正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

𝗗𝗼𝗿𝗺𝗮𝗻𝘁 𝗠𝗲𝗺𝗼𝗿𝘆 𝗩𝗶𝗲𝘄𝗲𝗿: Because I almost always have some gear with me—a drone, a mirrorless camera, or at least a phone—I can capture scenes on the spur of the moment. Here I am freely flying through 3D Gaussian Splats scenes trained from these impromptu captures. It has been several... years now since I've developed a real passion for 3D scanning, photogrammetry, and—for the last two and a half years—radiance fields. We actively use these technologies on a professional level at Dpt. , but this is also a personal passion of mine. I love capturing scenes, places, people, moments in time—memories. I enjoy the process of doing it; yes, capturing several hundreds of photos at a time, going in circles around a 'subject' for 15 minutes—all of which can drive my family nuts when they're with me. I have fun pre-processing, aligning, and using datasets to finally see those memories form and then be able to explore them freely in real-time. This week, Meta announced Hyperscape during this year's Meta Connect event… "𝘈𝘯𝘥 𝘴𝘱𝘦𝘢𝘬𝘪𝘯𝘨 𝘰𝘧 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦, 𝘸𝘦’𝘳𝘦 𝘪𝘮𝘱𝘳𝘰𝘷𝘪𝘯𝘨 𝘵𝘩𝘢𝘵, 𝘵𝘰𝘰. 𝘞𝘦’𝘳𝘦 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘵𝘰 𝘣𝘳𝘪𝘯𝘨 𝘱𝘩𝘰𝘵𝘰𝘳𝘦𝘢𝘭𝘪𝘴𝘵𝘪𝘤 𝘴𝘱𝘢𝘤𝘦𝘴 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘮𝘦𝘵𝘢𝘷𝘦𝘳𝘴𝘦, 𝘦𝘯𝘢𝘣𝘭𝘪𝘯𝘨 𝘢 𝘱𝘳𝘰𝘧𝘰𝘶𝘯𝘥 𝘯𝘦𝘸 𝘸𝘢𝘺 𝘵𝘰 𝘣𝘦 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘪𝘯 𝘴𝘱𝘢𝘤𝘦𝘴 𝘵𝘩𝘢𝘵 𝘭𝘰𝘰𝘬 𝘢𝘯𝘥 𝘧𝘦𝘦𝘭 𝘭𝘪𝘬𝘦 𝘺𝘰𝘶’𝘳𝘦 𝘱𝘩𝘺𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘵𝘩𝘦𝘳𝘦—𝘸𝘦 𝘤𝘢𝘭𝘭 𝘪𝘵 𝘏𝘺𝘱𝘦𝘳𝘴𝘤𝘢𝘱𝘦." …it's exciting to see major players like Meta pushing the boundaries of immersive experiences. Their announcement of Hyperscape resonates deeply with the work I've been doing and my passion for capturing and recreating photorealistic environments and memories. It feels like we're all moving toward a future where the lines between the physical and digital worlds blur, allowing us to share spaces and moments in unprecedented ways. I'm thrilled to be contributing my own explorations to this ever-evolving field. The attached video is a screen recording of myself exploring and flying through volumetric captures—dormant memories—in real-time using an app I crafted for this purpose. The first part shows me moving from one memory to another (btw, this works in tethered VR), and in the second part of the video at , I explore two memories simultaneously, rendering two 3D Gaussian Splats of the same location onto two monitors. #gaussiansplatting #radiancefield #digitaltwin #hyperscape #memoriesshow more

Hugues Bruyère

8,082 subscribers

16,304 次观看 • 1 年前 •via X (Twitter)

科学技术艺术

Anya Rossi• Live Now

Private livecam show

3 条评论

Ian George 的头像

Ian George1 年前

I feel your passion through these sentiments. I’m an addict to capturing too. The 3,4D internet of tomorrow will reward us for our pioneering. Keep up the great work.

UFO Disclosure 的头像

UFO Disclosure1 年前

Minority Report

Simone Salerno 的头像

Simone Salerno1 年前

Do you share your insights somewhere? (Blog, YT)

相关视频

Dormant Memories — a gallery regrouping my recent experiments built from real-world captures, reconstructed as 3D Gaussian Splats, and in many cases manipulated using World Labs' Marble. Everything is built with Spark, the 3D Gaussian splat renderer released by World Labs. It runs in the browser and can be experienced across devices: desktop, mobile, and headsets like Apple Vision Pro and Quest 3. This work comes out of something I've been exploring for a few years now: capturing fragments of the world (places, objects, moments...) and turning them into spaces that can then be revisited, manipulated, and explored in real time. What particularly interests me here is the process of creating alternate versions of the same place; starting from something that physically exists and using it as a base to explore variations, instead of generating from scratch. These explorations are part of what we do at Dpt.... same tools, same curiosity, same collaborative energy that shape the studio's work on interactive and immersive experiences. Some of these experiments were featured as part of the Spark 2.0 release by World Labs. Their technical blog post is a must-read; link in the thread ↓ These are experiments. They aren't fully optimized, they aren't bug-free, and the UX has rough edges. The goal is to explore, test, and learn. #GaussianSplatting #3DGS #pointcloud #WorldModels #sparkjs #threejs

Dormant Memories — a gallery regrouping my recent experiments built from real-world captures, reconstructed as 3D Gaussian Splats, and in many cases manipulated using World Labs' Marble. Everything is built with Spark, the 3D Gaussian splat renderer released by World Labs. It runs in the browser and can be experienced across devices: desktop, mobile, and headsets like Apple Vision Pro and Quest 3. This work comes out of something I've been exploring for a few years now: capturing fragments of the world (places, objects, moments...) and turning them into spaces that can then be revisited, manipulated, and explored in real time. What particularly interests me here is the process of creating alternate versions of the same place; starting from something that physically exists and using it as a base to explore variations, instead of generating from scratch. These explorations are part of what we do at Dpt.... same tools, same curiosity, same collaborative energy that shape the studio's work on interactive and immersive experiences. Some of these experiments were featured as part of the Spark 2.0 release by World Labs. Their technical blog post is a must-read; link in the thread ↓ These are experiments. They aren't fully optimized, they aren't bug-free, and the UX has rough edges. The goal is to explore, test, and learn. #GaussianSplatting #3DGS #pointcloud #WorldModels #sparkjs #threejs

Hugues Bruyère

12,408 次观看 • 3 个月前

Playing pro basketball has always been a dream of mine ever since I was a little kid. Being able to travel the world and get paid to play the past 5 years has truly been a remarkable experience. To get the opportunity to live in 7 countries, be immersed in different cultures, meet new people, and play basketball at a high level are memories I will always cherish. Since being back in the States in May, I have had a lot of time to reflect on what the next step is for me and my family. I got my Real Estate License in the summer with the intentions of just doing it in the off seasons, and then get into it full time when I was done playing. But when our daughter Rinnie was born in September, my mindset began to change. Having a family and being a father has always been a dream of mine too. And now that she is here, I look at life a lot differently. It has been amazing to be around family and friends and raise our daughter in our own home right here in our hometown in Illinois. On top of that, I have really been enjoying being a Real Estate Agent and adjusting to the new challenges that come along with it. I still love basketball, but I always knew there would come a time when I’d have to hang it up, and this feels like it for me. Being a father and a husband is the most important thing to me and that will always come first. Knowing that this is the best decision for us really gives me peace in walking away from a game that has been so good to me over my life. Thank you to basketball for giving me the life I had dreamed about since a child. Now, on to the next chapter of my life 👶🏼🏠🌾🇺🇸

Playing pro basketball has always been a dream of mine ever since I was a little kid. Being able to travel the world and get paid to play the past 5 years has truly been a remarkable experience. To get the opportunity to live in 7 countries, be immersed in different cultures, meet new people, and play basketball at a high level are memories I will always cherish. Since being back in the States in May, I have had a lot of time to reflect on what the next step is for me and my family. I got my Real Estate License in the summer with the intentions of just doing it in the off seasons, and then get into it full time when I was done playing. But when our daughter Rinnie was born in September, my mindset began to change. Having a family and being a father has always been a dream of mine too. And now that she is here, I look at life a lot differently. It has been amazing to be around family and friends and raise our daughter in our own home right here in our hometown in Illinois. On top of that, I have really been enjoying being a Real Estate Agent and adjusting to the new challenges that come along with it. I still love basketball, but I always knew there would come a time when I’d have to hang it up, and this feels like it for me. Being a father and a husband is the most important thing to me and that will always come first. Knowing that this is the best decision for us really gives me peace in walking away from a game that has been so good to me over my life. Thank you to basketball for giving me the life I had dreamed about since a child. Now, on to the next chapter of my life 👶🏼🏠🌾🇺🇸

Michael Finke

33,284 次观看 • 1 年前

Monday at #TheOpen It was a special moment to be able to ask Rory McIlroy a question at #TheOpenChampionship press conference today. In truth, there is a little more to the story than a simple question at a press conference allows (and would be appropriate in that environment!) As many of my followers will know, I've been sober for 11 years now. By the age of 24, I was residing in a homeless shelter. When I got sober and, in amongst all the moving places which often occurs in early recovery, I lost the signed golf balls that I was given by players. Including the one Rory signed for me as those two 16 year olds. It is something I deeply regret. It still stings, and I think about it an unreasonable amount. At least, compared to a normal person who isn't so passionate about this game! Those memories in Dubai are some of the finest of my childhood, and the mementos were a precious reminder. This moment, this one right here, that was my own personal career Grand Slam in a way. To be able to ask a question to Rory in a press conference and create a beautiful personal story arc in the process. Something I could never dream would occur during those darker days. Thank you Rory for taking my question, and best of luck this week.

Monday at #TheOpen It was a special moment to be able to ask Rory McIlroy a question at #TheOpenChampionship press conference today. In truth, there is a little more to the story than a simple question at a press conference allows (and would be appropriate in that environment!) As many of my followers will know, I've been sober for 11 years now. By the age of 24, I was residing in a homeless shelter. When I got sober and, in amongst all the moving places which often occurs in early recovery, I lost the signed golf balls that I was given by players. Including the one Rory signed for me as those two 16 year olds. It is something I deeply regret. It still stings, and I think about it an unreasonable amount. At least, compared to a normal person who isn't so passionate about this game! Those memories in Dubai are some of the finest of my childhood, and the mementos were a precious reminder. This moment, this one right here, that was my own personal career Grand Slam in a way. To be able to ask a question to Rory in a press conference and create a beautiful personal story arc in the process. Something I could never dream would occur during those darker days. Thank you Rory for taking my question, and best of luck this week.

David Bieleski

75,095 次观看 • 1 年前

Fast Company just published a great piece on World Labs , Fei-Fei Li , Marble, and the idea that spatial intelligence / world models may be one of the next big shifts in AI. I was happy to be quoted in the article, but I also wanted to share more context about my own experience with World Labs and Marble, and why this direction is especially interesting to me. My starting point: volumetric capture — For the past few years I’ve been exploring and using volumetric capture and reconstruction (photogrammetry, NeRFs, 3D Gaussian Splats) mostly capturing locations around Montreal. Alleys, museums, urban interiors. I love every step of it: the capture itself, the pipeline, and what can be done with the output. Turning real spaces into real-time explorable systems. I do this personally, sharing explorations here, and professionally as chief technologist, and co-founder of Dpt. Physical reality + generative manipulation — In my work I’m especially drawn to mixing physical reality with generative and digital manipulation: using physical interfaces (light, clay, ink, ... ) to drive generative AI pipelines, building mixed reality prototypes that reshape your surroundings, or starting from real captured spaces and transforming them using tools like Marble. Like many people, I saw the World Labs announcement on Twitter in September 2024, and Marble when it surfaced in early December. But by then, I already had a sense something was coming. The first conversation — As someone deep into volumetric capture and radiance fields, I obviously knew about Ben Mildenhall and his pioneering work on NeRF. To my surprise, Ben reached out to me in late June 2024. He’d been following some of my experiments and wanted to chat about my process and workflows and how I was using this “stuff” creatively. At that point he didn’t share what he was building, but we had a genuinely great conversation about radiance fields, AI, and my work. He was curious about the creative perspective, not just the technical one. When the World Labs announcement dropped a few months later, it all made sense. I understood what Ben had been working on, and why the creative angle mattered to them. Then in August 2025, he invited me to try the Marble beta, and I’ve been experimenting with it since. Experimenting with Marble — The first thing I used Marble for was materializing scene and world concepts during ideation at the studio, and seeing if and how it could fit into our production pipeline. In parallel, I dove into a series of experiments focused on world manipulation: starting from real captured spaces and transforming them using Marble. I’d already been exploring that idea using img2img diffusion with ControlNet on NeRF renders, real-time video streams, and even mixed reality using headset camera feeds. But Marble brings something different. It generates persistent, spatially cohesive 3D worlds that can be rendered in real time across a wide range of devices. That’s a real shift. Experiment 01: Parallel Realities — The first experiment, Parallel Realities, starts from a volumetric capture of a real location, reconstructed as 3D Gaussian Splats. Using Marble, I generate an alternate version of that same space, something informed by the original architecture: abandoned, nature-reclaimed, alternate era. Then, using Spark (World Labs’ 3D Gaussian Splatting renderer for THREE.js) I make both realities coexist in the same spatial coordinate system. From there, I use a portal UX mechanic to let the user step between the real reconstruction and the Marble-generated version. Experiment 02: Hidden Depth The second experiment, Hidden Depth, does not transform a space as much as expand it. A captured location has a visual boundary (a mural, a doorway, a dark corridor) and Marble generates what exists beyond it. For example: a Montreal alley has a painted mural; step through it and you’re inside a world informed by what is actually depicted there. World Labs showcased part of this work here: And in their Spark 2.0 post: The project page is here: Why this matters to me — Being able to start from a real 3D Gaussian Splat scene and manipulate it with Marble opens up a lot of ideas. The 3DGS pipeline is becoming an increasingly compelling foundation for exploration, experimentation, and storytelling. What matters most to me right now is more control. The more I can steer the generated scene or world, the more useful the tool becomes. I want more features like the already existing multiple input images and Chisel, the blockout-based approach. I would like better local control, the ability to expand a generated world more and more while preserving coherence, and the ability to directly import 3D Gaussian Splat scenes to be used as a starting point. I want more ways to shape the result, not just a “prompt and hope” approach. — It is exciting to see this field moving from research and demos toward actual creative workflows.

Fast Company just published a great piece on World Labs , Fei-Fei Li , Marble, and the idea that spatial intelligence / world models may be one of the next big shifts in AI. I was happy to be quoted in the article, but I also wanted to share more context about my own experience with World Labs and Marble, and why this direction is especially interesting to me. My starting point: volumetric capture — For the past few years I’ve been exploring and using volumetric capture and reconstruction (photogrammetry, NeRFs, 3D Gaussian Splats) mostly capturing locations around Montreal. Alleys, museums, urban interiors. I love every step of it: the capture itself, the pipeline, and what can be done with the output. Turning real spaces into real-time explorable systems. I do this personally, sharing explorations here, and professionally as chief technologist, and co-founder of Dpt. Physical reality + generative manipulation — In my work I’m especially drawn to mixing physical reality with generative and digital manipulation: using physical interfaces (light, clay, ink, ... ) to drive generative AI pipelines, building mixed reality prototypes that reshape your surroundings, or starting from real captured spaces and transforming them using tools like Marble. Like many people, I saw the World Labs announcement on Twitter in September 2024, and Marble when it surfaced in early December. But by then, I already had a sense something was coming. The first conversation — As someone deep into volumetric capture and radiance fields, I obviously knew about Ben Mildenhall and his pioneering work on NeRF. To my surprise, Ben reached out to me in late June 2024. He’d been following some of my experiments and wanted to chat about my process and workflows and how I was using this “stuff” creatively. At that point he didn’t share what he was building, but we had a genuinely great conversation about radiance fields, AI, and my work. He was curious about the creative perspective, not just the technical one. When the World Labs announcement dropped a few months later, it all made sense. I understood what Ben had been working on, and why the creative angle mattered to them. Then in August 2025, he invited me to try the Marble beta, and I’ve been experimenting with it since. Experimenting with Marble — The first thing I used Marble for was materializing scene and world concepts during ideation at the studio, and seeing if and how it could fit into our production pipeline. In parallel, I dove into a series of experiments focused on world manipulation: starting from real captured spaces and transforming them using Marble. I’d already been exploring that idea using img2img diffusion with ControlNet on NeRF renders, real-time video streams, and even mixed reality using headset camera feeds. But Marble brings something different. It generates persistent, spatially cohesive 3D worlds that can be rendered in real time across a wide range of devices. That’s a real shift. Experiment 01: Parallel Realities — The first experiment, Parallel Realities, starts from a volumetric capture of a real location, reconstructed as 3D Gaussian Splats. Using Marble, I generate an alternate version of that same space, something informed by the original architecture: abandoned, nature-reclaimed, alternate era. Then, using Spark (World Labs’ 3D Gaussian Splatting renderer for THREE.js) I make both realities coexist in the same spatial coordinate system. From there, I use a portal UX mechanic to let the user step between the real reconstruction and the Marble-generated version. Experiment 02: Hidden Depth The second experiment, Hidden Depth, does not transform a space as much as expand it. A captured location has a visual boundary (a mural, a doorway, a dark corridor) and Marble generates what exists beyond it. For example: a Montreal alley has a painted mural; step through it and you’re inside a world informed by what is actually depicted there. World Labs showcased part of this work here: And in their Spark 2.0 post: The project page is here: Why this matters to me — Being able to start from a real 3D Gaussian Splat scene and manipulate it with Marble opens up a lot of ideas. The 3DGS pipeline is becoming an increasingly compelling foundation for exploration, experimentation, and storytelling. What matters most to me right now is more control. The more I can steer the generated scene or world, the more useful the tool becomes. I want more features like the already existing multiple input images and Chisel, the blockout-based approach. I would like better local control, the ability to expand a generated world more and more while preserving coherence, and the ability to directly import 3D Gaussian Splat scenes to be used as a starting point. I want more ways to shape the result, not just a “prompt and hope” approach. — It is exciting to see this field moving from research and demos toward actual creative workflows.

Hugues Bruyère

69,960 次观看 • 1 个月前

[During Leeteuk’s 40s] “ In my 20s, looking at people in their 40s, they seemed so old to me. But I feel like I'm the same person now as I was then... That's what I realized. I used to be terrified of aging, but instead of dwelling on that fear, I've created memories with others. I feel blessed to still share these memories with our members, staff, and fans. The fans' cheers and the constant love from our ELFs gives energy directly to me and the members. Not many artists can do a world tour 20 years into their career. I think the miracles keep happening in my life because of the fans who created this miracle in the first place. Even in my 40s, I still have the energy of my 20s, so I'm looking forward to my 50s and 60s - I want to create more memories, happiness, and love with all of you.” #이특 #LEETEUK

[During Leeteuk’s 40s] “ In my 20s, looking at people in their 40s, they seemed so old to me. But I feel like I'm the same person now as I was then... That's what I realized. I used to be terrified of aging, but instead of dwelling on that fear, I've created memories with others. I feel blessed to still share these memories with our members, staff, and fans. The fans' cheers and the constant love from our ELFs gives energy directly to me and the members. Not many artists can do a world tour 20 years into their career. I think the miracles keep happening in my life because of the fans who created this miracle in the first place. Even in my 40s, I still have the energy of my 20s, so I'm looking forward to my 50s and 60s - I want to create more memories, happiness, and love with all of you.” #이특 #LEETEUK

ഒkat

18,687 次观看 • 8 个月前

For the past 30 years, we have been on a musical journey together. Through highs and lows, you all have been consistent in your love and support and I can never explain how grateful I am. I feel so lucky that we have shared so many moments and memories together and I think it’s time that we share it with the world! I would love for you all to share your best video moments from my past tours (onstage, offstage, performing, etc.) using the hashtag #30YearsWhoIAm. I’ll be going through the videos to select as many as possible to include in my next music video - made just for us Find all of the submission details at

For the past 30 years, we have been on a musical journey together. Through highs and lows, you all have been consistent in your love and support and I can never explain how grateful I am. I feel so lucky that we have shared so many moments and memories together and I think it’s time that we share it with the world! I would love for you all to share your best video moments from my past tours (onstage, offstage, performing, etc.) using the hashtag #30YearsWhoIAm. I’ll be going through the videos to select as many as possible to include in my next music video - made just for us Find all of the submission details at

Nick Carter

120,583 次观看 • 2 年前

For half a century, I’ve had the honor of living through the magic of Arab cinema, telling stories that shaped me as much as they touched others. Today, for the first time, I open my personal archive to share moments, images, and memories from this incredible journey. Curated with love by Dr. Sara El Tonsi, this exhibition reflects the people, films, and eras that have defined my life, from my earliest dreams to the roles that became a part of my collective memory. Presented by META, Instagram, and Bridge, this experience blends heritage with innovation, reminding me that storytelling will always find new ways to live on. The exhibition is now open at the El Gouna Film Festival Hub until October 24th. I can’t wait for you to relive these memories with me ✨

For half a century, I’ve had the honor of living through the magic of Arab cinema, telling stories that shaped me as much as they touched others. Today, for the first time, I open my personal archive to share moments, images, and memories from this incredible journey. Curated with love by Dr. Sara El Tonsi, this exhibition reflects the people, films, and eras that have defined my life, from my earliest dreams to the roles that became a part of my collective memory. Presented by META, Instagram, and Bridge, this experience blends heritage with innovation, reminding me that storytelling will always find new ways to live on. The exhibition is now open at the El Gouna Film Festival Hub until October 24th. I can’t wait for you to relive these memories with me ✨

Yousra

16,048 次观看 • 9 个月前

First, I would like to thank god for blessing me with the opportunities that have been given to me. Through these opportunities I have gotten to learn and grow as a man. Thank you to coach Drinkwitz for giving me the opportunity to play football at the University of Missouri. I would like to thank coach Russell and the entire strength staff for pushing me mentally and physically everyday to make myself a better athlete and man. Thank you to all of the coaches that I’ve gotten the opportunity to work with and learn from over the past 3 years. I would like to thank the entire academic department for helping me reach my goals academically while at Mizzou. Finally, I would like to thank all of the teammates that I have played with over my time at Mizzou. I have made connections, friendships, and memories that will last a lifetime and I am sincerely grateful for all of them. With that being said, I am officially entering my name into the transfer portal with 2 years of eligibility.

First, I would like to thank god for blessing me with the opportunities that have been given to me. Through these opportunities I have gotten to learn and grow as a man. Thank you to coach Drinkwitz for giving me the opportunity to play football at the University of Missouri. I would like to thank coach Russell and the entire strength staff for pushing me mentally and physically everyday to make myself a better athlete and man. Thank you to all of the coaches that I’ve gotten the opportunity to work with and learn from over the past 3 years. I would like to thank the entire academic department for helping me reach my goals academically while at Mizzou. Finally, I would like to thank all of the teammates that I have played with over my time at Mizzou. I have made connections, friendships, and memories that will last a lifetime and I am sincerely grateful for all of them. With that being said, I am officially entering my name into the transfer portal with 2 years of eligibility.

Ryan Hoerstkamp

65,439 次观看 • 2 年前

Adobe.. has released a tool that combines Generative Gaussian Splats with a Diffusion layer and it's not all over the internet? WHAT IS GOING ON :D I had to test this out ofc! Substance 3D viewer, the new 3d viewer just released by Adobe, not only supports viewing of a large, large list of 3d formats, but it also supports generating of 3d models as Gaussian Splats. Combine that with the built-in 3d to image functionality and you basically have at least a few of the steps I've been doing for the last year or so using multiple tools. Exciting stuff! The new Photoshop Beta also supports the 3D viewer and you can import 3d files directly in photoshop as smart objects linked to the viewer. The elements you prompt in based on your models, can be easily exported to your clipboard without backgrounds making it very easy to use this in your normal image editing workflows. I have a suspicion that we'll see much more of this in other Adobe tools and I'm very curious to see this used for things like this in more 3d tools than "just" Adobe Neo (which is fantastic btw). #adobe #art #gaussiansplatting

Adobe.. has released a tool that combines Generative Gaussian Splats with a Diffusion layer and it's not all over the internet? WHAT IS GOING ON :D I had to test this out ofc! Substance 3D viewer, the new 3d viewer just released by Adobe, not only supports viewing of a large, large list of 3d formats, but it also supports generating of 3d models as Gaussian Splats. Combine that with the built-in 3d to image functionality and you basically have at least a few of the steps I've been doing for the last year or so using multiple tools. Exciting stuff! The new Photoshop Beta also supports the 3D viewer and you can import 3d files directly in photoshop as smart objects linked to the viewer. The elements you prompt in based on your models, can be easily exported to your clipboard without backgrounds making it very easy to use this in your normal image editing workflows. I have a suspicion that we'll see much more of this in other Adobe tools and I'm very curious to see this used for things like this in more 3d tools than "just" Adobe Neo (which is fantastic btw). #adobe #art #gaussiansplatting

Martin Nebelong

280,033 次观看 • 1 年前

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!

Sara

59,854 次观看 • 6 个月前

I want to preface this with the following: I know that streaming in public is going to cause passersby to be curious, ask what you're doing, or even ask to be on camera. I am not opposed to this, and I understand that filming in public is opening myself up to situations like this. But I also try to be low-key and keep others out of frame while I am doing my IRL streams. I try to make it clear that I am not trying to be a "spectacle" type of IRL stream. Now for the context of this clip. I was IRL streaming at the mall and was being followed and harassed by a group of about 6 teenagers the entire time I was there. In this clip, you can hear them screaming because they knew I was coming and they wanted to cause a scene. You can also hear them yelling at me saying "let me be on your twitch". They then proceeded to hunt me down the rest of the time I was at the mall. I've been IRL streaming for three years and this week I have experienced more harassment from people (exclusively teenagers) than I have in the past three years combined. I understand that a lot of kids are being exposed to live streaming, and it's probably exciting to them to see a streamer in the wild, but when did kids become so rude and demanding? I know I'm an adult and they're just kids, but it's still unnerving to be followed and yelled at by a group of people regardless of their age.

I want to preface this with the following: I know that streaming in public is going to cause passersby to be curious, ask what you're doing, or even ask to be on camera. I am not opposed to this, and I understand that filming in public is opening myself up to situations like this. But I also try to be low-key and keep others out of frame while I am doing my IRL streams. I try to make it clear that I am not trying to be a "spectacle" type of IRL stream. Now for the context of this clip. I was IRL streaming at the mall and was being followed and harassed by a group of about 6 teenagers the entire time I was there. In this clip, you can hear them screaming because they knew I was coming and they wanted to cause a scene. You can also hear them yelling at me saying "let me be on your twitch". They then proceeded to hunt me down the rest of the time I was at the mall. I've been IRL streaming for three years and this week I have experienced more harassment from people (exclusively teenagers) than I have in the past three years combined. I understand that a lot of kids are being exposed to live streaming, and it's probably exciting to them to see a streamer in the wild, but when did kids become so rude and demanding? I know I'm an adult and they're just kids, but it's still unnerving to be followed and yelled at by a group of people regardless of their age.

Foxie 🦊

23,311 次观看 • 1 年前

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Breezi

372,865 次观看 • 2 年前

Scottie Scheffler says if the PGA Tour were to help elevate national opens he’d love to play in Australia and New Zealand: “It definitely interests me. I'd like to see how it shapes out the next couple of years. There's a lot of places I think I'd like to play. “There's always just, you know, the time and the place for me. I'm at a time in my life where I have a young family at home and young kids. Those are times -- the fall is a special time for our family. It's where we can really check out and be together, and I get to spend a lot of time with my kids. So I hold those moments pretty sacred. “But at the same time I love golf and I would love to be able to play more internationally. Like Australia; New Zealand is a place we would love to be able to go to. My wife as always wanted to go to New Zealand. “But like I said, I love this style of golf, and I feel like it's pretty unique to here. But going to play the Sandbelt in Australia would be pretty special as well. Hopefully I can find the time. It's definitely an intriguing part of the schedule and yeah, it definitely interests me, as well.” Personally, I think it would be absolutely class if more top players travelled to these countries. The fans deserve it and so do the incredible golf courses they have to offer! 🇦🇺🇳🇿 DP World Tour PGA TOUR Genesis Scottish Open

Scottie Scheffler says if the PGA Tour were to help elevate national opens he’d love to play in Australia and New Zealand: “It definitely interests me. I'd like to see how it shapes out the next couple of years. There's a lot of places I think I'd like to play. “There's always just, you know, the time and the place for me. I'm at a time in my life where I have a young family at home and young kids. Those are times -- the fall is a special time for our family. It's where we can really check out and be together, and I get to spend a lot of time with my kids. So I hold those moments pretty sacred. “But at the same time I love golf and I would love to be able to play more internationally. Like Australia; New Zealand is a place we would love to be able to go to. My wife as always wanted to go to New Zealand. “But like I said, I love this style of golf, and I feel like it's pretty unique to here. But going to play the Sandbelt in Australia would be pretty special as well. Hopefully I can find the time. It's definitely an intriguing part of the schedule and yeah, it definitely interests me, as well.” Personally, I think it would be absolutely class if more top players travelled to these countries. The fans deserve it and so do the incredible golf courses they have to offer! 🇦🇺🇳🇿 DP World Tour PGA TOUR Genesis Scottish Open

Flushing It

99,047 次观看 • 25 天前

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,531 次观看 • 1 年前

This dad sold his house and is the last to leave the home where he raised his family. He calls out the names of each of his children one more time as their names echo through the house. Closing a door for the last time on your family’s first house is such a sad feeling. I remember I had moved my family 4 hours away. I would go over to the house and was getting it ready for the sale, the last few boxes, cleaning the baseboards for the last time, on my hands and knees, I could hear my children’s little voices and laughter echo throughout the house. What a flood of memories. Excited for the new chapter but sad that one was closing. 💔 Have you ever experienced this feeling of selling the house you raised your family in? Do those memories come flooding in? Or, are you fortunate enough to still be living in the same house after all these years?

This dad sold his house and is the last to leave the home where he raised his family. He calls out the names of each of his children one more time as their names echo through the house. Closing a door for the last time on your family’s first house is such a sad feeling. I remember I had moved my family 4 hours away. I would go over to the house and was getting it ready for the sale, the last few boxes, cleaning the baseboards for the last time, on my hands and knees, I could hear my children’s little voices and laughter echo throughout the house. What a flood of memories. Excited for the new chapter but sad that one was closing. 💔 Have you ever experienced this feeling of selling the house you raised your family in? Do those memories come flooding in? Or, are you fortunate enough to still be living in the same house after all these years?

👉M-Û-R-Č-H👈

96,802 次观看 • 2 个月前

Video Gaussian Splats are one of the most wonderful things I've experienced in my last year in tech and XR. They are like having a real person in front of you and have the potential to bring people closer to their idols, or their distant family members, or to store immersive memories forever. Now that I have a Dell Pro Max Tower T2 PC with a powerful #NVIDIA graphics card, I have finally been able to try at home the "memories" offered by Gracia AI, and boy, I was amazed. In the PCVR version, you can really get close to the artists dancing and syncing, and in the frames where the recording doesn't have many artifacts, it is almost like having a real artist in front of you. And it is impressive that this technology works even when the singer is dancing with quick movements! But these recordings can be pretty huge (the one with McKenzi Brooke is 21GB!) and require a powerful computer, so now Gracia is also streaming these GS videos, and I was able to try the Amy May performance also on Quest! I have to say that quality-wise, even streamed, they are amazing. But there are more artifacts than in the PC version: I noticed that when I got close to the singer. But there is a huge advantage in having them on Quest: you can see them in mixed reality. It was like having the singer having a private performance for me in my house. Crazy cool! I'll keep experimenting with these performances and maybe write an article in the upcoming weeks. In the meantime, let me know your impressions, too! #VirtualReality #technology #innovation (Disclaimer: I entered the #DellProPrecision ambassador program, so I was provided the PC from Dell, and I'm using it to make some experiments and share them with you. No monetary compensation or affiliate sales programs are involved.)

Video Gaussian Splats are one of the most wonderful things I've experienced in my last year in tech and XR. They are like having a real person in front of you and have the potential to bring people closer to their idols, or their distant family members, or to store immersive memories forever. Now that I have a Dell Pro Max Tower T2 PC with a powerful #NVIDIA graphics card, I have finally been able to try at home the "memories" offered by Gracia AI, and boy, I was amazed. In the PCVR version, you can really get close to the artists dancing and syncing, and in the frames where the recording doesn't have many artifacts, it is almost like having a real artist in front of you. And it is impressive that this technology works even when the singer is dancing with quick movements! But these recordings can be pretty huge (the one with McKenzi Brooke is 21GB!) and require a powerful computer, so now Gracia is also streaming these GS videos, and I was able to try the Amy May performance also on Quest! I have to say that quality-wise, even streamed, they are amazing. But there are more artifacts than in the PC version: I noticed that when I got close to the singer. But there is a huge advantage in having them on Quest: you can see them in mixed reality. It was like having the singer having a private performance for me in my house. Crazy cool! I'll keep experimenting with these performances and maybe write an article in the upcoming weeks. In the meantime, let me know your impressions, too! #VirtualReality #technology #innovation (Disclaimer: I entered the #DellProPrecision ambassador program, so I was provided the PC from Dell, and I'm using it to make some experiments and share them with you. No monetary compensation or affiliate sales programs are involved.)

TonyVT SkarredGhost

12,817 次观看 • 4 个月前

YUNHO'S BDAY MD IS GONNA BE A CAMERA 👀 🐶: Honestly, instead of trying to say it in a roundabout way...I released a camera as my birthday MD this time. 🐶: At one point, I used to carry a camera around, taking photos of people and different scenes. 🐶: And when I looked back at those memories later, it brought back the emotions I felt at that time. 🐶: So I thought, "it would be nice if ATINY could also capture their own happy moments and the feelings they had back then through this camera, just like I did" 🐶: I don’t have that many hobbies, but since that was one I really liked, I decided to make a cute, sentimental-style camera as part of my MD. 🐶: So I hope when ATINY sees it, you’ll take pretty photos, have fun like I do, and enjoy using it. 🐶: You can even take pictures of me with it, I’ll make sure to look good for you. 🐶: At concerts, or if you happen to see ATEEZ, or even just our photocards....capture those moments with it too. 🐶: And if you upload those photos, I’ll look at them and think, “Ah, this is how ATINY thinks of me,” “This is what ATINY might be feeling.” 🐶: For example, if you upload a photo of the ocean, I might think, “Maybe ATINY had a lot on their mind,” 🐶: “How were they feeling then?” 🐶: “Were they happy?” 🐶: I want to feel those emotions too through your photos. 🐶: That’s why I shared things like that before, and since ATINY did the same for me, I also want to experience those feelings from ATINY’s perspective...as if you were photographers. 🐶: So that’s why I released this as my birthday MD. 🐶: What do you think?~

YUNHO'S BDAY MD IS GONNA BE A CAMERA 👀 🐶: Honestly, instead of trying to say it in a roundabout way...I released a camera as my birthday MD this time. 🐶: At one point, I used to carry a camera around, taking photos of people and different scenes. 🐶: And when I looked back at those memories later, it brought back the emotions I felt at that time. 🐶: So I thought, "it would be nice if ATINY could also capture their own happy moments and the feelings they had back then through this camera, just like I did" 🐶: I don’t have that many hobbies, but since that was one I really liked, I decided to make a cute, sentimental-style camera as part of my MD. 🐶: So I hope when ATINY sees it, you’ll take pretty photos, have fun like I do, and enjoy using it. 🐶: You can even take pictures of me with it, I’ll make sure to look good for you. 🐶: At concerts, or if you happen to see ATEEZ, or even just our photocards....capture those moments with it too. 🐶: And if you upload those photos, I’ll look at them and think, “Ah, this is how ATINY thinks of me,” “This is what ATINY might be feeling.” 🐶: For example, if you upload a photo of the ocean, I might think, “Maybe ATINY had a lot on their mind,” 🐶: “How were they feeling then?” 🐶: “Were they happy?” 🐶: I want to feel those emotions too through your photos. 🐶: That’s why I shared things like that before, and since ATINY did the same for me, I also want to experience those feelings from ATINY’s perspective...as if you were photographers. 🐶: So that’s why I released this as my birthday MD. 🐶: What do you think?~

𝐄𝐕𝐈𝐄 ฅᗢฅ 🤍

44,551 次观看 • 4 个月前

#SEONGHWA about making memories in Europe 🥹 ⭐️: The UK is much nicer than I thought. My memories of this country were usually just from coming here on tour but the more I come, the more my memories seem to get nicer. Same with Paris, same with the UK and well, Spain too. Probably it’s like that for all countries, really. Anyway, maybe it’s because I’m getting familiar with them. I’m turning each one into a good memory. Ease? Maybe I’ve gained some ease too. When I first went to Paris I wasn’t feeling well physically so I couldn’t go see things. But as time passed, like, on the last night (this time) I saw the Eiffel Tower and even though I’ve seen it many times, I realized it feels different every time I come. During this Paris schedule, the time I saw the Eiffel Tower was my favorite I think. It was the most romantic. Strangely, “I really want to go see the Eiffel Tower.” This thought came to me. Strangely. I felt like I had to go see it. Of course, taking photos there can be risky but I just really wanted to take photos at the Eiffel Tower. So after meeting Mingi and Jongho, I rushed there, saw it, and at exactly midnight it sparkles like this, you know? I saw that too. And this time in London too, I watched a really fun musical and at a big festival, as a headliner, I performed in a cool way. I like it. I really like it. #SEONGHWA #성화

#SEONGHWA about making memories in Europe 🥹 ⭐️: The UK is much nicer than I thought. My memories of this country were usually just from coming here on tour but the more I come, the more my memories seem to get nicer. Same with Paris, same with the UK and well, Spain too. Probably it’s like that for all countries, really. Anyway, maybe it’s because I’m getting familiar with them. I’m turning each one into a good memory. Ease? Maybe I’ve gained some ease too. When I first went to Paris I wasn’t feeling well physically so I couldn’t go see things. But as time passed, like, on the last night (this time) I saw the Eiffel Tower and even though I’ve seen it many times, I realized it feels different every time I come. During this Paris schedule, the time I saw the Eiffel Tower was my favorite I think. It was the most romantic. Strangely, “I really want to go see the Eiffel Tower.” This thought came to me. Strangely. I felt like I had to go see it. Of course, taking photos there can be risky but I just really wanted to take photos at the Eiffel Tower. So after meeting Mingi and Jongho, I rushed there, saw it, and at exactly midnight it sparkles like this, you know? I saw that too. And this time in London too, I watched a really fun musical and at a big festival, as a headliner, I performed in a cool way. I like it. I really like it. #SEONGHWA #성화

Everything Seonghwa

27,506 次观看 • 1 个月前

Asked Jaylen Brown if he feels like he’s been able to improve individually this season: “For sure. And I've been able to be in this in a role where I'd be able to kind of control things, and everybody's kind of playing off me. I've been in those roles seldom over the years, but this year, for an extended amount of time, I've been able to be in that position. And it's honestly, I feel like I still have a lot of room to grow. I feel like even now over the last couple of games, I've adjusted my game, and I'm still continuing to get better in my playmaking ability, seeing the floor, taking my time, all of that stuff is still continuing to improve, but it's honestly — it's my first opportunity in my career where I've been able to do this for an extended period of time. And obviously, regardless, people are going to have their critiques and their criticism, but it's just it's a completely different flow when people play off you or when you play off others. It’s two completely different things. From people watching the game, you just think, like, ‘just roll the ball out, and everything's supposed to work great. Players are all supposed to fit together.’ It doesn't always work like that. Sometimes you got to take a backseat, or sometimes you got to play more offball. So everything shifts. But this year, I've been able to play at my own pace, and I've been able to control my own destiny.”

Asked Jaylen Brown if he feels like he’s been able to improve individually this season: “For sure. And I've been able to be in this in a role where I'd be able to kind of control things, and everybody's kind of playing off me. I've been in those roles seldom over the years, but this year, for an extended amount of time, I've been able to be in that position. And it's honestly, I feel like I still have a lot of room to grow. I feel like even now over the last couple of games, I've adjusted my game, and I'm still continuing to get better in my playmaking ability, seeing the floor, taking my time, all of that stuff is still continuing to improve, but it's honestly — it's my first opportunity in my career where I've been able to do this for an extended period of time. And obviously, regardless, people are going to have their critiques and their criticism, but it's just it's a completely different flow when people play off you or when you play off others. It’s two completely different things. From people watching the game, you just think, like, ‘just roll the ball out, and everything's supposed to work great. Players are all supposed to fit together.’ It doesn't always work like that. Sometimes you got to take a backseat, or sometimes you got to play more offball. So everything shifts. But this year, I've been able to play at my own pace, and I've been able to control my own destiny.”

Noa Dalzell 🏀

22,671 次观看 • 4 个月前

This is one of the last videos I have of my sister, it’s from 2006 when we went hiking in Zion. I wish I would’ve taken more video knowing that she was going be gone two years later. The would have’s and should have’s kill me at times. I try to focus on continuing to live life so she can experience it thru my eyes, as if she’s still here, seeing it via my eyes. She was a ball of energy and always so fun and lively. Grateful the memories we got to experience. Remember to make the most of the moments you have with the people you care about.

This is one of the last videos I have of my sister, it’s from 2006 when we went hiking in Zion. I wish I would’ve taken more video knowing that she was going be gone two years later. The would have’s and should have’s kill me at times. I try to focus on continuing to live life so she can experience it thru my eyes, as if she’s still here, seeing it via my eyes. She was a ball of energy and always so fun and lively. Grateful the memories we got to experience. Remember to make the most of the moments you have with the people you care about.

Margaux Alvarez

19,452 次观看 • 1 年前