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Dan Marcus

@Danimalish12,764 subscribers

Writer. Columnist. Filmmaker. | Host of THE FILM FRONTIER | [email protected]

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The way OPPENHEIMER utilized IMAX for intimate moments like this is a big reason why the film felt so otherworldly and big, even when it was just a shot of Cillian Murphy staring at a painting.

The way OPPENHEIMER utilized IMAX for intimate moments like this is a big reason why the film felt so otherworldly and big, even when it was just a shot of Cillian Murphy staring at a painting.

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