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patrick.

@imPatrickT • 78,404 subscribers

please excuse me i need to return some 4K UHD discs | .mov & .jpeg |

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gf asked me to show her my favorite movie tonight. Probably the most important step in the relationship. No goin back now

gf asked me to show her my favorite movie tonight. Probably the most important step in the relationship. No goin back now

10,330,417 views

this texas switch with a CGI body double in SOURCE CODE is crazy because it happens twice without a visible cut. it’s a really solid visual effect and i love the camera move from inside the train to the platform.

this texas switch with a CGI body double in SOURCE CODE is crazy because it happens twice without a visible cut. it’s a really solid visual effect and i love the camera move from inside the train to the platform.

2,990,791 views

the view from the front row of PROJECT HAIL MARY at one of the largest IMAX 70MM screens in the world. my 5th time seeing it, and my favorite viewing experience. front row seats forever.

the view from the front row of PROJECT HAIL MARY at one of the largest IMAX 70MM screens in the world. my 5th time seeing it, and my favorite viewing experience. front row seats forever.

245,195 views

15 seconds of perfect sound design

15 seconds of perfect sound design

2,103,064 views

i was sold from the start with SINNERS but the moment Ludwig synced these guitar hits to the match strikes i knew this movie was really something special

i was sold from the start with SINNERS but the moment Ludwig synced these guitar hits to the match strikes i knew this movie was really something special

934,450 views

a wide, a medium, and a close up in one shot. the seemingly effortless and efficient visual storytelling Spielberg pulls off in small moments like this will forever fascinate me.

a wide, a medium, and a close up in one shot. the seemingly effortless and efficient visual storytelling Spielberg pulls off in small moments like this will forever fascinate me.

1,771,289 views

i visited the IMAX 70MM booth at Cineplex Vaughan to see the PROJECT HAIL MARY print. if you can see a 70MM show, make the drive, take the train, or even hop on a plane. it's magic. everyone should get to experience this, and that only happens if we prove it's worth expanding.

i visited the IMAX 70MM booth at Cineplex Vaughan to see the PROJECT HAIL MARY print. if you can see a 70MM show, make the drive, take the train, or even hop on a plane. it's magic. everyone should get to experience this, and that only happens if we prove it's worth expanding.

134,040 views

a quick reminder that the bridge scene in DANTE'S PEAK is some of the best practical miniature effects work ever put on screen and also DANTE'S PEAK is great

a quick reminder that the bridge scene in DANTE'S PEAK is some of the best practical miniature effects work ever put on screen and also DANTE'S PEAK is great

1,031,563 views

i just saw #Superman in IMAX with a sold out crowd

i just saw #Superman in IMAX with a sold out crowd

351,685 views

reading that ALIEN: Romulus might be another fun shitty movie instead of a fun good movie.

reading that ALIEN: Romulus might be another fun shitty movie instead of a fun good movie.

525,299 views

michael mann just launched his own private filmmaking masterclass site starting with FERRARI. $65 for access to mann's notes, storyboards, pre-viz, shot lists, making-of videos, and a whole bunch more. can this guy get any fucking cooler?

michael mann just launched his own private filmmaking masterclass site starting with FERRARI. $65 for access to mann's notes, storyboards, pre-viz, shot lists, making-of videos, and a whole bunch more. can this guy get any fucking cooler?

297,527 views

mid-budget movies in 1997 looked like this and now they look like wet cement

mid-budget movies in 1997 looked like this and now they look like wet cement

212,724 views

imagine if TWISTERS used the original 1996 film score

imagine if TWISTERS used the original 1996 film score

247,684 views

The script: US border patrol escorts a fleet of busses. Denis Villeneuve and Roger Deakins:

The script: US border patrol escorts a fleet of busses. Denis Villeneuve and Roger Deakins:

254,241 views

i love all the insert shots of hands in the way of water. it’s the little mundane things like folding a banana leaf that make the whole world feel so real.

i love all the insert shots of hands in the way of water. it’s the little mundane things like folding a banana leaf that make the whole world feel so real.

111,250 views

the spinning siren camera in the VOX LUX opening credits is one of my favorite shots ever

the spinning siren camera in the VOX LUX opening credits is one of my favorite shots ever

115,419 views

theaters used to show cool shit like this before the movie and now you gotta sit through AI-generated slop commercials

theaters used to show cool shit like this before the movie and now you gotta sit through AI-generated slop commercials

32,197 views

sounds and scenes from my film camera.

sounds and scenes from my film camera.

36,595 views

moving pictures from last night. 📷SONY FX2

moving pictures from last night. 📷SONY FX2

24,361 views

the replies when you share an opinion about a comic book movie.

the replies when you share an opinion about a comic book movie.

26,198 views

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this is what real filmmaking looks like and nothing will ever replace it
1:12
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this is what real filmmaking looks like and nothing will ever replace it

patrick.

581,383 views • 2 days ago

one of the most iconic scenes of all time was shot on a green screen.
0:24
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one of the most iconic scenes of all time was shot on a green screen.

patrick.

4,444,551 views • 1 month ago

this is what "holy fuck" filmmaking looks like
0:37
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this is what "holy fuck" filmmaking looks like

patrick.

966,676 views • 19 days ago

Why the big light stays on in the BACKROOMS.
1:12
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Why the big light stays on in the BACKROOMS.

patrick.

149,874 views • 6 days ago

you can learn a lot from a camera monitor.
2:37
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you can learn a lot from a camera monitor.

patrick.

682,666 views • 27 days ago

Here's cinematographer Jeremy Cox and Kane Parsons explaining how they shot the live action found footage sequences in BACKROOMS.
1:11
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Here's cinematographer Jeremy Cox and Kane Parsons explaining how they shot the live action found footage sequences in BACKROOMS.

patrick.

74,170 views • 5 days ago

i cut together the best egg scenes in movies
2:23
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i cut together the best egg scenes in movies

patrick.

11,251,391 views • 1 year ago

For anyone that still thinks Paul’s rise to power in DUNE is up for interpretation… here’s Denis setting the record straight. He rewrote Chani to basically spoon feed the audience that “Paul is bad” - but it’s quite clear a lot of DUNE fans think he’s still like Luke Skywalker, which just reinforces the ideas the book/movies propose about messianic figures. Denis is still going to have to make Messiah to deal with same issue Herbert had.
1:41
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For anyone that still thinks Paul’s rise to power in DUNE is up for interpretation… here’s Denis setting the record straight. He rewrote Chani to basically spoon feed the audience that “Paul is bad” - but it’s quite clear a lot of DUNE fans think he’s still like Luke Skywalker, which just reinforces the ideas the book/movies propose about messianic figures. Denis is still going to have to make Messiah to deal with same issue Herbert had.

patrick.

12,668,616 views • 2 years ago

why PRIMETIME looks so good
1:03
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why PRIMETIME looks so good

patrick.

60,820 views • 8 days ago

walking out of the theater when a movie sticks the landing
0:22
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walking out of the theater when a movie sticks the landing

patrick.

6,036,801 views • 2 years ago

You could edit a movie on the $599 MacBook Neo.
1:30
imPatrickT's profile picture

You could edit a movie on the $599 MacBook Neo.

patrick.

526,002 views • 2 months ago

Apple released a new F1 trailer that uses the iPhone's haptic motor for physical feedback - so I turned the volume down and recorded just the vibrations. it's nuts to experience for real.
0:20
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Apple released a new F1 trailer that uses the iPhone's haptic motor for physical feedback - so I turned the volume down and recorded just the vibrations. it's nuts to experience for real.

patrick.

2,112,336 views • 11 months ago

the making of BACKROOMS with Kane Parsons
21:42
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the making of BACKROOMS with Kane Parsons

patrick.

25,619 views • 4 days ago

Spider-Man, I love you but you're bringing me down.
1:31
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Spider-Man, I love you but you're bringing me down.

patrick.

388,179 views • 2 months ago

This shot is not only beautiful, but it's a testament to the talent of production designer Jack Fisk, who put this together on the last day of shooting after they ran out of money. It’s my favorite shot in the film.
0:47
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This shot is not only beautiful, but it's a testament to the talent of production designer Jack Fisk, who put this together on the last day of shooting after they ran out of money. It’s my favorite shot in the film.

patrick.

104,983 views • 22 days ago

this is the best trailer for DISCLOSURE DAY
3:16
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this is the best trailer for DISCLOSURE DAY

patrick.

244,454 views • 1 month ago

this is better than IMAX
0:30
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this is better than IMAX

patrick.

2,114,416 views • 1 year ago

if cinema was a drug every doctor would be prescribing this scene
0:34

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if cinema was a drug every doctor would be prescribing this scene

patrick.

3,408,235 views • 2 years ago

David Fincher shot this scene of Leonardo DiCaprio for a RED digital camera test while filming The Social Network 14 years ago, and it still looks better than most digitally shot films today.
0:27
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David Fincher shot this scene of Leonardo DiCaprio for a RED digital camera test while filming The Social Network 14 years ago, and it still looks better than most digitally shot films today.

patrick.

2,717,781 views • 1 year ago

stop blaming digital cameras for flat cinematography
1:23
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stop blaming digital cameras for flat cinematography

patrick.

216,510 views • 2 months ago