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@VictorInFocus • 2,133 subscribers

Creating Cinematic Images & Films with Generative AI

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Followed up on the same idea to create this clip. Started with a single frame from Krea 2, used GPT Image 2 to create the 3x3 contact sheet preserving the same aesthetic and dropped both into Seedance 2. Some flaws in the final clip but I think the aesthetic holds pretty well from the original image to the seedance gen. Krea 2 → GPT Image 2 → Seedance 2 was all done within Krea seedance prompt in the next post 👇

Followed up on the same idea to create this clip. Started with a single frame from Krea 2, used GPT Image 2 to create the 3x3 contact sheet preserving the same aesthetic and dropped both into Seedance 2. Some flaws in the final clip but I think the aesthetic holds pretty well from the original image to the seedance gen. Krea 2 → GPT Image 2 → Seedance 2 was all done within Krea seedance prompt in the next post 👇

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Anya Rossi

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Second go with MiniMax Design (H3) #MiniMaxH3 This time I ran gritty Midjourney v8.2 stills through H3 and used a Suno track as reference. Big takeaway: simpler prompts worked better. H3 understood the intent, stayed close to the original aesthetic, and synced the movement to the track surprisingly well. There are a few mangled faces and hands in there, but most of that came from imperfections in the source stills rather than H3 breaking the motion. This was just a quick test, so I left them in. I also used a vérité-style camera block and crash zooms to make the footage feel less controlled and more observed. Handheld movement, slight focus breathing and subtle background drift gave the shots a much more natural feel. Prompt block for the vérité camera work in the next post 👇

Second go with MiniMax Design (H3) #MiniMaxH3 This time I ran gritty Midjourney v8.2 stills through H3 and used a Suno track as reference. Big takeaway: simpler prompts worked better. H3 understood the intent, stayed close to the original aesthetic, and synced the movement to the track surprisingly well. There are a few mangled faces and hands in there, but most of that came from imperfections in the source stills rather than H3 breaking the motion. This was just a quick test, so I left them in. I also used a vérité-style camera block and crash zooms to make the footage feel less controlled and more observed. Handheld movement, slight focus breathing and subtle background drift gave the shots a much more natural feel. Prompt block for the vérité camera work in the next post 👇

68,654 views • 1 month ago

How did I completely miss Wan Wan 3.0 dropping? It released a few days ago and I only just got around to trying it. MiniMax H3, FLUX 3, LTX 2.5 and now this. We’ve been ridiculously spoiled with video models lately. Up to 20 multimodal references, 30-sec generations, and just $0.10/s at 720p. First proper play with Wan 3.0 and I think I love it. Prompt for this in the next post 👇

How did I completely miss Wan Wan 3.0 dropping? It released a few days ago and I only just got around to trying it. MiniMax H3, FLUX 3, LTX 2.5 and now this. We’ve been ridiculously spoiled with video models lately. Up to 20 multimodal references, 30-sec generations, and just $0.10/s at 720p. First proper play with Wan 3.0 and I think I love it. Prompt for this in the next post 👇

39,518 views • 25 days ago

Here’s Part 2, this time made with Seedance 2.5. This is the final cut, built from shorter generations, and I’m really happy with how it came together. My first attempt was one continuous 30-second generation, but it introduced too many mistakes. At 2.5’s price, repeatedly rerolling a long clip just wasn’t practical. Breaking the sequence into shorter shots gave me much more control over blocking, character placement, vehicles, pacing and the final edit. The biggest upgrade is the rendering. Skin has more texture and looks far less plastic than it often did in 2.0. Multimodal referencing is genuinely useful too. I used character, vehicle and environment sheets, but never needed more than seven references at once. Is it worth the extra cost? Yes, if time matters. I think 2.0 could reach a similar result, but it would take more generations and a lot more work. A few example prompts in next posts 👇 Made via Dreamina AI

Here’s Part 2, this time made with Seedance 2.5. This is the final cut, built from shorter generations, and I’m really happy with how it came together. My first attempt was one continuous 30-second generation, but it introduced too many mistakes. At 2.5’s price, repeatedly rerolling a long clip just wasn’t practical. Breaking the sequence into shorter shots gave me much more control over blocking, character placement, vehicles, pacing and the final edit. The biggest upgrade is the rendering. Skin has more texture and looks far less plastic than it often did in 2.0. Multimodal referencing is genuinely useful too. I used character, vehicle and environment sheets, but never needed more than seven references at once. Is it worth the extra cost? Yes, if time matters. I think 2.0 could reach a similar result, but it would take more generations and a lot more work. A few example prompts in next posts 👇 Made via Dreamina AI

48,856 views • 1 month ago

This is where one of those Midjourney v8.2 preview stills ended up. Midjourney and seedance prompts in the posts below. //The Thing In The Pines

This is where one of those Midjourney v8.2 preview stills ended up. Midjourney and seedance prompts in the posts below. //The Thing In The Pines

25,434 views • 2 months ago

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