but I didn't make it in time because I prioritized my mum so she suffered a harsh consequence... That said, only some quests are time sensitive. You can still do a ton of quests that don't advance time. The soundtrack... What can I say here? Rebelwolves cooked. It's a treasure. Visuals are beautiful. The materials, character models and especially the clothing are all made with great attention to detail. And the eyes are so beautiful too. Performance: Unlike what some others are reporting though I had a very smooth gameplay experience with zero stutters. That said, it's an Unreal Engine 5 game so the better your hardware the better your experience so I don't speak for all. Let us know how your experience is with the game so far. Other notes: if you're a Witcher fan, this is a must play for you. Also, Mirto's haircut is funny.
0:39

My honest impressions for The Blood Of Dawnwalker are ready. Bookmark it so you can return to it. 📌 I know you're in a hurry. So here's the TLDR: The game is a strong narrative piece so far. I'd describe it as a mature story with a focus on consequences. The time mechanic is very cool and does not hinder gameplay at all. In fact, it adds a really fun twist to the gameplay and makes you genuinely care about the people around you because your actions directly impact them. The villain is not afraid to be straight-up evil. How refreshing! You're in for a thrilling prologue where you learn the fundamentals of the game and see a reflection of the themes and writing the game has in store for us. Still here? Enjoy the rest of the impressions then: Characters make mistakes, and some are even self-conscious about their personal flaws! So refreshingly well written. I love it when characters are this believable. I really love Anca so far and to find out she was voiced by Nightsong from Baldur's Gate 3 was a great surprise. Brencis is also fantastic. The voice acting is also so well done. Everything was perfect here. Laslea is dreadful with a heavy atmosphere. It reminded me of From Town (From TV Show) because of the normalcy people try to keep to to despite their predicament. It is genuinely horrifying to picture yourself living as cattle for Brencis and his clan. The story so far is easy to follow. The pacing in the prologue was great. The build-up to Brencis was well done and his interest in Coen is fascinating. I think it's funny how he's kind of obsessed with Coen. THANK YOU REBELWOLVES for having a villain who's straight up evi... a HERO. He removed taxes and hard labour, what a legend. All he asked for in return was a pint of blood. The gameplay feels like an evolution of The Witcher 3 formula. The combat, however, is closer to a Kingdom Come game. I personally liked it because it offers a fun system where you can perfect parry and do cool duels with multiple enemies. Vampirism changes it all up and offers unique traversal mechanics on top. Some actions can only be done during daytime whereas some other actions require you to be a vampire. Still talking gameplay here: the time mechanic is fascinating. Not the first time it's been done but for this game specifically, it makes sense and it adds so many stakes to EVERY quest. There was an old lady I wanted to help but I didn't make it in time because I prioritized my mum so she suffered a harsh consequence... That said, only some quests are time sensitive. You can still do a ton of quests that don't advance time. The soundtrack... What can I say here? Rebelwolves cooked. It's a treasure. Visuals are beautiful. The materials, character models and especially the clothing are all made with great attention to detail. And the eyes are so beautiful too. Performance: Unlike what some others are reporting though I had a very smooth gameplay experience with zero stutters. That said, it's an Unreal Engine 5 game so the better your hardware the better your experience so I don't speak for all. Let us know how your experience is with the game so far. Other notes: if you're a Witcher fan, this is a must play for you. Also, Mirto's haircut is funny.

Ser Brator

28,008 görÃŒntÃŒleme • 1 ay önce

This pieced together video is very scary. From my point of view I will explain why. You may have already seen it.But first, listen to how many things get debunked or exposed here. Her little cocaine use which is actually a habitual addiction. Her claim that Johnny isolated her, when she actually had the whole Shady Bunch living in the penthouses with her. Johnny's wine drinking when it was her 3 glasses a day. Her anger, her rage.But Johnny was the monster? She said Johnny was the jealous one. In his case his doubts came true. But look at all she projected onto Johnny that she actually did herself. But here is what I want to highlight. When professionals like a doctor or therapist record or annotate. The language they use tends to minimize actions and they will write in a conservative way. Mostly shorthand and they summarize. I can have a hacking cough with blood and nurse will write, "patient reports cough." You can imagine the fits of rage that she had on those appointments. I bet she had wild, immature adult tantrums, expressing how jealous she was. Like for example: "look at the whores that Johnny is around every day! Those sluts climb all over him!" But how will the therapist write it? "patient expressed concern over the availability of women and his ability to interact with them often." When she's a jealous fucking maniac! We know Amber is narcissistic and craves attention. We know it irks her when on a Red Carpet, Johnny gets all the shine and not her. He is not around to cater to her. But what is written? "client reports difficulty with issues surrounding husbands fame". How calm do you think Amber "expressed" that? And What do you think Johnny hears from her when he gets home? Do you think the words that she yells and screams at him are as calm and professional as what nurses or doctors write? What they write masks the tip of that Abusive Iceberg. Do you think maybe these words of rage, jealousy and anger are accompanied by fists, hitting, and thrown objects? That is the scary part. I can see Amber acting out in that doctor's office. Uncontrolled. In that nurses office. Her childish tantrums, insecurities and rage flying out. But they calmly write down "has issues with..." No shit, she has issues! JD comes home after a long shoot, or is about to travel to another one, and what does he have to put up with from her every time? He's a stronger man than me. How many of you reading this have had a jealous partner who made you feel like shit just because they had their own insecurities, and they wanted to dump them onto you to make themselves feel better? Did Amber detail exactly how she "expresses anger and concern" when saying this to Johnny? Did she admit to punches and flying bottles? She was a ticking, fucking time bomb, that exploded multiple times. This video is scary to me, because what the nurse is reading, is probably 10% of the actual severity of what Johnny had to deal with. I hear and read those words, and I can see the abuse behind them. I apologize if this sounds like an exaggeration. But that is what I get when I hear those words. I have never been a victim of abuse, and I give the shortest leash possible to either a controlling or insecure woman. I walk away from the wrong girls, very easily. I am glad that finally, Johnny did the same. Thank you God for saving him or for Johnny getting himself out. The best thing that Johnny could have done is go through with that Virginia Trial. He was eventually freed and gave himself back to us. In freeing himself, he gave himself back to us. And I Love him for it.
1:25

This pieced together video is very scary. From my point of view I will explain why. You may have already seen it.But first, listen to how many things get debunked or exposed here. Her little cocaine use which is actually a habitual addiction. Her claim that Johnny isolated her, when she actually had the whole Shady Bunch living in the penthouses with her. Johnny's wine drinking when it was her 3 glasses a day. Her anger, her rage.But Johnny was the monster? She said Johnny was the jealous one. In his case his doubts came true. But look at all she projected onto Johnny that she actually did herself. But here is what I want to highlight. When professionals like a doctor or therapist record or annotate. The language they use tends to minimize actions and they will write in a conservative way. Mostly shorthand and they summarize. I can have a hacking cough with blood and nurse will write, "patient reports cough." You can imagine the fits of rage that she had on those appointments. I bet she had wild, immature adult tantrums, expressing how jealous she was. Like for example: "look at the whores that Johnny is around every day! Those sluts climb all over him!" But how will the therapist write it? "patient expressed concern over the availability of women and his ability to interact with them often." When she's a jealous fucking maniac! We know Amber is narcissistic and craves attention. We know it irks her when on a Red Carpet, Johnny gets all the shine and not her. He is not around to cater to her. But what is written? "client reports difficulty with issues surrounding husbands fame". How calm do you think Amber "expressed" that? And What do you think Johnny hears from her when he gets home? Do you think the words that she yells and screams at him are as calm and professional as what nurses or doctors write? What they write masks the tip of that Abusive Iceberg. Do you think maybe these words of rage, jealousy and anger are accompanied by fists, hitting, and thrown objects? That is the scary part. I can see Amber acting out in that doctor's office. Uncontrolled. In that nurses office. Her childish tantrums, insecurities and rage flying out. But they calmly write down "has issues with..." No shit, she has issues! JD comes home after a long shoot, or is about to travel to another one, and what does he have to put up with from her every time? He's a stronger man than me. How many of you reading this have had a jealous partner who made you feel like shit just because they had their own insecurities, and they wanted to dump them onto you to make themselves feel better? Did Amber detail exactly how she "expresses anger and concern" when saying this to Johnny? Did she admit to punches and flying bottles? She was a ticking, fucking time bomb, that exploded multiple times. This video is scary to me, because what the nurse is reading, is probably 10% of the actual severity of what Johnny had to deal with. I hear and read those words, and I can see the abuse behind them. I apologize if this sounds like an exaggeration. But that is what I get when I hear those words. I have never been a victim of abuse, and I give the shortest leash possible to either a controlling or insecure woman. I walk away from the wrong girls, very easily. I am glad that finally, Johnny did the same. Thank you God for saving him or for Johnny getting himself out. The best thing that Johnny could have done is go through with that Virginia Trial. He was eventually freed and gave himself back to us. In freeing himself, he gave himself back to us. And I Love him for it.

Wyno Forever

12,515 görÃŒntÃŒleme • 3 yıl önce

HAPPY VALENTINE'S DAY YOU MIGHT not realize how fortunate we are as Americans to be able to celebrate love on Valentine’s Day. Before 1988, when I was a young woman living in China, it never even occurred to me that such celebrations should even exist. During the Cultural Revolution and many years beyond that, love was a forbidden subject. We were only allowed to show our “love” in public when it was our love for Chairman Mao, the Communist Party, and the motherland. Even expressing love to an immediate family member would be criticized. Couples caught holding hands together in public would be humiliated. My parents would call each other “male comrade” and “female comrade” instead of “husband and wife.” Gender and beauty were canceled. Girls were required to wear unisex clothing and have approved hairstyles. Feminine clothing and behaviors were not tolerated. Wearing makeup was not accepted. Youth were strictly forbidden to date during school years. The girls were encouraged to rat out suitors by turning over love letters they received from boys. The boys would then be lectured by the teachers, notes were sent home to their parents, with their violations recorded in their STUDENT FILE, a secret document kept on each student by the government. I was forced to apologize in school for being too “sentimental” because I kept a photo album. When I had a “puppy love” during my middle school and high school years I told myself to keep it quiet, as even my friends would turn me in. Romantic songs and art were banned. We were only allowed to sing red songs to show affection to Mao and the CCP. The artwork on posters and walls were about collective love and loyalty to our leaders, never to family or friends. Marx, Engels, Lenin, Stalin and Mao were the focus of our directed “love.” For example, the lyrics to one popular song we had to sing in school went like this: “My parents are dear, but Chairman Mao is dearer.” Spouses were urged to report on each other, children were brainwashed to turn on their parents. In my college freshman year, we were warned by the Communist Party Law School Secretary “don’t think about dating or marriage; focus on your studies to build China.” Of course, some of us rebelled against CCP rule, at least in secret. Things started to change publicly when a romantic novel was published. It caused a national firestorm; the novel, “Love shall not be forgotten,” was about romance: a woman and a man who put their own happiness first in a society that values sacrifice. Finally, the dating bans and dancing party bans were lifted. After I came to America, I read a book written by a defector and former personal doctor to Mao. He revealed that Mao engaged often in dancing parties and had as many young women as he wanted during the Cultural Revolution. At the same time, the powerless were being kept down by a party and told they should not live a “capitalist’s lifestyle.” My family and I were eyewitnesses to the true communism that exists in reality. You see, the reality for the perfectible socialist man — is a place where utopian promises never come. It is, instead, a place of hatred, division, envy, oppression, poverty and suffering. It is a place where there is destruction of love, families, individuals, human nature and humanity. Today, in America and outside of China, I am free to wear whatever I want; I can pursue beauty, express my feelings and opinions freely. And yet, ironically, I see too many young people in America idealizing socialism and communism. Just recently I was informed by a young Twitter commentator “You did not survive REAL communism. Real communist society has never existed.” This is a shocking lie and propaganda. The real communism I lived in is the same one that has exterminated nearly 100 million people this last century. I sometimes wonder if the victims of real communism are turning over in their graves because of what many young Americans now believe. Have these real victims of communism been forgotten so easily? Valentine’s Day is a time I will always treasure. I am happy to see people celebrate love. Love is a part of family life and individual freedom, expression, and desire that must not be suppressed or eradicated. So, I want to invite you to celebrate this Valentine’s Day with me, to celebrate one of our most profound, precious, and powerful human emotions — love. It is love that will keep alive the memories of those millions who died under communism. (My op-ed was published by UnionLeader.com in 2023)
2:12

HAPPY VALENTINE'S DAY YOU MIGHT not realize how fortunate we are as Americans to be able to celebrate love on Valentine’s Day. Before 1988, when I was a young woman living in China, it never even occurred to me that such celebrations should even exist. During the Cultural Revolution and many years beyond that, love was a forbidden subject. We were only allowed to show our “love” in public when it was our love for Chairman Mao, the Communist Party, and the motherland. Even expressing love to an immediate family member would be criticized. Couples caught holding hands together in public would be humiliated. My parents would call each other “male comrade” and “female comrade” instead of “husband and wife.” Gender and beauty were canceled. Girls were required to wear unisex clothing and have approved hairstyles. Feminine clothing and behaviors were not tolerated. Wearing makeup was not accepted. Youth were strictly forbidden to date during school years. The girls were encouraged to rat out suitors by turning over love letters they received from boys. The boys would then be lectured by the teachers, notes were sent home to their parents, with their violations recorded in their STUDENT FILE, a secret document kept on each student by the government. I was forced to apologize in school for being too “sentimental” because I kept a photo album. When I had a “puppy love” during my middle school and high school years I told myself to keep it quiet, as even my friends would turn me in. Romantic songs and art were banned. We were only allowed to sing red songs to show affection to Mao and the CCP. The artwork on posters and walls were about collective love and loyalty to our leaders, never to family or friends. Marx, Engels, Lenin, Stalin and Mao were the focus of our directed “love.” For example, the lyrics to one popular song we had to sing in school went like this: “My parents are dear, but Chairman Mao is dearer.” Spouses were urged to report on each other, children were brainwashed to turn on their parents. In my college freshman year, we were warned by the Communist Party Law School Secretary “don’t think about dating or marriage; focus on your studies to build China.” Of course, some of us rebelled against CCP rule, at least in secret. Things started to change publicly when a romantic novel was published. It caused a national firestorm; the novel, “Love shall not be forgotten,” was about romance: a woman and a man who put their own happiness first in a society that values sacrifice. Finally, the dating bans and dancing party bans were lifted. After I came to America, I read a book written by a defector and former personal doctor to Mao. He revealed that Mao engaged often in dancing parties and had as many young women as he wanted during the Cultural Revolution. At the same time, the powerless were being kept down by a party and told they should not live a “capitalist’s lifestyle.” My family and I were eyewitnesses to the true communism that exists in reality. You see, the reality for the perfectible socialist man — is a place where utopian promises never come. It is, instead, a place of hatred, division, envy, oppression, poverty and suffering. It is a place where there is destruction of love, families, individuals, human nature and humanity. Today, in America and outside of China, I am free to wear whatever I want; I can pursue beauty, express my feelings and opinions freely. And yet, ironically, I see too many young people in America idealizing socialism and communism. Just recently I was informed by a young Twitter commentator “You did not survive REAL communism. Real communist society has never existed.” This is a shocking lie and propaganda. The real communism I lived in is the same one that has exterminated nearly 100 million people this last century. I sometimes wonder if the victims of real communism are turning over in their graves because of what many young Americans now believe. Have these real victims of communism been forgotten so easily? Valentine’s Day is a time I will always treasure. I am happy to see people celebrate love. Love is a part of family life and individual freedom, expression, and desire that must not be suppressed or eradicated. So, I want to invite you to celebrate this Valentine’s Day with me, to celebrate one of our most profound, precious, and powerful human emotions — love. It is love that will keep alive the memories of those millions who died under communism. (My op-ed was published by UnionLeader.com in 2023)

Lily Tang Williams

106,084 görÃŒntÃŒleme • 7 ay önce

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details
 like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective
 should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture
 that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content
 I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something
 that emotion, that spark
 is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly
 those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart
 you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual
 what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics
 what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal
 the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail
 the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format
 you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age
 genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis
 what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different
 to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe
 like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along
 it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark
 those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session
 it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies
 playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face
 it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. âž» 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge
 and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill
 this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏
21:30

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details
 like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective
 should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture
 that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content
 I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something
 that emotion, that spark
 is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly
 those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart
 you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual
 what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics
 what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal
 the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail
 the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format
 you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age
 genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis
 what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different
 to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe
 like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along
 it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark
 those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session
 it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies
 playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face
 it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. âž» 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge
 and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill
 this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

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