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Vashi Nedomansky, ACE

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The first "Texas Switch" of a flag in film history.

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The first "Texas Switch" of a flag in film history.

4,753,313 görüntüleme

Christopher Nolan can manipulate time so well that it appears Al Pacino is running both slow and fast at the same time.

Christopher Nolan can manipulate time so well that it appears Al Pacino is running both slow and fast at the same time.

2,274,511 görüntüleme

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

1,374,486 görüntüleme

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

807,613 görüntüleme

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

380,738 görüntüleme

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

330,636 görüntüleme

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

894,060 görüntüleme

Ladies and Gentlemen... The Dolly Zoom

Ladies and Gentlemen... The Dolly Zoom

356,460 görüntüleme

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

248,061 görüntüleme

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

359,813 görüntüleme

🚨TEXAS SWITCH ALERT!🚨 Actor Ronald Lacey disappears behind the wooden pillar and is sneakily replaced by stunt double Romo Gorrara for the jump out the window. Blink and you'll miss it! One of the many hidden practical effects in RAIDERS OF THE LOST ARK.

🚨TEXAS SWITCH ALERT!🚨 Actor Ronald Lacey disappears behind the wooden pillar and is sneakily replaced by stunt double Romo Gorrara for the jump out the window. Blink and you'll miss it! One of the many hidden practical effects in RAIDERS OF THE LOST ARK.

79,639 görüntüleme

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

686,015 görüntüleme

The first ever grenade 🚨SPLIT DIOPTER SHOT🚨 courtesy of director Gordon Smith and cinematographer Paul Donachie. Raise your glass!

The first ever grenade 🚨SPLIT DIOPTER SHOT🚨 courtesy of director Gordon Smith and cinematographer Paul Donachie. Raise your glass!

124,307 görüntüleme

If you liked the first one, here's another massive matte painting from CLIFFHANGER, featuring director Renny Harlin's comments. This matte painting was donated to the Academy Museum of Motion Pictures by artist Michele Moen.

If you liked the first one, here's another massive matte painting from CLIFFHANGER, featuring director Renny Harlin's comments. This matte painting was donated to the Academy Museum of Motion Pictures by artist Michele Moen.

44,910 görüntüleme

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

55,896 görüntüleme

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

93,154 görüntüleme

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

53,574 görüntüleme

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

53,571 görüntüleme

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

56,042 görüntüleme

Coen Brothers baby + car stunt: A real baby. A real car. Yikes! How did they do it practically? The shot was filmed in reverse. The car started next to the baby. The hood was pushed down 3X. The car accelerated backwards. The film was printed in reverse. Pure movie magic!

Coen Brothers baby + car stunt: A real baby. A real car. Yikes! How did they do it practically? The shot was filmed in reverse. The car started next to the baby. The hood was pushed down 3X. The car accelerated backwards. The film was printed in reverse. Pure movie magic!

23,753 görüntüleme

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ALICE'S ADVENTURES IN WONDERLAND (1972) contains an unbroken 30-second shot that shows Alice magically shrinking in the frame after eating a magic mushroom, which continues to baffle people for over 50 years. What you see really happened in one take with no cuts. There were no green screens, no compositing shots together and no digital VFX or CGI. It was captured in camera. How do you think this incredible shot was accomplished?

ALICE'S ADVENTURES IN WONDERLAND (1972) contains an unbroken 30-second shot that shows Alice magically shrinking in the frame after eating a magic mushroom, which continues to baffle people for over 50 years. What you see really happened in one take with no cuts. There were no green screens, no compositing shots together and no digital VFX or CGI. It was captured in camera. How do you think this incredible shot was accomplished?

Vashi Nedomansky, ACE

1,276,355 görüntüleme • 4 gün önce

DANTE'S INFERNO (1911) was Italy's first feature-length film. The climax in the Ninth Circle of Hell is pure nightmare fuel.

DANTE'S INFERNO (1911) was Italy's first feature-length film. The climax in the Ninth Circle of Hell is pure nightmare fuel.

Vashi Nedomansky, ACE

629,520 görüntüleme • 23 gün önce

For 30 seconds, CLIFHANGER convinces you this is a real mountain. The camera pullback doesn’t expose the trick. It proves how good the trick is. An enormous matte painting by Michelle Moen made the illusion possible. A beautiful practical VFX shot.

For 30 seconds, CLIFHANGER convinces you this is a real mountain. The camera pullback doesn’t expose the trick. It proves how good the trick is. An enormous matte painting by Michelle Moen made the illusion possible. A beautiful practical VFX shot.

Vashi Nedomansky, ACE

3,041,594 görüntüleme • 3 ay önce

In 2001, Hugh Jackman delivered the most realistic computer hacking scene in film history. To this day, it is used for training at the Cybercrime Division of the FBI.

In 2001, Hugh Jackman delivered the most realistic computer hacking scene in film history. To this day, it is used for training at the Cybercrime Division of the FBI.

Vashi Nedomansky, ACE

4,532,904 görüntüleme • 5 ay önce

Classic jump scare in House on Haunted Hill (1959)

Classic jump scare in House on Haunted Hill (1959)

Vashi Nedomansky, ACE

1,991,309 görüntüleme • 2 ay önce

As far as we have come in filmmaking, this shot from 1940 is still pure magic.

As far as we have come in filmmaking, this shot from 1940 is still pure magic.

Vashi Nedomansky, ACE

13,621,060 görüntüleme • 1 yıl önce

Olivia Rodrigo performed a live "falling down the stairs" stunt and SNL revealed how they did it before cutting to a commercial. Practical filmmaking is alive and well!

Olivia Rodrigo performed a live "falling down the stairs" stunt and SNL revealed how they did it before cutting to a commercial. Practical filmmaking is alive and well!

Vashi Nedomansky, ACE

2,074,546 görüntüleme • 5 ay önce

ROGUE ONE (2016) All 46 shots and lines of dialogue used in trailers, teasers and promos that are NOT in the theatrical release of the film.

ROGUE ONE (2016) All 46 shots and lines of dialogue used in trailers, teasers and promos that are NOT in the theatrical release of the film.

Vashi Nedomansky, ACE

1,597,909 görüntüleme • 4 ay önce

Danny DeVito directed HOFFA in 1992 and casually dropped this batshit crazy, David Lynchian transition into the film.

Danny DeVito directed HOFFA in 1992 and casually dropped this batshit crazy, David Lynchian transition into the film.

Vashi Nedomansky, ACE

830,224 görüntüleme • 3 ay önce

First season Kenny Powers is the best Kenny Powers

First season Kenny Powers is the best Kenny Powers

Vashi Nedomansky, ACE

985,314 görüntüleme • 3 ay önce

"Put the crosshairs on Charlize's nose."

"Put the crosshairs on Charlize's nose."

Vashi Nedomansky, ACE

1,266,697 görüntüleme • 5 ay önce

CLIFFHANGER proved you could put lights wherever you wanted for night scenes in the 1990's.

CLIFFHANGER proved you could put lights wherever you wanted for night scenes in the 1990's.

Vashi Nedomansky, ACE

950,637 görüntüleme • 5 ay önce

This two-hour 1968 made-for-TV motion picture was the debut of a new TV series that ran for 12 years. Here's the wild intro scene and credit sequence for that famous show...🌊

This two-hour 1968 made-for-TV motion picture was the debut of a new TV series that ran for 12 years. Here's the wild intro scene and credit sequence for that famous show...🌊

Vashi Nedomansky, ACE

859,428 görüntüleme • 6 ay önce

Monty Python needed just 90 seconds and one shoe to show us how a crowd becomes a cult.

Monty Python needed just 90 seconds and one shoe to show us how a crowd becomes a cult.

Vashi Nedomansky, ACE

83,776 görüntüleme • 18 gün önce

LINCOLN (2012) showcases Spielberg's casual mastery of camera movement, blocking and framing. Each character is revealed just in time for their line.

LINCOLN (2012) showcases Spielberg's casual mastery of camera movement, blocking and framing. Each character is revealed just in time for their line.

Vashi Nedomansky, ACE

829,862 görüntüleme • 6 ay önce

The creative cursing of 'Curb Your Enthusiasm' climaxes in the Season 3 finale. Ad-libbed and not scripted.

The creative cursing of 'Curb Your Enthusiasm' climaxes in the Season 3 finale. Ad-libbed and not scripted.

Vashi Nedomansky, ACE

742,796 görüntüleme • 5 ay önce

October in Los Angeles

October in Los Angeles

Vashi Nedomansky, ACE

45,210 görüntüleme • 10 gün önce

The Best 'Exposition Dump' in Film History. In 5 minutes, Spielberg lays out the characters, mythology, locations, artifacts and the entire narrative engine of the film. The audience discovers everything alongside Indy + each detail pays off later. A masterclass in storytelling.

The Best 'Exposition Dump' in Film History. In 5 minutes, Spielberg lays out the characters, mythology, locations, artifacts and the entire narrative engine of the film. The audience discovers everything alongside Indy + each detail pays off later. A masterclass in storytelling.

Vashi Nedomansky, ACE

664,371 görüntüleme • 5 ay önce

DESTINATION TOKYO (1943) has one of the coolest transition dissolves I've ever seen. The rippling light rays linger on the sonarman as he tracks the cruiser.

DESTINATION TOKYO (1943) has one of the coolest transition dissolves I've ever seen. The rippling light rays linger on the sonarman as he tracks the cruiser.

Vashi Nedomansky, ACE

324,225 görüntüleme • 2 ay önce

The GOLDFINGER Criterion 1991 laserdisc was discontinued and unsold copies were recalled because the bonus-feature commentary was "insensitive, inflammatory and potentially libelous." Here's editor Peter Hunt discussing Sean Connery's sex appeal:

The GOLDFINGER Criterion 1991 laserdisc was discontinued and unsold copies were recalled because the bonus-feature commentary was "insensitive, inflammatory and potentially libelous." Here's editor Peter Hunt discussing Sean Connery's sex appeal:

Vashi Nedomansky, ACE

536,395 görüntüleme • 4 ay önce