■AIで戦闘シーンを作る方法 Kling( Kling AI )のElementsに、キャラクターとモンスターの画像を設定 あとは戦闘用のプロンプトを設定すればOK プロンプトにはエフェクトやカメラワークが入るようにChatGPTに指示をして作成しています 一つ目と二つ目のシーンのPrompt： Enraged,... the monster releases a deafening roar, shaking the ground as it swings its massive tail like a wrecking ball. The wide-angle shot captures the scale of destruction as the attack demolishes nearby wreckage, sending cars flying through the air. The cyborg reacts instantly, leaping onto a falling vehicle before dashing forward with inhuman agility. As the monster’s spiked tail comes crashing down, the cyborg raises its katana and, in a single precise motion, slices through the deadly appendage. The severed tail crashes to the highway, sparks and blood-like energy erupting from the wound. The monster shrieks in pain, staggering backward as the cyborg lands effortlessly, its glowing blade now stained with the battle’s fury. 三つ目のシーンのPrompt： The final moment arrives. The rain intensifies, each drop falling in slow motion as the cyborg prepares its ultimate strike. The close-up shot focuses on the katana’s blade, glowing with residual energy from the battle, its razor-sharp edge cutting through the downpour. The cyborg shifts into a battōjutsu stance, gripping the hilt tightly. The monster, weakened but still defiant, charges one last time, roaring with primal rage. Then—silence. In a single, undetectable motion, the cyborg unsheathes and slashes in an instant. A flash of blue energy splits the stormy night as the monster freezes mid-charge. A long pause follows before, finally, the beast collapses, cleaved in two. The rain washes away the last embers of battle as the cyborg stands victorious, katana flicking off the remnants of war. あとは編集で不要な部分をカットしたり、効果音をつけたりして完成！ #KlingAIshow more

Grok、プロンプト以上を汲み取ってくれるのは嬉しいけど…ほどほどにね。 「叫ぶ」とかは、プロンプトに入っていません。 ・静止画：Midjourney生成 （引用元の記事のプロンプトを改造） → 静止画プロンプトはリプ欄へ ・動画：Grok生成 👇 動画プロンプトは「さらに表示」👇... Prompt / Spell Grok Quality: Live-action film, high-speed cuts, numerous frames, 24fps, photorealistic, high-definition 2.5D. A 2.5x-speed action movie. Cuts: Video created from a variety of camera angles, including aerial shots and drone footage. Music: Pop EDM Locations: - A cyberpunk shrine in Shibuya 100 years in the future - A red torii gate - A red lantern A short action movie set in a cyberpunk world. -Scene 1: A woman begins fighting a group of cyberpunk cyborg ninjas who appear from a blind spot. The ninjas slash at the woman with energy swords. -Scene 2: The camera switches, and the woman swings her sword repeatedly at the group of cyberpunk cyborg ninjas at lightning speed. -Scene 3: The woman fires a super-powerful energy blast from her hand, knocking the ninjas off-screen with incredible force.show more

When darkness rises, legends answer. One flaming strike is... all it takes to change destiny Credit: SeaArt.Ai🐋 SeaArt Creator Lab Prompt: Epic fantasy battle scene in a volcanic wasteland at night. A towering demonic monster with glowing lava cracks across its body faces a fearless armored warrior. The camera rapidly orbits around the combatants in a fast cinematic 360-degree motion, creating intense speed and energy. Sparks, ash, and embers swirl through the air as the ground trembles beneath them. The demon suddenly lunges forward and swings one of its enormous razor-sharp claws in a devastating attack. The claw tears through the air with explosive force, generating shockwaves, flying debris, and motion blur. At the exact moment of impact, the warrior dashes forward fearlessly. The warrior's legendary sword ignites with blazing orange and golden flames, fire wrapping around the blade and leaving a bright trail of sparks. In a dramatic slow-motion moment, the warrior unleashes a powerful flaming slash directly toward the demon. The fiery sword arc cuts through the darkness, illuminating the battlefield with intense light. Flames erupt outward as the attack connects, creating a massive explosion of fire, sparks, smoke, and molten energy. Ultra-detailed cinematic visuals, dynamic camera movement, dramatic lighting, volumetric smoke, realistic fire simulation, epic fantasy atmosphere, high contrast, action-packed choreography, motion blur, particle effects, AAA game cinematic quality, Unreal Engine 5 style, 4K, highly detailed textures, masterpiece, intense and heroic mood.show more

What would you do if a monster charged at... you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.show more

質問来たので貫通対策についてご紹介します！ ①upperlegの子にちかくのスカートのボーンを入れる。 →スカート前方に2本置いているのは子にした時に不自然な形にならない位置に調整するため。 またボーン数が少ない事で、スカート前方ボーンからサイドのボーンまでの変形が緩やかに起こるため形が綺麗になる。 ②角度制限をつけて揺らす。 →upperlegの子のスカートボーン、第1ボーンは揺れの角度を規定(↓水色のエリア)する事でupperlegとの干渉が物理的に起こりえなくなる。 ③第2ボーンは重力設定とコライダーで自然な動きにします。 第2ボーンに重力設定をすることで座った時の形、足を折り曲げた時に膝に引っかかっている表現をしています。この表現のためにスカートボーンの関節を膝関節よりやや下にすると綺麗に動作します。 そこそこ貫通に強いです✨... I received a question, so I'd like to share how I handle clipping prevention! ① Add skirt bones near the upper leg as child bones. → The two bones placed at the front of the skirt are positioned in a way that avoids unnatural shapes when they become children of the upper leg. Also, by keeping the number of bones low, the deformation from the front skirt bones to the side bones becomes more gradual, resulting in a cleaner shape. ② Apply angle limits and simulate sway. → For the first skirt bone (child of the leg), limiting the sway angle (see the light blue area below) ensures it can’t physically collide with the upper leg. ③ Use gravity settings and colliders on the second bone for natural movement. → By setting gravity on the second bone, you can express the skirt catching on the knees when sitting or bending the legs. To achieve this effect, placing the joint of the skirt bone slightly below the knee joint allows for smoother movement. It's fairly resistant to clipping ✨ #blender #VRChat #3DCGshow more

Vidu Q2 リファレンス 一番リファレンスやってて楽しいのは細部からのなめるようなショット。 この剣の切っ先から顔にカメラがグライドしていく感じがすごい好きです。 あと、銃のカットみたいに最初に顔のほうにBlurをかけておくとより遠近感が出ていいです。 Viduはマルチショットにはならないですが、結果的にカット割りしたプロンプトのほうが効きがよかったです。 ご参考までに。（剣を持ってる子のプロンプトになっていますが、適宜変えてみてください。要はまずは細部に寄って、全体を捉えてねっていう感じです。GPTと相談してください） Cut... 1: Close-up — her foot stomps down, dirt and dust burst outward. Cut 2: Camera glides along the shining blade from tip to hilt, the light flaring as it moves. Cut 3: The blade’s reflection reveals her focused eyes; camera tilts up to her determined face. Cut 4: Wide shot — she faces a group of enemies, cloak fluttering, silence before impact. Cut 5: Subtle handheld motion, tension in the air, light flickers across the blade. Vidu Japanshow more

顔の回転時に2Dルックを保つ簡単な方法（Lattice使用）日本の3Dアーティストのアイデアを再現してみました！ A simple way to keep the 2D anime... look during head turns using the Lattice modifier. Inspired by a cool technique I saw recently! 数日前、三縁エイト @自主制作アニメ映画『砂塵ノ中デ』 さんの素晴らしい2Dディストーション効果の動画を見かけました。とても感動したので、自分のヴェルメル（Vermeil）のモデルで早速試してみました！ 注意点： 私のセットアップでは、この方法だと髪のフレネル（Fresnel）が少し崩れてしまいますが、全体的な効果はそれでも本当に素晴らしいです！ Blenderでこれを実現する方法は、専用のプラグインから複雑なスクリプトまでたくさんあります。予算があるなら、既製のプラグインを購入するのが間違いなく一番手っ取り早いです。しかし、初心者の方や無料の内蔵機能で試したい方のために、Lattice（ラティス）モディファイアを使った最も簡単な原理を紹介します。必要に応じて、この方法を自由にカスタマイズしてアップグレードしてみてください！ 🛠️ ステップ・バイ・ステップの設定方法： Latticeを追加する: Latticeオブジェクトを作成し、キャラクターの頭部の周りに合わせてスケールを調整します。 シェイプキー（Shape Key）を作成する: Latticeの設定で、新しいShape Keyを追加します。 Latticeを平らにする: 作成したシェイプキーをアクティブにした状態でエディットモード（Edit Mode）に入り、Latticeを1つの軸（XまたはYなど）に沿って潰し、2Dの圧縮効果を作ります。 Empty（空のオブジェクト）とカメラを設定する: Emptyオブジェクトを頭の中心に配置します。 カメラを選択し、次にShiftを押しながらEmptyを選択して、Ctrl + P -> Object を選び、カメラをEmptyの親に設定します。 コンストレイントを追加する: Latticeを選択し、Constraintsタブに移動して Copy Rotation（回転コピー） を追加します。ターゲット（Target）にはカメラを選択します。 これで完成です！Emptyが回転するとカメラが移動し、Latticeがカメラの角度に応じてジオメトリを動的に平らにするため、どの角度から見ても完璧な2Dアニメのシルエットが維持されます！ A few days ago, I came across a brilliant video by 三縁エイト @自主制作アニメ映画『砂塵ノ中デ』 showcasing an amazing 2D distortion effect. I loved it and immediately tried it on my Vermeil model. Note: For my specific setup, this method slightly breaks the Fresnel on the hair, but the overall effect is still absolutely stunning! There are many ways to achieve this in Blender—from custom add-ons to complex scripts. If you have the budget, buying a dedicated plugin is definitely the easiest route. However, for beginners or those who want a free built-in solution, here is the simplest way to recreate this principle using a Lattice modifier. You can easily upgrade and customize this method to fit your needs! 🛠️ Step-by-Step Setup: Add a Lattice: Create a Lattice object and scale it around your character's head. Create a Shape Key: Inside the Lattice settings, add a new Shape Key. Flatten the Lattice: With the Shape Key active, enter Edit Mode and flatten the Lattice along one axis (e.g., X or Y) to create the 2D compression effect. Set up the Empty & Camera: Place an Empty object right at the center of the head. Select your Camera, then the Empty, and press Ctrl + P -> choose Object to parent the camera to the empty. Add Constraint: Select your Lattice, go to the Constraints tab, and add a Copy Rotation constraint. Set the Target to your Camera. Now, as the empty rotates, the camera moves, and the Lattice dynamically flattens the geometry based on the camera's angle, maintaining that perfect 2D anime silhouette! Check out the original inspiring tweet here: #b3d #3dart #anime3d #Vermeil #3DCGshow more

🪽NEW SCULPTURE "蛹（さなぎ）" w:130 h:155 d:50 cm 壁から先端へ。ポリゴンが、少しずつ羽毛に変わっていく。 この彫刻は、デジタルの形が実体になっていく途中の一瞬を静止させたもの。... 多くの人は、リアルに実体化した先端を「本物」と感じ、壁側のポリゴンを未完成な記号として見る。 しかし私にとっては、それが逆である。コンピュータグラフィックスの中で生まれた形こそが原本であり、物質化されたものはその写し──虚構。 作る側と観る側とで、「本物」の位置が反転する。 この一体の身体の中に、その矛盾ごと閉じ込めた作品。 本展『GOLEM』で展示中の私の映像作品"Plazma"では、絶え間なく姿を変え続けるキャラクターたちの映像を展示している。 この鳥は、その終わらない変容の流れから切り取られた、一瞬の断面でもある。 Most people see the realistically materialized tip as “real,” and the polygonal side near the wall as an unfinished symbol. For me, it is the opposite: the form born inside computer graphics is the original, and its physical materialization is a copy — a fiction. Between the maker and the viewer, the position of “the real” is exactly reversed. This work holds that contradiction inside a single body. In “Plazma,” my video work on view in this exhibition, GOLEM, characters transform endlessly, never settling into one shape. This bird is also a cross-section — one instant cut from that unending flow of metamorphosis. 8/30まで宮下パーク ギャラリーSAIにて開催中のGOLEM展で展示中.show more

AI動画：低空飛行からの直角立ち上がり 地上5cmで180km/h → ギリギリ低空 → 直角上昇 → ビルの壁面スレスレ加速 →... 空へ水平滑空にチャレンジしてみました。 “物理的に無理な軌道”を破綻なく成立させるには、動きを5つのシーンに分解して書くのが一番効きました。 今回のプロンプトで工夫した点👇 ① 高速パートと上昇パートを切り分ける → 速度変化を同一文に入れると破綻する ② 直角上昇は “snap upward / 90-degree climb” のように短く・強い動詞で明示 → AIが変化点を理解しやすい ③ 近接描写は “centimeters from windows” で限定的に指定 → “スレスレ”を理解させつつ環境破綻を防ぐ ④ 加速シーンは “accelerates upward along the building” → 方向性を固定してブレを防止 ⑤ 最後の水平飛行は “glide / calm / stabilizes” と落ち着いた語彙で減速を伝える → 上昇→静寂のコントラストが自然に成立する 10秒の中で“激→静”を成立させるための最短プロンプトがこれ👇 Prompt: "cinematic ultra-realistic POV sequence, total length about 10 seconds. Scene 1: Racing at 180 km/h, only 5cm above the asphalt in a neon city. Strong forward motion blur on the ground, buildings sharp and stable. Scene 2: The camera gets even lower, almost scraping the ground, then snaps upward. Scene 3: A sudden 90-degree vertical climb between skyscrapers, passing just centimeters from windows and steel edges, no warping. Scene 4: Accelerates upward along the building surface, neon reflections streaking across glass, strong parallax. Scene 5: Clears the rooftop and shifts smoothly into a calm horizontal glide in the open sky. Speed decreases, view stabilizes with soft haze and cinematic lighting."show more

ひもが空中をぐるぐる飛ぶ！？🌀 曲がるストローに穴をあけて、ひもを通して輪っかにする。 短い方を上に向けてフーッと吹くと… ひもがストローの中を通って、上から飛び出して、ぐるぐる回り続けます！ ポイントは、ひもの輪っかがスムーズに動くこと。 結び目がひっかかる時は、テープでなめらかにすると動きやすくなります。 🔎 探究サポート（保護者・先生へ） ・なぜひもは上に飛び出して回る？... ・ひもの長さを変えると、動き方はどう変わる？ ・太いひも／細いひもでは違いがある？ ・ストローの角度や穴の大きさで、成功率は変わる？ うまく回らない時こそ、調整のチャンス。 ひもの長さ、結び目、穴の大きさを少しずつ変えて試してみよう。 Flying string loop?! 🌀 Make a hole in a bendy straw, thread a loop of string through it, and blow. The string travels through the straw, flies out the top, and loops around again and again! The key is making the loop smooth. If the knot gets stuck, add tape and trim it so the loop can move more easily. 🔎 Inquiry support • Why does the string fly out and loop around? • What changes if the string is longer or shorter? • What happens with thicker or thinner string? • How do straw angle and hole size change the result? #おうち実験show more

またあの不思議なアプリがアップデート…？（1/4）――これはもう、男たちの夢を形にしたツールだね。 香港MTR車内の静謐な優雅さの中で、日常と非日常が静かに交差するその瞬間、謎のアプリ「神奇APP」の「STOP」を軽くタップするだけで、世界が優雅に時を止める。あの長髪の優雅な彼女の驚きの表情が、光と影の中に定格した この神奇APPは再び更新され、ついに男人の夢想神器として姿を現した。(1/4) もし掌の中に現実を静かに一時停止させる力があったら、あなたはどのような優雅で詩的な情景を創り出すでしょうか？ これは「夢の神器」を探求する4部作の第1話です。ぜひ返信であなたのビジョンを共有してください。凍りついた瞬間に広がる、あなただけの物語をお待ちしています。 =================== Another update to... that mysterious app…? (1/4) — it’s practically a device born from men’s dreams. In the serene elegance of the Hong Kong MTR carriage, where the ordinary commute quietly meets the extraordinary, a single tap on the mysterious “STOP” function suspends time itself in a moment of graceful stillness. The elegant figure’s surprised expression freezes amid shifting light and shadow—this magical app has updated once more, revealing itself as the ultimate dream artifact. (1/4) If the power to pause reality rested gently in your hand, what elegant fantasy or unexpected poetic scene would you create in that frozen instant? This marks Episode 1 of a four-part exploration. Reply below and share your vision; I look forward to discovering this dream artifact together with you. ===Check the full prompt and story in comment=== Please tap the post😁show more

洗濯ばさみで発射！🚀 つつロケットを作ってみました。 わりばしに洗濯ばさみを固定して、めんぼう＋輪ゴムで発射装置を作ります。 めんぼうを引っぱって、洗濯ばさみでキャッチ。 紙の筒をのせて、にぎると… はっしゃ！🚀 ただ飛ばすだけじゃなくて、トリガーの仕組みを観察できるのが面白いところ。 どうすればもっとまっすぐ、高く飛ぶかな？ 🔎... 探究サポート（保護者・先生へ） ・洗濯ばさみの役割は何？どうやって輪ゴムの力をためている？ ・筒の長さや重さを変えると、飛び方はどう変わる？ ・先にノーズコーンをつけると、まっすぐ飛ぶ？ ・輪ゴムの長さや引っぱる強さを変えると、結果は変わる？ Clothespin trigger rocket! 🚀 Use chopsticks, a clothespin, a Q-tip, and a rubber band to make a simple launcher. Pull the Q-tip back, catch it with the clothespin trigger, place a paper tube on top, and squeeze… launch! 🚀 The best part is the trigger mechanism. Kids can observe how the rubber band stores energy and the trigger releases it, then keep iterating to improve the result. 🔎 Inquiry support • What is the role of the clothespin? • How does the tube’s length or weight affect the flight? • Does adding a nose cone or fins help it fly straighter? • What changes when you adjust the rubber band length or tension? #おうち実験 Groovy Lab in a Box Japan『英語「で」STEAM教材』show more

A massive male lion attempts a risky crossing through... a deep, murky river channel, his heavy mane weighed down by the water as he swims toward the opposite bank. Unbeknownst to the big cat, his splashing has alerted a colossal Nile crocodile lurking in the depths. Moving with absolute stealth beneath the surface, the armored reptile positions itself directly behind the swimming feline, utilizing the river's current and its powerful tail to close the distance without creating a single ripple. ​The ambush is sudden and devastating. Just as the lion nears the shallow water, the crocodile erupts from the river, its massive jaws snapping shut with bone-crushing force around the lion's hindquarters. Dragged backward into the deep water, the lion thrashes violently, turning to strike at the reptile with its sharp claws, but it is entirely out of its element. The apex reptile utilizes its immense weight and the momentum of the strike to pull the struggling king of the jungle beneath the surface, submerging completely as the river ripples settle over the fatal encounter.show more

浮上する天空城 Klingのキーフレーム（Start→End）のあと、Startフレームを設定して、2つの動画をつなげました 設定・プロンプトはリプ欄 #klingai

Do you prefer the green of the forest or... the blue of the sea? 森の緑と海の青、どっちが好き？🌿🌊 Sunlight filtering through the leaves somehow makes everything feel a little brighter. Sometimes it’s nice to get away from the noise of the city and just surround yourself with nature💫 木漏れ日を浴びていると、なんだか気分まで明るくなります☀️ たまには街の喧騒を離れて、緑に囲まれて過ごすのもいいですね😊 #Mio_2am #霧島澪show more

DomoAI (DomoAI official ) リップシンクで、ファーストテイク風に歌う動画を作ってみた！ 歌う仕上がりはめちゃ自然！ 作り方は簡単！ Step1. AIアバターにマイクの前で歌う画像と音声ファイルを添付... Step2. 補助的なプロンプトをいれる（入れた方が若干安定する気がする） ※ChatGPTとかに画像と曲を添付して「これにあうリップシンクのプロンプトを書いて」って言えばプロンプト生成してくれる） シンプルにこれだけ！ めちゃ簡単だし、生成結果も自然で良き！😆 プロンプト: The woman sings softly into the microphone in sync with the song. Precise lip-sync aligned to the tempo and phrasing of the music. Clear but gentle mouth shapes, smooth vowel transitions. Subtle jaw movement with restrained opening and closing. Soft breathing visible between phrases, especially at line endings. Very minimal head movement, slight natural stillness. Eyes focused forward with calm, emotional concentration. Upper body remains stable, no shoulder sway. Face structure locked, no morphing or deformation. No camera movement. Intimate, professional studio vocal performance.show more

🌃Sora 2で渋谷のVlog生成してみた！ 自撮りしながら夜の街を歩くシーン✨ 日本人女性の顔もリアルに生成できるのが最高😳 📜プロンプトはこちら A beautiful and cute... Japanese gravure idol is walking through the bustling streets of Shibuya at night, holding her phone and taking a selfie video. She has long hair styled beautifully, with soft makeup that glows under the neon lights. She wears a stylish outfit that complements her charm, such as a fitted top and a short skirt, with light accessories. The background is filled with colorful neon signs, busy crosswalks, and the lively night atmosphere of Shibuya. She smiles warmly at the camera, occasionally speaking softly in Japanese while walking. The scene shifts between close-up selfie shots and wider shots showing the vibrant cityscape. The scene has realistic lighting, cinematic depth of field, natural motion blur, vivid textures, and immersive city sounds like chatter, footsteps, and music from nearby shops. Ultra-realistic motion, natural Japanese speech, and dynamic handheld camera work.show more

【METAL SLUGの大魔王】 アートギャラリーに描いた緑色の『マルコ』。 「あれは何ですか？」という声をいただいたので、うろ覚えですがご説明します。 あれはたしか、コンバットスクールモード内の全訓練ミッションで、パーフェクトの1000点を達成してクリアすると、プレイヤーキャラが大魔王という隠し階級になるんです。 ほんとなら、『超人』になったという見た目にしたかったんですが、さすがにそんな余裕はなかったんで、手軽に肌の色を緑色にして、アニメの『デビルマン』を模して、大魔王だということにしたんです。 大魔王になるとハンドガンが「小型スーパーグレネード」ほどの火力になるんで爽快なんですよ。 大魔王という到達点はご褒美なんですが、コンバットスクール内で課せられるミッションは、AC版でデバッグしていた若い子らが、最速タイムでのクリアを競い合ったり、ノーミスクリアに挑戦していたことが大盛り上がりだったことから、ピンポイントアタックやサバイバルアタックというゲームができたんです。 つまり、コンバットスクールの鬼のようなミッションは、ドッターやプログラマーたちの変態チックなデバッグ中の遊びから生まれたものだったんですね。... English below 【The Great Demon King of METAL SLUG】 The green “Marco” I drew for the art gallery. Some people asked me, “What is that supposed to be?” so I’ll explain it, although my memory is a little fuzzy. If I remember correctly, in Combat School mode, if you cleared every training mission with a perfect score of 1000 points, your player character would be promoted to a hidden rank called “Great Demon King.” Originally, I wanted to make him look like he had become a “superhuman,” but we simply didn’t have enough time for something like that. So the simplest thing to do was to make his skin green, model him after the anime Devilman, and call him the Great Demon King. Once you became the Great Demon King, even the handgun had firepower on the level of a miniature Super Grenade, so it felt incredibly satisfying to use. The Great Demon King rank was the reward waiting at the end, but the missions inside Combat School were born because the young staff debugging the arcade version were having such a great time competing for the fastest clear times and challenging each other to no-miss runs. That energy led to game modes like Pinpoint Attack and Survival Attack. In other words, the demonically difficult Combat School missions came from the wonderfully twisted debugging games that the dot artists and programmers used to play. #MetalSlug30th #メタスラ30thshow more

Helldivers: *engaging in epic battles against the elites of... the Cyborg menace on the ground* The Eagle One subplot:show more

One warrior. One impossible battle. Only one survives. Created... with Seadance 2.0 on Lart AI Here is the link to try: Prompt: A cinematic, hyper-realistic 12-second action sequence in a ruined modern city at sunset. A fearless female warrior in realistic tactical combat armor faces a towering 40-foot monster with rough stone-like skin and glowing eyes. The monster charges with immense weight, causing the ground to crack, dust to erupt, and nearby vehicles to shake realistically. The woman sprints, slides under a massive punch, and uses momentum to leap from a collapsed concrete slab, delivering a powerful strike with an energy-infused sword. The monster staggers backward with believable body mechanics, destroying a building facade as debris falls naturally under gravity. She performs one final spinning aerial attack, slicing through the monster's glowing core. The giant collapses with realistic physics, creating a massive dust cloud, flying rubble, shockwave, and ground vibration. The woman lands in a controlled three-point stance, breathing heavily as the dust settles and sunlight shines through the smoke. Ultra-photorealistic, Hollywood blockbuster quality, handheld cinematic camera, dynamic tracking shots, physically accurate motion, realistic muscle movement, cloth simulation, debris, lighting, shadows, HDR, volumetric smoke, motion blur, 4K, 60fps, dramatic sound design, seamless action, no cartoon style, no exaggerated superhero physics, every movement follows real-world momentum and gravity.show more