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Archaic Lens

@ArchaicLens17,887 subscribers

have traveled to 49 countries investigating and documenting the shared symbolisms between ancient cultures worldwide. My book is linked below:

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This is only known Kalamba (or megalithic jar) on Sulawesi that is believed to have never been opened. All the others have been found with their lids removed and contents long gone. According to my guide, scientists have wanted to open it, as it could yield important answers as to the megalithic culture that created these artifacts. The local people refuse, citing their ancestral rights as it is believed to potentially contain human remains.

This is only known Kalamba (or megalithic jar) on Sulawesi that is believed to have never been opened. All the others have been found with their lids removed and contents long gone. According to my guide, scientists have wanted to open it, as it could yield important answers as to the megalithic culture that created these artifacts. The local people refuse, citing their ancestral rights as it is believed to potentially contain human remains.

138,726 görüntüleme

Throwback to my last expedition to the Richat structure, where untold numbers of Acheulean hand axes lie scattered, each one an estimated 500,000 years old and moulded by the hands of homo erectus, where salt streaks across the land and if you look closely shells lie embedded in said salt, and everywhere you look a landscape as unfamiliar to me as mars itself. Was it Atlantis? Or was it a half million year old “proto-city” not of homo sapiens but of homo erectus? How did the salt get there? When did the salt get there? Why are there marine organisms? How old are the marine organisms? How did they get there? These questions deserve answers. Perhaps some are already answered. Regardless the area deserves more study.

Throwback to my last expedition to the Richat structure, where untold numbers of Acheulean hand axes lie scattered, each one an estimated 500,000 years old and moulded by the hands of homo erectus, where salt streaks across the land and if you look closely shells lie embedded in said salt, and everywhere you look a landscape as unfamiliar to me as mars itself. Was it Atlantis? Or was it a half million year old “proto-city” not of homo sapiens but of homo erectus? How did the salt get there? When did the salt get there? Why are there marine organisms? How old are the marine organisms? How did they get there? These questions deserve answers. Perhaps some are already answered. Regardless the area deserves more study.

17,310 görüntüleme

Sulawesi in the news again for 67,000 year old rock art. Here are some things I saw on Sulawesi where hundreds of megaliths including gigantic jars and navel idols scatter three valleys made by a lost civilization that essentially left no trace save for the megaliths. No habitations. No tools. No pottery. No structures. Just hundreds of megaliths scattered amongst the valleys.

Sulawesi in the news again for 67,000 year old rock art. Here are some things I saw on Sulawesi where hundreds of megaliths including gigantic jars and navel idols scatter three valleys made by a lost civilization that essentially left no trace save for the megaliths. No habitations. No tools. No pottery. No structures. Just hundreds of megaliths scattered amongst the valleys.

28,160 görüntüleme

One thing I love about Angkor Wat is that it is a literal hall of records. The outer hall of the structure is the longest bas relief ever made by humans which tells the stories and histories that were most important to the builders. Here, Garuda is shown engaged in a great battle. In another temple nearby, he is shown “holding up” our world, quite literally making our world possible, while clutching a naga serpent in his feet. Whoever Garuda was, remembering his feats and honoring him was clearly important to the builders of Angkor.

One thing I love about Angkor Wat is that it is a literal hall of records. The outer hall of the structure is the longest bas relief ever made by humans which tells the stories and histories that were most important to the builders. Here, Garuda is shown engaged in a great battle. In another temple nearby, he is shown “holding up” our world, quite literally making our world possible, while clutching a naga serpent in his feet. Whoever Garuda was, remembering his feats and honoring him was clearly important to the builders of Angkor.

15,805 görüntüleme

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