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‼️𝗡𝗘𝗪 𝗩𝗜𝗗𝗘𝗢 𝗢𝗙 𝗧𝗛𝗘 𝗪𝗘𝗘𝗞‼️ OUT THIS WEDNESDAY🔥 I got wrecked 😈 Super sexy Drake Von ✩ destroyed my asshole with his GIANT DICK 🍆🥵 What a fuck!! 𝗪𝗔𝗧𝗖𝗛 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗩𝗜𝗗𝗘𝗢 𝗢𝗡 👉🏻 (+360 Videos - Weekly updates - Direct chat with me) 💦

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FBG Butta on King Von being his favorite opp: I ain’t gon’ lie. If Von was still here right now, me and him would still be going back and forth with this shit‼️. That’s my favorite opp, shorty. On everything‼️. Late night we used to be high as hell on the phone, tweaking with each other. He up on stupid rolls, I’m broke in the trenches posting up in them big ass poles. He FaceTiming me like “What’s up, broski? What you gon’ do? I’m rich, boy. You gotta go get some money, boy. How many kids you got now⁉️” I’m like “Boy stop playing with me. Your ass goofy. Yeah I got you little bro. I’m finna hit you, son.” I used to call him my son‼️. That’s how we was. Beefing but still talking. Still FaceTiming. Still going at it. He would have definitely been putting me in mode if he was still here. We would have kept that same energy‼️. That was my favorite opp on my dead homie. I know if he was live right now shorty would be like “Damn Butta, this nigga getting some attention now” and start dissing the fuck out of me‼️. We used to talk while we was beefing. That’s just how it was‼️💯.
0:46

FBG Butta on King Von being his favorite opp: I ain’t gon’ lie. If Von was still here right now, me and him would still be going back and forth with this shit‼️. That’s my favorite opp, shorty. On everything‼️. Late night we used to be high as hell on the phone, tweaking with each other. He up on stupid rolls, I’m broke in the trenches posting up in them big ass poles. He FaceTiming me like “What’s up, broski? What you gon’ do? I’m rich, boy. You gotta go get some money, boy. How many kids you got now⁉️” I’m like “Boy stop playing with me. Your ass goofy. Yeah I got you little bro. I’m finna hit you, son.” I used to call him my son‼️. That’s how we was. Beefing but still talking. Still FaceTiming. Still going at it. He would have definitely been putting me in mode if he was still here. We would have kept that same energy‼️. That was my favorite opp on my dead homie. I know if he was live right now shorty would be like “Damn Butta, this nigga getting some attention now” and start dissing the fuck out of me‼️. We used to talk while we was beefing. That’s just how it was‼️💯.

(st_ides)

37,571 görüntüleme • 7 gün önce

Drake and Jay-Z have maintained a long-running “cold war” of subliminal shots over more than 15 years‼️⁉️ yes 15yrs‼️ despite multiple collaborations‼️ (e.g., “Off That,‼️” “Light Up,”‼️ “Pound Cake,”‼️ “Talk Up,” ‼️and “Love All”).‼️ The tension often revolves around legacy‼️, ownership/publishing‼️, chart success‼️, mentorship/validation,‼️ and generational shifts‼️ Both are masters of indirect disses rather than direct name-calling. complex‼️Here’s a chronological list of notable instances‼️(2011)Drake on DJ Khaled’s “I’m On One” (2011): “I’m just feelin’ like the throne is for the taking / Watch me take it.”‼️ Drake on Lil Wayne’s “It’s Good” (2011): “Please pardon my brother, he’s just angry at you n*ggas / Who don’t have your heart in your rap shit and got too fucking comfy.”‼️ Interpreted as a shot at older, established rappers (including Jay-Z) becoming complacent.‼️Jay-Z on Jay Electronica’s “We Made It” (remix, 2014): “Sorry, Mrs. Drizzy, for so much art talk / Silly me, rappin’ ’bout shit that I really bought / While these rappers rap about guns they ain’t shot / And a bunch of other silly shit that they ain’t got.”‼️Jay-Z on DJ Khaled’s “They Don’t Love You No More” (2014): “Wrong sport, boy, you know you’re as soft as a lacrosse team.”‼️Drake on “Draft Day” (2014): “Just hits, no misses, that’s for the married folk.”‼️Subtle dig implying Jay-Z (who was married) was past his prime or settled.‼️Drake on “Summer Sixteen” (2016): “I used to wanna be on Roc-A-Fella, then I turned into Jay.”‼️ Jay-Z on DJ Khaled’s “I Got the Keys” (2016): Lines like “Til you own your own you can’t be free / Til you’re on your own you can’t be me / How we still slaves in 2016?”‼️Drake on “Sneakin’” (with 21 Savage, 2016): “You ain’t own it right away, you had to wait on n*ggas / Man, I’m only 29, have some patience with us.”‼️Jay-Z on DJ Khaled’s “Shining” (with Beyoncé, 2017): “12 solo albums, all Platinum, nigga / I know you ain’t out here talkin’ numbers, right? / I know you ain’t out here talkin’ summers, right?” + Grammy flexes.‼️ 2026:“Janice STFU”: References to OGs (“we know how you OGs rocking already my n****, the jig is up”) and getting big off his name.‼️“Whisper My Name”: “I’ll take $500K, not the dinner, I never could learn sh*t from none of y’all.” ‼️“Make Them Pay”: “You n****s run and talk to Hov for a second opinion.”‼️Most recent: Jay-Z’s Roots Picnic freestyle (May/June 2026)‼️Jay-Z opened his headlining set at the Roots Picnic with an a cappella freestyle widely interpreted as responding to Drake’s ICEMAN bars‼️ (especially the “jig is up,”‼️publishing, success talk‼️, and chart/legacy‼️ jabs)‼️Key lines include:“The jig is up, n**** I’m up 10 / Wrong chart champ, ns looked up to Hov, I never looked up to them / Them crackers got your publishing checks, go talk tough to them / Don’t talk success to me, you ns is workers, in perpetuity is how your contract is worded.”‼️you cannot change history Charlamagne‼️‼️⁉️🤣😂
2:02

Drake and Jay-Z have maintained a long-running “cold war” of subliminal shots over more than 15 years‼️⁉️ yes 15yrs‼️ despite multiple collaborations‼️ (e.g., “Off That,‼️” “Light Up,”‼️ “Pound Cake,”‼️ “Talk Up,” ‼️and “Love All”).‼️ The tension often revolves around legacy‼️, ownership/publishing‼️, chart success‼️, mentorship/validation,‼️ and generational shifts‼️ Both are masters of indirect disses rather than direct name-calling. complex‼️Here’s a chronological list of notable instances‼️(2011)Drake on DJ Khaled’s “I’m On One” (2011): “I’m just feelin’ like the throne is for the taking / Watch me take it.”‼️ Drake on Lil Wayne’s “It’s Good” (2011): “Please pardon my brother, he’s just angry at you n*ggas / Who don’t have your heart in your rap shit and got too fucking comfy.”‼️ Interpreted as a shot at older, established rappers (including Jay-Z) becoming complacent.‼️Jay-Z on Jay Electronica’s “We Made It” (remix, 2014): “Sorry, Mrs. Drizzy, for so much art talk / Silly me, rappin’ ’bout shit that I really bought / While these rappers rap about guns they ain’t shot / And a bunch of other silly shit that they ain’t got.”‼️Jay-Z on DJ Khaled’s “They Don’t Love You No More” (2014): “Wrong sport, boy, you know you’re as soft as a lacrosse team.”‼️Drake on “Draft Day” (2014): “Just hits, no misses, that’s for the married folk.”‼️Subtle dig implying Jay-Z (who was married) was past his prime or settled.‼️Drake on “Summer Sixteen” (2016): “I used to wanna be on Roc-A-Fella, then I turned into Jay.”‼️ Jay-Z on DJ Khaled’s “I Got the Keys” (2016): Lines like “Til you own your own you can’t be free / Til you’re on your own you can’t be me / How we still slaves in 2016?”‼️Drake on “Sneakin’” (with 21 Savage, 2016): “You ain’t own it right away, you had to wait on n*ggas / Man, I’m only 29, have some patience with us.”‼️Jay-Z on DJ Khaled’s “Shining” (with Beyoncé, 2017): “12 solo albums, all Platinum, nigga / I know you ain’t out here talkin’ numbers, right? / I know you ain’t out here talkin’ summers, right?” + Grammy flexes.‼️ 2026:“Janice STFU”: References to OGs (“we know how you OGs rocking already my n****, the jig is up”) and getting big off his name.‼️“Whisper My Name”: “I’ll take $500K, not the dinner, I never could learn sh*t from none of y’all.” ‼️“Make Them Pay”: “You n****s run and talk to Hov for a second opinion.”‼️Most recent: Jay-Z’s Roots Picnic freestyle (May/June 2026)‼️Jay-Z opened his headlining set at the Roots Picnic with an a cappella freestyle widely interpreted as responding to Drake’s ICEMAN bars‼️ (especially the “jig is up,”‼️publishing, success talk‼️, and chart/legacy‼️ jabs)‼️Key lines include:“The jig is up, n**** I’m up 10 / Wrong chart champ, ns looked up to Hov, I never looked up to them / Them crackers got your publishing checks, go talk tough to them / Don’t talk success to me, you ns is workers, in perpetuity is how your contract is worded.”‼️you cannot change history Charlamagne‼️‼️⁉️🤣😂

(st_ides)

11,866 görüntüleme • 2 ay önce

Plot twist has nothing to do with gangsigns‼️💯 It flew over everyone’s head when Drake said this in “Plot Twist”‼️💯 “Yeah, he’s twistin’ his fingers and lookin’ at me Twistin’ some shit up that I never seen Twistin’ it up, I don’t know what that means, twist I’m twistin’ it back ’cause he twistin’ at me” He was aimed straight at Kendrick’s song that most people forgot about. But I got you‼️ Remember Kendrick’s “How Much a Dollar Cost”⁉️ In that song he rapped: “He’s starin’ at me in disbelief My temper is buildin’, he’s starin’ at me, I grab my key He’s starin’ at me, I started the car, then I tried to leave And somethin’ told me to keep it in park until I could see The reason why he was mad at a stranger…” Kendrick kept describing this homeless man staring at him the whole time‼️. The stare felt so heavy it became contagious‼️ Kendrick ended up staring right back, feeling disrespected‼️. He even said if he could throw something at him, it’d be aimed at his neck‼️ Do you see the correlation⁉️ Both songs are built around someone intensely looking/staring at them‼️. But what flew over most heads is the deeper layer Drake was really throwing‼️💯. In the final verse of Kendrick’s “How Much a Dollar Cost,” the same man who was staring looks at Kendrick and says: “He looked at me and said, ‘Your potential is bittersweet’ I looked at him and said, ‘Every nickel is mines to keep’ He looked at me and said, ‘Know the truth, it’ll set you free You’re lookin’ at the Messiah, the son of Jehovah, the higher power…’” Kendrick was revealing that the man he’d been staring at the whole song was actually claiming to be God in disguise‼️. That’s the part Drake flipped‼️💯. When Drake says he’s “twistin’ it back” because the other person is “twistin’ at me,” he’s not just talking about hand movements‼️💯. He’s twisting Kendrick’s own line right back at him‼️💯. Kendrick’s character said: “Know the truth, it’ll set you free.” Drake answered with: “Tell the truth, it’ll set you free.”‼️ Plot twist‼️. Drake took the exact biblical line Kendrick used when he was playing God in his song‼️💯… and threw it back at him like a mirror‼️. He’s saying: Stop twisting the narrative‼️. Drop the real truth ‼️it’ll set you free‼️. Or it’ll expose you‼️. Your choice‼️. That’s what really went over everyone’s head‼️💯.
1:29

Plot twist has nothing to do with gangsigns‼️💯 It flew over everyone’s head when Drake said this in “Plot Twist”‼️💯 “Yeah, he’s twistin’ his fingers and lookin’ at me Twistin’ some shit up that I never seen Twistin’ it up, I don’t know what that means, twist I’m twistin’ it back ’cause he twistin’ at me” He was aimed straight at Kendrick’s song that most people forgot about. But I got you‼️ Remember Kendrick’s “How Much a Dollar Cost”⁉️ In that song he rapped: “He’s starin’ at me in disbelief My temper is buildin’, he’s starin’ at me, I grab my key He’s starin’ at me, I started the car, then I tried to leave And somethin’ told me to keep it in park until I could see The reason why he was mad at a stranger…” Kendrick kept describing this homeless man staring at him the whole time‼️. The stare felt so heavy it became contagious‼️ Kendrick ended up staring right back, feeling disrespected‼️. He even said if he could throw something at him, it’d be aimed at his neck‼️ Do you see the correlation⁉️ Both songs are built around someone intensely looking/staring at them‼️. But what flew over most heads is the deeper layer Drake was really throwing‼️💯. In the final verse of Kendrick’s “How Much a Dollar Cost,” the same man who was staring looks at Kendrick and says: “He looked at me and said, ‘Your potential is bittersweet’ I looked at him and said, ‘Every nickel is mines to keep’ He looked at me and said, ‘Know the truth, it’ll set you free You’re lookin’ at the Messiah, the son of Jehovah, the higher power…’” Kendrick was revealing that the man he’d been staring at the whole song was actually claiming to be God in disguise‼️. That’s the part Drake flipped‼️💯. When Drake says he’s “twistin’ it back” because the other person is “twistin’ at me,” he’s not just talking about hand movements‼️💯. He’s twisting Kendrick’s own line right back at him‼️💯. Kendrick’s character said: “Know the truth, it’ll set you free.” Drake answered with: “Tell the truth, it’ll set you free.”‼️ Plot twist‼️. Drake took the exact biblical line Kendrick used when he was playing God in his song‼️💯… and threw it back at him like a mirror‼️. He’s saying: Stop twisting the narrative‼️. Drop the real truth ‼️it’ll set you free‼️. Or it’ll expose you‼️. Your choice‼️. That’s what really went over everyone’s head‼️💯.

(st_ides)

37,080 görüntüleme • 1 ay önce

Alright, here's the real tea on the Tyga-Drake beef‼️💯 Back in the Young Money days, they were supposed to be label fam, but Tyga felt the whole "brotherhood" with Drake (and Nicki) was fake industry PR‼️. In October 2014, he went nuclear in a Vibe interview: "I don't like Drake as a person‼️. He's just fake to me‼️. I like his music though."‼️(it's also not surprising the interview was done by no other than Charlamagne, ther certified Drake hater from day one)‼️💯 Tyga followed it with the track "Make It Work"‼️💯straight disses like "Nigga never was my homie... you're corny" and some sneaky Drake-flow mimicry‼️💯. Drake clapped back cleverly: First, he posted Kylie Jenner (Tyga's controversial young girlfriend at the time) chilling in his studio on IG‼️💯. Then, on If You're Reading This It's Too Late (Feb 2015), "6 PM in New York" had the killer line: "You need to act your age and not your girl's age."‼️💯 The media and petty cycle turned it into full drama‼️💯age-gap tabloid fuel‼️, social media jabs‼️, the works‼️. Tyga later called it growing apart plus miscommunication, with headlines fanning the flames: "Once you get into the petty game, it's like, alright, let's be petty all day."‼️💯 How they squashed it⁉️ Kanye West played peacemaker‼️(surprisingly)‼️. Around his Yeezy Season 2 show (late 2015), Ye put them in a room‼️. They hugged, chopped it up like men, and that was it‼️💯. By early 2016, Tyga was on radio saying "Ain't no tension... We cool."‼️ No money or family harmed, so why beef⁉️ It never got super ugly because deep down it was more miscommunication than mortal enemy stuff‼️. Kanye forcing the talk showed a lot of these feuds die fast when adults actually speak offline‼️💯. They've been cool ever since—no shots, no drama‼️💯. Just two guys who moved on and kept eating‼️. But it was an interesting time for those who witnessed it‼️💯
3:00

Alright, here's the real tea on the Tyga-Drake beef‼️💯 Back in the Young Money days, they were supposed to be label fam, but Tyga felt the whole "brotherhood" with Drake (and Nicki) was fake industry PR‼️. In October 2014, he went nuclear in a Vibe interview: "I don't like Drake as a person‼️. He's just fake to me‼️. I like his music though."‼️(it's also not surprising the interview was done by no other than Charlamagne, ther certified Drake hater from day one)‼️💯 Tyga followed it with the track "Make It Work"‼️💯straight disses like "Nigga never was my homie... you're corny" and some sneaky Drake-flow mimicry‼️💯. Drake clapped back cleverly: First, he posted Kylie Jenner (Tyga's controversial young girlfriend at the time) chilling in his studio on IG‼️💯. Then, on If You're Reading This It's Too Late (Feb 2015), "6 PM in New York" had the killer line: "You need to act your age and not your girl's age."‼️💯 The media and petty cycle turned it into full drama‼️💯age-gap tabloid fuel‼️, social media jabs‼️, the works‼️. Tyga later called it growing apart plus miscommunication, with headlines fanning the flames: "Once you get into the petty game, it's like, alright, let's be petty all day."‼️💯 How they squashed it⁉️ Kanye West played peacemaker‼️(surprisingly)‼️. Around his Yeezy Season 2 show (late 2015), Ye put them in a room‼️. They hugged, chopped it up like men, and that was it‼️💯. By early 2016, Tyga was on radio saying "Ain't no tension... We cool."‼️ No money or family harmed, so why beef⁉️ It never got super ugly because deep down it was more miscommunication than mortal enemy stuff‼️. Kanye forcing the talk showed a lot of these feuds die fast when adults actually speak offline‼️💯. They've been cool ever since—no shots, no drama‼️💯. Just two guys who moved on and kept eating‼️. But it was an interesting time for those who witnessed it‼️💯

(st_ides)

223,970 görüntüleme • 1 ay önce

I woke up to people yelling “fake news” about Stefon Diggs , so let me be clearrrrrrr‼️‼️ Nothing I posted was fake‼️ The photos were sent to me by someone from Pree’s own team (without her permission). The images show her on a secured NFL practice field with Stefon Diggs, his mother, and his entourage. You cannot be on the field during practice without team-authorized access. I was told she arrived with his people and left with his people. That is what was relayed to me. After the photos were released, she blocked me. Too late we got the photos confirming it was her in the wags jacket. As for the speculation about relationships or friendships: everything discussed is alleged, based on information provided to me and publicly available visuals. Just like before, when people said I was lying about her pregnancy rumors involving Offset, which she later confirmed herself. Draw your own conclusions. Everything is alleged , even my name is allegedly alleged. 🥂 This is an old video of Pree, Chris Blake ( alleged victim) & Steffon Diggs for yall to know how far back Pree goes with Stef. She was with him and his family yesterday on the Super Bowl field practicing according to my sources. We posted the pictures of them on the field as Reciepts.
0:23

I woke up to people yelling “fake news” about Stefon Diggs , so let me be clearrrrrrr‼️‼️ Nothing I posted was fake‼️ The photos were sent to me by someone from Pree’s own team (without her permission). The images show her on a secured NFL practice field with Stefon Diggs, his mother, and his entourage. You cannot be on the field during practice without team-authorized access. I was told she arrived with his people and left with his people. That is what was relayed to me. After the photos were released, she blocked me. Too late we got the photos confirming it was her in the wags jacket. As for the speculation about relationships or friendships: everything discussed is alleged, based on information provided to me and publicly available visuals. Just like before, when people said I was lying about her pregnancy rumors involving Offset, which she later confirmed herself. Draw your own conclusions. Everything is alleged , even my name is allegedly alleged. 🥂 This is an old video of Pree, Chris Blake ( alleged victim) & Steffon Diggs for yall to know how far back Pree goes with Stef. She was with him and his family yesterday on the Super Bowl field practicing according to my sources. We posted the pictures of them on the field as Reciepts.

Tasha K

1,261,574 görüntüleme • 7 ay önce

The Ice Cube–Mack 10 fallout is a personal/family issue from around 2005 that ended Westside Connection‼️ Westside Connection (Ice Cube, Mack 10, and WC) was formed in the mid-1990s‼️. They first appeared together on tracks like “Westside Slaughterhouse” (Mack 10’s 1995 album) and “West Up!” before dropping the platinum *Bow Down* in 1996 and *Terrorist Threats* in 2003‼️. The group ended shortly after the second album‼️. What started it⁉️ Mack 10 has given the most detail (2010 AllHipHop interview that was later deleted, plus a 2020 VladTV sit-down)‼️. The conflict centered on Ice Cube’s brother-in-law (his wife Kim’s brother)‼️. Mack said the man was disrespectful and “fucked my money up.”‼️ He went to Cube four or five times asking him to handle it internally before it escalated‼️. It eventually did: reports say Mack’s people beat the brother-in-law‼️. There was also an argument that happened in front of Cube’s wife, which Mack believes made the situation worse‼️. Mack’s consistent line: “Basically, I didn’t do anything to him and he didn’t do anything to me.”‼️ He has said if Cube’s wife hadn’t been present during the argument, they might still be making records‼️. Cube has never given a detailed public version‼️. He has only called it “a violation that can’t be overlooked.”‼️ A secondary rumor (never confirmed by either) is that Mack was also upset Cube didn’t want a second tour behind *Terrorist Threats*‼️. Mack owns the Westside Connection trademark because the second album came out on his Hoo-Bangin’ label‼️. Why it has lasted this long⁉️ This is family business, not just two rappers falling out‼️. Cube treats it as something that crossed a line he won’t ignore‼️. Mack has said he tried to resolve it diplomatically multiple times before it blew up‼️. Neither side has made a public move that the other accepted‼️. Cube still works and performs with WC (they grew up around the corner from each other), but not with Mack‼️. Mack has said for years that he “fucks with who fucks with me” and hadn’t spoken to Cube in nearly 20 years as of 2023‼️. That’s now over two decades‼️. In a July 2023 Breakfast Club interview, Charlamagne asked Ice Cube about a Westside Connection reunion after seeing photos of him with WC‼️. Cube’s answer was direct: “Probably not.” “I don’t wanna do another Westside Connection.”‼️ When Charlamagne brought up Mack 10 having told his side of the story, Cube replied, “Of course he do… I don’t wanna talk about it to be honest, because he know what it is.”‼️ Reactions from both sides⁉️ **Mack 10** has talked about it more‼️. In 2023 he told Bootleg Kev he hadn’t seen or spoken to Cube in almost 20 years and wasn’t chasing a reunion‼️. In August 2026 at the Cali Love 3 festival he went further and more positive: he stopped his set to say he still has love for both Ice Cube and WC, calling himself “too blessed to be mad at anybody” and adding “fuck being mad about some 25-year-old shit.”‼️ He was responding to WC having addressed the situation at an earlier Cali Love show‼️. He even played Westside Connection material and invited the crowd to treat it like the group was there‼️. Ice Cube stays reserved‼️. He confirmed in 2023 (Breakfast Club and Cam’ron’s *It Is What It Is*) that there is a real problem with Mack that he considers a violation he cannot overlook, while emphasizing he has no issues with WC‼️. He has shown no public interest in a reunion and has moved on to other projects (Mount Westmore with Snoop, E-40, and Too $hort; Big3 basketball; films)‼️. *WC* has stayed with Cube‼️. He has described it as “real life behind the music” being different from the records‼️. Fans still want the group back and often call the situation petty after this many years, but Cube has not budged and Mack’s recent comments, while warmer, have not produced any joint appearance or statement from Cube’s side‼️. As of now there is no reconciliation‼️💯.
1:04

The Ice Cube–Mack 10 fallout is a personal/family issue from around 2005 that ended Westside Connection‼️ Westside Connection (Ice Cube, Mack 10, and WC) was formed in the mid-1990s‼️. They first appeared together on tracks like “Westside Slaughterhouse” (Mack 10’s 1995 album) and “West Up!” before dropping the platinum *Bow Down* in 1996 and *Terrorist Threats* in 2003‼️. The group ended shortly after the second album‼️. What started it⁉️ Mack 10 has given the most detail (2010 AllHipHop interview that was later deleted, plus a 2020 VladTV sit-down)‼️. The conflict centered on Ice Cube’s brother-in-law (his wife Kim’s brother)‼️. Mack said the man was disrespectful and “fucked my money up.”‼️ He went to Cube four or five times asking him to handle it internally before it escalated‼️. It eventually did: reports say Mack’s people beat the brother-in-law‼️. There was also an argument that happened in front of Cube’s wife, which Mack believes made the situation worse‼️. Mack’s consistent line: “Basically, I didn’t do anything to him and he didn’t do anything to me.”‼️ He has said if Cube’s wife hadn’t been present during the argument, they might still be making records‼️. Cube has never given a detailed public version‼️. He has only called it “a violation that can’t be overlooked.”‼️ A secondary rumor (never confirmed by either) is that Mack was also upset Cube didn’t want a second tour behind *Terrorist Threats*‼️. Mack owns the Westside Connection trademark because the second album came out on his Hoo-Bangin’ label‼️. Why it has lasted this long⁉️ This is family business, not just two rappers falling out‼️. Cube treats it as something that crossed a line he won’t ignore‼️. Mack has said he tried to resolve it diplomatically multiple times before it blew up‼️. Neither side has made a public move that the other accepted‼️. Cube still works and performs with WC (they grew up around the corner from each other), but not with Mack‼️. Mack has said for years that he “fucks with who fucks with me” and hadn’t spoken to Cube in nearly 20 years as of 2023‼️. That’s now over two decades‼️. In a July 2023 Breakfast Club interview, Charlamagne asked Ice Cube about a Westside Connection reunion after seeing photos of him with WC‼️. Cube’s answer was direct: “Probably not.” “I don’t wanna do another Westside Connection.”‼️ When Charlamagne brought up Mack 10 having told his side of the story, Cube replied, “Of course he do… I don’t wanna talk about it to be honest, because he know what it is.”‼️ Reactions from both sides⁉️ **Mack 10** has talked about it more‼️. In 2023 he told Bootleg Kev he hadn’t seen or spoken to Cube in almost 20 years and wasn’t chasing a reunion‼️. In August 2026 at the Cali Love 3 festival he went further and more positive: he stopped his set to say he still has love for both Ice Cube and WC, calling himself “too blessed to be mad at anybody” and adding “fuck being mad about some 25-year-old shit.”‼️ He was responding to WC having addressed the situation at an earlier Cali Love show‼️. He even played Westside Connection material and invited the crowd to treat it like the group was there‼️. Ice Cube stays reserved‼️. He confirmed in 2023 (Breakfast Club and Cam’ron’s *It Is What It Is*) that there is a real problem with Mack that he considers a violation he cannot overlook, while emphasizing he has no issues with WC‼️. He has shown no public interest in a reunion and has moved on to other projects (Mount Westmore with Snoop, E-40, and Too $hort; Big3 basketball; films)‼️. *WC* has stayed with Cube‼️. He has described it as “real life behind the music” being different from the records‼️. Fans still want the group back and often call the situation petty after this many years, but Cube has not budged and Mack’s recent comments, while warmer, have not produced any joint appearance or statement from Cube’s side‼️. As of now there is no reconciliation‼️💯.

(st_ides)

89,219 görüntüleme • 21 gün önce

🚨 Dj Akademiks reacts to Drake seemingly taking shots at multiple people on “Make Them Pay” 👀😬 Ak says Drake was talking CRAZY on this record appearing to call out: 📞 J. Cole for not returning his call 👟 Pusha T with more subliminals 🧢 Pharrell over the Virginia chains line 🎧 DJ Khaled for staying quiet during the beef One of the biggest lines Ak pointed out was: “Unless some memories of the past affect your decision… I love you ‘cause of the history, but if we bein real, I could never forgive ya. And you never called me back, but destiny’s written.” Akademiks believes Drake was clearly addressing someone he once had real respect and history with 👀 Then Drake doubled down with: 🗣️ “Fuck a big three anyway, there was too many chefs in the kitchen.” 🗣️ “Hundred million streams vanished, no one got questions for niggas.” 🗣️ “I got all the chains they ever wrapped in Virginia.” 🗣️ “Khaled, you know what I mean…” Ak also reacted to Drake saying: 💀 “Maybe I’m best as the villain.” 🧾 “Everything that’s said to me will forever be stored in my memory.” 🔓 “I’m better off independent… I just wanna be free.” As You Can See Akademiks Is Lit on stream saying Drake sounded completely unfiltered and fully in attack mode 🥶
4:46

🚨 Dj Akademiks reacts to Drake seemingly taking shots at multiple people on “Make Them Pay” 👀😬 Ak says Drake was talking CRAZY on this record appearing to call out: 📞 J. Cole for not returning his call 👟 Pusha T with more subliminals 🧢 Pharrell over the Virginia chains line 🎧 DJ Khaled for staying quiet during the beef One of the biggest lines Ak pointed out was: “Unless some memories of the past affect your decision… I love you ‘cause of the history, but if we bein real, I could never forgive ya. And you never called me back, but destiny’s written.” Akademiks believes Drake was clearly addressing someone he once had real respect and history with 👀 Then Drake doubled down with: 🗣️ “Fuck a big three anyway, there was too many chefs in the kitchen.” 🗣️ “Hundred million streams vanished, no one got questions for niggas.” 🗣️ “I got all the chains they ever wrapped in Virginia.” 🗣️ “Khaled, you know what I mean…” Ak also reacted to Drake saying: 💀 “Maybe I’m best as the villain.” 🧾 “Everything that’s said to me will forever be stored in my memory.” 🔓 “I’m better off independent… I just wanna be free.” As You Can See Akademiks Is Lit on stream saying Drake sounded completely unfiltered and fully in attack mode 🥶

Cousin Tino ™️

241,244 görüntüleme • 4 ay önce

This is not entirely true‼️ I gat you‼️ Napoleon (Mutah Beale) of the Outlawz, who was around Pac on Death Row has told this story on *The Art of Dialogue*. Method Man was in the circle (he recorded on what became Pac’s “Got My Mind Made Up”), but his stories are about the session and a brief first meeting with Pac — not Snoop being jealous‼️. Napoleon’s version⁉️ Napoleon says Snoop was Death Row’s biggest star when Pac arrived in 1995‼️. Pac immediately took the shine: *All Eyez on Me*, the energy, the interviews, the myth‼️. Twenty-five-plus years later, almost every Snoop interview still brings Pac up‼️. Napoleon’s read is that Snoop is now saying things he never said to Pac’s face, and that some of the “praise” is actually him trying to claw the spotlight back‼️. He also called Snoop out for publicly saying he didn’t like “Hit ’Em Up” and for the late-period interviews where Snoop describes the friendship going cold two days before Pac died‼️. What actually happened between them (the part everyone agrees on) Snoop has told this himself: a week before Pac died they were still tight‼️. Then Snoop got shot at while shooting the “New York, New York” video‼️. He went on radio and said he still liked Puffy and Biggie and wanted to work with them‼️. Pac heard it as disloyalty after Pac had been riding for the whole Death Row roster‼️. Snoop has said he doesn’t think Pac liked him those last two days‼️. Suge Knight has added a more dramatic version: Pac came to his hotel room furious after hearing the interview, wanted to fight Snoop, and later Snoop refused to ride in the same car as Pac because he thought Pac was “crazy.”‼️ Method Man’s stories⁉️ - The song that became “Got My Mind Made Up” was originally a Dogg Pound record (Daz, Kurupt, Rage, Meth, Redman, Inspectah Deck)‼️. When Pac came home, Death Row handed him the track‼️. Meth and Redman’s verses stayed; others got cut‼️. Meth has said he didn’t even remember the session until he heard it on New York radio‼️. - He met Pac once, briefly, in a club while on mushrooms‼️. Pac was complimentary toward Wu-Tang (“if we fuck with anybody on the East it would be y’all”)‼️. Suge stood there silent with a cigar. Meth and his people sat in the Pink Dot alley afterward talking about how weird the whole night felt‼️. Daz has pushed back on the jealousy narrative entirely: “How can we be jealous of 2Pac and we made 2Pac⁉️ We put that album together.”‼️ So the “Snoop was jealous / Pac took his shine” story that people repeat is Napoleon’s, not Method Man’s‼️. The concrete falling-out is the New York shooting + Snoop’s radio comments about Bad Boy‼️. Everything else is interpretation from people who were in the room and have their own grudges‼️.
2:08

This is not entirely true‼️ I gat you‼️ Napoleon (Mutah Beale) of the Outlawz, who was around Pac on Death Row has told this story on *The Art of Dialogue*. Method Man was in the circle (he recorded on what became Pac’s “Got My Mind Made Up”), but his stories are about the session and a brief first meeting with Pac — not Snoop being jealous‼️. Napoleon’s version⁉️ Napoleon says Snoop was Death Row’s biggest star when Pac arrived in 1995‼️. Pac immediately took the shine: *All Eyez on Me*, the energy, the interviews, the myth‼️. Twenty-five-plus years later, almost every Snoop interview still brings Pac up‼️. Napoleon’s read is that Snoop is now saying things he never said to Pac’s face, and that some of the “praise” is actually him trying to claw the spotlight back‼️. He also called Snoop out for publicly saying he didn’t like “Hit ’Em Up” and for the late-period interviews where Snoop describes the friendship going cold two days before Pac died‼️. What actually happened between them (the part everyone agrees on) Snoop has told this himself: a week before Pac died they were still tight‼️. Then Snoop got shot at while shooting the “New York, New York” video‼️. He went on radio and said he still liked Puffy and Biggie and wanted to work with them‼️. Pac heard it as disloyalty after Pac had been riding for the whole Death Row roster‼️. Snoop has said he doesn’t think Pac liked him those last two days‼️. Suge Knight has added a more dramatic version: Pac came to his hotel room furious after hearing the interview, wanted to fight Snoop, and later Snoop refused to ride in the same car as Pac because he thought Pac was “crazy.”‼️ Method Man’s stories⁉️ - The song that became “Got My Mind Made Up” was originally a Dogg Pound record (Daz, Kurupt, Rage, Meth, Redman, Inspectah Deck)‼️. When Pac came home, Death Row handed him the track‼️. Meth and Redman’s verses stayed; others got cut‼️. Meth has said he didn’t even remember the session until he heard it on New York radio‼️. - He met Pac once, briefly, in a club while on mushrooms‼️. Pac was complimentary toward Wu-Tang (“if we fuck with anybody on the East it would be y’all”)‼️. Suge stood there silent with a cigar. Meth and his people sat in the Pink Dot alley afterward talking about how weird the whole night felt‼️. Daz has pushed back on the jealousy narrative entirely: “How can we be jealous of 2Pac and we made 2Pac⁉️ We put that album together.”‼️ So the “Snoop was jealous / Pac took his shine” story that people repeat is Napoleon’s, not Method Man’s‼️. The concrete falling-out is the New York shooting + Snoop’s radio comments about Bad Boy‼️. Everything else is interpretation from people who were in the room and have their own grudges‼️.

(st_ides)

11,009 görüntüleme • 16 gün önce

There is a circulating rumor about Busta Rhymes’ sexuality, primarily driven by unverified claims from a celebrity bodyguard in 2024‼️ In a May 2024 interview with Cam Capone News, bodyguard Big Homie CC (who has not claimed to have worked directly for Busta but said he was around him at times) called the rapper a “super zest monster.”‼️ He alleged that promoters routinely needed to bring “fun boys” into Busta’s VIP sections at clubs and described an incident in which Busta supposedly pulled a gay lawyer into his section and kept him there‼️. Big Homie claimed this was “common knowledge” in the industry and that he had known about it since around 2012‼️. These remarks spread online‼️. In December 2024, music executive/manager Wack 100 confronted Big Homie during an Instagram Live, repeatedly demanding a yes-or-no answer about whether Busta is gay and stressing that Busta is “a brother to me” whose children he knows‼️. Big Homie largely avoided a direct confirmation and suggested meeting in person instead‼️. Internet reactions largely questioned why Wack was pressing the issue so hard‼️. Busta Rhymes has not publicly addressed these specific 2024 claims‼️. He has six children from relationships with women and has continued performing and appearing publicly without referencing the rumors‼️. Older, separate claims have also surfaced over the years, including a 2020 YouTube account from a man who said Busta approached him outside a gay club, held his hand, and invited him to VIP. These remain anecdotal and unproven‼️. Orlando Brown (the former That’s So Raven actor). In early 2024 made a widely mocked, unsubstantiated claim in a viral clip that he had been intimate with a long list of male celebrities, including Busta Rhymes, Diddy, Usher, and others‼️. Online reactions largely dismissed Brown’s statements as unreliable‼️. Busta himself has a mixed public record on LGBTQ topics: In the 2007 documentary Hip-Hop: Beyond Beats and Rhymes, he walked out of an interview when asked about homophobia in hip-hop, saying, “I can’t partake in that conversation… What I represent culturally doesn’t condone [homosexuality] whatsoever.”‼️ He has been accused of using anti-gay slurs in incidents reported in 2006 (at a Miami diner packed with LGBTQ patrons)‼️ and 2013 (at a Miami burger restaurant)‼️. In 2012, after Frank Ocean came out, Busta told MTV: “Whatever that man does in his personal space is that man’s choice and that man’s business‼️. I am an extremely huge fan of Frank Ocean… Just keep that music poppin’… and you got my money.” He added that the world should accept people’s choices‼️. These older comments and incidents are frequently cited when the sexuality rumors resurface, but they do not constitute confirmation of the recent allegations‼️. In short, the rumor exists as tabloid/social-media speculation fueled by one bodyguard’s claims and some older anecdotes‼️. It remains unproven, Busta has not confirmed it‼️
1:19

There is a circulating rumor about Busta Rhymes’ sexuality, primarily driven by unverified claims from a celebrity bodyguard in 2024‼️ In a May 2024 interview with Cam Capone News, bodyguard Big Homie CC (who has not claimed to have worked directly for Busta but said he was around him at times) called the rapper a “super zest monster.”‼️ He alleged that promoters routinely needed to bring “fun boys” into Busta’s VIP sections at clubs and described an incident in which Busta supposedly pulled a gay lawyer into his section and kept him there‼️. Big Homie claimed this was “common knowledge” in the industry and that he had known about it since around 2012‼️. These remarks spread online‼️. In December 2024, music executive/manager Wack 100 confronted Big Homie during an Instagram Live, repeatedly demanding a yes-or-no answer about whether Busta is gay and stressing that Busta is “a brother to me” whose children he knows‼️. Big Homie largely avoided a direct confirmation and suggested meeting in person instead‼️. Internet reactions largely questioned why Wack was pressing the issue so hard‼️. Busta Rhymes has not publicly addressed these specific 2024 claims‼️. He has six children from relationships with women and has continued performing and appearing publicly without referencing the rumors‼️. Older, separate claims have also surfaced over the years, including a 2020 YouTube account from a man who said Busta approached him outside a gay club, held his hand, and invited him to VIP. These remain anecdotal and unproven‼️. Orlando Brown (the former That’s So Raven actor). In early 2024 made a widely mocked, unsubstantiated claim in a viral clip that he had been intimate with a long list of male celebrities, including Busta Rhymes, Diddy, Usher, and others‼️. Online reactions largely dismissed Brown’s statements as unreliable‼️. Busta himself has a mixed public record on LGBTQ topics: In the 2007 documentary Hip-Hop: Beyond Beats and Rhymes, he walked out of an interview when asked about homophobia in hip-hop, saying, “I can’t partake in that conversation… What I represent culturally doesn’t condone [homosexuality] whatsoever.”‼️ He has been accused of using anti-gay slurs in incidents reported in 2006 (at a Miami diner packed with LGBTQ patrons)‼️ and 2013 (at a Miami burger restaurant)‼️. In 2012, after Frank Ocean came out, Busta told MTV: “Whatever that man does in his personal space is that man’s choice and that man’s business‼️. I am an extremely huge fan of Frank Ocean… Just keep that music poppin’… and you got my money.” He added that the world should accept people’s choices‼️. These older comments and incidents are frequently cited when the sexuality rumors resurface, but they do not constitute confirmation of the recent allegations‼️. In short, the rumor exists as tabloid/social-media speculation fueled by one bodyguard’s claims and some older anecdotes‼️. It remains unproven, Busta has not confirmed it‼️

(st_ides)

130,151 görüntüleme • 27 gün önce

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”
6:27

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”

No Limits Wrestling 🔞 brutal gay fetish fiction

11,522 görüntüleme • 1 yıl önce

‼️A black scorpion pulled from beneath his children's mattress, this is what a father in Gaza found inside his tent today. He holds it up in a cup, describing how centipedes, small snakes, and scorpions share the ground his children sleep on, with nothing between them and whatever crawls in from outside. "Where will we turn when I lose one of my children next time?" he asks, knowing this time he was lucky. This is the direct result of an Israeli occupation blockade that has kept construction materials, heavy equipment, and building supplies out of Gaza, leaving an entire population with no option but torn fabric between their children and the ground. Palestinians do not need tents. They need their homes rebuilt. But with the Israeli occupation refusing entry to the machinery and materials required to clear 8,500 martyrs still buried under rubble and reconstruct what was deliberately destroyed, a black scorpion under a child's mattress is not an accident. It is a policy. abu_rakan_gaza (IG)
0:24

‼️A black scorpion pulled from beneath his children's mattress, this is what a father in Gaza found inside his tent today. He holds it up in a cup, describing how centipedes, small snakes, and scorpions share the ground his children sleep on, with nothing between them and whatever crawls in from outside. "Where will we turn when I lose one of my children next time?" he asks, knowing this time he was lucky. This is the direct result of an Israeli occupation blockade that has kept construction materials, heavy equipment, and building supplies out of Gaza, leaving an entire population with no option but torn fabric between their children and the ground. Palestinians do not need tents. They need their homes rebuilt. But with the Israeli occupation refusing entry to the machinery and materials required to clear 8,500 martyrs still buried under rubble and reconstruct what was deliberately destroyed, a black scorpion under a child's mattress is not an accident. It is a policy. abu_rakan_gaza (IG)

Translating Falasteen (Palestine)

13,697 görüntüleme • 5 ay önce

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯
2:31

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯

(st_ides)

317,201 görüntüleme • 12 gün önce

How did it go wrong between Pusha T and Kanye West ⁉️ Are you asking that as well⁉️ I gat you‼️💯 Pusha T and Kanye/Ye had a long creative run: features on "My Beautiful Dark Twisted Fantasy" (“Runaway,” “So Appalled”), Cruel Summer (“Mercy,” “New God Flow”), full production on Daytona (2018), and half of It’s Almost Dry (2022)‼️. Pusha was G.O.O.D. Music president for years‼️. Cracks started during the 2021 "Donda" sessions in Atlanta‼️. Pusha felt the energy shift—sidebar talks when he left the room, competing agendas, and isolation tied to the Drake fallout (his “Story of Adidon” diss had residual impact on Ye)‼️. Ye later said the situation caused him mental harm‼️. The public break hit in late 2022 after Ye’s antisemitic remarks‼️. Pusha called it “very disappointing,” said there’s “no room for bigotry or hate speech” as a Black man in America, left G.O.O.D. Music after ~12 years, and confirmed they stopped speaking‼️. Ye expected more public support given the platform he’d given others‼️. In 2025 interviews (GQ, Apple Music/Ebro, The Guardian) promoting Clipse’s Let God Sort Em Out, Pusha went harder‼️: He said They only clicked on music‼️: “Outside of music, we’re nothing… his principles, his morals, his mindset. We don’t see eye to eye. Hardly ever. And we never have.”‼️ - Ye “champions and stands next to anybody and everybody who don’t fuck with me.”‼️ - “He knows I don’t think he’s a man… He’s showed me the weakest sides of him, and he knows how I think of weak people.”‼️ - He called Ye calculated and detrimental, denied leaking texts, and said he won’t risk “wishy-washiness or the lack of loyalty.” Any future collab is “definitely in the past.”‼️ Ye has said he misses the friendship and they’ve spoken privately a few times‼️. Pusha acknowledged Ye returned the Def Jam-era G.O.O.D. profits, calling that the best thing he did‼️. Is this switching up when it’s no longer beneficial⁉️ Partially, in the industry sense, but not purely one-sided‼️. Pusha frames it as principle and character: he won’t cosign hate speech, prioritizes real loyalty, and lost respect after seeing what he views as weakness and side-taking‼️. Distancing himself when Ye became a liability was also self-preservation‼️. Ye sees it as people failing to reciprocate the support he gave when he needed it‼️. Some old G.O.O.D. voices (like Consequence) accuse Pusha of using Ye then walking for clout‼️. Both dynamics are present‼️. The music holds up; the personal relationship does not‼️. Which makes me ask what the foundation of the loyalty is⁉️
1:08

How did it go wrong between Pusha T and Kanye West ⁉️ Are you asking that as well⁉️ I gat you‼️💯 Pusha T and Kanye/Ye had a long creative run: features on "My Beautiful Dark Twisted Fantasy" (“Runaway,” “So Appalled”), Cruel Summer (“Mercy,” “New God Flow”), full production on Daytona (2018), and half of It’s Almost Dry (2022)‼️. Pusha was G.O.O.D. Music president for years‼️. Cracks started during the 2021 "Donda" sessions in Atlanta‼️. Pusha felt the energy shift—sidebar talks when he left the room, competing agendas, and isolation tied to the Drake fallout (his “Story of Adidon” diss had residual impact on Ye)‼️. Ye later said the situation caused him mental harm‼️. The public break hit in late 2022 after Ye’s antisemitic remarks‼️. Pusha called it “very disappointing,” said there’s “no room for bigotry or hate speech” as a Black man in America, left G.O.O.D. Music after ~12 years, and confirmed they stopped speaking‼️. Ye expected more public support given the platform he’d given others‼️. In 2025 interviews (GQ, Apple Music/Ebro, The Guardian) promoting Clipse’s Let God Sort Em Out, Pusha went harder‼️: He said They only clicked on music‼️: “Outside of music, we’re nothing… his principles, his morals, his mindset. We don’t see eye to eye. Hardly ever. And we never have.”‼️ - Ye “champions and stands next to anybody and everybody who don’t fuck with me.”‼️ - “He knows I don’t think he’s a man… He’s showed me the weakest sides of him, and he knows how I think of weak people.”‼️ - He called Ye calculated and detrimental, denied leaking texts, and said he won’t risk “wishy-washiness or the lack of loyalty.” Any future collab is “definitely in the past.”‼️ Ye has said he misses the friendship and they’ve spoken privately a few times‼️. Pusha acknowledged Ye returned the Def Jam-era G.O.O.D. profits, calling that the best thing he did‼️. Is this switching up when it’s no longer beneficial⁉️ Partially, in the industry sense, but not purely one-sided‼️. Pusha frames it as principle and character: he won’t cosign hate speech, prioritizes real loyalty, and lost respect after seeing what he views as weakness and side-taking‼️. Distancing himself when Ye became a liability was also self-preservation‼️. Ye sees it as people failing to reciprocate the support he gave when he needed it‼️. Some old G.O.O.D. voices (like Consequence) accuse Pusha of using Ye then walking for clout‼️. Both dynamics are present‼️. The music holds up; the personal relationship does not‼️. Which makes me ask what the foundation of the loyalty is⁉️

(st_ides)

14,277 görüntüleme • 1 ay önce

Memphis Bleek sat on The Breakfast Club in June 2025 promoting the RocSolid Podcast and did what he always does when the conversation turns to Jay-Z: he refused to pretend the choice was ever about chart position‼️. Jess Hilarious asked the obvious question. As an artist, if he had signed with somebody else, would he have been bigger⁉️ Bleek didn’t hesitate. “Nah. I probably wouldn’t be here.”‼️ Not “I wouldn’t have gone platinum.” Not “I would’ve had a different career.” *Here.* Still sitting in the chair. Still relevant enough that people want the story twenty-five years later. Still able to talk about Marcy, the Roc, and the kid from the third floor without sounding like a ghost of a one-album deal‼️. He explained it the way street logic explains it. Most labels give you one shot, maybe two albums, then they move on. The machine is built for turnover. You get your moment, you get your check, and then the next name is already in the booth. That’s the industry’s version of a handshake. Bleek saw it early‼️. What made him sign with Jay wasn’t just loyalty as a slogan. It was a calculation made in the projects when the money was real and the future wasn’t‼️. His manager, Bee High, had a Capitol Records offer on the table: $350,000 with a $75,000 signing bonus‼️. In Marcy struggling days, $75,000 changes a household‼️. Bee High told him exactly that‼️. Bleek felt it. He just didn’t trust the source‼️. “That $75,000 come from somebody I don’t know,” he said‼️. “So the day my train slip, they not going to invest back in the train to get me back on track. I’d rather roll with Hov.”‼️ This was before Roc-A-Fella even existed as a real company‼️. Reasonable Doubt was still on Priority. Jay’s label was still a dream he was talking about in the building. Bee High pressed him on that too: what if it never happens? What if you bet on a vision that stays a vision⁉️ Bleek’s answer was the same one he gave the Breakfast Club years later. Then there just wouldn’t be a Memphis Bleek. He was cool with that. His dice were with the person he knew‼️. That’s the part people miss when they treat the quote like a humblebrag or a cope‼️. He wasn’t saying Jay made him a superstar‼️. He was saying the alternative was a short contract and a quiet fade. Sign with another artist, become “that guy in that crew,” and when the crew’s season ends you don’t get a second season‼️. You get the folding chair. He said it plainly in other interviews too: if it ain’t Roc-A-Fella, it ain’t nothing‼️. He wasn’t going to walk into G-Unit or anybody else’s camp and start over as somebody else’s soldier‼️. The Breakfast Club moment wasn’t new philosophy for him‼️. It was the same bet he made when he was still a kid from the same building, turning down guaranteed money because the person offering the money wouldn’t be there when the first album underperformed or the streets got loud again. Jay wasn’t just the bigger artist. He was the one who already knew the third floor‼️. Whether that bet cost him a bigger catalog is a different argument, and Bleek has never really pretended otherwise‼️. He has four gold albums and a long shadow‼️. He also has longevity that a lot of “smarter” signings from that era don’t. The industry chewed through plenty of names who took the bigger check and the different logo‼️. A lot of them aren’t here in the sense Bleek meant it—still being asked the question, still telling the story, still connected to the thing that made them in the first place‼️. He chose the person over the paper‼️. On The Breakfast Club he said the quiet part out loud: the paper probably would have gotten him two albums and an exit. The person kept him in the room‼️💯.
3:07

Memphis Bleek sat on The Breakfast Club in June 2025 promoting the RocSolid Podcast and did what he always does when the conversation turns to Jay-Z: he refused to pretend the choice was ever about chart position‼️. Jess Hilarious asked the obvious question. As an artist, if he had signed with somebody else, would he have been bigger⁉️ Bleek didn’t hesitate. “Nah. I probably wouldn’t be here.”‼️ Not “I wouldn’t have gone platinum.” Not “I would’ve had a different career.” *Here.* Still sitting in the chair. Still relevant enough that people want the story twenty-five years later. Still able to talk about Marcy, the Roc, and the kid from the third floor without sounding like a ghost of a one-album deal‼️. He explained it the way street logic explains it. Most labels give you one shot, maybe two albums, then they move on. The machine is built for turnover. You get your moment, you get your check, and then the next name is already in the booth. That’s the industry’s version of a handshake. Bleek saw it early‼️. What made him sign with Jay wasn’t just loyalty as a slogan. It was a calculation made in the projects when the money was real and the future wasn’t‼️. His manager, Bee High, had a Capitol Records offer on the table: $350,000 with a $75,000 signing bonus‼️. In Marcy struggling days, $75,000 changes a household‼️. Bee High told him exactly that‼️. Bleek felt it. He just didn’t trust the source‼️. “That $75,000 come from somebody I don’t know,” he said‼️. “So the day my train slip, they not going to invest back in the train to get me back on track. I’d rather roll with Hov.”‼️ This was before Roc-A-Fella even existed as a real company‼️. Reasonable Doubt was still on Priority. Jay’s label was still a dream he was talking about in the building. Bee High pressed him on that too: what if it never happens? What if you bet on a vision that stays a vision⁉️ Bleek’s answer was the same one he gave the Breakfast Club years later. Then there just wouldn’t be a Memphis Bleek. He was cool with that. His dice were with the person he knew‼️. That’s the part people miss when they treat the quote like a humblebrag or a cope‼️. He wasn’t saying Jay made him a superstar‼️. He was saying the alternative was a short contract and a quiet fade. Sign with another artist, become “that guy in that crew,” and when the crew’s season ends you don’t get a second season‼️. You get the folding chair. He said it plainly in other interviews too: if it ain’t Roc-A-Fella, it ain’t nothing‼️. He wasn’t going to walk into G-Unit or anybody else’s camp and start over as somebody else’s soldier‼️. The Breakfast Club moment wasn’t new philosophy for him‼️. It was the same bet he made when he was still a kid from the same building, turning down guaranteed money because the person offering the money wouldn’t be there when the first album underperformed or the streets got loud again. Jay wasn’t just the bigger artist. He was the one who already knew the third floor‼️. Whether that bet cost him a bigger catalog is a different argument, and Bleek has never really pretended otherwise‼️. He has four gold albums and a long shadow‼️. He also has longevity that a lot of “smarter” signings from that era don’t. The industry chewed through plenty of names who took the bigger check and the different logo‼️. A lot of them aren’t here in the sense Bleek meant it—still being asked the question, still telling the story, still connected to the thing that made them in the first place‼️. He chose the person over the paper‼️. On The Breakfast Club he said the quiet part out loud: the paper probably would have gotten him two albums and an exit. The person kept him in the room‼️💯.

(st_ides)

20,008 görüntüleme • 8 gün önce

🚨 DJ Akademiks Repeatedly Plays The Game’s New Diss Track And Says The Lyrics Could Be A Warning To Kendrick Lamar 👀🎯 DJ Akademiks repeatedly played and reacted to The Game’s new track “No Brakes,” which appears to contain several interesting references that have fans speculating about who exactly The Game is addressing. While The Game has not explicitly confirmed that the record is aimed at Kendrick Lamar, Akademiks believes some of the lyrics could be connected to the ongoing Drake/Kendrick conversation. One of the biggest moments Akademiks repeatedly highlighted was The Game addressing people telling him to “pick a side.” 🗣️ The Game: “Nigga said, ‘Pick a side.’ Then I’m picking homicide.” Akademiks immediately took that as The Game answering the question of where he stands. 🗣️ Akademiks: “They told Game, ‘Pick a side.’ He picked homicide.” The track also contains several direct Drake references, including: 🗣️ The Game: “I want all the smoke with this Drake on my side.” “Me, Drake and a Drake, nigga, we the three amigos.” “Then I say I’m riding with a Drake in the ’12.” Akademiks repeatedly stopped the song to point out the Drake references, arguing that The Game appears to be making it very clear that he’s standing with Drake. Akademiks also revealed that he had recently spoken with The Game and questioned him about remaining quiet while everything was happening online. According to Akademiks, The Game told him the new record would essentially answer his questions — and Akademiks interpreted the song as his response. 🗣️ Akademiks: “I just wanted to know if he was picking a side. He sent me the record. I guess that’s the answer.” Akademiks then continued replaying the track, saying The Game sounded like he was “ready for whatever” and suggesting that the lyrics could be interpreted as a warning to anyone looking for a confrontation. He also praised The Game for being direct instead of giving interviews or explaining himself publicly. 🗣️ Akademiks: “Fuck an interview. This is how we get it done.” The repeated Drake references, the “pick a side” line and The Game’s history with Kendrick have all fueled speculation that there could be a deeper message behind the record. Akademiks even began imagining a potential music video being filmed in Compton with Drake, saying the track could represent a major West Coast moment. However, The Game has not publicly confirmed that “No Brakes” is specifically directed at Kendrick Lamar, so that connection remains speculation based on the lyrics and the current situation. For Akademiks, though, the message was clear: The Game was asked to pick a side and he believes The Game just answered. 👀 🗣️ Akademiks: “Did that nigga tell you he riding with a Drake? What else more he need to tell y’all?” 💭 My Thoughts: I definitely think The Game is dissing Kendrick 👀 The lyrics feel like he’s also warning other people about what he’s about to say. I’ve heard some of the other songs he’s working on… he is SPazzing. 🔥👀
32:32

🚨 DJ Akademiks Repeatedly Plays The Game’s New Diss Track And Says The Lyrics Could Be A Warning To Kendrick Lamar 👀🎯 DJ Akademiks repeatedly played and reacted to The Game’s new track “No Brakes,” which appears to contain several interesting references that have fans speculating about who exactly The Game is addressing. While The Game has not explicitly confirmed that the record is aimed at Kendrick Lamar, Akademiks believes some of the lyrics could be connected to the ongoing Drake/Kendrick conversation. One of the biggest moments Akademiks repeatedly highlighted was The Game addressing people telling him to “pick a side.” 🗣️ The Game: “Nigga said, ‘Pick a side.’ Then I’m picking homicide.” Akademiks immediately took that as The Game answering the question of where he stands. 🗣️ Akademiks: “They told Game, ‘Pick a side.’ He picked homicide.” The track also contains several direct Drake references, including: 🗣️ The Game: “I want all the smoke with this Drake on my side.” “Me, Drake and a Drake, nigga, we the three amigos.” “Then I say I’m riding with a Drake in the ’12.” Akademiks repeatedly stopped the song to point out the Drake references, arguing that The Game appears to be making it very clear that he’s standing with Drake. Akademiks also revealed that he had recently spoken with The Game and questioned him about remaining quiet while everything was happening online. According to Akademiks, The Game told him the new record would essentially answer his questions — and Akademiks interpreted the song as his response. 🗣️ Akademiks: “I just wanted to know if he was picking a side. He sent me the record. I guess that’s the answer.” Akademiks then continued replaying the track, saying The Game sounded like he was “ready for whatever” and suggesting that the lyrics could be interpreted as a warning to anyone looking for a confrontation. He also praised The Game for being direct instead of giving interviews or explaining himself publicly. 🗣️ Akademiks: “Fuck an interview. This is how we get it done.” The repeated Drake references, the “pick a side” line and The Game’s history with Kendrick have all fueled speculation that there could be a deeper message behind the record. Akademiks even began imagining a potential music video being filmed in Compton with Drake, saying the track could represent a major West Coast moment. However, The Game has not publicly confirmed that “No Brakes” is specifically directed at Kendrick Lamar, so that connection remains speculation based on the lyrics and the current situation. For Akademiks, though, the message was clear: The Game was asked to pick a side and he believes The Game just answered. 👀 🗣️ Akademiks: “Did that nigga tell you he riding with a Drake? What else more he need to tell y’all?” 💭 My Thoughts: I definitely think The Game is dissing Kendrick 👀 The lyrics feel like he’s also warning other people about what he’s about to say. I’ve heard some of the other songs he’s working on… he is SPazzing. 🔥👀

Cousin Tino ™️

24,637 görüntüleme • 24 gün önce

🔥🔥🔥🔥🔥🔥 A dose of FIERY REALITY from Dan Bongino Dan Bongino 👏🏻 BONGINO: “We survived two world wars, a civil war, the hippies in Vietnam, and we're still growing and even more powerful. You think this is all luck? And you want to give up because after a month of war overseas where we've destroyed the Iranian mullah theocracy chanting death to America trying to kill us with nuclear weapons who tried to bargain with the straight and got it shoved right up their caboose… I'm not giving up, man. Because whether they were the pilgrims, people who fought for civil liberties in the civil war, my uncle who was shot in the back and got a bronze star with a V device in Vietnam for saving his buddies. My grandfather who fought in World War Two, they dealt with a lot more tough shit than we're dealing with. What are we dealing with? Some guy on Twitter called you an asshole? Like that's not a thing! Fuck him! Pardon my language. You know what a thing is sitting there in Valley Forge with George Washington freezing to death eating shoe leather like that's a thing. They handed you down this amazing country. We're alive at the most prosperous time ever. And there's a bunch of people, black pillers and doomers talking about I'm not voting. You know what? You're a piece of shit! I'm sorry. You're a disgrace to your forefathers. Who fought multiple world wars, trench warfare, mustard gas, had to deal with the potential of the entire world imploding and speaking German after Hitler invaded Poland. And you're giving up because of what you don't like a mean tweet. Do me a favor. Just check out and like renounce your citizenship and move to like Uganda or something because we don't need you. Your loser infection and your loser mentality is going to infect other people, too. I'm not giving up. There's no giving up. There's only the fight. That's all you have. You have one life. That is it. When you're done, you're done.”
2:42

🔥🔥🔥🔥🔥🔥 A dose of FIERY REALITY from Dan Bongino Dan Bongino 👏🏻 BONGINO: “We survived two world wars, a civil war, the hippies in Vietnam, and we're still growing and even more powerful. You think this is all luck? And you want to give up because after a month of war overseas where we've destroyed the Iranian mullah theocracy chanting death to America trying to kill us with nuclear weapons who tried to bargain with the straight and got it shoved right up their caboose… I'm not giving up, man. Because whether they were the pilgrims, people who fought for civil liberties in the civil war, my uncle who was shot in the back and got a bronze star with a V device in Vietnam for saving his buddies. My grandfather who fought in World War Two, they dealt with a lot more tough shit than we're dealing with. What are we dealing with? Some guy on Twitter called you an asshole? Like that's not a thing! Fuck him! Pardon my language. You know what a thing is sitting there in Valley Forge with George Washington freezing to death eating shoe leather like that's a thing. They handed you down this amazing country. We're alive at the most prosperous time ever. And there's a bunch of people, black pillers and doomers talking about I'm not voting. You know what? You're a piece of shit! I'm sorry. You're a disgrace to your forefathers. Who fought multiple world wars, trench warfare, mustard gas, had to deal with the potential of the entire world imploding and speaking German after Hitler invaded Poland. And you're giving up because of what you don't like a mean tweet. Do me a favor. Just check out and like renounce your citizenship and move to like Uganda or something because we don't need you. Your loser infection and your loser mentality is going to infect other people, too. I'm not giving up. There's no giving up. There's only the fight. That's all you have. You have one life. That is it. When you're done, you're done.”

MAGA Kitty

124,965 görüntüleme • 4 ay önce

I’m done with the ovo community on here. Yall are being lead by people who aren’t qualified for that position. I rather be by my lonely before I follow the blind. Who do I speak to, to get dropped from this nonsense? Niggas crashed out on Jay from club paradise for talking shit behind Bovei back. WTD does the same shit to Marz and yall defending him. Then gonna call Marz your mans while defending the man that disrespected him. I would never. Talking bout if you want to be petty go be a Kbot. So that’s where the line is drawn? Pettiness. What about communication? Yall raise your voice just like Kbots. Cut people off just like Kbots. Lack conflict resolution just like Kbots. Somebody disagrees with yall, you don’t let them speak just like Kbots. Yall express anger just like Kbots. Hate to break it to yall, yall have the same personality and communication skills as Kbots. You’re just a Drake fan. And you think you’re above them because you won’t be petty? You are them. I was in the space yesterday. I sat there patiently, I got up to speak, I greeted everyone, thanked the host for having me in her space and before I can even finish my sentence July is cutting me off raising his voice. Talking bout “Fuck all that bullshit.” I took the initiative to show courtesy as a guest. Respectfully greeted the space. I even Thank the host for having me in her space. Who even thinks of showing that courtesy? And I couldn’t even get a hello? The first thing said to me is “fuck all that bullshit, get to what you tweeted me.” Just barbaric. No discipline. All because I dismissed his attempt to use leverage against me. Also, you can hear Bovei attempt to correct him. Then she hesitated and that hesitation is exactly why niggas behave in any manor. Owls it’s been a nice run. Good luck with all the upcoming drama. I’ll still support Drake by my lonely. P.S I hope my departure doesn’t bother anyone. I’m a nobody w/ a blue check. I won’t be missed. Love yall. ✌🏾
0:59

I’m done with the ovo community on here. Yall are being lead by people who aren’t qualified for that position. I rather be by my lonely before I follow the blind. Who do I speak to, to get dropped from this nonsense? Niggas crashed out on Jay from club paradise for talking shit behind Bovei back. WTD does the same shit to Marz and yall defending him. Then gonna call Marz your mans while defending the man that disrespected him. I would never. Talking bout if you want to be petty go be a Kbot. So that’s where the line is drawn? Pettiness. What about communication? Yall raise your voice just like Kbots. Cut people off just like Kbots. Lack conflict resolution just like Kbots. Somebody disagrees with yall, you don’t let them speak just like Kbots. Yall express anger just like Kbots. Hate to break it to yall, yall have the same personality and communication skills as Kbots. You’re just a Drake fan. And you think you’re above them because you won’t be petty? You are them. I was in the space yesterday. I sat there patiently, I got up to speak, I greeted everyone, thanked the host for having me in her space and before I can even finish my sentence July is cutting me off raising his voice. Talking bout “Fuck all that bullshit.” I took the initiative to show courtesy as a guest. Respectfully greeted the space. I even Thank the host for having me in her space. Who even thinks of showing that courtesy? And I couldn’t even get a hello? The first thing said to me is “fuck all that bullshit, get to what you tweeted me.” Just barbaric. No discipline. All because I dismissed his attempt to use leverage against me. Also, you can hear Bovei attempt to correct him. Then she hesitated and that hesitation is exactly why niggas behave in any manor. Owls it’s been a nice run. Good luck with all the upcoming drama. I’ll still support Drake by my lonely. P.S I hope my departure doesn’t bother anyone. I’m a nobody w/ a blue check. I won’t be missed. Love yall. ✌🏾

Eloquent⁶

170,076 görüntüleme • 28 gün önce

This guy holds Pressure not giving a single fuck about anything since you can’t even punish mindless pressing most of the time. Doesn’t matter if he brings out his CBs and DMFs and ruins his team structure I still won’t be able to exploit any space. I thought the weakness of Long Ball Counter was that it had a hard time Pressing? Why was he able to hold pressure 91% of the time and give me a hard time on the ball? It felt like I was playing against Quick Counter and Long Ball Counter at the same time. It almost feels like playing against Smart Assist all over again. I legit did not have barely 1 second on the ball at all without getting hounded and if I somehow broke his Press then I was met with the Long Ball Counter free to play juiced up DDA defense. And pay attention to his 360 no scope passes in the blind and still be able to build up and not get punished at all. What is eFootball really? It’s a genuine question because from what I’m seeing they are wanting to bring the game father and father from a proper football simulation but that doesn’t matter anyways since we’ll all empty our wallets wiping out packs weekly without hesitation. 😃 And sorry if my voice was sounds gone. I just woke up and decided to record this lmao
8:41

This guy holds Pressure not giving a single fuck about anything since you can’t even punish mindless pressing most of the time. Doesn’t matter if he brings out his CBs and DMFs and ruins his team structure I still won’t be able to exploit any space. I thought the weakness of Long Ball Counter was that it had a hard time Pressing? Why was he able to hold pressure 91% of the time and give me a hard time on the ball? It felt like I was playing against Quick Counter and Long Ball Counter at the same time. It almost feels like playing against Smart Assist all over again. I legit did not have barely 1 second on the ball at all without getting hounded and if I somehow broke his Press then I was met with the Long Ball Counter free to play juiced up DDA defense. And pay attention to his 360 no scope passes in the blind and still be able to build up and not get punished at all. What is eFootball really? It’s a genuine question because from what I’m seeing they are wanting to bring the game father and father from a proper football simulation but that doesn’t matter anyways since we’ll all empty our wallets wiping out packs weekly without hesitation. 😃 And sorry if my voice was sounds gone. I just woke up and decided to record this lmao

Jacques

20,619 görüntüleme • 14 gün önce