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Here’s Part 2, this time made with Seedance 2.5. This is the final cut, built from shorter generations, and I’m really happy with how it came together. My first attempt was one continuous 30-second generation, but it introduced too many mistakes. At 2.5’s price, repeatedly rerolling a long clip... just wasn’t practical. Breaking the sequence into shorter shots gave me much more control over blocking, character placement, vehicles, pacing and the final edit. The biggest upgrade is the rendering. Skin has more texture and looks far less plastic than it often did in 2.0. Multimodal referencing is genuinely useful too. I used character, vehicle and environment sheets, but never needed more than seven references at once. Is it worth the extra cost? Yes, if time matters. I think 2.0 could reach a similar result, but it would take more generations and a lot more work. A few example prompts in next posts 👇 Made via Dreamina AIshow more

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I used Seedance Enterprise 2.5 to create this AI rap music video. One thing I noticed during testing was that I spent less time regenerating shots. I got the result on the second attempt. I was getting usable results more consistently, which made the workflow feel faster and more cost-effective. The authenticity struck me profoundly, Seedance 2.5 captures micro‑expressions and subtle eye shifts that feel unscripted — the kind of nuance that usually gets lost in AI, but here makes every frame read as a real performance. The 30-second generation made the creative process feel much more natural. The motion, lighting, and camera movement felt more natural, making it easier to focus on storytelling instead of fixing every scene. I can also see how pairing it with SeedAudio would make the overall AI music video workflow even more seamless. Support for multimodal references and localized editing helped keep the visuals consistent while making refinements much easier. Overall, Seedance 2.5 feels less like a shot generator and more like a creative tool for cinematic storytelling and music videos. Seedance 2.5 API is about to launch on BytePlus, and Lumina will also roll out Seedance 2.5 soon

I used Seedance Enterprise 2.5 to create this AI rap music video. One thing I noticed during testing was that I spent less time regenerating shots. I got the result on the second attempt. I was getting usable results more consistently, which made the workflow feel faster and more cost-effective. The authenticity struck me profoundly, Seedance 2.5 captures micro‑expressions and subtle eye shifts that feel unscripted — the kind of nuance that usually gets lost in AI, but here makes every frame read as a real performance. The 30-second generation made the creative process feel much more natural. The motion, lighting, and camera movement felt more natural, making it easier to focus on storytelling instead of fixing every scene. I can also see how pairing it with SeedAudio would make the overall AI music video workflow even more seamless. Support for multimodal references and localized editing helped keep the visuals consistent while making refinements much easier. Overall, Seedance 2.5 feels less like a shot generator and more like a creative tool for cinematic storytelling and music videos. Seedance 2.5 API is about to launch on BytePlus, and Lumina will also roll out Seedance 2.5 soon

Zara

28,952 просмотров • 6 дней назад

Still think there’s no difference in Seedance 2.5? 👀 Look at the skin tones. I used to own an ARRI ALEXA, and I’m telling you—the skin tones in 2.5 are noticeably more organic. The way it handles color, texture, and subtle tonal shifts in the skin just feels more natural and filmic. I’ve been seeing a lot of discussion about whether 2.5 is even worth the upgrade since, on the surface, not much seems to have changed. For me, this alone makes the upgrade absolutely worth it.

Still think there’s no difference in Seedance 2.5? 👀 Look at the skin tones. I used to own an ARRI ALEXA, and I’m telling you—the skin tones in 2.5 are noticeably more organic. The way it handles color, texture, and subtle tonal shifts in the skin just feels more natural and filmic. I’ve been seeing a lot of discussion about whether 2.5 is even worth the upgrade since, on the surface, not much seems to have changed. For me, this alone makes the upgrade absolutely worth it.

JSFILMZ

19,511 просмотров • 8 дней назад

When using GPT-5.5, it is instantly noticeable how much more powerful it is. In Codex, I gave it a very complex prompt to create London Toy Railway with landmarks and seasons - it did an excellent job in one shot. In the second half of the video you see GPT-5.4 - it was also not bad, but very clearly worse. GPT-5.5's generation is far more ambitious, coherent and with fewer errors. This is obviously a toy example, but I've used it on much more complex real tasks, including a complex app migration and a new hard workflow - it has been working away for many hours without getting stumped. I'm getting more and more addicted to this stuff with every model release.

When using GPT-5.5, it is instantly noticeable how much more powerful it is. In Codex, I gave it a very complex prompt to create London Toy Railway with landmarks and seasons - it did an excellent job in one shot. In the second half of the video you see GPT-5.4 - it was also not bad, but very clearly worse. GPT-5.5's generation is far more ambitious, coherent and with fewer errors. This is obviously a toy example, but I've used it on much more complex real tasks, including a complex app migration and a new hard workflow - it has been working away for many hours without getting stumped. I'm getting more and more addicted to this stuff with every model release.

Peter Gostev

262,507 просмотров • 3 месяцев назад

💬 The album (ARIRANG) is so good, but imagine how much better it would be if it had just a few more writing credits by you! 🐹 I do think it would have been better. But the other members did a beautiful job. 🐹 Plus, if I had been greedy and pushed the whole session just so I could add my own songs, this interview would be happening months from now. 🐹 Wouldn’t the fans be too bored during that time? 🐹 Sure, I’m a little bummed, but there’s more to life than just the present-there’s the future. And I believe there will always be more opportunities. 🐹 So I’m a little disappointed, but that was the best choice I could make at the time.

💬 The album (ARIRANG) is so good, but imagine how much better it would be if it had just a few more writing credits by you! 🐹 I do think it would have been better. But the other members did a beautiful job. 🐹 Plus, if I had been greedy and pushed the whole session just so I could add my own songs, this interview would be happening months from now. 🐹 Wouldn’t the fans be too bored during that time? 🐹 Sure, I’m a little bummed, but there’s more to life than just the present-there’s the future. And I believe there will always be more opportunities. 🐹 So I’m a little disappointed, but that was the best choice I could make at the time.

jin files

126,682 просмотров • 3 месяцев назад

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

Dinda Prasetyo

29,385 просмотров • 5 месяцев назад

For “The Final Callback,” I used Seedream 5.0 Pro via Lumina to shape the theatre and characters, SeedAudio for the dialogue and emotional soundscape, and Seedance Enterprise 2.5 to bring the full 30-second cinematic drama to life. The biggest surprise during my test wasn't just the cinematic quality—it was how much less trial-and-error the workflow required. For emotional scenes like these, I would normally regenerate multiple versions before getting a usable performance. With Seedance 2.5, I was able to achieve production-ready results in around 1-2 attempts, which significantly reduced generation costs while saving a lot of production time. That efficiency let me spend more time refining the story instead of constantly rerolling shots. The realism is what really completes the experience: Maya's restrained performance, natural dialogue delivery, subtle pauses, realistic character movement, and smooth cinematic camera motion make the scene feel much closer to a real film than an AI-generated clip. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.

For “The Final Callback,” I used Seedream 5.0 Pro via Lumina to shape the theatre and characters, SeedAudio for the dialogue and emotional soundscape, and Seedance Enterprise 2.5 to bring the full 30-second cinematic drama to life. The biggest surprise during my test wasn't just the cinematic quality—it was how much less trial-and-error the workflow required. For emotional scenes like these, I would normally regenerate multiple versions before getting a usable performance. With Seedance 2.5, I was able to achieve production-ready results in around 1-2 attempts, which significantly reduced generation costs while saving a lot of production time. That efficiency let me spend more time refining the story instead of constantly rerolling shots. The realism is what really completes the experience: Maya's restrained performance, natural dialogue delivery, subtle pauses, realistic character movement, and smooth cinematic camera motion make the scene feel much closer to a real film than an AI-generated clip. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.

Marry claire

25,293 просмотров • 4 дней назад

First time making pho and this is how I did it. Cooking a new cuisine for the first time was more challenging than I was expecting. There was a lot to learn and mistakes along the way but happy it turned out okay. The pho wasn't quite what I was expecting. It had good meaty flavor but lacking that authentic taste. The oxtail fried rice, however, was a nice surprise.

First time making pho and this is how I did it. Cooking a new cuisine for the first time was more challenging than I was expecting. There was a lot to learn and mistakes along the way but happy it turned out okay. The pho wasn't quite what I was expecting. It had good meaty flavor but lacking that authentic taste. The oxtail fried rice, however, was a nice surprise.

POV Husband

66,182 просмотров • 11 месяцев назад

In 1994, the first 32-bit next-generation console appeared, and it was the 3DO. What surprised me the most was that Super Street Fighter II X, which was hugely popular in arcades at the time, was available on this system. I still remember standing in a game shop, completely mesmerized, staring at that game for a long time. I was really hoping it would come out on the Super Famicom too, but maybe because of hardware limitations, it never did. That made it even more shocking. By the way, the model I’m talking about is the 3DO ALIVE 2 made by LG Electronics. For a lot of foreign friends, this is probably something they’ve never seen before.

In 1994, the first 32-bit next-generation console appeared, and it was the 3DO. What surprised me the most was that Super Street Fighter II X, which was hugely popular in arcades at the time, was available on this system. I still remember standing in a game shop, completely mesmerized, staring at that game for a long time. I was really hoping it would come out on the Super Famicom too, but maybe because of hardware limitations, it never did. That made it even more shocking. By the way, the model I’m talking about is the 3DO ALIVE 2 made by LG Electronics. For a lot of foreign friends, this is probably something they’ve never seen before.

Gamer_lafan

49,744 просмотров • 6 месяцев назад

One prompt. One continuous 30-second cinematic fantasy journey! What impressed me most about Seedance 2.5 on Astorie AI is how it handles a full story in one generation, and it comes with an offer of Unlimited Seedance 2.5 for 7 days on the Ultimate plan currently. From Seoul’s skyline to a celestial encounter, a seamless character transformation, and a cinematic finale. Consistent character, smooth camera movement, and fluid scene transitions throughout. This feels less like generating clips and more like directing a film.

One prompt. One continuous 30-second cinematic fantasy journey! What impressed me most about Seedance 2.5 on Astorie AI is how it handles a full story in one generation, and it comes with an offer of Unlimited Seedance 2.5 for 7 days on the Ultimate plan currently. From Seoul’s skyline to a celestial encounter, a seamless character transformation, and a cinematic finale. Consistent character, smooth camera movement, and fluid scene transitions throughout. This feels less like generating clips and more like directing a film.

Johnn

17,411 просмотров • 2 дней назад

Episode One: "Ranch Reckoning" (30 seconds, 9:16 vertical cinematic) created using Seedace 2.0 onn RoboNeo Okay... this took me one afternoon and I'm still surprised by how much control I had over the final result. The biggest game changer was the 3D Director's Stage in RoboNeo 3.1. Instead of hoping the AI guessed what I wanted, I could actually direct the scene—adjust camera angles, control character blocking, and shape how each shot played out. It felt way closer to directing than prompting. Also, the whole thing cost way less than I expected. I made this for just a few dollars since Seedance 2.0 is $0.055/sec on RoboNeo (64% off every day). Curious what you'd create with this level of scene control. Prompt 👇

Episode One: "Ranch Reckoning" (30 seconds, 9:16 vertical cinematic) created using Seedace 2.0 onn RoboNeo Okay... this took me one afternoon and I'm still surprised by how much control I had over the final result. The biggest game changer was the 3D Director's Stage in RoboNeo 3.1. Instead of hoping the AI guessed what I wanted, I could actually direct the scene—adjust camera angles, control character blocking, and shape how each shot played out. It felt way closer to directing than prompting. Also, the whole thing cost way less than I expected. I made this for just a few dollars since Seedance 2.0 is $0.055/sec on RoboNeo (64% off every day). Curious what you'd create with this level of scene control. Prompt 👇

Aaliya

53,624 просмотров • 19 дней назад

This is a video of me climbing Fractal Universe (5.13a R) in Sedona. It was the only trad route at an otherwise entirely bolted crag and it was decidedly heads up - soft rock and exciting gear. Earlier this winter I posted something about a route in Red Rock that I thought could use more bolts and some of my friends gave me grief for making climbing light duty (not too seriously, but they worried that I was promoting the wrong path). But in general, I love the adventurous side of climbing (obviously!) and this route in Sedona was the perfect example. I did many of the sport routes that day as well, but I only really remember the heads up trad route - the spiciness made it a lot more memorable. It was a good reminder that so much of the climbing experience is what you put into it. Higher commitment is often more rewarding.

This is a video of me climbing Fractal Universe (5.13a R) in Sedona. It was the only trad route at an otherwise entirely bolted crag and it was decidedly heads up - soft rock and exciting gear. Earlier this winter I posted something about a route in Red Rock that I thought could use more bolts and some of my friends gave me grief for making climbing light duty (not too seriously, but they worried that I was promoting the wrong path). But in general, I love the adventurous side of climbing (obviously!) and this route in Sedona was the perfect example. I did many of the sport routes that day as well, but I only really remember the heads up trad route - the spiciness made it a lot more memorable. It was a good reminder that so much of the climbing experience is what you put into it. Higher commitment is often more rewarding.

Alex Honnold

42,576 просмотров • 1 год назад

Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?

Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?

Kōda

35,800 просмотров • 2 месяцев назад

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Curious Refuge

12,209 просмотров • 1 месяц назад

Before the open edition tomorrow I wanted to share more on how this new collection came to be. Last year we've all experienced a major shift in the algorithm. Our reach was severely impacted and art posts seemed to be gone in favor of junk/rage posts. Around June last year while sketching in my notebook I doodled a Mickey-esque character with its head squashed by an old monitor. I came up with a rough result in after effects and dismissed it quickly as a nice experiment and nothing more. A couple of months went by and I reopened the files. Added some sounds and once again, in my head it was just a little detour before I make a new piece. Showed it to my wife and she loved it. But still I wasn't sure what to do with it. It looks different next to my other pieces. Thought it's cool but moved on. End of the year was very hard on me, I won't elaborate too much here but If you've been following me you know I had a personal loss. For a while I couldn't even think of creating anything new. Then I reopened the files for this one, and slowly worked my way into refining it. And while doing so I started liking this style more and more. Figured an accessible new collection would work perfectly for this. Getting my art in more hands is the priority here. Seeing your replies that you can finally get an edition of mine really warms my heart and makes this whole thing worthwhile. Hope you'll take this journey with me to see this collection grow over time as I make more and more editions with a fresh take in the Vintage Distortions series. Thanks for reading all my mumblings. Oh, and FUCK THE ALGO! 🖤

Before the open edition tomorrow I wanted to share more on how this new collection came to be. Last year we've all experienced a major shift in the algorithm. Our reach was severely impacted and art posts seemed to be gone in favor of junk/rage posts. Around June last year while sketching in my notebook I doodled a Mickey-esque character with its head squashed by an old monitor. I came up with a rough result in after effects and dismissed it quickly as a nice experiment and nothing more. A couple of months went by and I reopened the files. Added some sounds and once again, in my head it was just a little detour before I make a new piece. Showed it to my wife and she loved it. But still I wasn't sure what to do with it. It looks different next to my other pieces. Thought it's cool but moved on. End of the year was very hard on me, I won't elaborate too much here but If you've been following me you know I had a personal loss. For a while I couldn't even think of creating anything new. Then I reopened the files for this one, and slowly worked my way into refining it. And while doing so I started liking this style more and more. Figured an accessible new collection would work perfectly for this. Getting my art in more hands is the priority here. Seeing your replies that you can finally get an edition of mine really warms my heart and makes this whole thing worthwhile. Hope you'll take this journey with me to see this collection grow over time as I make more and more editions with a fresh take in the Vintage Distortions series. Thanks for reading all my mumblings. Oh, and FUCK THE ALGO! 🖤

Tony Babel

27,073 просмотров • 6 месяцев назад

here is the basic idea of my ai integration with vim there is a lot to work on, but here is the core concept ultimately i think programming control should remain in the hands of devs, and this makes it feel more like a sniper rifle than the current spray and pray that it is

here is the basic idea of my ai integration with vim there is a lot to work on, but here is the core concept ultimately i think programming control should remain in the hands of devs, and this makes it feel more like a sniper rifle than the current spray and pray that it is

ThePrimeagen

289,698 просмотров • 8 месяцев назад

Pragmata Review | No spoilers That is it for me. I played more than 30 hours of Pragmata and I am really happy that not only we finally got this game after so many delays and in a time where cancellations are common, but also that it turned out to be a very solid and enjoyable experience. Visually it is beautiful, and gameplay wise it works well for the length it has. It is not a long game, which I personally prefer, and I hope we see more titles like this instead of games trying to be longer just for the sake of it. I would not call it short like some people did, but I think it is exactly as long as it needs to be. Story wise, it is my favorite of the year so far. Seeing this kind of father and daughter dynamic again made me want to play more games with similar themes. I did almost everything in the game and I absolutely recommend it. If you are unsure about the length, maybe wait for a sale, but quality wise it deserves to be up there. I am not someone who rushes, so it took me longer because I admire the environments, take screenshots, record videos, and try to find collectibles without guides. For someone who just plays straight through, I think it would take around 12 to 15 hours, maybe a bit more or less. This is the kind of experience I want to see more often in the gaming space. I liked the combat and I think the enemy variety is fine for the length. If the game was longer without adding new enemy types, it would probably feel repetitive, but for what it is, it works. My biggest concern before playing was the combination of Hugh’s shooting and Diana’s hacking. If it was too complicated, it would be annoying, and if it was too simple, it would be boring. Thankfully, it ended up being exactly right. My only real complaint is that you need to return to the base to restock items, and when you die, the game sends you back there instead of placing you right before the area or at the last travel point you unlocked. It is not a huge issue, but it breaks the flow a bit. Diana is very cute and does her part extremely well, and Hugh is a character that is hard not to like. They both nail the dad simulator vibe. The voice acting is great, especially for Diana. Capcom delivered a unique and impressive new IP, which is always welcome in an industry where big publishers mostly rely on established franchises instead of taking risks. Whether we get more entries in the future is up to them, but it is also up to us to support games like this if we want more of them. On PC the game runs very well. The only thing that felt a bit underwhelming to me is the ray tracing when you use it on its own without path tracing. In some areas it does not add much, similar to what I noticed in Resident Evil Requiem. It makes me think it is either something with the RE Engine or simply that Capcom does not push ray tracing that far and focuses more on path tracing instead. Path tracing looks incredible, but of course it comes with a heavy performance cost. Something that impressed me throughout the entire playthrough is how consistent the game feels from start to finish. There is no point where it suddenly drops in quality or feels rushed. Every area has its own atmosphere, the pacing stays steady, and the game never tries to drag itself out longer than needed. It is rare to play something that stays this steady all the way through, and that alone made the whole experience even more enjoyable for me. I hope we get a DLC or a sequel one day, but even if this stays a one off, I am happy with what we got. Rating: 9/10

Pragmata Review | No spoilers That is it for me. I played more than 30 hours of Pragmata and I am really happy that not only we finally got this game after so many delays and in a time where cancellations are common, but also that it turned out to be a very solid and enjoyable experience. Visually it is beautiful, and gameplay wise it works well for the length it has. It is not a long game, which I personally prefer, and I hope we see more titles like this instead of games trying to be longer just for the sake of it. I would not call it short like some people did, but I think it is exactly as long as it needs to be. Story wise, it is my favorite of the year so far. Seeing this kind of father and daughter dynamic again made me want to play more games with similar themes. I did almost everything in the game and I absolutely recommend it. If you are unsure about the length, maybe wait for a sale, but quality wise it deserves to be up there. I am not someone who rushes, so it took me longer because I admire the environments, take screenshots, record videos, and try to find collectibles without guides. For someone who just plays straight through, I think it would take around 12 to 15 hours, maybe a bit more or less. This is the kind of experience I want to see more often in the gaming space. I liked the combat and I think the enemy variety is fine for the length. If the game was longer without adding new enemy types, it would probably feel repetitive, but for what it is, it works. My biggest concern before playing was the combination of Hugh’s shooting and Diana’s hacking. If it was too complicated, it would be annoying, and if it was too simple, it would be boring. Thankfully, it ended up being exactly right. My only real complaint is that you need to return to the base to restock items, and when you die, the game sends you back there instead of placing you right before the area or at the last travel point you unlocked. It is not a huge issue, but it breaks the flow a bit. Diana is very cute and does her part extremely well, and Hugh is a character that is hard not to like. They both nail the dad simulator vibe. The voice acting is great, especially for Diana. Capcom delivered a unique and impressive new IP, which is always welcome in an industry where big publishers mostly rely on established franchises instead of taking risks. Whether we get more entries in the future is up to them, but it is also up to us to support games like this if we want more of them. On PC the game runs very well. The only thing that felt a bit underwhelming to me is the ray tracing when you use it on its own without path tracing. In some areas it does not add much, similar to what I noticed in Resident Evil Requiem. It makes me think it is either something with the RE Engine or simply that Capcom does not push ray tracing that far and focuses more on path tracing instead. Path tracing looks incredible, but of course it comes with a heavy performance cost. Something that impressed me throughout the entire playthrough is how consistent the game feels from start to finish. There is no point where it suddenly drops in quality or feels rushed. Every area has its own atmosphere, the pacing stays steady, and the game never tries to drag itself out longer than needed. It is rare to play something that stays this steady all the way through, and that alone made the whole experience even more enjoyable for me. I hope we get a DLC or a sequel one day, but even if this stays a one off, I am happy with what we got. Rating: 9/10

𝑨𝒔𝒉𝒆𝒏 𝑶𝒏𝒆

32,822 просмотров • 3 месяцев назад

AI video generation is moving into a really exciting phase. What stands out with this latest update is how much more control creators have over the final result from character consistency and smoother motion to stronger visual storytelling and more cinematic outputs. Seedance 2.5 on Morphic makes it even more interesting to see where AI-powered video creation is heading. For creators, marketers, filmmakers, and anyone experimenting with generative video, improvements like these can make it easier to turn an idea from a simple prompt into something that actually feels alive. Excited to explore what’s possible with this update and see what the community creates.

AI video generation is moving into a really exciting phase. What stands out with this latest update is how much more control creators have over the final result from character consistency and smoother motion to stronger visual storytelling and more cinematic outputs. Seedance 2.5 on Morphic makes it even more interesting to see where AI-powered video creation is heading. For creators, marketers, filmmakers, and anyone experimenting with generative video, improvements like these can make it easier to turn an idea from a simple prompt into something that actually feels alive. Excited to explore what’s possible with this update and see what the community creates.

Chris Mark

34,240 просмотров • 2 дней назад

For more than a year, I've poured my heart into creating my Alice in Wonderland Themed Airbnb. It's taken countless hours, plenty of setbacks, and more hard work than I ever imagined. There are still days when it feels like the finish line is a long way off, but when I look back at where it started, I can't help but feel proud. This place has become so much more than a project, it's a dream I've held onto and slowly brought to life, one piece at a time. Every detail reflects a little bit of my imagination and a lot of my heart. I know it's not finished yet, but seeing it come together reminds me that the best things are worth the time, patience, and love they require. I can't wait for the day I finally open the door and share this little Wonderland with the world. ❤️

For more than a year, I've poured my heart into creating my Alice in Wonderland Themed Airbnb. It's taken countless hours, plenty of setbacks, and more hard work than I ever imagined. There are still days when it feels like the finish line is a long way off, but when I look back at where it started, I can't help but feel proud. This place has become so much more than a project, it's a dream I've held onto and slowly brought to life, one piece at a time. Every detail reflects a little bit of my imagination and a lot of my heart. I know it's not finished yet, but seeing it come together reminds me that the best things are worth the time, patience, and love they require. I can't wait for the day I finally open the door and share this little Wonderland with the world. ❤️

Kat Stryker

18,060 просмотров • 27 дней назад

🐹: “The recording was scheduled about three months in advance, and my tour was scheduled much earlier than that, So the timing just didn't work out. I was worried our fans would be bored while everyone was in the military, so there I was soothing the hearts of our fans, Meanwhile, all of the songs got made. 👤 “The album is so good, but imagine how much better it would be if it had just a few more writing credits by you” 🐹 “I do think it would have been better. But, the other members did a beautiful job. Plus, if I had been greedy, and pushed the whole session just so I could add my own songs, this interview would be happening months from now. Wouldn't the fans be too bored during that time? 🐹“Sure, I'm a little bummed, but there's more to life than just the present, there's the future. And I believe there will always be more opportunities.” 🐹 “So I'm a little disappointed, but that was the best choice I could make at the time.” WE LOVE YOU JIN ♡ yes Arirang would have been better with your writing, we agree!

🐹: “The recording was scheduled about three months in advance, and my tour was scheduled much earlier than that, So the timing just didn't work out. I was worried our fans would be bored while everyone was in the military, so there I was soothing the hearts of our fans, Meanwhile, all of the songs got made. 👤 “The album is so good, but imagine how much better it would be if it had just a few more writing credits by you” 🐹 “I do think it would have been better. But, the other members did a beautiful job. Plus, if I had been greedy, and pushed the whole session just so I could add my own songs, this interview would be happening months from now. Wouldn't the fans be too bored during that time? 🐹“Sure, I'm a little bummed, but there's more to life than just the present, there's the future. And I believe there will always be more opportunities.” 🐹 “So I'm a little disappointed, but that was the best choice I could make at the time.” WE LOVE YOU JIN ♡ yes Arirang would have been better with your writing, we agree!

HJ! 🇺🇸

11,392 просмотров • 3 месяцев назад

I made this video with the new version 2.1 of Kling AI . It took me much less time than usual. The longest part was creating the images, but again, with Midjourney's new omni ref feature, we save a lot of time and achieve better results. I think this is my first time trying a Gbli style. Tell me what you think!

I made this video with the new version 2.1 of Kling AI . It took me much less time than usual. The longest part was creating the images, but again, with Midjourney's new omni ref feature, we save a lot of time and achieve better results. I think this is my first time trying a Gbli style. Tell me what you think!

Déborah

26,542 просмотров • 1 год назад