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Mike David

@mikemovies • 5,072 subscribers

I post about movies. I have great taste, I promise! Letterboxd: https://t.co/NfqqpLe5yc 🏀🍀 / ⚽🇪🇸

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TRUE DETECTIVE S1 [2014] This quote has never left me.

TRUE DETECTIVE S1 [2014] This quote has never left me.

252,461 görüntüleme

Columbo had such a talent for politely threatening people without actually threatening them. He may as well have said "This isn't my first rodeo. I'm onto you, prick. I've got the scent, and I'm not going anywhere." 😂 But that's not Columbo

Columbo had such a talent for politely threatening people without actually threatening them. He may as well have said "This isn't my first rodeo. I'm onto you, prick. I've got the scent, and I'm not going anywhere." 😂 But that's not Columbo

36,345 görüntüleme

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Horror movies are largely atmosphere, punctuated by horrific and memorable moments. What are some of the great shocking / iconic / tense / memorable moments in horror?

Horror movies are largely atmosphere, punctuated by horrific and memorable moments. What are some of the great shocking / iconic / tense / memorable moments in horror?

507,126 görüntüleme • 13 gün önce

HELLRAISER [1987] Directed by Clive Barker Almost forty years later, Doug Bradley as Pinhead endures as one our most memorable horror icons!

HELLRAISER [1987] Directed by Clive Barker Almost forty years later, Doug Bradley as Pinhead endures as one our most memorable horror icons!

147,408 görüntüleme • 14 gün önce

LAWRENCE OF ARABIA [1962] Directed by David Lean ⭐⭐⭐⭐⭐ Surely, when Omar Sharif signed on for this film, he wasn't aware David Lean would gift him with what might reasonably be considered the greatest character entrance in cinema.

LAWRENCE OF ARABIA [1962] Directed by David Lean ⭐⭐⭐⭐⭐ Surely, when Omar Sharif signed on for this film, he wasn't aware David Lean would gift him with what might reasonably be considered the greatest character entrance in cinema.

549,762 görüntüleme • 2 ay önce

JAWS [1975] At the start of the clip, I absolutely love the excellent bit of filmmaking where Quint looks at the reel when it first clicks, then it clicks a second time and he stops eating his cracker. On the third and fourth clicks, he puts on his harness.

JAWS [1975] At the start of the clip, I absolutely love the excellent bit of filmmaking where Quint looks at the reel when it first clicks, then it clicks a second time and he stops eating his cracker. On the third and fourth clicks, he puts on his harness.

477,026 görüntüleme • 3 ay önce

In BEVERLY HILLS COP [1984], Bronson Pinchot is on screen for ninety seconds and gives one of the most memorable performances.

In BEVERLY HILLS COP [1984], Bronson Pinchot is on screen for ninety seconds and gives one of the most memorable performances.

275,474 görüntüleme • 2 ay önce

THE SHINING [1980] I consider this to be the point of no return for Jack, when the Overlook seals the deal with him. Jack says "I'd do anything for a drink. I'd give my goddamned soul for a glass of beer." Then Lloyd appears suddenly.

THE SHINING [1980] I consider this to be the point of no return for Jack, when the Overlook seals the deal with him. Jack says "I'd do anything for a drink. I'd give my goddamned soul for a glass of beer." Then Lloyd appears suddenly.

60,312 görüntüleme • 25 gün önce

"THE SWIMMER [1968] is a surreal, unsettling, and highly stylized masterpiece, featuring an unforgettable performance by Burt Lancaster, and directed by Frank Perry. It is based on the 1964 short story of the same title by author John Cheever. It follows a man’s delusional journey across suburban pools, which serves as a profound allegory for the decline of the American Dream, personal failure, and the loss of youth. A "suburban odyssey" that blends a dreamy, sunny aesthetic with dark, psychological undercurrents, it acts as a blistering satire of upper-middle class affluence, vanity and denial. The film is known for its dream-like, sometimes disjointed narrative, with some viewers seeing it as an interpretation of the descent into Hell."

"THE SWIMMER [1968] is a surreal, unsettling, and highly stylized masterpiece, featuring an unforgettable performance by Burt Lancaster, and directed by Frank Perry. It is based on the 1964 short story of the same title by author John Cheever. It follows a man’s delusional journey across suburban pools, which serves as a profound allegory for the decline of the American Dream, personal failure, and the loss of youth. A "suburban odyssey" that blends a dreamy, sunny aesthetic with dark, psychological undercurrents, it acts as a blistering satire of upper-middle class affluence, vanity and denial. The film is known for its dream-like, sometimes disjointed narrative, with some viewers seeing it as an interpretation of the descent into Hell."

388,468 görüntüleme • 7 ay önce

IN A VIOLENT NATURE [2024] has made its way into my top ten. It manages to use several tropes without abusing any of them. There's no music. The scariest thing about the killer is how slow and deliberate he is, yet capable. Unflinching violence, not for the squeamish.

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IN A VIOLENT NATURE [2024] has made its way into my top ten. It manages to use several tropes without abusing any of them. There's no music. The scariest thing about the killer is how slow and deliberate he is, yet capable. Unflinching violence, not for the squeamish.

27,182 görüntüleme • 12 gün önce

This is one of my favorite moments from ONE FLEW OVER THE CUCKOO'S NEST [1975]. Miloš Forman really captured something special with this cast and source material. I love the relationship between McMurphy and Chief.

This is one of my favorite moments from ONE FLEW OVER THE CUCKOO'S NEST [1975]. Miloš Forman really captured something special with this cast and source material. I love the relationship between McMurphy and Chief.

79,685 görüntüleme • 1 ay önce

EASTERN PROMISES [2007] Directed by David Cronenberg Mortensen and Watts are spectacular together in this film. What I love most about the film is how Cronenberg lets us make our own assumptions about Mortensen's character, and then shows how wrong we were to assume.

EASTERN PROMISES [2007] Directed by David Cronenberg Mortensen and Watts are spectacular together in this film. What I love most about the film is how Cronenberg lets us make our own assumptions about Mortensen's character, and then shows how wrong we were to assume.

65,733 görüntüleme • 1 ay önce

TAXI DRIVER [1976] 🚕 Directed by Martin Scorsese

TAXI DRIVER [1976] 🚕 Directed by Martin Scorsese

103,623 görüntüleme • 3 ay önce

CROSS OF IRON [1977] Directed by Sam Peckinpah This is a very underseen WW2 film. Set on the Russian Front in 1943, it's a gritty and realistic affair. James Coburn is excellent, as are James Mason and Maximilian Schell. Peckinpah got his hands on real T-34 tanks, too!

CROSS OF IRON [1977] Directed by Sam Peckinpah This is a very underseen WW2 film. Set on the Russian Front in 1943, it's a gritty and realistic affair. James Coburn is excellent, as are James Mason and Maximilian Schell. Peckinpah got his hands on real T-34 tanks, too!

53,793 görüntüleme • 2 ay önce

THE BIG HEAT [1953] came out seventy three years ago, and Lee Marvin's assault on Gloria Grahame is still shocking and brutal 🫣

THE BIG HEAT [1953] came out seventy three years ago, and Lee Marvin's assault on Gloria Grahame is still shocking and brutal 🫣

27,315 görüntüleme • 1 ay önce

The chronological JAWS clips continue. We're well on our way.

The chronological JAWS clips continue. We're well on our way.

81,461 görüntüleme • 3 ay önce

MANHUNTER [1986] Directed by Michael Mann

MANHUNTER [1986] Directed by Michael Mann

44,786 görüntüleme • 2 ay önce

Stanley Kubrick uses his mastery of visual language so effectively in THE SHINING [1980]. Bless Shelley Duvall for having to walk backwards for four consecutive minutes while being berated by Jack Nicholson. I've left this whole scene intact so you can enjoy the tension buildup!

Stanley Kubrick uses his mastery of visual language so effectively in THE SHINING [1980]. Bless Shelley Duvall for having to walk backwards for four consecutive minutes while being berated by Jack Nicholson. I've left this whole scene intact so you can enjoy the tension buildup!

17,904 görüntüleme • 21 gün önce

My all-time favorite credit flash for a director is in Sam Peckinpah's THE WILD BUNCH [1969]. William Holden's line and the freeze frame are awesome. It also happens to be my favorite western.

My all-time favorite credit flash for a director is in Sam Peckinpah's THE WILD BUNCH [1969]. William Holden's line and the freeze frame are awesome. It also happens to be my favorite western.

34,006 görüntüleme • 1 ay önce

EYES WIDE SHUT [1999] I love Kubrick's choice to cast Sydney Pollack. He doesn't have much screen time, but he's perfect. This "come to Jesus" moment is a great scene. For the patient and thoughtful viewer, there's an embarrassment of riches in this film.

EYES WIDE SHUT [1999] I love Kubrick's choice to cast Sydney Pollack. He doesn't have much screen time, but he's perfect. This "come to Jesus" moment is a great scene. For the patient and thoughtful viewer, there's an embarrassment of riches in this film.

24,936 görüntüleme • 1 ay önce

PLATOON [1986] Directed by Oliver Stone Tom Berenger as Staff Sgt Barnes is so unhinged he actually scares me. Did Berenger ever give another performance anywhere close to this good? Sergeant Barnes is the stuff of nightmares.

PLATOON [1986] Directed by Oliver Stone Tom Berenger as Staff Sgt Barnes is so unhinged he actually scares me. Did Berenger ever give another performance anywhere close to this good? Sergeant Barnes is the stuff of nightmares.

54,864 görüntüleme • 3 ay önce