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Paul Anleitner

@PaulAnleitner33,238 subscribers

I write & speak on the role of culture and story in our quest for meaning. | Author of “Based on a True Story” | President/CEO of Goodmakers.

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Maybe it’s just better to see yourself living inside a great myth as part of an enchanted world.

Maybe it’s just better to see yourself living inside a great myth as part of an enchanted world.

175,075 просмотров

The original Star Wars myth wasn’t really about “rebellion.” It’s about the restoration of righteous order. It’s the wisdom of the old Arthurian tales set in space, not Bolshevik revolutions in a galaxy far, far away. Rebellion is not inherently good.

The original Star Wars myth wasn’t really about “rebellion.” It’s about the restoration of righteous order. It’s the wisdom of the old Arthurian tales set in space, not Bolshevik revolutions in a galaxy far, far away. Rebellion is not inherently good.

168,328 просмотров

It was 1999, and a seismic cultural shift was happening. You could feel it in Fight Club & The Matrix. The hope and sincerity the 80s & early 90s were falling out of fashion. A spiritual “meaning crisis” was moving through culture. And it came for men first.

It was 1999, and a seismic cultural shift was happening. You could feel it in Fight Club & The Matrix. The hope and sincerity the 80s & early 90s were falling out of fashion. A spiritual “meaning crisis” was moving through culture. And it came for men first.

143,590 просмотров

The Boys represents everything alluring and ultimately unfulfilling about postmodern ideology. It tells you that “good and evil” is a lie by the powerful. The powerful are always “oppressors” and the ultimate goal is to expose them and take their power. But there’s a major problem… What do you do after exposing Homelander? Who fills the vacuum? If power is inherently oppressive, you’ll be rebelling and deconstructing again. And again…and again… David Foster Wallace called it living as “third world rebels.” You get stuck in permanent revolution mode. Always cynical. Always living in chaos. Never building something better. Never aspiring to be Superman, because Superman can’t be trusted. It’s an ultimately hopeless and nihilistic ideology that ruins lives.

The Boys represents everything alluring and ultimately unfulfilling about postmodern ideology. It tells you that “good and evil” is a lie by the powerful. The powerful are always “oppressors” and the ultimate goal is to expose them and take their power. But there’s a major problem… What do you do after exposing Homelander? Who fills the vacuum? If power is inherently oppressive, you’ll be rebelling and deconstructing again. And again…and again… David Foster Wallace called it living as “third world rebels.” You get stuck in permanent revolution mode. Always cynical. Always living in chaos. Never building something better. Never aspiring to be Superman, because Superman can’t be trusted. It’s an ultimately hopeless and nihilistic ideology that ruins lives.

127,128 просмотров

Based on polls, Disclosure Day is not doing well with Gen Z. Why? Here’s one possibility: The movie presents children being deceived, abducted, experimented on… and then told as adults these things were GOOD for them. That subtext hits a little close to home for Gen Z.

Based on polls, Disclosure Day is not doing well with Gen Z. Why? Here’s one possibility: The movie presents children being deceived, abducted, experimented on… and then told as adults these things were GOOD for them. That subtext hits a little close to home for Gen Z.

54,207 просмотров

Christopher Nolan’s take on the Joker in “The Dark Knight” was really a philosophy lesson in disguise. Joker= Nietzsche’s critique of Christian morality. The first clue comes from Joker’s reveal. It’s a twist on Nietzsche’s “Whatever doesn’t kill me makes me stronger.”

Christopher Nolan’s take on the Joker in “The Dark Knight” was really a philosophy lesson in disguise. Joker= Nietzsche’s critique of Christian morality. The first clue comes from Joker’s reveal. It’s a twist on Nietzsche’s “Whatever doesn’t kill me makes me stronger.”

20,102 просмотров

Another key feature of metamodernism is the return of wholesomeness. I’ve called it “embracing the cringe.” Creed is back because people are exhausted by cynicism and constant irony. The ironic enjoyment of Creed turned into the genuine enjoyment of Creed, embracing the cringe and allowing oneself to simply enjoy the wholesome.

Another key feature of metamodernism is the return of wholesomeness. I’ve called it “embracing the cringe.” Creed is back because people are exhausted by cynicism and constant irony. The ironic enjoyment of Creed turned into the genuine enjoyment of Creed, embracing the cringe and allowing oneself to simply enjoy the wholesome.

76,016 просмотров

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