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Spencer Sterling

@cerspense • 5,542 subscribers

Artist and researcher building autonomous creative systems. Founder, Out of Distribution Labs

Shorts

Testing out audio reactivity and vibecodable shader modules in Sentinel. Describe an effect, Claude builds the node and tests it via mcp. Stack it with real-time SDXL and you get this! More on how this works below.

Testing out audio reactivity and vibecodable shader modules in Sentinel. Describe an effect, Claude builds the node and tests it via mcp. Stack it with real-time SDXL and you get this! More on how this works below.

12,016 просмотров

gm. making the final tweaks

gm. making the final tweaks

37,642 просмотров

Videos

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I built an agentic system that taught itself the Blender donut tutorial by watching it on YouTube. It watched the tutorials, extracted the steps, filled in the gaps in own tooling and completed the entire thing autonomously.

I built an agentic system that taught itself the Blender donut tutorial by watching it on YouTube. It watched the tutorials, extracted the steps, filled in the gaps in own tooling and completed the entire thing autonomously.

Spencer Sterling

253,785 просмотров • 3 месяцев назад

Never been able to explore latent space like this before.. 👀

Never been able to explore latent space like this before.. 👀

Spencer Sterling

78,942 просмотров • 2 месяцев назад

Dialing in real time V2V in Sentinel. No Python or venvs, just an installer. Runs locally on any 16GB+ NVIDIA GPU. Sign up for early access:

Dialing in real time V2V in Sentinel. No Python or venvs, just an installer. Runs locally on any 16GB+ NVIDIA GPU. Sign up for early access:

Spencer Sterling

57,487 просмотров • 1 месяц назад

This is what directing an AI creative studio looks like. I gave my orchestration system a reference image and had it deploy three different interpretations across three machines running Blender simultaneously, all visible from a single dashboard. When one direction looks promising, I branch from it. The system copies the files to the other machines and keeps exploring from that new starting point. Branch, direct, branch again. Each split opens up a new creative path while I give notes in real-time. The number of creative directions I can explore simultaneously is only limited by how many computers I have.

This is what directing an AI creative studio looks like. I gave my orchestration system a reference image and had it deploy three different interpretations across three machines running Blender simultaneously, all visible from a single dashboard. When one direction looks promising, I branch from it. The system copies the files to the other machines and keeps exploring from that new starting point. Branch, direct, branch again. Each split opens up a new creative path while I give notes in real-time. The number of creative directions I can explore simultaneously is only limited by how many computers I have.

Spencer Sterling

84,821 просмотров • 3 месяцев назад

Vibe coded some custom interfaces with the Push 2 using Claude. I gave it some references, creative direction and a good environment to develop and test midi integrations and it ran with it.

Vibe coded some custom interfaces with the Push 2 using Claude. I gave it some references, creative direction and a good environment to develop and test midi integrations and it ran with it.

Spencer Sterling

35,878 просмотров • 1 месяц назад

A few weeks ago I gave Opus 4.6 a pack of stage assets in Unreal Engine, had it analyze all the example levels, then told it to build a stage. It assembled the whole thing, checked its own work from multiple camera angles, and when I gave it notes (trusses too short, stairs clipping through a crowd barrier) it fixed everything autonomously. It's gotten a lot better since then

A few weeks ago I gave Opus 4.6 a pack of stage assets in Unreal Engine, had it analyze all the example levels, then told it to build a stage. It assembled the whole thing, checked its own work from multiple camera angles, and when I gave it notes (trusses too short, stairs clipping through a crowd barrier) it fixed everything autonomously. It's gotten a lot better since then

Spencer Sterling

24,897 просмотров • 3 месяцев назад

Can finally explore latent space through feedback loops in real time with the new #streamdiffusion setup from Lyell. Being able to guide it with my mouse in real time is way too much fun

Can finally explore latent space through feedback loops in real time with the new #streamdiffusion setup from Lyell. Being able to guide it with my mouse in real time is way too much fun

Spencer Sterling

19,146 просмотров • 1 год назад

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