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Vashi Nedomansky, ACE

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Feature Film Editor / Ex-Pro Hockey Player / Storyteller & Problem Solver

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The first "Texas Switch" of a flag in film history.

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The first "Texas Switch" of a flag in film history.

4,743,869 Aufrufe

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

1,371,271 Aufrufe

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

53,746 Aufrufe

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

798,666 Aufrufe

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

380,327 Aufrufe

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

263,757 Aufrufe

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

247,559 Aufrufe

Ladies and Gentlemen... The Dolly Zoom

Ladies and Gentlemen... The Dolly Zoom

356,375 Aufrufe

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

894,060 Aufrufe

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

351,203 Aufrufe

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

53,297 Aufrufe

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

53,175 Aufrufe

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

55,417 Aufrufe

Carlito embracing the Panavision anamorphic flare fest

Carlito embracing the Panavision anamorphic flare fest

42,237 Aufrufe

THE SPY WHO LOVED ME (1977) Practical filmmaking used in this shot: - lens flares - matte paintings - scale model - optical printer composite

THE SPY WHO LOVED ME (1977) Practical filmmaking used in this shot: - lens flares - matte paintings - scale model - optical printer composite

48,373 Aufrufe

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

685,787 Aufrufe

GOLDFINGER (1964) DIRTY HARRY (1971) cinematic symmetry zoom out reveal

GOLDFINGER (1964) DIRTY HARRY (1971) cinematic symmetry zoom out reveal

39,414 Aufrufe

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

93,154 Aufrufe

I ❤️ physical media in all its flavors!

I ❤️ physical media in all its flavors!

41,194 Aufrufe

LAWRENCE OF ARABIA (1962) One of the only visual effects shots in the film was a large painting of the Sun. Shooting directly into it for real would have burned the film stock.

LAWRENCE OF ARABIA (1962) One of the only visual effects shots in the film was a large painting of the Sun. Shooting directly into it for real would have burned the film stock.

23,881 Aufrufe

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